[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1071403:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":14,"birthday":15,"deathday":16,"gender":17,"homepage":18,"id":19,"imdb_id":20,"known_for_department":21,"name":22,"place_of_birth":23,"popularity":24,"profile_path":25,"combined_credits":26,"images":1783},false,[6,7,8,9,10,11,12,13],"Alice Guy Blaché","Alice Blaché","Madame Alice Blaché","Alice Guy-Blache ","Alice Blache","Alice Guy Blache","Alice Guy","Аліс Ґі-Блаше","Née Alice Guy (1er juillet 1873 - 24 mars 1968) est généralement considérée comme la première femme réalisatrice au monde. Née en France, Alice Guy est entrée dans le monde du cinéma en tant que secrétaire chez Gaumont-Paris en 1896. L'année suivante, Gaumont passe de la fabrication d'appareils photo à la production de films, et Alice Guy devient l'un de ses premiers réalisateurs. Elle impressionne tellement la société par le rendement (elle produit en moyenne deux films de deux bobines par semaine) et la qualité de ses productions qu'en 1905, elle est nommée directrice de production de la société et supervise les autres réalisateurs. En 1907, elle épouse Herbert Blaché, un Anglais qui dirige les bureaux britannique et allemand de la société. Le couple se rend bientôt aux États-Unis pour y mettre en place les activités de la société. En 1910, elle crée sa propre société de production à New York et construit un studio à Fort Lee, dans le New Jersey. Après une période de succès critique et financier, la fortune de sa société décline et elle finit par fermer le studio. Bien qu'elle ait trouvé du travail comme réalisatrice pour plusieurs grands studios hollywoodiens, elle retourne en France en 1922 après son divorce avec Blaché. Elle n'a jamais été en mesure d'y trouver un emploi de réalisatrice et n'a plus jamais tourné de film. En 1964, elle retourne aux États-Unis et vit avec ses filles à Mahwah, dans le New Jersey, non loin de l'endroit où se trouvaient ses premiers studios, où elle meurt en 1968.\n\nTraduit avec www.DeepL.com\u002FTranslator (version gratuite)","1873-07-01","1968-03-24",1,null,1071403,"nm0349785","Directing","Alice Guy-Blaché","Saint-Mandé, Val-de-Marne, France",0.9401,"\u002Fy1atPvIVDpS2pJR2rnQZ4VR7ULM.jpg",{"cast":27,"crew":179},[28,47,63,75,88,98,113,124,137,145,153,161],{"adult":4,"backdrop_path":29,"genre_ids":30,"id":34,"title":35,"original_language":36,"original_title":35,"overview":37,"popularity":38,"poster_path":39,"release_date":40,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"character":43,"credit_id":44,"order":45,"media_type":46},"\u002F85btC1WugmPnPlInLjSSwxOMFV6.jpg",[31,32,33],99,36,10770,921221,"Alice Guy, l'inconnue du 7ème art","fr","Qui, en dehors des cinéphiles, connaît aujourd’hui Alice Guy (1873-1968) ? Elle fut pourtant la première femme derrière la caméra, et la première réalisatrice et productrice de films de fiction de l’histoire.",0.927,"\u002Fd1ODndQIKL1J50r7UwhHRJr8wRd.jpg","2021-11-20",7.2,11,"Self - Filmmaker (archive footage)","61ccae22746457008f5d6612",2,"movie",{"adult":4,"backdrop_path":48,"genre_ids":49,"id":51,"title":52,"original_language":36,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"character":60,"credit_id":61,"order":62,"media_type":46},"\u002F5kDLi7DWgpBWxDV3hqlTIc885lJ.jpg",[50],14,147554,"El hada de las coles","La fée aux choux","Un jeune couple de mariés se promène dans la campagne pendant leur lune de miel lorsqu'ils rencontrent une fée qui leur montre que les garçons naissent dans les choux et les filles dans les roses. Le couple remercie la fée pour sa gentillesse et décide d'adopter un de ses bébés.",1.1239,"\u002F2QZGHPgFcOPvPKJew0MQHF45dkj.jpg","1896-03-31",5.2,98,"","52fe4baa9251416c7510a2db",0,{"adult":4,"backdrop_path":18,"genre_ids":64,"id":65,"title":66,"original_language":36,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"character":73,"credit_id":74,"order":62,"media_type":46},[31],119997,"Espagne","Le