[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F9956:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":17,"birthday":18,"deathday":19,"gender":20,"homepage":21,"id":22,"imdb_id":23,"known_for_department":24,"name":25,"place_of_birth":26,"popularity":27,"profile_path":28,"combined_credits":29,"images":1532},false,[6,7,8,9,10,11,12,13,14,15,16],"크리스 마르케","Крис Маркер","クリス・マルケル","Christian Bouche-Villeneuve","Christian François Bouche-Villeneuve","Jacopo Berenzini","Michel Krasna","Sandor Krasna","Hayao Yamaneko","Kosinki","Guillaume-en-Égypte","Christian François Bouche-Villeneuve, better known as Chris Marker (France, 29 July 1921 – 29 July 2012), was a French writer, poet, activist, critic, photographer, traveler, journalist, film essayist, multimedia artist, and documentary filmmaker.\n\nHe began his career as part of the French Rive Gauche group—parallel to but distinct from the Nouvelle Vague—with which he would later share certain themes and collaborators. Marker is credited with developing the subjective documentary and is considered a pioneer of collective cinema in France. His films are known for their poetic, essayistic, and often experimental qualities, blending a reflective voice with a fascination for memory, art, war, politics, culture, and nature. Over six decades of work, he observed the world with meticulous curiosity, irony, and compassion, continually experimenting with new forms of image manipulation and montage.\n\nHe was also famously elusive. For many years, few people knew what Chris Marker looked like—he disliked being photographed, and no confirmed portraits were publicly available. He often amused himself by giving contradictory accounts of his life in the rare interviews he granted. As Philippe Dubois observed, “Chris Marker is, in a way, the most celebrated of the unknown filmmakers.” His official website adds: “Rather than a man without qualities, he is a man without biography.”\n\nMarker also worked under numerous pseudonyms, including Hayao Yamaneko, Jacopo Berenzini, Kosinki, Michel Krasna, Sandor Krasna, and Guillaume-en-Égypte (his feline avatar), though his best-known identity remains Chris Marker.\n\nAmong his most significant works are La Jetée (1962), Sans Soleil (1983), Far from Vietnam (1967), A Grin Without a Cat (1977), A.K. (1985), Level Five (1997), and One Day in the Life of Andrei Arsenevich (1999). He also explored interactive and digital media with the CD-ROM Immemory (1997), maintained a website titled Gorgomancy, a YouTube channel called Kosinki, and created a virtual gallery, Ouvroir, within the online world Second Life.","1921-07-29","2012-07-29",2,"http:\u002F\u002Fwww.chrismarker.org",9956,"nm0003408","Directing","Chris Marker","Neuilly-sur-Seine, Hauts-de-Seine, Île-de-France, France",1.0363,"\u002Ff3WALvrJGu829oq8N467DnGJuer.jpg",{"cast":30,"crew":312},[31,45,58,68,83,92,103,113,128,142,152,166,180,190,200,209,223,233,246,257,269,281,290,300],{"adult":4,"backdrop_path":32,"genre_ids":33,"id":34,"title":35,"original_language":36,"original_title":35,"overview":37,"popularity":38,"poster_path":39,"release_date":40,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":42,"credit_id":43,"order":41,"media_type":44},null,[],1105712,"Prix Lumière à Chris Marker","fr","",0.7742,"\u002FimW2JXCk5SpySFUNAmpq18wb4gb.jpg","1962-03-03",0,"Self","642287b1c7a7e000a37b9bbf","movie",{"adult":4,"backdrop_path":46,"genre_ids":47,"id":49,"title":50,"original_language":36,"original_title":50,"overview":37,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"character":42,"credit_id":56,"order":57,"media_type":44},"\u002Fvks63eV0HrB9SqgpfzceWyJPEkt.jpg",[48],99,118135,"Grands