[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F105866:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":10,"birthday":11,"deathday":12,"gender":13,"homepage":12,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":1483},false,[6,7,8,9],"Марко Беллоккьо","Марко Беллоккио","마르코 벨로키오","마르코 벨로치오","Marco Bellocchio est un réalisateur, scénariste et producteur italien, né le 9 novembre 1939 à Bobbio, province de Plaisance, Italie.\n\nMarco Bellocchio fait ses études à l’académie d’art dramatique de Milan et au Centro sperimentale di cinematografia de Rome.\n\nDès son premier film, précurseur des mouvements sociaux de Mai 1968, Les Poings dans les poches (I pugni in tasca, 1965), les critiques cinématographiques le remarquent. S'écartant du cinéma néoréaliste, il s'attaque aux symboles conformistes italiens et esquisse une œuvre politiquement engagée. Les Poings dans les poches met en avant la révolte de la jeunesse. Il continue dans cette direction et dénonce le rôle de la religion dans Au nom du père (Nel nome del padre, 1971) et La Marche triomphale (Marcia trionfale, 1976). Grâce au Saut dans le vide (Salto nel vuoto, 1980), les acteurs français Michel Piccoli et Anouk Aimée gagnent respectivement, au 33e festival de Cannes, les prix du meilleur acteur et de la meilleure actrice.\n\nAprès cette période, il change de registre et se tourne vers la réalisation de films plus subversifs. La projection du Diable au corps (Il diavolo in corpo, 1986), qui présente des scènes de sexe explicites, provoque un scandale à Cannes. Son adaptation littérale d’une œuvre de Luigi Pirandello, La Nourrice (La balia, 1999), déroute. Son film Le Sourire de ma mère (L'ora di religione: il sorriso di mia madre, 2002) gêne le Vatican. Il est aussi le premier à avoir mis en scène l’assassinat d’Aldo Moro dans le film Buongiorno, notte (2003), unanimement salué lors de sa projection à la Mostra de Venise. Vincere, qui revient sur la vie d'Ida Dalser et de l'ascension au pouvoir de Benito Mussolini, fait partie de la sélection officielle du festival de Cannes 2009.\n\nIl annonce ensuite son intention de faire un film inspiré de l'histoire d'Eluana Englaro. En dépit des difficultés de production et de nombreux conflits avec la commission du film de la région Frioul-Vénétie Julienne, le tournage débute en janvier 2012 à Cividale.\n\nLe film La Belle Endormie est présenté en compétition lors de la Mostra de Venise 2012. Il traite du thème de l'euthanasie et de la difficulté d'avoir une loi sur la fin de vie dans un pays, l'Italie, où l'influence de l'Église catholique est majeure. L'œuvre se conçoit également comme une parabole de l'Italie du XXIe siècle et de ses multiples difficultés. À la suite de la décision du jury de Venise de ne donner aucune récompense majeure au film et de ne le mentionner qu'à travers son jeune comédien Fabrizio Falco, Bellocchio exprime de vives critiques envers le président Michael Mann et ses jurés qu'il accuse de ne pas connaître suffisamment ni de comprendre le cinéma italien dont les productions seraient systématiquement pénalisés dans les festivals internationaux.\n\nDans les années 1960, il a été militant d'extrême gauche et a fait un temps partie de l'Union des communistes italiens (marxistes-léninistes), un groupe maoïste.\n\nEn 2006, le festival international du film Entrevues à Belfort lui consacre une rétrospective.\n\nUne rétrospective lui est consacrée à la Cinémathèque française du 7 décembre 2016 au 9 janvier 2017.\n\nLors du Festival de Cannes 2021, il reçoit une Palme d'honneur. ...