film est un ensemble de vues cinématographiques de l’Espagne pour la plupart composées de lents panoramiques horizontaux :\r Madrid : Puerta del Sol, le Prado et la fontaine de Cybèle, le Palacio de Oriente et environs de Madrid,\r Grenade : la Sierra Nevada et l’Alhambra vus de l’Albaïcin,\r Séville : le Guadalquivir,\r Environs de Barcelone : le monastère de Montserrat,\r Danses gitanes.",0.7562,"\u002FrDNrovOSntKwvQ0WOmRE8ROPPca.jpg","1905-08-17",5.6,12,"Self - Presenter","63156991028420007b3a5478",{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":36,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":86,"credit_id":87,"order":17,"media_type":46},"\u002Fz4INIKB2kHEbMO3JpXsiLKFK38t.jpg",[31],120005,"Alice Guy tourne une phonoscène sur le théâtre de pose des Buttes-Chaumont","Enregistrement du tournage d'une phonoscène par Alice Guy et ses assistants.  Il ne s'agit pas du tournage de l'opéra Mignon, comme l'a souvent affirmé Alice Guy, mais du ballet Le Bal des Capulets au début de l'opéra Roméo et Juliette de Charles Gounod. On peut y voir l'assistant d'Alice Guy, Etienne Arnaud, faisant répéter les acteurs pour la mise en place d'une phonoscène. Alice Guy apparait au centre de l'équipe de tournage : elle se tourne vers le deuxième opérateur et manipule l'elgéphone",0.9069,"\u002FmSkvestnOiNRCwxR796WITaGeIL.jpg","1907-01-09",6.2,10,"Herself, the director","5592e1f19251415df8001e6a",{"adult":4,"backdrop_path":18,"genre_ids":89,"id":90,"title":91,"original_language":92,"original_title":91,"overview":60,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":62,"vote_count":62,"character":96,"credit_id":97,"order":62,"media_type":46},[31],1280629,"Portrait animé pris par L et A Lumière","xx",0.7251,"\u002FtBZD2Mqy4VtazMv4xqEStUZTXyR.jpg","1895-12-31","Herself","662bdd28f9183a011c314481",{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":103,"original_title":104,"overview":105,"popularity":106,"poster_path":107,"release_date":108,"softcore":4,"video":4,"vote_average":41,"vote_count":109,"character":110,"credit_id":111,"order":112,"media_type":46},"\u002FeLRuEg6wcJf6aFgy8UBrnN8DmN3.jpg",[31,32],520270,"Be natural : l'histoire cachée d'Alice Guy-Blaché","en","Be Natural: The Untold Story of Alice Guy-Blaché","Première femme réalisatrice, productrice et directrice de studio de l’histoire du cinéma, Alice Guy est le sujet d’un documentaire mené tambour battant telle une enquête visant à faire (re)connaître la cinéaste et son œuvre de par le monde.",2.0283,"\u002Fo5fz4qNgI5nfDirf6UcX0SpAG6T.jpg","2018-12-07",42,"Self (archive footage)","5aded97bc3a3686adf00690c",80,{"adult":4,"backdrop_path":114,"genre_ids":115,"id":116,"title":117,"original_language":36,"original_title":117,"overview":60,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":121,"vote_count":122,"character":110,"credit_id":123,"order":62,"media_type":46},"\u002FtuHoqLP0dKlB7U7NRoonk04zut4.jpg",[31],159244,"Le jardin oublié - La vie et l'oeuvre d'Alice Guy-Blaché",1.1015,"\u002FsypxXqEPst5d0lAhnoElJ6dtD6W.jpg","1995-01-01",6.4,6,"5aea1c94c3a3682c06001693",{"adult":4,"backdrop_path":125,"genre_ids":126,"id":127,"title":128,"original_language":36,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":134,"character":110,"credit_id":135,"order":136,"media_type":46},"\u002FvhKDR4vPrvox2y42BryGZWNQgyb.jpg",[31],398254,"Et la femme créa Hollywood","A Hollywood, au début du XX ème siècle, les pionniers sont aussi des pionnières. Lois Weber, Mary Pickford et Dorothy Arzner : des réalisatrices, scénaristes, actrices qui débordent d'imagination, d'humour et d'une formidable