[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F95058:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":765},false,[],"Anne-Marie Miéville, nacida el 11 de noviembre de 1945 en Lausana, es una cineasta, directora, productora, guionista, actriz y autora de Vaud. Anne-Marie Miéville es fotógrafa y librera. En la década de 1960, también grabó dos CD de variedades para Barclay con canciones de Jean-Jacques Debout. En 1972 conoció en París a Jean-Luc Godard, quien sería su compañero hasta su muerte en 2022. Inicialmente, de 1973 a 1994, trabajó con este cineasta como fotógrafa, guionista, montadora, codirectora y directora artística en algunas de sus películas. En 1983 rodó su primer cortometraje \"How Can I Love\" y un año después un segundo cortometraje \"Le Livre De Marie\".\n\nDesde entonces, no ha dejado de hacer cine. A través de sus relatos cinematográficos, cuestiona el amor, el tiempo, el sentido de las cosas con un tono único... Su primer largometraje se llamó \"Mi querido tema\" y se estrenó en 19883. 1994 \"Lou ne dis pas non\".\n\nTambién en 1994, Anne-Marie Miéville publicó Histoire Du Garçon, un texto que narra la carrera y la vida de su hermano Alain, quien murió accidentalmente en 1993. En 1996\u002F1997 se estrenó un nuevo largometraje, Nous Sommes Tous Encore. Here\". En 2000 sigue \"After Reconciliation\", en la que aparece en compañía de Claude Perron, Jacques Spiesser, Jean-Luc Godard y Xavier Marchand.\n\nEn 2002 escribió Images In Words, textos breves publicados por Farrago, que según la editorial son \"una serie de fotogramas, cortometrajes de escritura\". En rigor, no son noticias, sino momentos indescriptibles. perfumes efímeros de imágenes que habría que filmar con palabras.","1945-11-11",null,1,95058,"nm0594746","Directing","Anne-Marie Miéville","Lausanne, Vaud, Switzerland",1.1544,"\u002FaFz0xu9fuReVOm0rEzUVvHZ5Agw.jpg",{"cast":18,"crew":232},[19,36,51,65,77,89,98,109,121,134,146,158,168,176,186,196,205,220],{"adult":4,"backdrop_path":20,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":9,"media_type":35},"\u002FysDodI3uMTo8K1ghlUU3kNFHkMr.jpg",[22],99,26298,"Aquí y allá","fr","Ici et Ailleurs","“Aquí hay una familia francesa promedio frente a su televisor. En otros lugares, militantes palestinos fueron filmados antes de las masacres del Septiembre Negro” (JLG, 1976). “Venimos aquí a estudiar esto: a aprender, a aprender lecciones si es posible, a grabar estas lecciones para transmitirlas aquí o en cualquier parte del mundo. Hace casi un año, dos de nosotros estábamos estudiando el Frente Democrático. otro fue al padre. Leemos los textos y los programas. Como maoístas franceses, decidimos hacer la película con Fath, cuyo título es Hasta la victoria. Hicimos que los mismos palestinos dijeran la palabra \"revolución\" durante la película. El título real de la película es Métodos de pensamiento y trabajo del Movimiento de Liberación de Palestina (JLG, Manifiesto, julio de 1970).",1.6021,"\u002FyxdBS1jF7HF1GryHwCZSvLPukpL.jpg","1976-09-15",6.7,30,"Narrator (voice)","52fe44f9c3a368484e041823","movie",{"adult":4,"backdrop_path":37,"genre_ids":38,"id":39,"title":40,"original_language":25,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":47,"character":48,"credit_id":49,"order":50,"media_type":35},"\u002FkcDyzBiXrcpLaVpFVGvRgT7gcxk.jpg",[22],1005409,"Godard Cinema","Godard, seul le cinéma","Jean-Luc Godard es el cine, su quintaesencia. Ha realizado más de 140 películas. Lo odiamos tanto como lo adoramos. ¿De dónde proviene viene su aura? De sus películas legendarias, por supuesto, pero también del propio Godard. Él es una figura pública y un hombre rodeado de misterio. Este retrato nos lleva más allá de los tópicos de un mito que a veces se ha vuelto caricaturesco, para conocer a un hombre