\n\nSource: Article \"Marco Bellocchio\" de Wikipédia en français, soumis à la licence CC-BY-SA 3.0.","1939-11-09",null,2,105866,"nm0069166","Directing","Marco Bellocchio","Bobbio, Piacenza, Italy",1.4066,"\u002FoWTqhEVf4iLLEf11JnBH2waIhRh.jpg",{"cast":22,"crew":554},[23,38,50,59,69,80,95,111,123,131,140,147,162,172,185,196,206,215,230,239,247,255,264,272,280,289,296,308,316,327,340,349,360,369,381,390,400,408,419,427,438,448,457,465,479,491,502,513,525,535,543],{"adult":4,"backdrop_path":12,"genre_ids":24,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},[25],99,879178,"Opera Prima","it","",1.4724,"\u002Fv07d5sUF97eNSd2ZjLsL618pBgh.jpg","2021-09-28",0,"Self","6153872343d9b10043980bf7",3,"movie",{"adult":4,"backdrop_path":12,"genre_ids":39,"id":40,"title":41,"original_language":42,"original_title":41,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":13,"character":34,"credit_id":48,"order":49,"media_type":37},[25],1087778,"Cinéma et Réalité","fr","Dans ce long métrage documentaire réalisé par Georges Dufaux et Clément Perron, des géants du cinéma italien tels que Rossellini, De Sica, Fellini et Zavattini évoquent l’importance du cinéma en Italie après la Seconde Guerre mondiale et ses grands moments de révoltes sociales. 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Le voyage est un moyen de confronter le passé, les souvenirs, ses origines, mais c'est aussi une radiographie d'une époque qui s'éloigne des idéologies des années soixante-dix",1.4227,"\u002FAkcvegjRiIm4jYckRZ8pIBBznHb.jpg","1980-08-30",7,"Il marito","642713479cc67b059cc3b787",{"adult":4,"backdrop_path":81,"genre_ids":82,"id":84,"title":85,"original_language":28,"original_title":86,"overview":87,"popularity":88,"poster_path":89,"release_date":90,"softcore":4,"video":4,"vote_average":91,"vote_count":92,"character":29,"credit_id":93,"order":94,"media_type":37},"\u002FrydUuATtZiElalX7EtiZQy5gIkv.jpg",[83],18,65045,"Le Sourire de ma mère","L’ora di religione - Il sorriso di mia madre","Un célèbre peintre reçoit la visite d'un assistant cardinal, qui l'informe que sa mère pourrait devenir une sainte.",1.4083,"\u002F7dQSdtdNxwuE5zledxoT3jRTV4N.jpg","2002-04-19",7.2,82,"646375e40f36550153c7ccba",17,{"adult":4,"backdrop_path":96,"genre_ids":97,"id":99,"title":100,"original_language":28,"original_title":101,"overview":102,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":106,"vote_count":107,"character":108,"credit_id":109,"order":110,"media_type":37},"\u002F3OsXhM3WJJKTk77a2RttvP042jp.jpg",[83,98],53,68053,"Viol en première page","Sbatti il mostro in prima pagina","Milan 1972, à l'approche des élections. 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Mais son père décide qu’il sera trompettiste, comme lui. Du conservatoire de musique à l’Oscar du meilleur compositeur, l’itinéraire d’un des plus grands musiciens du 20ème siècle.",10.267,"\u002Fm66if44yZhydj4Eh3DNj04NaGEy.jpg","2022-02-17",8.3,392,"6211377389b561001b7c2cf7",8,{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":28,"original_title":166,"overview":29,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":83,"character":34,"credit_id":171,"order":129,"media_type":37},"\u002F2GO1ylJfNIrTIiMPud6ZLPElIQ7.jpg",[25,151,150],1137974,"Raffa",2.1183,"\u002FmUzZ8DUrJ5nrOJzhXCK8didKbtw.jpg","2023-07-06",8.25,"648b1e2d42bf0100ae2fdd9e",{"adult":4,"backdrop_path":173,"genre_ids":174,"id":176,"title":177,"original_language":42,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":47,"vote_count":182,"character":183,"credit_id":184,"order":33,"media_type":37},"\u002FwB79VgUoyo9wbEbyG2h88Z2Cgw5.jpg",[25,175],10770,962692,"Il était une fois… « Le Traître »","Nourrie d’archives et d’interviews, dont celle du réalisateur italien Marco Bellocchio, une plongée passionnante dans les coulisses du tournage de son film sur le mafieux repenti Tommaso Buscetta.",1.3035,"\u002FgsmcmxwxClFIv46rjMEOCX0Xivd.jpg","2022-05-22",4,"Himself","626aeb2601757f009dd30ac9",{"adult":4,"backdrop_path":186,"genre_ids":187,"id":188,"title":189,"original_language":28,"original_title":189,"overview":29,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":193,"vote_count":68,"character":194,"credit_id":195,"order":122,"media_type":37},"\u002FeRHq1NHclg6IaloLcOpHqh857RW.jpg",[151,83,175],205875,"Francesco