[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1007568:{\"language\":\"fr-FR\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":10,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":10,"combined_credits":16,"images":227},false,[],"Agustín Navarro was a Spanish film director and screenwriter active during the mid-20th century. He studied philosophy and began his career in the film industry in the late 1950s.  Navarro's directorial debut was 15 bajo la lona (1959), a film that achieved commercial success. Other notable works include El cerro de los locos (1960) and Proceso a la conciencia (1964).  He also worked in television, producing various dramatic programs for TVE. Navarro was married to actress Carmen de la Maza, and they had three children.","1926-01-19","2001-07-14",2,null,1007568,"Directing","Agustín Navarro","Cartagena, Murcia, Spain",0.677,{"cast":17,"crew":44},[18,32],{"adult":4,"backdrop_path":10,"genre_ids":19,"id":21,"title":22,"original_language":23,"original_title":22,"overview":24,"popularity":25,"poster_path":26,"release_date":27,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"character":24,"credit_id":29,"order":30,"media_type":31},[20],28,1013648,"Trato De Muerte: El Corrido De La Barbie","es","",1.1709,"\u002FkPEeClUZbGbxGDyv5C6BLxZcQAZ.jpg","2013-01-01",0,"62fc2a9635818f007f1734cc",1,"movie",{"adult":4,"backdrop_path":10,"genre_ids":33,"id":35,"title":36,"original_language":23,"original_title":36,"overview":24,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"character":42,"credit_id":43,"order":41,"media_type":31},[34],18,302346,"Manuela",0.9052,"\u002FH21AH4GHKYmoOZ9SUHXTBSRMwZ.jpg","1976-06-07",5.2,9,"Fernando","5461f3a3c3a3686f44001b39",[45,57,69,78,82,92,95,107,118,127,136,146,159,162,166,180,183,192,195,204,212,215],{"adult":4,"backdrop_path":10,"genre_ids":46,"id":48,"title":49,"original_language":23,"original_title":49,"overview":24,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"credit_id":55,"department":12,"job":56,"media_type":31},[47],35,61003,"Enseñar a un sinvergüenza",1.2328,"\u002F4wrIkBedZiPdOQIQSYj6dMfvMUH.jpg","1970-04-25",5,3,"52fe4641c3a368484e086841","Director",{"adult":4,"backdrop_path":58,"genre_ids":59,"id":60,"title":61,"original_language":23,"original_title":61,"overview":24,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":54,"credit_id":66,"department":67,"job":68,"media_type":31},"\u002F2ZcYfQsRYaeGZcv766sNAftHd8.jpg",[47],580577,"Una jaula no tiene secretos",1.0372,"\u002FejzE5cipXwPMhgvZRe8lOeoRaR4.jpg","1962-10-04",8.3,"6090e75148138200775d5d65","Writing","Adaptation",{"adult":4,"backdrop_path":10,"genre_ids":70,"id":71,"title":72,"original_language":23,"original_title":72,"overview":24,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":9,"credit_id":77,"department":12,"job":56,"media_type":31},[34],454582,"Paseo por una guerra antigua",1.1642,"\u002FiWf3IUyZvGLKHcdUHDkWT7Gid7j.jpg","1949-01-01",5.5,"60c5a0952938350040d64e9b",{"adult":4,"backdrop_path":10,"genre_ids":79,"id":71,"title":72,"original_language":23,"original_title":72,"overview":24,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":76,"vote_count":9,"credit_id":80,"department":67,"job":81,"media_type":31},[34],"60c5a0a0a76ac50040f4c873","Screenplay",{"adult":4,"backdrop_path":10,"genre_ids":83,"id":84,"title":85,"original_language":86,"original_title":85,"overview":24,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":30,"credit_id":91,"department":12,"job":56,"media_type":31},[],96000,"El cerro de los