[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F932403:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":244},false,[6],"Fernando Pérez Valdés","Fernando Pérez Valdés (born November 19, 1944; Havana) is a Cuban film director and writer, with a degree in Hispanic Language and Literature from the University of Havana.\n\nHe has taught Film Appreciation and Film History courses at the International Film School of San Antonio de los Baños. Since 1962 he has been linked to cinema, first as a production assistant and then as an assistant director. In 1975 he debuted as a documentary filmmaker, also making numerous editions of the Latin American ICAIC News. He began his career as a feature film director in 1987 with Clandestinos, a film that would earn him great recognition from national and international critics. Throughout his career he has received numerous awards at different festivals both in Cuba and abroad, being awarded with the National Film Award in 2007. He was also awarded the Casa de las Américas Prize for his book Correspondents of War.","1944-11-19",null,2,932403,"nm0702148","Directing","Fernando Pérez","Havana, Cuba",0.5921,"\u002FDsNLtljAKvzQwdiLP7zUlkl2Uu.jpg",{"cast":19,"crew":69},[20,36,47,55],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},"\u002FmrVrXM7QYO6vEuhHsJLmJ1Kn4Lj.jpg",[23],99,508088,"Memória Cubana","pt","",0.9201,"\u002F2B2MfKxejiIYHXgPZJny62gkJ1H.jpg","2010-09-27",0,"Self","65b2b5e9ab1bc70164a8eb9a",32,"movie",{"adult":4,"backdrop_path":9,"genre_ids":37,"id":38,"title":39,"original_language":40,"original_title":39,"overview":27,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":27,"credit_id":46,"order":31,"media_type":35},[23],454858,"Rodar en Cuba","es",0.6199,"\u002FfbmqTNH9wrrnlAXK0sFJg0aPN13.jpg","2003-01-01",5,1,"590301bdc3a36828df007711",{"adult":4,"backdrop_path":9,"genre_ids":48,"id":49,"title":50,"original_language":40,"original_title":50,"overview":27,"popularity":51,"poster_path":9,"release_date":52,"softcore":4,"video":4,"vote_average":10,"vote_count":45,"character":53,"credit_id":54,"order":44,"media_type":35},[23],524422,"Titón, De la Habana a Guantanamera, 1928-1996",1.168,"2008-09-26","Interviewee","5b878f01c3a3681fe200a3fc",{"adult":4,"backdrop_path":9,"genre_ids":56,"id":58,"title":59,"original_language":60,"original_title":59,"overview":27,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":65,"character":66,"credit_id":67,"order":68,"media_type":35},[57],35,272829,"Culpa","en",0.7481,"\u002FglM66tG3rXcRNgGKCZmCTl5mg6n.jpg","1993-01-02",5.2,8,"Eleuterio Santacruz","6934572b13d713a0b248e8e9",6,[70,83,96,106,114,129,140,145,155,166,170,178,181,184,194,208,220,223,235,238,241],{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":40,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":81,"department":13,"job":82,"media_type":35},"\u002Fufz2rvMXA2w3p7vYwSwuR50ZJxa.jpg",[23],85645,"Suite Habana","Amanece en La Habana. La ciudad despierta y comienza el día. La Habana, hoy, es un punto de referencia para muchos, un misterio para otros y un sueño lleno de contradicciones y contrastes para quienes la aman o la critican. Pero La Habana no es sólo un espacio, una sonoridad, una luz; La Habana es su gente. Y Suite Habana es un día cualquiera en la vida de unos cuantos habaneros corrientes. No hay entrevistas, ni diálogos ni narración; sólo imágenes, sonidos y música para expresar cinematográficamente el día a día de una realidad peculiar y única. Cada uno de los personajes representa la curiosa diversidad de los grupos sociales que se mueven en la ciudad... porque no hay una sola Habana: hay muchas Habanas invisibles y distintas para vivir.",2.2519,"\u002Flpr1kmuZTfThG9qLSNWMTrONnAs.jpg","2003-10-03",6.6,16,"52fe49529251416c910a97df","Director",{"adult":4,"backdrop_path":84,"genre_ids":85,"id":87,"title":88,"original_language":40,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"credit_id":95,"department":13,"job":82,"media_type":35},"\u002FyJuxdUkqSb9xQA97685FGmRSjT9.jpg",[86],18,112942,"La vida es silbar","Bebé, una muchacha de 18 años, es feliz y no entiende por qué los demás no lo son. Ella relata las historias de Mariana, Julia y Elpidio, tres personajes que no