d'Assisi",1.1724,"\u002FuW6pD4dx5YSa2iznGM27NdDtbDw.jpg","1966-09-01",6.2,"Pietro di Stacia","64f47a415f2b8d011b4e6d89",{"adult":4,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":28,"original_title":200,"overview":29,"popularity":201,"poster_path":202,"release_date":203,"softcore":4,"video":4,"vote_average":204,"vote_count":13,"character":34,"credit_id":205,"order":13,"media_type":37},"\u002FsL5oJpH2giSY4nmaiQ0gSmr9etV.jpg",[25],986678,"Colpiti al cuore",1.0121,"\u002FgFN4t40y09dY0495lhRUxxm4zB5.jpg","2019-11-26",6.8,"62a4f07885005d2b16d17d79",{"adult":4,"backdrop_path":207,"genre_ids":208,"id":209,"title":210,"original_language":136,"original_title":210,"overview":29,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":29,"credit_id":214,"order":13,"media_type":37},"\u002FyRURCWZ1zVM3KDikpnDEEqzBrOM.jpg",[25],691981,"La mia casa e i miei coinquilini - Il lungo viaggio di Joyce Lussu",0.8414,"\u002FlDCLx2nuuD4SVLipM8BSs4hQzcf.jpg","2016-10-18","651194cca9117f00feb3e4e8",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":218,"title":219,"original_language":28,"original_title":220,"overview":221,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":225,"vote_count":226,"character":227,"credit_id":228,"order":229,"media_type":37},"\u002FjPHswsCZzKyKRSJNCof7ULSLPYz.jpg",[83],49456,"La Contestation","Amore e rabbia","Un an après les événements de mai 68 qui ont bouleversé l'Occident, cinq cinéastes tentent de faire à leur manière le bilan d'une décennie d'agitation. Iconoclastes et rageurs, ces films s'inspirent d'épisodes des Évangiles pour composer une œuvre sans équivalent qui exacerbe les passions libérées de ces réalisateurs phare. Témoin d'une époque anticonformiste, tant sur le plan idéologique qu'artistique, La Contestation est un condensé turbulent d'amour et de rage.",1.4073,"\u002F1DOADAzrE6ZovGOpraOg4oqEdrF.jpg","1969-05-29",5.2,31,"Lecturer (segment \"Discutiamo, discutiamo\")","62b66d667304b50051876c40",13,{"adult":4,"backdrop_path":231,"genre_ids":232,"id":233,"title":234,"original_language":28,"original_title":234,"overview":29,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":238,"order":129,"media_type":37},"\u002Fk0ssQQZtbcYWUxPIKXNsjj3ef11.jpg",[25],296336,"Voi siete qui",1.6444,"\u002FoxyyNFxjh1nUgH0vWzCSNZTwdT6.jpg","2011-09-08","5432d51a0e0a265694004f52",{"adult":4,"backdrop_path":12,"genre_ids":240,"id":241,"title":242,"original_language":28,"original_title":242,"overview":29,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":77,"vote_count":129,"character":29,"credit_id":246,"order":120,"media_type":37},[83],357668,"Pianeta Venere",1.9095,"\u002F1ZDLvhfaA6CCwJw0I1NPYe35CU6.jpg","1972-08-27","55e77ac99251413e2f0000f1",{"adult":4,"backdrop_path":12,"genre_ids":248,"id":249,"title":250,"original_language":28,"original_title":250,"overview":29,"popularity":251,"poster_path":12,"release_date":252,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":253,"credit_id":254,"order":33,"media_type":37},[25],1309147,"A Need for Change: The Making of 'Fists in the Pocket'",1.5957,"2005-07-07","Slef","667bb553d37cfcf514e58892",{"adult":4,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":28,"original_title":259,"overview":29,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":29,"credit_id":263,"order":129,"media_type":37},"\u002FwIrJFSsz19qXP61jVl10XEdxpQd.jpg",[25],1339928,"Franco Cristaldi e il suo cinema Paradiso",1.7089,"\u002FvzdMQzNpT0DoDcqffxyDIe6juRV.jpg","2009-09-16","66ceee609bfceb13a7ec2c97",{"adult":4,"backdrop_path":12,"genre_ids":265,"id":266,"title":267,"original_language":28,"original_title":267,"overview":29,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":271,"order":33,"media_type":37},[25],454505,"Lino Micciché, mio padre - 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Aujourd’hui encore, dire Mastroianni ou Marcello évoque une époque : un monde fait de bravoure, de beauté, de charme, de gentillesse.  