locos","en",1.4777,"\u002Fwg0hgPnOfrWqBq4JLwKf8dXJvBe.jpg","1960-01-25",7,"52fe499c9251416c750cda91",{"adult":4,"backdrop_path":10,"genre_ids":93,"id":84,"title":85,"original_language":86,"original_title":85,"overview":24,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":90,"vote_count":30,"credit_id":94,"department":67,"job":81,"media_type":31},[],"52fe499c9251416c750cdaa3",{"adult":4,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":86,"original_title":100,"overview":101,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":9,"credit_id":106,"department":12,"job":56,"media_type":31},"\u002FvLo4VdYoV4rC2CAxLINJu4BrHpN.jpg",[],103098,"15 sous la toile (1959)","15 bajo la lona","Le film raconte la vie quotidienne de quinze étudiants inscrits au service militaire universitaire. Pendant trois mois, ils suivront une formation militaire et vivront dans la même tente au Camp Robledo. Les différentes personnalités et préoccupations des jeunes: le sérieux Eduardo, le glouton Ruiz, le philosophe Ortiguesa, l'athlétique Colmero, l'irrévérencieux Fresneda ... ont le dénominateur commun de l'enthousiasme pour l'avenir.",1.5279,"\u002FcvSQ5wS4vOPTC07PdifQG0thl4i.jpg","1959-01-01",6,"52fe4a17c3a36847f81b8b47",{"adult":4,"backdrop_path":108,"genre_ids":109,"id":111,"title":112,"original_language":23,"original_title":112,"overview":24,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":116,"vote_count":53,"credit_id":117,"department":12,"job":56,"media_type":31},"\u002FtLOsq7DqoxvjJtQR5KoQfWimt2d.jpg",[110],37,158064,"Cuatro balazos",0.9292,"\u002FvyQXAomLgdTDi0Jf7YlWvcOEsPG.jpg","1964-07-17",5.4,"52fe4bdb9251416c910e7dc5",{"adult":4,"backdrop_path":10,"genre_ids":119,"id":120,"title":121,"original_language":23,"original_title":121,"overview":24,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":30,"credit_id":126,"department":12,"job":56,"media_type":31},[47],224993,"Cuidado con las personas formales",0.8674,"\u002Fz00OQivqrQGJTBLk1WlwZZwZ1h1.jpg","1961-01-01",10,"52fe4e4f9251416c7515245f",{"adult":4,"backdrop_path":10,"genre_ids":128,"id":129,"title":130,"original_language":23,"original_title":130,"overview":24,"popularity":131,"poster_path":132,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":9,"credit_id":135,"department":12,"job":56,"media_type":31},[47],268336,"La casa de los Martínez",1.185,"\u002FtsCHx1rMRJuRrF9PvDoypwzumJW.jpg","1971-04-26",4.5,"5368912cc3a3681231005c8d",{"adult":4,"backdrop_path":137,"genre_ids":138,"id":140,"title":141,"original_language":23,"original_title":141,"overview":24,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":125,"vote_count":30,"credit_id":145,"department":12,"job":56,"media_type":31},"\u002FmS49vTImY5vaFNKRrlYOEC2C7zg.jpg",[139],53,322477,"El misterioso señor Van Eyck",1.4732,"\u002FuHTpHA7bSg98lXTlk6PBOCro1xd.jpg","1966-03-10","54cbb2d0c3a3687a6501053f",{"adult":4,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":151,"original_title":150,"overview":24,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":155,"vote_count":156,"credit_id":157,"department":12,"job":158,"media_type":31},"\u002F6a6OZkqasCkozm2zdoI12rvBh6S.jpg",[34,47],325809,"Amore e chiacchiere","it",1.1178,"\u002FjO51LnYtikDmHHc3b8I5PKgUaOM.jpg","1958-01-31",6.3,8,"6565af31a8b2ca00ad37ca83","First Assistant