son felices en La Habana de este fin de siglo. Mariana es una joven bailarina que por conseguir el papel de Giselle promete a Dios no acostarse con ningún hombre. La pasión de Julia es hacer el bien a los demás y los animales hasta que un día comienza a padecer extraños desmayos. Elpidio es un joven mulato músico que fue abandonado por su madre y se pregunta por el futuro de Cuba.",1.4647,"\u002FcGC5t77XdRwDTpNzbnVkKEkG6AK.jpg","1998-12-05",5.8,10,"52fe4b24c3a36847f81f4aab",{"adult":4,"backdrop_path":9,"genre_ids":97,"id":98,"title":99,"original_language":40,"original_title":99,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":4,"video":4,"vote_average":104,"vote_count":65,"credit_id":105,"department":13,"job":82,"media_type":35},[86],245270,"Hello Hemingway","Larita, vecina de Ernest Hemingway, establece un paralelo entre su vida y la del viejo pescador de la novela \"El viejo y el mar\". Quiere terminar sus estudios secundarios e ingresar en la Universidad, pero su origen humilde le impide alcanzar sus sueños.",1.0636,"\u002FhCzawXxIXZ0Toj48ltVHcLJWAFV.jpg","1990-12-01",5.6,"52fe4f01c3a36847f82b689b",{"adult":4,"backdrop_path":9,"genre_ids":107,"id":108,"title":109,"original_language":40,"original_title":109,"overview":27,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":10,"vote_count":10,"credit_id":113,"department":13,"job":82,"media_type":35},[86],331892,"La pared de las palabras",1.4694,"\u002FcDowehiL0zhSDOV7uUPJYCA0QNj.jpg","2014-12-01","550d79aec3a3684883005c1b",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":120,"title":121,"original_language":40,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":126,"vote_count":127,"credit_id":128,"department":13,"job":82,"media_type":35},"\u002Fnq73xzxvO0KVoSPLQp1TxsKFLZs.jpg",[86,117,118,119],10752,36,10749,312030,"Clandestinos","En los tiempos previos a la revolución cubana, Ernesto Ardeniz (Luis Alberto García) recibe en la prisión la inesperada visita de Nereida (Isabel Santos), una joven desconocida y de extraña apariencia que lo hace desconfiar. Pero su más cercana compañera de lucha le explicará después a Ernesto que se trata de una muchacha inexperta pero con muchas ganas de ayudar. Ya en libertad, Ernesto y sus compañeros reorganizan el grupo clandestino que lucha contra el dictador Batista. Perseguidos por los servicios secretos de Batista, Ernesto empieza a sentirse atraído por la joven, siendo correspondido. Así, a pesar de atravesar una época tan convulsa el amor surge entre ellos, paralelo a la lucha armada que condicionará sus vidas. (FILMAFFINITY)",1.2502,"\u002F4TIIlDmHTtW11jy5ssaGNnNQr4Y.jpg","1987-07-24",7,11,"557ab9bfc3a368034b001fab",{"adult":4,"backdrop_path":130,"genre_ids":131,"id":133,"title":134,"original_language":40,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":4,"video":4,"vote_average":64,"vote_count":65,"credit_id":139,"department":13,"job":82,"media_type":35},"\u002FqxTbEyIOhWlHU9bbNFRQWFwQoh.jpg",[86,132],878,73610,"Madrigal","Javier es un actor con afinidad por la escritura. Cuando comienza su historia de amor con Luisita, no sabe dónde comienza y dónde termina la verdad. Quince años después, ha convertido su historia en literatura que relata su trágica historia de amor de una manera creativa.",1.4714,"\u002Fmz0sgc2aHgtaGnheE50Dtb2XflH.jpg","2007-03-30","55ed8f4bc3a3682c7001459d",{"adult":4,"backdrop_path":130,"genre_ids":141,"id":133,"title":134,"original_language":40,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":4,"video":4,"vote_average":64,"vote_count":65,"credit_id":142,"department":143,"job":144,"media_type":35},[86,132],"55ed8f549251413e35014576","Writing","Writer",{"adult":4,"backdrop_path":146,"genre_ids":147,"id":148,"title":149,"original_language":40,"original_title":149,"overview":27,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":153,"vote_count":65,"credit_id":154,"department":13,"job":82,"media_type":35},"\u002FnNBSSuZto02QBWy6dJm9SckVPmW.jpg",[86],389430,"Madagascar",0.8937,"\u002F4pSyTtGBXcfadko6GgMv6n9bGZq.jpg","1995-03-01",6.5,"56f43a5d9251410e6400104e",{"adult":4,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":40,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":10,"credit_id":165,"department":13,"job":82,"media_type":35},"\u002FlQ3FUdR7JDHnGsNLUfnlaZantzs.jpg",[57,86],1057372,"El