Au travers d’interviews de ses proches et de ses collaborateurs, d’extraits de films et d’images d’archives, ce documentaire narré par Sergio Castellitto veut raconter un homme qui a été le plus grand acteur italien et a vécu de façon extraordinaire avec le succès, en pensant souvent qu’il n’était peut-être qu’en train de rêver.",1.4017,"\u002FyUS3lYWJMBD5O3yLZBUo16rxiwC.jpg","2006-05-21","6055f9666e3deb0028d5bb6b",{"adult":4,"backdrop_path":12,"genre_ids":361,"id":362,"title":363,"original_language":28,"original_title":363,"overview":29,"popularity":364,"poster_path":365,"release_date":366,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":367,"credit_id":368,"order":129,"media_type":37},[25],817002,"Behind Love and Anger",1.0223,"\u002FhSOjUKZ1u2iwEU014Hm6jzu2FKb.jpg","2005-01-01","Self - Director (segment \"Discutiamo, discutiamo\")","6071f0cfd4b9d900791e7d71",{"adult":4,"backdrop_path":370,"genre_ids":371,"id":372,"title":373,"original_language":28,"original_title":374,"overview":375,"popularity":376,"poster_path":377,"release_date":378,"softcore":4,"video":4,"vote_average":91,"vote_count":379,"character":34,"credit_id":380,"order":13,"media_type":37},"\u002FjhuzS2RkH9BFEPGiOUTjpXVs4vL.jpg",[25],777726,"Marx peut attendre","Marx può aspettare","\"Marx peut attendre\" était quelque chose que Camillo Bellocchio a dit à son jumeau Marco la dernière fois qu'ils se sont rencontrés avant que le premier ne meure à un jeune âge dans les jours chauds de 1968. Ce documentaire est dédié à sa mémoire.",2.2614,"\u002F4Tdts8jCjx6G6eq6Di0qErF5qTJ.jpg","2021-07-15",43,"60d2052a957e6d007312f0d3",{"adult":4,"backdrop_path":382,"genre_ids":383,"id":384,"title":385,"original_language":28,"original_title":385,"overview":29,"popularity":386,"poster_path":387,"release_date":388,"softcore":4,"video":4,"vote_average":77,"vote_count":13,"character":34,"credit_id":389,"order":36,"media_type":37},"\u002F3qiUrYbvNygWUD7dsKvalZXruca.jpg",[25],822047,"Di me cosa ne sai - Inchiesta su un grande mistero italiano",1.6956,"\u002F8VSuyrnrqIz7LyLUJWREWXQjC91.jpg","2009-10-16","60d4a6439824c80045d39d97",{"adult":4,"backdrop_path":391,"genre_ids":392,"id":394,"title":395,"original_language":28,"original_title":395,"overview":29,"popularity":396,"poster_path":397,"release_date":398,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":399,"order":33,"media_type":37},"\u002F1vfqvE79W4ddj2yFEkXD7kLzxzD.jpg",[25,393],16,854497,"Viaggio nel crepuscolo",1.5287,"\u002F6WtnDl3dkekVoVoXuqlKD4Avc4L.jpg","2021-09-09","60ff0e6333ec2600743f3632",{"adult":4,"backdrop_path":12,"genre_ids":401,"id":402,"title":403,"original_language":28,"original_title":403,"overview":29,"popularity":404,"poster_path":405,"release_date":406,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":407,"order":129,"media_type":37},[25],436040,"Cesare Zavattini",1.5405,"\u002Fjjhauq70hggjIEkCDI8k45mH4B4.jpg","2003-01-01","611bb9824a0b19002e856db9",{"adult":4,"backdrop_path":409,"genre_ids":410,"id":411,"title":412,"original_language":28,"original_title":412,"overview":413,"popularity":414,"poster_path":415,"release_date":416,"softcore":4,"video":4,"vote_average":417,"vote_count":68,"character":34,"credit_id":418,"order":68,"media_type":37},"\u002FwM9cft5M390yLRzw2VR1vMVbjnA.jpg",[25],1320250,"Volonté - 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Bernardo Bertolucci e la sua generazione","Parcourant sa filmographie aux côtés de complices célèbres (Marco Bellocchio et Dario Argento) ou de l'ombre, ce documentaire aux riches archives brosse un portrait passionnant du réalisateur italien oscarisé Bernardo