soirs et petits matins",0.9835,"\u002FdnxXfSMlY93Xps5JkFHrk8qqJe5.jpg","1978-01-01",7.2,8,"642f8dc96dea3a00b54e5468",3,{"adult":4,"backdrop_path":59,"genre_ids":60,"id":61,"title":62,"original_language":63,"original_title":62,"overview":37,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":42,"credit_id":67,"order":41,"media_type":44},"\u002FlUMA1QVeCF09m6vYcV8UaVm0vNg.jpg",[48],919258,"The Invention of Chris Marker","en",1.483,"\u002Fo9GvlfetRn1IBMtNYA2tKPHFaSF.jpg","2020-05-28","61c46ce7ecaef50042a04be9",{"adult":4,"backdrop_path":69,"genre_ids":70,"id":71,"title":72,"original_language":36,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":79,"character":80,"credit_id":81,"order":82,"media_type":44},"\u002Flns7roobSPQQTF54oSPzkT3qH1q.jpg",[48],1563,"Sin sol","Sans soleil","Tres niños en una carretera en Islandia, una tripulación somnolienta a bordo de un ferry, un emú en Île de France, un bello rostro de las islas Bijagos, un cementerio de gatos a las afuera de Tokio, vagabundos en Namidabashi, los habitantes de la Isla de Fogo, Cabo Verde, un carnaval en Bissau... Así inicia el relato una mujer desconocida que lee las cartas remitidas por un operador de cámara, Sandor Krasna, que a través del registro de las imágenes de sus viajes se interroga sobre la memoria y la función del recuerdo, \"que no es lo contrario del olvido, sino su opuesto\", para conformar, como Sei Shônagon, su particular lista de \"cosas que hacen latir el corazón\".",2.4087,"\u002F7gZC2ardRuFBB6qyQDw7HaLa921.jpg","1983-03-02",7.471,279,"Self (uncredited)","64a9c1883e2ec800cbcd5bf2",5,{"adult":4,"backdrop_path":32,"genre_ids":84,"id":85,"title":86,"original_language":36,"original_title":86,"overview":37,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":42,"credit_id":90,"order":91,"media_type":44},[48],957183,"Rush - Voyage à Moscou",1.4619,"\u002FbpS0CaxIijpF2n7LrBQC79VKXM2.jpg","1990-02-03","6246ce1201757f0062697f92",1,{"adult":4,"backdrop_path":32,"genre_ids":93,"id":94,"title":95,"original_language":36,"original_title":95,"overview":37,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":99,"vote_average":100,"vote_count":101,"character":42,"credit_id":102,"order":101,"media_type":44},[48],745698,"Agnès de ci de là Varda",1.6079,"\u002Fmb3YxGBK38LmEuoIxqzhHC5D71U.jpg","2011-10-01",true,7.6,7,"64c83477eec5b558f03c0eb6",{"adult":4,"backdrop_path":104,"genre_ids":105,"id":106,"title":107,"original_language":63,"original_title":107,"overview":37,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":111,"credit_id":112,"order":41,"media_type":44},"\u002FqL3fumHO5O8VBDriwK2nSHwFVVn.jpg",[48],1063732,"Ten Lives of a Cat: A Film about Chris Marker",1.0617,"\u002F2G1AxWLsKGAAuBSw7sOMHJdoTQV.jpg","2023-10-31","Kaibyō \t(archive footage)","63a227efbcf8c900a7038dad",{"adult":4,"backdrop_path":114,"genre_ids":115,"id":117,"title":118,"original_language":36,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"character":126,"credit_id":127,"order":101,"media_type":44},"\u002FvTdDqCynA09pCq6RWZ5SxDgpwsa.jpg",[116,48],10770,137196,"Un día en la vida de Andrei Arsenevitch","Une journée d'Andrei Arsenevitch","Chris Marker nos acerca a la figura de su amigo y colega Andrei Tarkovsky y recoge algunos momentos del final de su vida.",1.2853,"\u002FxjmIEFMoKHUbkYS0inZgQ1S3RiP.jpg","1999-05-15",7.5,12,"Self (voice) (uncredited)","567a80e092514106eb001ebf",{"adult":4,"backdrop_path":129,"genre_ids":130,"id":131,"title":132,"original_language":36,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":139,"character":140,"credit_id":141,"order":41,"media_type":44},"\u002FmVUGVvjjxO5cE1edgwWW99dS0zH.jpg",[48],396485,"A. K. (Akira Kurosawa)","A. K.","Una crónica íntima del rodaje de «Ran» (1985), película dirigida por el mítico cineasta japonés Akira Kurosawa.",1.8925,"\u002F5qgpgsS9f5B7fNiqTKRfbwuc2R6.jpg","1985-05-20",6.3,40,"Self - Narrator (voice)","572e6794c3a3684bd3000f7d",{"adult":4,"backdrop_path":143,"genre_ids":144,"id":145,"title":146,"original_language":36,"original_title":146,"overview":37,"popularity":147,"poster_path":148,"release_date":149,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":150,"credit_id":151,"order":20,"media_type":44},"\u002F3DudrDDxUhc0v3xNDN962c7QJCF.jpg",[48],445801,"Chris Marker: Never Explain, Never Complain",1.4083,"\u002FgPx1QJ9XTYUkvpRSdjHVRaSBj8G.jpg","2015-08-25","Self (archive footage)","666ee7b6987ba3a64a23669f",{"adult":4,"backdrop_path":153,"genre_ids":154,"id":155,"title":156,"original_language":157,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":163,"vote_count":164,"character":80,"credit_id":165,"order":57,"media_type":44},"\u002Fg49r83xwdZ0T5ziq4apxRyL5J2n.jpg",[48],76406,"Tokio-Ga","de","Tokyo-Ga","Wim Wenders se acerca hasta el universo creador y el paisaje vital de Yasujiro Ozu, uno de los pilares fundamentales del cine japonés. Pero el realizador alemán no se limita a reflejar lo que inspiró a Ozu, sino también a radiografiar un país en continua metamorfosis.",1.6643,"\u002FxegKL9C46PqyUEik3s9Py3W2Ina.jpg","1985-04-24",7.1,106,"57792440c3a36832b0003f43",{"adult":4,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":36,"original_title":171,"overview":172,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":176,"vote_count":177,"character":150,"credit_id":178,"order":179,"media_type":44},"\u002Fz9S7Z0NDbXcqhDCoPMv6ixeXZ6V.jpg",[48],38879,"Las playas de Agnès","Les Plages d'Agnès","Documental autobiográfico de la directora Agnes Várda. La realizadora francesa explora sus memorias, de forma cronológica, a través de fotografías, videos, entrevistas, representaciones y narraciones de su vida. (FILMAFFINITY)",4.2748,"\u002FuwuASYfbevy3XWpUJCtVEMvZZNf.jpg","2008-12-17",7.7,147,"66bd0cf7e07c3f9104d057d3",41,{"adult":4,"backdrop_path":181,"genre_ids":182,"id":183,"title":184,"original_language":36,"original_title":184,"overview":37,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":188,"vote_count":55,"character":42,"credit_id":189,"order":91,"media_type":44},"\u002FtrVquJcQfGJ4extE7NBm0m3AXti.jpg",[48],451384,"Dans l'atelier de Chris Marker",1.1951,"\u002FnfSUVqzXQSj5pcQcR6ZuNR51NRS.jpg","2011-12-19",6.2,"58ea6e53c3a36872ee07cd5d",{"adult":4,"backdrop_path":32,"genre_ids":191,"id":192,"title":193,"original_language":36,"original_title":193,"overview":37,"popularity":194,"poster_path":195,"release_date":196,"softcore":4,"video":4,"vote_average":197,"vote_count":57,"character":42,"credit_id":198,"order":199,"media_type":44},[48],488210,"La Traversée du désir",1.392,"\u002F5vefbKVyld9eRG7IZYi3CrmJcUx.jpg","2009-03-16",5.7,"5a130f09c3a3686289071b0a",23,{"adult":4,"backdrop_path":32,"genre_ids":201,"id":202,"title":203,"original_language":36,"original_title":203,"overview":37,"popularity":204,"poster_path":205,"release_date":206,"softcore":4,"video":4,"vote_average":207,"vote_count":55,"character":126,"credit_id":208,"order":91,"media_type":44},[48],280523,"Tokyo