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Recruté comme récitant dans un spectacle des œuvres du barde Théodore Botrel, Rochefort participe sous le nom d'Armand Vassy aux tournées de ce programme pendant deux ans. Dans leurs intervalles, il participe à des spectacles de foire. Il échoue au concours d'entrée au Conservatoire en 1906 et 1907.\n\nRépertorié comme étudiant à Oran en 1907, Charles est alors exempté de service militaire.\n\nEn 1908, il produit, scénarise et joue le rôle principal de son premier film muet Le Tango rouge, dans lequel il fait également jouer son ami et colocataire l'affichiste Gaston Girbal. Charles de Rochefort est engagé comme comédien dans différentes productions cinématographiques et, se liant d'amitié avec Max Linder, devient un de ses partenaires habituels. Grand sportif, il est aussi la doublure du grand comique pour les cascades dangereuses, en dépit de leur nette différence de taille. Rochefort joue également des numéros de music-hall, entre autres aux Folies Bergère et à la salle de l'Alhambra. En 1913, il est recruté par Pathé comme directeur artistique d'un ingénieux procédé de représentation lyrique où les artistes miment sur scène un spectacle musical enregistré que diffuse un dispositif d'amplification acoustique mis au point par la firme.\n\nVedette du cinéma muet, il tourne en France, aux États-Unis et en Italie une trentaine de films en tant qu'acteur et une dizaine d'autres en tant que réalisateur. Comparse habituel de Max Linder, il joue aussi sous la direction d'Abel Gance, Léonce Perret et Victor Fleming.\n\nSon rôle le plus prestigieux est celui du pharaon Ramsès II dans la version muette des Dix Commandements réalisée par Cecil B. DeMille en 1923. Il aurait participé à certaines prises de vue du tournage. Il y est crédité sous le nom abrégé de Charles de Roche. Il apparait sous ce nom au générique des films tournés durant sa carrière américaine de 1923 à 1925. Ce changement est une décision artistique et commerciale de Jesse L. Lasky, le patron de la firme Paramount Pictures qui a engagé l'acteur français sous contrat.\n\nEn 1936, Rochefort se reconvertit du plateau vers la scène en prenant la direction du théâtre Albert-Ier à Paris, situé 64, rue du Rocher, qu'il rebaptise de son nom, théâtre Charles-de-Rochefort. Il y fait représenter de nombreuses pièces policières et à suspens dont Allô, Police-secours dont il est l'auteur sous le pseudonyme américanisé de Chas D. 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Max se venge avec les sports d'hiver, car la belle-mère veut faire les mêmes activités que le couple (patinage, luge, ski...). 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