más sentimental de lo que parece, un hombre habitado, a veces superado, por su arte.",1.4384,"\u002Fcz5DGkSyAfoe31AY5yV855Lx2zR.jpg","2023-06-05",5.6,14,"Self (archive footage)","643a23fa31234502ecd81aa4",15,{"adult":4,"backdrop_path":52,"genre_ids":53,"id":55,"title":56,"original_language":25,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"character":63,"credit_id":64,"order":9,"media_type":35},"\u002F3OafDCi1Y79Bb60Od8xXmg4iXjj.jpg",[54],18,140007,"Après la réconciliation","",1.0098,"\u002FuRMPgxZNKHUD1E2K44nrVoQXnbI.jpg","2000-12-27",7.1,10,"La Première Femme","52fe4a829251416c750e456d",{"adult":4,"backdrop_path":66,"genre_ids":67,"id":68,"title":69,"original_language":25,"original_title":69,"overview":57,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":74,"character":48,"credit_id":75,"order":76,"media_type":35},"\u002F51uIx1VkBwsNVWsJetqE7cA1Vav.jpg",[22],1122965,"Godard par Godard",1.5344,"\u002FbT3dDMz11CwtF8IdakwG0ILpyYu.jpg","2023-05-17",7.2,5,"64fba151e0ca7f00ec8afedf",4,{"adult":4,"backdrop_path":78,"genre_ids":79,"id":81,"title":82,"original_language":25,"original_title":82,"overview":57,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":86,"vote_count":76,"character":87,"credit_id":88,"order":9,"media_type":35},"\u002FxvtnuOORpC12Hij3f5H0TM0LGgD.jpg",[22,80],10770,228957,"Soft and Hard",1.3754,"\u002F8w0wqG74NGimclIKwpbSYi9nzH9.jpg","1985-08-12",6,"Self","52fe4ede9251416c75165155",{"adult":4,"backdrop_path":8,"genre_ids":90,"id":91,"title":92,"original_language":25,"original_title":92,"overview":57,"popularity":93,"poster_path":8,"release_date":94,"softcore":4,"video":4,"vote_average":95,"vote_count":96,"character":87,"credit_id":97,"order":9,"media_type":35},[22,80],259026,"Six fois deux\u002FSur et sous la communication",1.2432,"1976-03-12",8.7,3,"5320c4a39251411f85001b04",{"adult":4,"backdrop_path":8,"genre_ids":99,"id":100,"title":101,"original_language":25,"original_title":101,"overview":57,"popularity":102,"poster_path":103,"release_date":104,"softcore":4,"video":4,"vote_average":105,"vote_count":106,"character":107,"credit_id":108,"order":9,"media_type":35},[],293426,"Le Rapport Darty",1.3161,"\u002Fe8kQ2zDXGr0G7BZnvTW4OZaQ7wv.jpg","1989-01-01",6.5,2,"Mamzelle Clio","541a4933c3a3685104001401",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":25,"original_title":113,"overview":57,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":118,"character":119,"credit_id":120,"order":9,"media_type":35},"\u002FiGNAF2Es13Hwh2bx5mOSiqePXyO.jpg",[54],248319,"Comment ça va ?",1.672,"\u002FzZr61z5XyqtjPhDIn8d0KQV4ack.jpg","1978-04-26",6.1,16,"Odette","54208230c3a368699100039c",{"adult":4,"backdrop_path":122,"genre_ids":123,"id":124,"title":125,"original_language":25,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":132,"character":33,"credit_id":133,"order":9,"media_type":35},"\u002Fq6GsGCc0Ncymil1WiTrhsScRKdG.jpg",[22,54],414030,"El libro de imágenes","Le Livre d'image","Nada excepto silencio. Nada excepto una canción revolucionaria. Una historia en cinco capítulos, como los cinco dedos de una mano.",3.3926,"\u002Fbg550nt1GLGsE7S8Qw1o3EnIPN5.jpg","2018-10-11",6.3,86,"5d00cc8092514162bcbbd1c6",{"adult":4,"backdrop_path":8,"genre_ids":135,"id":136,"title":137,"original_language":138,"original_title":137,"overview":57,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":142,"vote_average":143,"vote_count":143,"character":144,"credit_id":145,"order":106,"media_type":35},[22],692243,"Four Short Films","en",1.3114,"\u002F90gz0QHJRDvLh1Wcdx401H8vzAv.jpg","2006-03-06",true,0,"Self - Narrator (voice)","5e925bf00231f2001a02cd76",{"adult":4,"backdrop_path":8,"genre_ids":147,"id":148,"title":149,"original_language":25,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":155,"vote_count":156,"character":87,"credit_id":157,"order":9,"media_type":35},[22],188321,"Scenario