[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F108770:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":16,"birthday":17,"deathday":18,"gender":19,"homepage":20,"id":21,"imdb_id":22,"known_for_department":23,"name":24,"place_of_birth":25,"popularity":26,"profile_path":27,"combined_credits":28,"images":411},false,[6,7,8,9,10,11,12,13,14,15],"Evgeniy Evtushenko","Yevgeny Evtushenko","Yevgeniy Evtushenko","Evgeniy Yevtushenko","Yevgeniy Yevtushenko","Yevgeni Yevtushenko","Ievgueni Alexandrovitch Ievtouchenko","Ievgueni Alexandrovitch Gangnus","Ievgueni Gangnus","Е. Евтушенко","Evgueni Alexandrovitch Evtouchenko (en russe: Евге́ний Алекса́ндрович Евтуше́нко), né Gangnus le 18 juillet 1932 à Zima, oblast d'Irkoutsk (RSFS de Russie), et mort le 1er avril 2017 à Tulsa, Oklahoma (États-Unis), est un poète russe, qui se distingua également comme acteur, photographe et réalisateur de cinéma. Représentant emblématique de la génération du dégel intellectuel après la mort de Staline, il fut l'une des premières voix humanistes à s'élever en Union soviétique pour défendre la liberté individuelle.\n\nFils du géologue Alexandre Gangnus (d'origine germano-balte, 1910-1976) et de Zinaïda Ermolaïevna Evtouchenko (1910-2002), Evgueni Gangnus naît à Zima où la famille est évacuée lors de la Seconde Guerre mondiale. Ils rentrent à Moscou en 1944.\n\nScolarisé à l'école no 254 puis à l'école numéro no 607 de Moscou, Evgueni fréquente le studio poétique à la Maison régionale des pionniers.\n\nEn 1948, injustement soupçonné à l'école numéro 607 d'avoir brûlé le carnet de notes de la classe, il est expulsé de l'établissement à l'âge de quinze ans. Son père le fait engager dans une expédition de prospection géologique au Kazakhstan, puis il travaille dans l'Altaï.\n\nSes premiers vers sont publiés en 1949, dans le journal Sovietski sport.\n\nDe 1952 à 1957, il étudie à l'Institut de littérature Maxime-Gorki d'où il sera également expulsé pour faute disciplinaire, notamment pour son soutien au roman L'Homme ne vit pas seulement de pain de Vladimir Doudintsev.\n\nEn 1952, paraît son premier livre, Les Éclaireurs de l'avenir que l'auteur qualifiera lui-même plus tard comme immature. La même année, il devient le plus jeune membre de l'Union des écrivains soviétiques, sans passer par l'étape du candidat.\n\nSon poème La Mort de Stenka Razine a été mis en musique par Dimitri Chostakovitch en 1964 (opus 119). Il en existe un enregistrement par l'Orchestre Philharmonique de Moscou, sous la direction de Kirill Kondrachine, LP 33t, Le Chant du Monde - Musique de notre temps \u002F Melodia U.R.S.S. LDX A 78376)\n\nIl est remarqué pour son ton indépendant, dénonçant les atrocités nazies de Babi Yar dans un poème du même nom, qui sera à l'origine de la symphonie nº 13 de Chostakovitch, aussi bien que les persécutions du régime soviétique, ou ultérieurement les exactions du régime russe en Tchétchénie: selon l'un de ses vers, «En Russie, un poète est plus qu'un poète».\n\nSource: Article \"Evgueni Evtouchenko\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1932-07-18","2017-04-01",2,null,108770,"nm0947877","Writing","Ievgueni Ievtouchenko","Nizhneudinsk, Irkutskaya oblast, USSR (Russia)",0.9902,"\u002FgGOLO9f3uRSm6B0OkVakpZXb9Ns.jpg",{"cast":29,"crew":233},[30,44,56,73,83,99,111,122,135,149,157,165,174,185,203,218],{"adult":4,"backdrop_path":20,"genre_ids":31,"id":33,"title":34,"original_language":35,"original_title":34,"overview":36,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"character":36,"credit_id":42,"order":40,"media_type":43},[32],18,409512,"Детский сад","ru","",0.8289,"\u002F1mqWABG9AwVlMITQPuQDCiOPz89.jpg","1984-08-01",5,6,"61b83ba185005d00611393a1","movie",{"adult":4,"backdrop_path":20,"genre_ids":45,"id":48,"title":49,"original_language":50,"original_title":49,"overview":36,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":36,"credit_id":55,"order":19,"media_type":43},[46,47],10402,10770,1152356,"Пісня завжди з нами","uk",1.4962,"\u002FcPzoO19LHNclF9p7o7gzht4b7Pd.jpg","1975-12-12",0,"64b26e37378062011c8ad2db",{"adult":4,"backdrop_path":57,"genre_ids":58,"id":61,"title":62,"original_language":63,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":70,"character":71,"credit_id":72,"order":41,"media_type":43},"\u002FsDHHEB9KCqnMpSvFnVBp0SQT5PF.jpg",[59,60],99,36,78129,"Soy