Days",2.0112,"\u002FlkYts1EiGW81qXoU5OQQmyExpLz.jpg","1988-07-06",5.6,"5b1eaad5925141661800deda",{"adult":4,"backdrop_path":210,"genre_ids":211,"id":212,"title":213,"original_language":36,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":219,"vote_count":220,"character":221,"credit_id":222,"order":41,"media_type":44},"\u002FAcJaHCXf1CMWGH45ESTnzyLB7Nz.jpg",[48],142375,"El misterio Koumiko","Le Mystère Koumiko","Marker se sumerge en el interior de una joven japonesa durante las Olimpiadas de Tokyo de 1962. Al observar a los jóvenes occidentales en el evento, la niña se cuestiona, admirada, las diferencias entre ambas razas. No es exactamente un documental, sino una experimentación -muy en la línea de los trabajos anteriores de este realizador pionero del \"ensayo fílmico\" y perteneciente al movimiento de la \"rive gauche\"- sobre los pensamientos de una persona cualquiera en medio del mundo.",1.476,"\u002FnoZbJHWdyKDyWtT7gLTk27knh7h.jpg","1965-10-09",6.9,10,"Narrator","5c4652120e0a26495dc84cfa",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":36,"original_title":227,"overview":37,"popularity":228,"poster_path":229,"release_date":230,"softcore":4,"video":4,"vote_average":176,"vote_count":57,"character":231,"credit_id":232,"order":41,"media_type":44},"\u002F66I1KOkSDBSNG2Z7SRkrznRtmmd.jpg",[48],392458,"Kashima Paradise",0.7225,"\u002F7v2HcoqlUHCmCdVNr2eFAePa8lo.jpg","1973-04-10","Narrator (voice)","5ccb27ae925141046f258fac",{"adult":4,"backdrop_path":234,"genre_ids":235,"id":238,"title":239,"original_language":36,"original_title":239,"overview":37,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":243,"vote_count":244,"character":126,"credit_id":245,"order":82,"media_type":44},"\u002F9lHSirzogf9T1tuouY5thjhoabK.jpg",[48,236,237],10752,878,57563,"Level Five",1.1625,"\u002FvRCWsBmFaPUTHRvQ6GiDaJlrmx8.jpg","1997-02-19",6.1,32,"5e26bed81689350018348481",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":36,"original_title":250,"overview":37,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":55,"vote_count":254,"character":255,"credit_id":256,"order":91,"media_type":44},"\u002FbzuEDByhWkNcA53SaaIgBp6O91Z.jpg",[48],128779,"Le Joli Mai",2.579,"\u002FqktSDdFDN3mwNduFS5MSQSOMlzz.jpg","1963-05-03",42,"Self \u002F Interviewer (voice)","5ee166f597eab4001edfafb5",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":260,"title":261,"original_language":36,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":101,"vote_count":266,"character":267,"credit_id":268,"order":91,"media_type":44},"\u002F8MhriiL6Mrcnpo4jp9AvZuSCb5D.jpg",[48],128831,"Lettre de Sibérie","Usando una carta de Siberia como plataforma de lanzamiento, la película arranca quijotescamente en varias direcciones diferentes. Por lo tanto, es difícil de catalogar la película: primero un documental se convierte en un viaje y, a continuación, en un dibujo animado, y después, un camino filosófico, ¿y a continuación?",1.4931,"\u002FaSo8zaGNSDrjWgyhEA0lTO7IwdL.jpg","1957-05-16",38,"Stargazer (uncredited)","67b4b20520b8dc549ae0c3d8",{"adult":4,"backdrop_path":270,"genre_ids":271,"id":273,"title":274,"original_language":36,"original_title":274,"overview":37,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":278,"vote_count":279,"character":37,"credit_id":280,"order":91,"media_type":44},"\u002FeiDCf9zgXMPOfJSq7zvpL92vIOm.jpg",[48,272],36,258656,"La Sixième Face du Pentagone",1.4834,"\u002FyQbV5oLuZhQszZX7hf7gpJZPlJK.jpg","1968-08-26",6.8,16,"68e454f6a61c881a81f8217a",{"adult":4,"backdrop_path":282,"genre_ids":283,"id":284,"title":285,"original_language":63,"original_title":285,"overview":37,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":150,"credit_id":289,"order":91,"media_type":44},"\u002FkPq3J9vYlAl8hi2OTZC2w1h1OSx.jpg",[48],1688861,"Nostalgia