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Following an audition, he was hired by the Théâtre Antoine-Simone Berriau to act in La Mort du duc d'Enghien by Léon Hennique, and Le Perroquet vert by Arthur Schnitzler.\n\nLater he performed at the Théâtre de l'Ambigu-Comique and the Théâtre de l'Athénée. During a tour in Lyon, he was noticed by Jean-François Ponson, who hired him for a period of 12 years at the Théâtre royal des Galeries Saint-Hubert in Brussels. Audiences in Brussels gave him a warm welcome, where he played in productions such as Le Mariage de mademoiselle Beulemans.\n\nBerry subsequently performed in 30 successful plays for Marcel Achard, Alfred Savoir, Louis Verneuil, and Roger Ferdinand. One of Berry's first movie roles was the silent film Oliver Cromwell (1911) directed by Henri Desfontaines. His first appearance in a talking picture was Mon coeur et ses millions (1931) with Suzy Prim. Over the course of his career, Berry acted in 89 motion pictures.\n\nBombastic, extravagant, and whimsical, Berry was as flamboyant as any entertainer of the period, including Pierre Brasseur. Berry is often considered one of the greatest actors in the history of French cinema.\n\nAmong Berry's best films are: The Crime of Monsieur Lange by Jean Renoir, Les Visiteurs du Soir by Marcel Carné, Le Jour Se Lève by Marcel Carné, Strange Inheritance by Louis Daquin, Baccara by Yves Mirande, 27 Rue de la Paix by Richard Pottier and L'Habit vert by Roger Richebé.\n\nBerry ended his film career in 1951 to interpret the texts of Jacques Prévert.\n\nBerry was romantically involved with actresses Jane Marken, Suzy Prim, and Josseline Gaël. He and Gaël had a daughter named Michelle in 1939.\n\nA compulsive gambler, Berry frequented casinos and horse races. In April 1951, Berry was admitted to the Hôpital Broussais, where he died of a heart attack caused by treatment for rheumatism. 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