Cuba : Le Mammouth Sybérien","pt","Soy Cuba, o mamute Siberiano","Les critiques de cinéma contemporains considèrent le film épique Soy Cuba comme un chef-d'œuvre moderne. La coproduction cubano-soviétique de 1964 a marqué un tournant dans la collaboration culturelle entre les deux nations. Pourtant, le film n'a jamais trouvé un public de masse et a langui pendant des décennies jusqu'à sa réintroduction en tant que \"classique\" dans les années 1990. Vicente Ferraz explore l'étrange histoire de ce tour de force cinématographique et sa signification profonde pour ceux qui ont participé à sa création.",1.4656,"\u002FfqlghiH4JbDUJovlUfo8pl4UaOp.jpg","2005-09-16",7.3,17,"Self (archive footage)","54b93c1cc3a3686c610043dd",{"adult":4,"backdrop_path":20,"genre_ids":74,"id":75,"title":76,"original_language":35,"original_title":76,"overview":36,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":40,"vote_count":80,"character":81,"credit_id":82,"order":40,"media_type":43},[59],442857,"A Film About Mikhail Kalatozov",1.6243,"\u002F3GBivNuXPoAyucGNzJkqPM4O3Pz.jpg","2006-01-01",1,"Self","58ab33bb92514135290007a4",{"adult":4,"backdrop_path":84,"genre_ids":85,"id":86,"title":87,"original_language":88,"original_title":89,"overview":90,"popularity":91,"poster_path":92,"release_date":93,"softcore":4,"video":4,"vote_average":94,"vote_count":95,"character":96,"credit_id":97,"order":98,"media_type":43},"\u002F5Ao5rqanTKzjwZD145OHi1SKCoO.jpg",[32],42695,"Je suis curieuse - version jaune","sv","Jag är nyfiken - en film i gult","Fin des années 1960. 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En Suède, le réalisateur suit son amie, une jeune activiste de 22 ans, Lena Nyman, alors qu'elle interroge de nombreuses personnes sur diverses questions politiques et de société, à travers le pays.",2.8576,"\u002FHumS42rK0H2e6E5bu5mbM8pITB.jpg","1967-03-10",5.671,79,"Himself","59fbcbd3c3a3681aa502144b",10,{"adult":4,"backdrop_path":100,"genre_ids":101,"id":102,"title":103,"original_language":35,"original_title":103,"overview":36,"popularity":104,"poster_path":105,"release_date":106,"softcore":4,"video":4,"vote_average":107,"vote_count":108,"character":36,"credit_id":109,"order":110,"media_type":43},"\u002Fa3DK6ALhH3DMHMkVZ9LEIke1SA0.jpg",[32],213703,"Похороны Сталина",1.8033,"\u002FsXZpsSdH5a7K65tIwVXiowwMDQe.jpg","1990-04-21",4,8,"5d48005da0be280811a3154c",7,{"adult":4,"backdrop_path":112,"genre_ids":113,"id":114,"title":115,"original_language":35,"original_title":115,"overview":36,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":80,"character":120,"credit_id":121,"order":54,"media_type":43},"\u002FkRlj8GySTcM0PWuJHaVg9dAxULz.jpg",[32,60],621095,"Взлет",1.3148,"\u002Fr95RR4IFqwsZ2VThdskXCYjM5Zm.jpg","1979-08-14",9,"Tsiolkovsky","5dc86508fe077a001652311b",{"adult":4,"backdrop_path":123,"genre_ids":124,"id":126,"title":127,"original_language":128,"original_title":127,"overview":36,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":133,"character":81,"credit_id":134,"order":40,"media_type":43},"\u002FosmuTSjfz0iiNjwLgSBY8pJakoK.jpg",[125,59],16,402523,"Finding Babel","en",1.0161,"\u002Fbykmn6mXNKVwpZ4zy8jFlVqE6oz.jpg","2016-10-28",6.3,3,"5e352c884ca676001a507cf1",{"adult":4,"backdrop_path":136,"genre_ids":137,"id":138,"title":139,"original_language":35,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":69,"vote_count":145,"character":146,"credit_id":147,"order":148,"media_type":43},"\u002F5oMDcgFJW75JU4aI4caZbViPjbm.jpg",[32],148782,"J’ai vingt ans","Мне двадцать лет","Moscou, début des années 60. Trois camarades, dont les pères sont morts à la guerre s'interrogent sur leur avenir, le sens de la vie et cherchent, sans grand enthousiasme, leur place dans la société.",1.456,"\u002FbSIdWdiHYhUsmEgSNdCdKmsGS6z.jpg","1965-01-18",59,"himself (uncredited)","5efdff73f0317400384ffd59",25,{"adult":4,"backdrop_path":20,"genre_ids":150,"id":151,"title":152,"original_language":35,"original_title":152,"overview":36,"popularity":153,"poster_path":154,"release_date":155,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":36,"credit_id":156,"order":133,"media_type":43},[59],1352570,"Дети XX