Director",{"adult":4,"backdrop_path":58,"genre_ids":160,"id":60,"title":61,"original_language":23,"original_title":61,"overview":24,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":54,"credit_id":161,"department":12,"job":56,"media_type":31},[47],"5c5bd9140e0a264d6f6489c1",{"adult":4,"backdrop_path":10,"genre_ids":163,"id":48,"title":49,"original_language":23,"original_title":49,"overview":24,"popularity":50,"poster_path":51,"release_date":52,"softcore":4,"video":4,"vote_average":53,"vote_count":54,"credit_id":164,"department":67,"job":165,"media_type":31},[47],"5cfe438c9251411a82bdeabc","Writer",{"adult":4,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":23,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":176,"vote_count":177,"credit_id":178,"department":12,"job":179,"media_type":31},"\u002F7O0RFvWkMnNfPf3AnoPlOHRSMo9.jpg",[47],110924,"L'Appartement","El pisito","Rodolfo et Petrita vivent chacun dans des quartiers séparés dans un Madrid délabré, tout en cherchant à avoir un petit appartement . Malheureusement, leurs bas salaires les empêchent d'en acquérir un. Bientôt, les collègues de Rodolfo lui demandent de se marier avec l'ancienne et frêle Doña Martina, qui est le principal locataire de l'appartement qu'il occupe. Selon la loi espagnole sur le contrôle des loyers, il pourrait hériter du bail de son conjoint. Ainsi commencent ses appréhensions et Petrita.",1.2996,"\u002FdStiJbDzWC1Edkr5eYWmCq0ZONU.jpg","1959-06-15",6.7,34,"5eb6cfc8cc277c001f687d05","Assistant Director",{"adult":4,"backdrop_path":10,"genre_ids":181,"id":129,"title":130,"original_language":23,"original_title":130,"overview":24,"popularity":131,"poster_path":132,"release_date":133,"softcore":4,"video":4,"vote_average":134,"vote_count":9,"credit_id":182,"department":67,"job":165,"media_type":31},[47],"5f5f42b1bdc34c0038ee82bd",{"adult":4,"backdrop_path":10,"genre_ids":184,"id":186,"title":187,"original_language":23,"original_title":187,"overview":24,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":125,"vote_count":30,"credit_id":191,"department":12,"job":56,"media_type":31},[185],99,742889,"Camino de la verdad",1.0608,"\u002FcpwGCraOl3mWs64HmReOYS746lZ.jpg","1968-01-24","5f5fde2a688cd00037f86034",{"adult":4,"backdrop_path":10,"genre_ids":193,"id":120,"title":121,"original_language":23,"original_title":121,"overview":24,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":30,"credit_id":194,"department":67,"job":165,"media_type":31},[47],"5fafae8a202e1100421cf72a",{"adult":4,"backdrop_path":10,"genre_ids":196,"id":197,"title":198,"original_language":23,"original_title":198,"overview":24,"popularity":199,"poster_path":200,"release_date":201,"softcore":4,"video":4,"vote_average":202,"vote_count":53,"credit_id":203,"department":12,"job":179,"media_type":31},[34,139],503560,"La noche y el alba",1.3167,"\u002Fw3m7bmmYzLwRWshyPQqPTdh5Cik.jpg","1958-10-10",5.6,"5fccda8ecadb6b003e1b4074",{"adult":4,"backdrop_path":10,"genre_ids":205,"id":206,"title":207,"original_language":23,"original_title":207,"overview":24,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":211,"department":12,"job":56,"media_type":31},[],1367285,"Cántico",0.7723,"\u002FoJYuGXNP7o9mB2tVQPIurnaSzIx.jpg","1950-01-01","6703061ec9a10d46ea7d6725",{"adult":4,"backdrop_path":10,"genre_ids":213,"id":206,"title":207,"original_language":23,"original_title":207,"overview":24,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":28,"vote_count":28,"credit_id":214,"department":67,"job":165,"media_type":31},[],"6703065bc9a10d46ea7d674b",{"adult":4,"backdrop_path":216,"genre_ids":217,"id":219,"title":220,"original_language":23,"original_title":220,"overview":24,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":224,"vote_count":225,"credit_id":226,"department":12,"job":179,"media_type":31},"\u002FfNRRbbamoW1M1BiTJ3khUHMqWwt.jpg",[47,218],10749,51838,"Novio a la vista",1.0106,"\u002F8qXZg9IJiqFt7MhzBuLeJrF0EZ2.jpg","1954-02-15",5.8,14,"6964c7d6cdfeb74199db20b7",{"profiles":228},[]]