Bertolucci.",1.2379,"\u002FeIMxGr9cqGCOEpYLiRBjJ8WU1Xf.jpg","2025-09-11","68bfe94b10647f072c1bd141",{"adult":4,"backdrop_path":439,"genre_ids":440,"id":441,"title":442,"original_language":28,"original_title":442,"overview":29,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":122,"vote_count":13,"character":446,"credit_id":447,"order":83,"media_type":37},"\u002F8uGMO3M3s4gMezhacs440dIdbv8.jpg",[25],503043,"Filmstudio, mon amour",1.5173,"\u002FcsHWnUWwOfdxuQJ6mzq85Mb2PG6.jpg","2015-10-21","Sé stesso","690c949ec084958080b69a7f",{"adult":4,"backdrop_path":449,"genre_ids":450,"id":451,"title":452,"original_language":28,"original_title":452,"overview":29,"popularity":453,"poster_path":454,"release_date":455,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":34,"credit_id":456,"order":33,"media_type":37},"\u002F1JP4qLe9tcqRSoGHRMVdsVXjqSw.jpg",[25],1731347,"Marco Bellocchio - 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L'émission, réalisée par Rémy Grumbach, est enregistrée aux Studios des Buttes Chaumont (studios 11 et 14) le samedi, et diffusée le lendemain après-midi.",38.2736,"\u002FcsEN53LOtSMucpBohRi8YKY27WU.jpg","1975-01-12","6395fec68a88b200a7645f56","1980-05-18","tv",{"adult":4,"backdrop_path":480,"genre_ids":481,"id":482,"origin_country":483,"original_language":63,"original_name":485,"overview":29,"popularity":486,"poster_path":487,"first_air_date":488,"softcore":4,"name":485,"vote_average":33,"vote_count":33,"character":34,"credit_id":489,"episode_count":129,"first_credit_air_date":490,"media_type":478},"\u002F1EQ7KVHh19I2ucMSb6ps1rqTtEI.jpg",[467],226001,[484,470],"DE","Square",10.0773,"\u002F3owzTOMD96hfzhdOAZqd86dByMX.jpg","2012-01-08","662bd9608566d201207eef21","2013-04-07",{"adult":4,"backdrop_path":492,"genre_ids":493,"id":494,"origin_country":495,"original_language":42,"original_name":496,"overview":497,"popularity":498,"poster_path":499,"first_air_date":500,"softcore":4,"name":496,"vote_average":33,"vote_count":33,"character":34,"credit_id":501,"episode_count":13,"first_credit_air_date":500,"media_type":478},"\u002FwkWXNNTYDrE5ttelxrutEWgVRaw.jpg",[25],104517,[],"Les années 68","En 1968 et 1969, alors qu'au Sud-Viêtnam les États-Unis s'engagent de plus en plus massivement dans la guerre, une vague de contestation déferle sur la planète. Dans des pays aussi différents que les vieilles nations européennes et japonaise, les États-Unis, le Mexique, le Brésil sous dictature militaire, la Tchécoslovaquie communiste ou le Zaïre de Mobutu, la jeunesse étudiante constitue souvent le fer de lance de cette révolte multiforme et globale. Alors que les atrocités perpétrées contre les populations civiles vietnamiennes par la puissance américaine jouent un rôle déclencheur, de multiples facteurs cristallisent aussi la révolte.",2.9396,"\u002Frq70c1BU23XkeYkGh3k1kjOwgfk.jpg","2018-05-17","5edd09b98d52c90021a408d7",{"adult":4,"backdrop_path":12,"genre_ids":503,"id":504,"origin_country":505,"original_language":320,"original_name":507,"overview":29,"popularity":508,"poster_path":509,"first_air_date":510,"softcore":4,"name":507,"vote_average":33,"vote_count":33,"character":34,"credit_id":511,"episode_count":129,"first_credit_air_date":512,"media_type":478},[25],261504,[506],"ES","Marcians",19.033,"\u002FdB36YAQWTnj2j6reikRLRKbfZjn.jpg","2017-11-16","66c319bea77c37b428d563b6","2023-11-27",{"adult":4,"backdrop_path":514,"genre_ids":515,"id":516,"origin_country":517,"original_language":42,"original_name":518,"overview":519,"popularity":520,"poster_path":521,"first_air_date":522,"softcore":4,"name":518,"vote_average":33,"vote_count":33,"character":34,"credit_id":523,"episode_count":129,"first_credit_air_date":524,"media_type":478},"\u002F5hMNHnDysQtvdhZE6GGV3MIaNhV.jpg",[467],252500,[470],"Le Cercle","Tant qu'il y aura du cinéma, LE CERCLE sera là. C'est la seule émission télévisée de débats critiques 100% consacrée au cinéma. Chaque semaine, elle offre des joutes enflammées, joyeuses et sans condescendance, sur les films à l'affiche ; et invite