du Film 'Passion'","Scénario du film Passion","Producido inicialmente para emitirse en televisión, en este trabajo Jean-Luc Godard habla sobre la práctica del cine y se pregunta sobre el origen de la creatividad. (FILMAFFINITY)",1.0832,"\u002Fl1K6vRTgirdcGz8oQL1amYxTBUJ.jpg","1982-01-28",5.9,11,"5f46ebca0d11f20031bd4d50",{"adult":4,"backdrop_path":8,"genre_ids":159,"id":160,"title":161,"original_language":25,"original_title":161,"overview":57,"popularity":162,"poster_path":163,"release_date":164,"softcore":4,"video":4,"vote_average":165,"vote_count":166,"character":87,"credit_id":167,"order":96,"media_type":35},[22],293424,"Petites notes à propos du film 'Je vous salue, Marie'",1.2682,"\u002FcXGUydBKdoCY11yL8U7HhTBuLLc.jpg","1983-01-01",5.3,9,"5ffba2e80fb17f003c3fbdd7",{"adult":4,"backdrop_path":8,"genre_ids":169,"id":170,"title":171,"original_language":138,"original_title":171,"overview":57,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":62,"vote_count":9,"character":87,"credit_id":175,"order":9,"media_type":35},[22],848323,"Jean-Luc Godard and Anne-Marie Miéville on Google StreetView",1.0344,"\u002Fjx0LJ5C2zUKN8Xy7tSq9vrnfyIw.jpg","2018-02-21","60e4d10b07faa200301827af",{"adult":4,"backdrop_path":8,"genre_ids":177,"id":179,"title":180,"original_language":25,"original_title":180,"overview":57,"popularity":181,"poster_path":182,"release_date":183,"softcore":4,"video":4,"vote_average":46,"vote_count":74,"character":184,"credit_id":185,"order":143,"media_type":35},[80,178,22],10402,385191,"Faut pas rêver",1.0415,"\u002FdDKlwkajiZcLKmbzNLYBJ58LFxH.jpg","1977-12-31","Mother (voice) (uncredited)","66e2620c791320cd95d43b45",{"adult":4,"backdrop_path":8,"genre_ids":187,"id":188,"title":189,"original_language":25,"original_title":189,"overview":57,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":193,"vote_count":96,"character":194,"credit_id":195,"order":9,"media_type":35},[22],293242,"Reportage amateur (Maquette expo)",1.2554,"\u002FagWnNihvp5Plpb2EAre10qUhyvw.jpg","2006-04-24",5.7,"Self (voice) (uncredited)","688433fef9fcc95b9ad9ab6b",{"adult":4,"backdrop_path":8,"genre_ids":197,"id":198,"title":199,"original_language":25,"original_title":199,"overview":57,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":105,"vote_count":86,"character":203,"credit_id":204,"order":9,"media_type":35},[22],194532,"The Old Place",1.8862,"\u002FkupdQ1vKxPdPZ14s4Le0JzU4uFm.jpg","2000-05-19","Self \u002F Narrator (voice)","695985d73251db027ac38456",{"adult":4,"backdrop_path":206,"genre_ids":207,"id":209,"origin_country":210,"original_language":25,"original_name":212,"overview":57,"popularity":213,"poster_path":214,"first_air_date":215,"softcore":4,"name":212,"vote_average":216,"vote_count":106,"character":87,"credit_id":217,"episode_count":96,"first_credit_air_date":218,"media_type":219},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[208],10767,244224,[211],"FR","Spécial cinéma",70.4104,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65b7af1a312345017bdc188a","1984-01-16","tv",{"adult":4,"backdrop_path":221,"genre_ids":222,"id":223,"origin_country":224,"original_language":25,"original_name":92,"overview":225,"popularity":226,"poster_path":8,"first_air_date":227,"softcore":4,"name":92,"vote_average":228,"vote_count":229,"character":87,"credit_id":230,"episode_count":231,"first_credit_air_date":227,"media_type":219},"\u002FxXHEezg8XUEtjYila37VwzP2uVZ.jpg",[22],59104,[211],"En esta serie de televisión radicalmente anticonvencional, Godard y Miéville analizan las implicaciones políticas y económicas de los medios de comunicación personales y de masas, en relación con la sociedad, la cultura, la familia y el individuo. Su investigación se centra en lo que se