for the Future",1.9778,"\u002FfAj2RjFFOE9AJQgFwsKrQl6BE5Q.jpg","2026-05-18","69fdf495bd76e3eb13076afc",{"adult":4,"backdrop_path":291,"genre_ids":292,"id":293,"title":294,"original_language":36,"original_title":294,"overview":37,"popularity":295,"poster_path":296,"release_date":297,"softcore":4,"video":4,"vote_average":41,"vote_count":41,"character":298,"credit_id":299,"order":20,"media_type":44},"\u002FvV5oslpq0Rgc0plnQPzyumr16Hs.jpg",[48],1721275,"L’indispensable",1.3415,"\u002F324cLOFeCjCQDiOuhjjil4QdLL5.jpg","2026-06-23","Photos\u002FExtrait","6a4002793939446647724af1",{"adult":4,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":36,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":100,"vote_count":310,"character":80,"credit_id":311,"order":220,"media_type":44},"\u002FpvzXZGCTwuBlNbGG0VvFmSp8o8v.jpg",[48,272],98498,"El último bolchevique","Le Tombeau d'Alexandre","Aleksandr Ivanovich Medvedkin fue un cineasta ruso nacido en 1900. A los 17 años, fue testigo de la Revolución bolchevique; a los 20 participó en la Guerra Civil, dentro del Ejército Rojo junto a Isaac Babel; a los 38 vivió las purgas estalinistas, y vio cómo su mejor película, \"La felicidad\", era condenada por reflejar influencias de Bujarin; con 41 años, luchó en primera línea en la II Guerra Mundial, cámara en mano; y murió, en 1989, en plena \"perestroika\", convencido de que el comunismo, al que él había consagrado su vida, alcanzaba, por fin, su culminación.",2.0836,"\u002Fghs9kyq9ukRxhXVQlSwiHyKP8OU.jpg","1994-10-21",22,"6ac1823d7def6f71bae395fe",[313,317,322,337,342,351,355,358,368,371,379,387,395,407,418,423,426,438,441,444,447,458,461,465,468,478,486,491,502,505,508,519,522,525,528,531,534,544,554,562,572,583,593,596,605,614,624,627,630,639,642,645,653,660,663,666,673,680,688,695,703,711,719,727,736,746,753,762,765,770,778,786,789,792,802,805,815,825,838,841,844,847,854,863,872,887,900,907,916,926,933,941,948,955,963,966,975,981,984,987,990,993,1001,1004,1012,1015,1018,1030,1041,1048,1056,1065,1073,1081,1090,1093,1102,1109,1117,1120,1123,1131,1139,1148,1155,1158,1165,1168,1176,1183,1197,1205,1208,1211,1214,1217,1220,1223,1226,1230,1233,1236,1245,1253,1256,1259,1262,1265,1268,1271,1274,1277,1285,1288,1296,1299,1302,1305,1309,1319,1322,1332,1340,1348,1351,1360,1363,1366,1369,1373,1376,1383,1386,1389,1392,1395,1398,1401,1404,1407,1410,1413,1421,1424,1427,1430,1439,1442,1445,1448,1452,1455,1458,1461,1464,1467,1470,1478,1489,1502,1506,1510,1519,1523,1528],{"adult":4,"backdrop_path":69,"genre_ids":314,"id":71,"title":72,"original_language":36,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":79,"credit_id":315,"department":24,"job":316,"media_type":44},[48],"52fe42fec3a36847f8032631","Director",{"adult":4,"backdrop_path":69,"genre_ids":318,"id":71,"title":72,"original_language":36,"original_title":73,"overview":74,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":79,"credit_id":319,"department":320,"job":321,"media_type":44},[48],"52fe42fec3a36847f8032637","Writing","Writer",{"adult":4,"backdrop_path":323,"genre_ids":324,"id":327,"title":328,"original_language":36,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":334,"vote_count":335,"credit_id":336,"department":24,"job":316,"media_type":44},"\u002F3Z2OhNVU0FhxGZJIq6Gn32UNoKu.jpg",[325,326,237],18,10749,662,"La 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