avec \"Le questionnaire du CERCLE\" les réalisatrices et réalisateurs à venir partager leur passion cinéphile.",7.291,"\u002FlPz9qDxB4j6GcCFaXK94lyc3JNP.jpg","2005-03-04","67548420ab37fcd3e8855aa7","2023-10-20",{"adult":4,"backdrop_path":12,"genre_ids":526,"id":527,"origin_country":528,"original_language":28,"original_name":530,"overview":29,"popularity":531,"poster_path":12,"first_air_date":532,"softcore":4,"name":530,"vote_average":33,"vote_count":33,"character":34,"credit_id":533,"episode_count":534,"first_credit_air_date":532,"media_type":478},[],309651,[529],"IT","Quelli che il cinema",4.5271,"2025-12-31","6956af592f6fd97c8ac38e36",20,{"adult":4,"backdrop_path":12,"genre_ids":536,"id":537,"origin_country":538,"original_language":28,"original_name":539,"overview":29,"popularity":540,"poster_path":12,"first_air_date":541,"softcore":4,"name":539,"vote_average":161,"vote_count":129,"character":34,"credit_id":542,"episode_count":68,"first_credit_air_date":541,"media_type":478},[25],318097,[529],"La macchina cinema",1.8596,"1979-10-31","69ca998759bac3a3b0839784",{"adult":4,"backdrop_path":12,"genre_ids":544,"id":545,"origin_country":546,"original_language":42,"original_name":547,"overview":548,"popularity":549,"poster_path":550,"first_air_date":551,"softcore":4,"name":547,"vote_average":68,"vote_count":129,"character":34,"credit_id":552,"episode_count":129,"first_credit_air_date":553,"media_type":478},[25],328178,[470],"Ciné regards","Un panorama du cinéma des années 80 mêlé d'archives et de longues réflexion sur le métier de cinéaste : films, acteur·ices, ses réalisateur·ices, anciennes et futures gloires… Une réjouissante plongée dans l'univers d'Hollywood, de la Cinecitta et autres productions, indépendantes ou grand public.",16.8022,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a5650d93f478c8a2ee11e85","1980-05-17",[555,568,578,592,595,605,617,621,626,638,641,655,658,670,682,685,688,701,704,717,720,723,732,742,745,748,751,761,764,773,785,795,798,809,812,823,826,829,832,843,855,858,861,864,869,872,875,878,881,891,894,906,909,912,915,924,927,934,945,957,960,969,972,975,983,986,995,1008,1019,1022,1033,1036,1039,1046,1049,1056,1064,1072,1075,1083,1086,1093,1101,1104,1111,1118,1121,1129,1132,1135,1138,1141,1144,1147,1152,1155,1158,1167,1175,1182,1189,1192,1195,1198,1201,1207,1213,1220,1226,1229,1232,1235,1238,1241,1244,1253,1256,1259,1262,1271,1274,1287,1290,1301,1304,1308,1311,1314,1317,1320,1323,1326,1329,1332,1335,1347,1350,1363,1366,1369,1375,1379,1382,1385,1388,1391,1394,1401,1404,1407,1410,1413,1419,1432,1442,1446,1450,1454,1466,1470,1474,1479],{"adult":4,"backdrop_path":556,"genre_ids":557,"id":558,"title":559,"original_language":28,"original_title":559,"overview":560,"popularity":561,"poster_path":562,"release_date":563,"softcore":4,"video":4,"vote_average":564,"vote_count":565,"credit_id":566,"department":16,"job":567,"media_type":37},"\u002FrUVkyw6hhLpDClAqX9SCbMi11X5.jpg",[83,151],30239,"Vincere","Dans la vie de Mussolini, il y a un lourd secret que l'histoire officielle ne raconte pas : une femme, Ida Dalser, et un enfant, Benito Albino - conçu, reconnu puis désavoué. Ida rencontre Mussolini de manière fugace à Trente et en est éblouie. Elle le retrouve à Milan où il est un ardent militant socialiste qui harangue les foules et dirige le quotidien l'Avanti. Ida croit en lui, en ses idées. Pour l'aider à financer le Popolo d'Italia, point de départ du futur parti fasciste,elle vend tous ses biens... Lorsque la guerre éclate, Benito Mussolini s'engage et disparaît de la vie de la jeune maman, qui découvrira avec stupeur qu'il est déjà marié avec une autre femme. Ida n'aura dès lors de cesse de revendiquer sa qualité d'épouse légitime et de mère du fils aîné de Mussolini, mais sera systématiquement éloignée de force et son enfant mis dans un institut. 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