encuentra \"sobre y bajo\" (\"sur et sous\") la comunicación en una crítica provocativa del poder de los medios visuales contemporáneos en la cultura cotidiana.",2.7187,"1976-07-25",7.3,7,"66c8fed3c7e8d465275ed661",12,[233,237,242,252,255,260,274,286,296,299,302,306,309,312,315,324,336,339,342,352,355,358,361,370,373,376,388,402,409,412,415,422,431,442,448,451,454,462,465,468,471,474,477,480,483,495,506,510,522,533,545,548,558,571,583,591,599,607,610,613,625,633,636,639,642,645,648,651,654,658,671,675,683,686,689,692,701,709,712,715,718,722,726,736,740,744,748,752,756,761],{"adult":4,"backdrop_path":20,"genre_ids":234,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"credit_id":235,"department":12,"job":236,"media_type":35},[22],"52fe44f9c3a368484e041809","Director",{"adult":4,"backdrop_path":20,"genre_ids":238,"id":23,"title":24,"original_language":25,"original_title":26,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"credit_id":239,"department":240,"job":241,"media_type":35},[22],"52fe44f9c3a368484e04180f","Production","Producer",{"adult":4,"backdrop_path":243,"genre_ids":244,"id":245,"title":246,"original_language":25,"original_title":246,"overview":247,"popularity":248,"poster_path":249,"release_date":250,"softcore":4,"video":4,"vote_average":229,"vote_count":96,"credit_id":251,"department":12,"job":236,"media_type":35},"\u002FbgspKcir168iAP8BnYmHsEK3orC.jpg",[22,54],49116,"Contre l’oubli","En 1991, la ONG Amnistía Internacional encargó 30 cortometrajes a 30 realizadores franceses, para montar un film colectivo que denunciara casos concretos de violación de los derechos humanos por razones políticas.",1.1125,"\u002F1PMobTJtMzOSBqNCHImiLAyPumH.jpg","1991-12-11","52fe4786c3a36847f813a9e1",{"adult":4,"backdrop_path":52,"genre_ids":253,"id":55,"title":56,"original_language":25,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"credit_id":254,"department":12,"job":236,"media_type":35},[54],"52fe4a829251416c750e4563",{"adult":4,"backdrop_path":52,"genre_ids":256,"id":55,"title":56,"original_language":25,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":62,"credit_id":257,"department":258,"job":259,"media_type":35},[54],"52fe4a829251416c750e4569","Writing","Screenplay",{"adult":4,"backdrop_path":261,"genre_ids":262,"id":263,"title":264,"original_language":25,"original_title":265,"overview":266,"popularity":267,"poster_path":268,"release_date":269,"softcore":4,"video":4,"vote_average":117,"vote_count":270,"credit_id":271,"department":272,"job":273,"media_type":35},"\u002Fp8NHG9uNXn7MSrknNk0LbBjJxQc.jpg",[54],113479,"Salve quien pueda, la vida","Sauve qui peut (la vie)","Una reflexión sobre las relaciones sexuales a través de tres personajes. Denise Rimbaud (Baye) es una editora descontenta con su trabajo que un día decide abandonar a su amante, Paul Godard (Dutronc) e irse a vivir al campo. Paul no quiere abandonar la ciudad, pero no puede vivir sin Denise. El tercer personaje es Isabelle (Huppert), una prostituta que lucha por sobrevivir en la ciudad.",3.6147,"\u002Ff3HiY5AEe9dde7Nb1QiuzaHuNrt.jpg","1980-10-12",87,"52fe4b38c3a36847f81f86a1","Editing","Editor",{"adult":4,"backdrop_path":275,"genre_ids":276,"id":277,"title":278,"original_language":25,"original_title":279,"overview":280,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":284,"vote_count":231,"credit_id":285,"department":12,"job":236,"media_type":35},"\u002FnQzoFHA0CLbrOZ9FW6nOkRlpduF.jpg",[80,22],116408,"2 x 50 años de cine francés","Deux fois cinquante ans de cinéma français","Godard en persona, y en un dispositivo similar al planteado en las \"Histoire(s)\", discute con Michel Piccoli los acontecimientos institucionales que se preparan para celebrar el centenario del nacimiento del cine en 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