énergie.",2.0716,"\u002F4bmCKOaWRAgicCtV2hgi7f7QirY.jpg","2016-05-16",7.1,8,"5d8f576b66a7c3000f89143e",7,{"adult":4,"backdrop_path":18,"genre_ids":138,"id":140,"title":141,"original_language":36,"original_title":141,"overview":60,"popularity":142,"poster_path":18,"release_date":143,"softcore":4,"video":4,"vote_average":136,"vote_count":17,"character":60,"credit_id":144,"order":62,"media_type":46},[139],18,713362,"Mireille",0.7287,"1906-05-28","5edced98f36a32002088b7dd",{"adult":4,"backdrop_path":18,"genre_ids":146,"id":147,"title":148,"original_language":103,"original_title":148,"overview":60,"popularity":149,"poster_path":18,"release_date":150,"softcore":4,"video":4,"vote_average":62,"vote_count":62,"character":151,"credit_id":152,"order":62,"media_type":46},[31],1382680,"A Solax Celebration",0.6169,"1912-01-01","The Cause","67290de0de69a78ba9645611",{"adult":4,"backdrop_path":18,"genre_ids":154,"id":155,"title":156,"original_language":36,"original_title":156,"overview":60,"popularity":157,"poster_path":18,"release_date":158,"softcore":4,"video":4,"vote_average":62,"vote_count":62,"character":159,"credit_id":160,"order":62,"media_type":46},[31],1621141,"Qui est Alice Guy?",0.8434,"1976-01-01","Self","697246081f3d8e3d3291aa53",{"adult":4,"backdrop_path":162,"genre_ids":163,"id":166,"origin_country":167,"original_language":36,"original_name":169,"overview":170,"popularity":171,"poster_path":172,"first_air_date":173,"softcore":4,"name":169,"vote_average":174,"vote_count":175,"character":159,"credit_id":176,"episode_count":17,"first_credit_air_date":177,"media_type":178},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[31,164,165],10751,10767,79313,[168],"FR","Cinépanorama","Pendant dix ans, le grand reporter (et ancien correspondant de guerre) François Chalais offre un regard décalé et des interviews surprenantes des grands mythes du cinéma, souvent en compagnie de France Roche. Composée de reportages et d’entretiens, cette émission révèle les acteurs et cinéastes en toute confidence. Le ton de Chalais et sa verve le rendent parfois irrévérencieux. ",20.7415,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04",8.7,3,"63b044abc56d2d007c837f29","1957-04-25","tv",[180,185,197,205,219,228,240,249,258,266,277,287,298,308,317,323,335,341,348,356,367,375,383,391,404,412,423,426,439,448,459,467,476,486,496,499,508,516,524,534,543,553,561,569,578,588,595,604,613,625,632,641,651,660,669,680,687,693,699,707,710,719,724,732,739,749,758,761,769,777,786,794,806,814,817,828,836,844,852,855,858,861,870,873,880,883,891,899,907,910,918,921,929,935,939,947,951,959,967,970,978,986,989,992,1000,1007,1014,1022,1030,1036,1044,1052,1060,1063,1066,1074,1081,1088,1096,1105,1112,1115,1123,1126,1133,1141,1151,1154,1162,1170,1173,1176,1179,1182,1185,1192,1201,1204,1212,1219,1222,1230,1238,1246,1254,1262,1269,1277,1285,1293,1300,1308,1315,1318,1327,1334,1342,1345,1353,1360,1367,1373,1376,1379,1387,1395,1402,1405,1408,1415,1418,1421,1428,1432,1439,1446,1453,1460,1467,1470,1477,1484,1491,1494,1501,1508,1514,1521,1528,1531,1538,1545,1552,1560,1568,1574,1582,1585,1592,1602,1608,1611,1619,1622,1630,1638,1646,1654,1657,1664,1672,1680,1688,1698,1706,1715,1723,1732,1740,1748,1756,1763,1766,1773],{"adult":4,"backdrop_path":48,"genre_ids":181,"id":51,"title":52,"original_language":36,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"credit_id":182,"department":183,"job":184,"media_type":46},[50],"604c494c326c19003d1a25de","Camera","Director of Photography",{"adult":4,"backdrop_path":186,"genre_ids":187,"id":189,"title":190,"original_language":36,"original_title":190,"overview":60,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":194,"vote_average":85,"vote_count":17,"credit_id":195,"department":21,"job":196,"media_type":46},"\u002FgpqhQGhPwTACvAbgg2xK6fsTyIC.jpg",[31,139,188],35,945578,"Gaumont Treasures 1897-1913",1.0704,"\u002F3ca3nIgqQ1L3s8vvZf4YvikcV3Q.jpg","2005-01-05",true,"6220f2589020120043bd5b3f","Director",{"adult":4,"backdrop_path":18,"genre_ids":198,"id":199,"title":200,"original_language":103,"original_title":200,"overview":60,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":62,"vote_count":62,"credit_id":204,"department":21,"job":196,"media_type":46},[],950920,"When