съезда",1.5915,"\u002FjHsHM9LsrVMl4OfKksoeMQ6ba5h.jpg","1988-06-01","66d99a27c4b6460a443c2941",{"adult":4,"backdrop_path":20,"genre_ids":158,"id":159,"title":160,"original_language":35,"original_title":160,"overview":36,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":81,"credit_id":164,"order":40,"media_type":43},[59],1363882,"Евгений Урбанский",0.9204,"\u002Fsm3TuQ6IL9hsbD8jRjtvVLgRjV3.jpg","1968-06-03","66fa159a393cda1d1dcc6e93",{"adult":4,"backdrop_path":166,"genre_ids":167,"id":168,"title":169,"original_language":35,"original_title":169,"overview":36,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":54,"vote_count":54,"character":36,"credit_id":173,"order":80,"media_type":43},"\u002Fozj1Gny6KNGmCek6LjKpHjYRFUI.jpg",[59],1560996,"Вспоминая Бориса Пастернака",1.1949,"\u002FzBO4mdtCyLLHsZDV3kqi9aXVP0M.jpg","1990-01-01","68eabe981d253ce3c8786b73",{"adult":4,"backdrop_path":20,"genre_ids":175,"id":176,"title":177,"original_language":178,"original_title":177,"overview":36,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":182,"vote_count":19,"character":183,"credit_id":184,"order":80,"media_type":43},[59],851903,"castelporziano ostia dei poeti","it",1.3945,"\u002FytyJFlJPSWaKiUYLR24BVhfgyyg.jpg","2025-10-20",7.5,"Self - poet","691025f891a3814cebdd1a22",{"adult":4,"backdrop_path":186,"genre_ids":187,"id":190,"origin_country":191,"original_language":35,"original_name":193,"overview":36,"popularity":194,"poster_path":195,"first_air_date":196,"softcore":4,"name":193,"vote_average":197,"vote_count":198,"character":199,"credit_id":200,"episode_count":80,"first_credit_air_date":201,"media_type":202},"\u002FhbzIzdYye7KVKqIioMHdt3y97Kk.jpg",[188,189],35,10767,82317,[192],"RU","Где логика?",23.8598,"\u002FogCJ1hPzm8Pe5dV40eh3hJ7qbi3.jpg","2015-11-29",8.1,11,"Self \u002F Gamer","6212a462e0ca7f00437773e2","2022-02-07","tv",{"adult":4,"backdrop_path":204,"genre_ids":205,"id":206,"origin_country":207,"original_language":209,"original_name":210,"overview":211,"popularity":212,"poster_path":213,"first_air_date":214,"softcore":4,"name":210,"vote_average":215,"vote_count":107,"character":81,"credit_id":216,"episode_count":80,"first_credit_air_date":217,"media_type":202},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[189],30243,[208],"FR","fr","Apostrophes","Magazine culturel consacré à la littérature. L'émission proposait des discussions ouvertes entre quatre ou cinq auteurs autour d’un sujet commun, mais également des entrevues individuelles avec un seul auteur. En 15 ans d’existence, Apostrophes est devenu l'émission littéraire emblématique à la télévision française de cette période, notamment grâce à la personnalité de son présentateur Bernard Pivot, la diversité et la qualité de ses intervenants, voire des polémiques qui surgirent épisodiquement lors de l'émission.",50.9474,"\u002F8sAKVFRZDoZa51a60BO24Pf6jnb.jpg","1975-01-10",8.5,"63bc07e1fa404600aefe28bc","1982-04-30",{"adult":4,"backdrop_path":219,"genre_ids":220,"id":221,"origin_country":222,"original_language":128,"original_name":224,"overview":36,"popularity":225,"poster_path":226,"first_air_date":227,"softcore":4,"name":224,"vote_average":228,"vote_count":229,"character":230,"credit_id":231,"episode_count":80,"first_credit_air_date":232,"media_type":202},"\u002FfvNn1mQS4ecSph1QVSpKCQNyh47.jpg",[189],9890,[223],"US","The Dick Cavett Show",62.8478,"\u002FuDkndfnwbEGeSY4YmZbTRg4U5RQ.jpg","1968-06-06",6.8,22,"Self - Guest","5e066c6911386c0014c9ab99","1972-01-20",[234,248,253,256,259,268,279,282,295,304,316,325,338,350,360,370,381,392,401],{"adult":4,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":239,"original_title":238,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":244,"vote_count":245,"credit_id":246,"department":23,"job":247,"media_type":43},"\u002FacLH19t48M0FviMd9XM2MA3NWGE.jpg",[32],32015,"Soy Cuba","es","À Cuba, sous le régime de Batista. Maria, qui vit à La Havane, sombre dans la honte lorsque l'homme qui l'aime apprend comment elle gagne sa vie. Pedro, un vieux paysan, doit quitter ses terres, qui viennent d'être arbitrairement vendues à la firme United Fruit. Un étudiant est le témoin des brutalités de la police à l'égard des opposants. 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