Marian was Married",0.7004,"\u002FqLN9FvbXnvEl0549rHzHOLuJdnH.jpg","1911-01-01","623512b61ac29200465a83d5",{"adult":4,"backdrop_path":18,"genre_ids":206,"id":207,"title":208,"original_language":103,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":216,"department":217,"job":218,"media_type":46},[139],156128,"L'Américanisé","Making an American Citizen","Un immigré apprend à la dure comment les maris doivent se comporter avec leur épouse aux États-Unis.",1.0053,"\u002FkVK0a9qIilhdIneBSRTESRXWg01.jpg","1912-10-30",5.1,16,"608502672da8460029818c20","Production","Producer",{"adult":4,"backdrop_path":18,"genre_ids":220,"id":221,"title":222,"original_language":36,"original_title":222,"overview":60,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":226,"vote_count":136,"credit_id":227,"department":21,"job":196,"media_type":46},[31],120007,"Le Boléro. Dansé par miss Saharet.",0.8642,"\u002Fui3FE4kTHD5FLfNJemKPKScgCcE.jpg","1905-01-01",4,"52fe4a3bc3a368484e1480bb",{"adult":4,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":92,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":237,"vote_count":238,"credit_id":239,"department":21,"job":196,"media_type":46},"\u002Fiv3asK49POgnhWHdcFrccIal4R3.jpg",[188],120026,"Les Résultats du féminisme","L’employé d’une boutique de chapeaux doit livrer une commande, et en chemin, subit les assauts de plusieurs femmes. Dans ce monde à l'envers, l'émancipation féminine a rebattu les rôles stéréotypés masculin\u002Fféminin. Très efféminés, ces messieurs s'occupent du ménage et des enfants, tandis que, dominatrices, les dames fréquentent le bistrot, toujours prêtes à une petite aventure galante.",1.0999,"\u002FqhGI8Zfb7yvvecG39cD2o6cRkLP.jpg","1906-12-21",6.204,76,"52fe4a3cc3a368484e1481c9",{"adult":4,"backdrop_path":18,"genre_ids":241,"id":242,"title":243,"original_language":36,"original_title":243,"overview":60,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":71,"vote_count":247,"credit_id":248,"department":21,"job":196,"media_type":46},[139],120028,"Le Fils du garde-chasse",0.9674,"\u002FiENbWfnW6xkhouhKfSfWkGcQxsX.jpg","1906-07-06",9,"52fe4a3cc3a368484e1481dd",{"adult":4,"backdrop_path":18,"genre_ids":250,"id":252,"title":253,"original_language":36,"original_title":253,"overview":60,"popularity":254,"poster_path":255,"release_date":225,"softcore":4,"video":4,"vote_average":256,"vote_count":72,"credit_id":257,"department":21,"job":196,"media_type":46},[251,31],10402,120009,"Le vrai jiu-jitsu",0.9991,"\u002FuStZFI2I03xgjW9x88lSjVap1SQ.jpg",4.7,"52fe4a3bc3a368484e1480cf",{"adult":4,"backdrop_path":18,"genre_ids":259,"id":260,"title":261,"original_language":36,"original_title":261,"overview":60,"popularity":262,"poster_path":263,"release_date":225,"softcore":4,"video":4,"vote_average":264,"vote_count":85,"credit_id":265,"department":21,"job":196,"media_type":46},[251,31],120012,"La polka des trottins",0.8712,"\u002FmtwaFfwOB2k2OEfhiqHRNH382Sm.jpg",5,"52fe4a3bc3a368484e1480ed",{"adult":4,"backdrop_path":267,"genre_ids":268,"id":269,"title":270,"original_language":36,"original_title":270,"overview":271,"popularity":272,"poster_path":273,"release_date":274,"softcore":4,"video":4,"vote_average":122,"vote_count":275,"credit_id":276,"department":21,"job":196,"media_type":46},"\u002FxFe0rWhXU6lujTAhHrHrEV8uUDF.jpg",[139,32],120015,"La Vie du Christ","La Vie de Jésus Christ en 25 scènes.",0.9594,"\u002FmOsyQKe6CauSel73w0oIp52hpVE.jpg","1906-04-20",22,"52fe4a3bc3a368484e148103",{"adult":4,"backdrop_path":18,"genre_ids":278,"id":279,"title":280,"original_language":36,"original_title":280,"overview":60,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":284,"vote_count":285,"credit_id":286,"department":21,"job":196,"media_type":46},[188],120023,"Le Matelas alcoolique",0.5854,"\u002Fg14bEvOmc7oCHCGYJXR1ZuonfzG.jpg","1906-11-06",6.029,17,"52fe4a3cc3a368484e1481ab",{"adult":4,"backdrop_path":288,"genre_ids":289,"id":290,"title":291,"original_language":36,"original_title":291,"overview":292,"popularity":293,"poster_path":294,"release_date":295,"softcore":4,"video":4,"vote_average":296,"vote_count":32,"credit_id":297,"department":21,"job":196,"media_type":46},"\u002Fn2tquR5HZlb9btlUgerh3QEzn6M.jpg",[188],120017,"Madame a des envies","Une femme enceinte souffre de fringales lors d'une promenade avec sa famille. Au grand dam de son mari, qui doit réparer les pots cassés, elle chaparde la sucette d’une fillette, l’absinthe d’un homme sur une terrasse ou encore le hareng d’un clochard.",1.2262,"\u002FsF2gZzdLSzlrxXnyIT4PJlPWvnc.jpg","1906-08-02",5.8,"52fe4a3bc3a368484e148117",{"adult":4,"backdrop_path":18,"genre_ids":299,"id":300,"title":301,"original_language":36,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":306,"vote_count":85,"credit_id":307,"department":21,"job":196,"media_type":46},[139],120020,"La Marâtre","L’image d’un couple modeste mais idéal : il s’apprête à partir au travail mais avant, il aide son épouse à mettre de l’ordre dans la maisonnée. Veuf, il avait accepté de l’épouser alors qu’elle était mère.\r Mais la réalité est tout autre : la marâtre a pris en grippe son beau-fils et n’a d’égards que pour son bambin. Le pauvre garçon de l’homme bien aveugle, doit subir remontrances et coups de sa belle-mère.\r Inquiet de la disparition de son fils, le père est allé au commissariat. Il n’a pas terminé sa déclaration qu’on lui amène son enfant. Tout semble bien se terminer mais le garçon refuse de retourner chez lui. Interloqués, les agents de la force publique ont tôt fait de découvrir les raisons de ses réticences : les bras du malheureux sont recouverts d’ecchymoses.  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Celle-ci lui propose toutes ses économies pour se refaire mais il refuse. Elle imagine un stratagème subtil : elle lui fait parvenir un faux télégramme d’un notaire lui annonçant qu’il hérite d’une forte somme à condition d’être marié le jour même avant midi. Une course-poursuite commence",1.1152,"\u002FjS4JZ2vWlgSYeIoLVs8s8EYcEWr.jpg","1913-06-11",31,"52fe4b379251416c750fbe97",{"adult":4,"backdrop_path":48,"genre_ids":424,"id":51,"title":52,"original_language":36,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"credit_id":425,"department":21,"job":196,"media_type":46},[50],"52fe4baa9251416c7510a2d7",{"adult":4,"backdrop_path":427,"genre_ids":428,"id":429,"title":430,"original_language":103,"original_title":431,"overview":432,"popularity":433,"poster_path":434,"release_date":435,"softcore":4,"video":4,"vote_average":436,"vote_count":437,"credit_id":438,"department":21,"job":196,"media_type":46},"\u002F41nRdLo7zrtMDJOlBOnLE7qZkjl.jpg",[139],147624,"Les feuilles chéant","Falling Leaves","C'est le début de l'automne et le Dr Headley démontre avec enthousiasme ce qui semble être un remède miraculeux contre la tuberculose. Non loin de l'endroit où il travaille, la maladie semble se préparer à bientôt prendre une autre vie, celle d'une adolescente nommée Winifred. La mère de Winifred et sa petite sœur Trixie sont dévastées. Lorsque Trixie entend le médecin de famille dire à propos de Winifred que \"quand la dernière feuille tombera, elle sera décédée\", elle interprète littéralement les paroles du médecin. En réfléchissant à ce qu'elle a entendu, elle décide de faire tout son possible pour sauver sa sœur.",0.9643,"\u002FqgxrwkkTyc7lzvXwY4zk6yCzet9.jpg","1912-03-15",6.6,97,"52fe4bad9251416c7510a7f1",{"adult":4,"backdrop_path":18,"genre_ids":440,"id":441,"title":442,"original_language":92,"original_title":442,"overview":60,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":446,"vote_count":333,"credit_id":447,"department":21,"job":196,"media_type":46},[50,188],119958,"Scène d'escamotage",0.8106,"\u002FAuGIHZSarbLCnqIIgVc0lrvSK6P.jpg","1898-01-01",4.8,"52fe4c11c3a36847f821ff75",{"adult":4,"backdrop_path":18,"genre_ids":449,"id":450,"title":451,"original_language":36,"original_title":452,"overview":453,"popularity":454,"poster_path":455,"release_date":456,"softcore":4,"video":4,"vote_average":457,"vote_count":50,"credit_id":458,"department":21,"job":196,"media_type":46},[251],119971,"Danse des saisons : L'hiver, danse de la neige","Danse des saisons - L'Hiver: Danse de la neige","Enregistrement de quatre danses évoquant les saisons.  Des quatre saisons enregistrées, ne subsiste plus à ce jour (2008) qu’un fragment de l’Hiver, danse de la neige vraisemblablement relatif à la fin de cette danse puisqu’on voit la danseuse saluer le public. Ces danses sont issues d’un spectacle de music-hall parisien non identifié.",0.8751,"\u002FzIbMY6cSNEr3RJPSuMRf1QISuen.jpg","1900-01-10",5.5,"52fe4c11c3a36847f8220009",{"adult":4,"backdrop_path":18,"genre_ids":460,"id":461,"title":462,"original_language":36,"original_title":462,"overview":60,"popularity":463,"poster_path":464,"release_date":465,"softcore":4,"video":4,"vote_average":58,"vote_count":85,"credit_id":466,"department":21,"job":196,"media_type":46},[50,139,188],119994,"La Charité du prestidigitateur",0.8584,"\u002FwwP0VyGEtbIxJI38TdYutWTWt3b.jpg","1905-10-01","52fe4c11c3a36847f82200fb",{"adult":4,"backdrop_path":18,"genre_ids":468,"id":469,"title":470,"original_language":36,"original_title":470,"overview":471,"popularity":408,"poster_path":472,"release_date":473,"softcore":4,"video":4,"vote_average":306,"vote_count":474,"credit_id":475,"department":21,"job":196,"media_type":46},[188],119970,"Chez le photographe","Un homme portant un énorme pot de fleurs se présente chez un photographe de rue pour se faire immortaliser. Celui-ci l’invite à s’installer après s’être débarrassé de son encombrant colis. Le photographe s’installe derrière son appareil pour en faire le réglage mais le monsieur se penche pour récupérer son pot de fleurs, objet apparent de fierté. Patiemment, le photographe le rappelle à l’ordre mais il a à peine commencé à vouloir officier que le monsieur bouge à nouveau. Après de nombreuses remarques polies du photographe suivies aussitôt de nouvelles marques d’indiscipline de la part du client, la séance de pose se termine par une dispute au cours de laquelle l’appareil photographique est renversé.","\u002FaEPMXOLIZX9c6ji3XPqU2pKJ0aj.jpg","1900-01-08",19,"52fe4c11c3a36847f821ffff",{"adult":4,"backdrop_path":477,"genre_ids":478,"id":479,"title":480,"original_language":36,"original_title":480,"overview":60,"popularity":481,"poster_path":482,"release_date":483,"softcore":4,"video":4,"vote_average":58,"vote_count":484,"credit_id":485,"department":21,"job":196,"media_type":46},"\u002F2FPSdPv2gc6e4IcA9TyI4hrK7T0.jpg",[394],119975,"Les Fredaines de Pierrette",0.9108,"\u002Fuicvkx8dD8I63uKcHWmZLpGwKZq.jpg","1900-01-01",29,"52fe4c11c3a36847f8220027",{"adult":4,"backdrop_path":18,"genre_ids":487,"id":488,"title":489,"original_language":36,"original_title":489,"overview":490,"popularity":491,"poster_path":492,"release_date":493,"softcore":4,"video":4,"vote_average":494,"vote_count":402,"credit_id":495,"department":21,"job":196,"media_type":46},[188],119964,"La Bonne absinthe","Un client arrive à la terrasse d'un café et passe sa commande. Absorbé par la lecture d'un journal, il ne prête pas attention à la disposition des bouteilles déposées par le garçon et verse l'eau dans son chapeau au lieu de diluer l'absinthe, à la grande joie de l'un des clients attablés à proximité. Lorsqu'il porte le breuvage à ses lèvres, il le recrache aussitôt, et prend à partie le serveur ; celui-ci se débarrasse du mauvais coucheur en l'arrosant abondamment au moyen d'un flacon d'eau de Seltz. 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