Mundo de Nelsito","Nelsito, la víctima del suceso, es un adolescente autista de 16 años que se fugó de su casa, y mientras todos se preocupan por el joven, su imaginación lo traslada hacia otros momentos y situaciones, vinculados con las personas a su alrededor.",1.3905,"\u002FaIHqEftJlW4hsk7sglI8JyUqQz.jpg","2023-08-03",7.8,"638d6a097d5db50fb78c761d",{"adult":4,"backdrop_path":156,"genre_ids":167,"id":158,"title":159,"original_language":40,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":10,"credit_id":168,"department":143,"job":169,"media_type":35},[57,86],"638d6a32a76ac500c8a0295a","Screenplay",{"adult":4,"backdrop_path":9,"genre_ids":171,"id":172,"title":173,"original_language":40,"original_title":173,"overview":27,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":31,"vote_count":31,"credit_id":177,"department":13,"job":82,"media_type":35},[23],428670,"Puerto Rico",0.8648,"\u002FmDR58xrPf5I7cpv2maBIXW9MtJu.jpg","1975-01-02","58419a98c3a36865b3008052",{"adult":4,"backdrop_path":71,"genre_ids":179,"id":73,"title":74,"original_language":40,"original_title":74,"overview":75,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":180,"department":143,"job":144,"media_type":35},[23],"58549cd89251416fad036e0e",{"adult":4,"backdrop_path":9,"genre_ids":182,"id":108,"title":109,"original_language":40,"original_title":109,"overview":27,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":10,"vote_count":10,"credit_id":183,"department":143,"job":144,"media_type":35},[86],"58549dd9c3a368258f02fe7a",{"adult":4,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":40,"original_title":188,"overview":189,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":93,"vote_count":44,"credit_id":193,"department":13,"job":82,"media_type":35},"\u002FsEmx4td92i7U155dRUGtFADgm0u.jpg",[86],409689,"José Martí: el ojo del canario","Este drama histórico, que retrata diferentes fases de la niñez y juventud tardía del llamado \"Apóstol de Cuba\" José Martí, es la mayoría de las veces un biopic lleno de tópicos habituales en este género, dirigido por Fernando Pérez, uno de los nombres más respetados del cine cubano.",1.2781,"\u002Fj6h8XyThuhZRjE1dNULCxMvH8mL.jpg","2010-03-14","58549c61c3a36827a5033ac8",{"adult":4,"backdrop_path":195,"genre_ids":196,"id":197,"title":198,"original_language":40,"original_title":198,"overview":199,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":203,"vote_count":204,"credit_id":205,"department":206,"job":207,"media_type":35},"\u002F4l6bF5uP4JyKEb3QbRGY45AX7na.jpg",[57],272402,"El Cid Cabreador","Rodrigo Díaz de Vivar, mio Cid, está enamorado de Jimena pero el conde de Oviedo, su padre, le reta a un duelo y es muerto. Antes maldice a Rodrigo, que si se casa con Jimena perderá sus facultades de hombre. Y, en efecto, al casarse, Rodrigo se afemina. Urraca le secuestra y seduce, con lo que Rodrigo recupera sus fuerzas y se transforma en el \"Cid Cabreador\".",0.854,"\u002F98c7oYScFDpvUPZ0FANibhXGmrU.jpg","1983-12-19",5.3,3,"585807019251416f63062037","Crew","Special Effects",{"adult":4,"backdrop_path":209,"genre_ids":210,"id":211,"title":212,"original_language":40,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":217,"vote_count":218,"credit_id":219,"department":13,"job":82,"media_type":35},"\u002FrwKhUzCpGMqxK7WOVe7j58938Rw.jpg",[86],436354,"Últimos días en La Habana","Narra la historia de dos amigos: Diego, enfermo de VIH-SIDA, y Miguel, cuya máxima aspiración resulta mudarse a Nueva York.",1.4068,"\u002FsG9GvWbefAJ76s9tMsHgeTbeknm.jpg","2016-12-11",5.7,15,"5882da78c3a368064d003ee3",{"adult":4,"backdrop_path":209,"genre_ids":221,"id":211,"title":212,"original_language":40,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":217,"vote_count":218,"credit_id":222,"department":143,"job":144,"media_type":35},[86],"5c30ef81c3a3680835a4e984",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":40,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":233,"credit_id":234,"department":13,"job":82,"media_type":35},"\u002FlrlTqanK8bjKhHdf3EJWXBYcyhX.jpg",[86,118],589180,"Insumisas","Santiago de Cuba, 19 de enero de 1819. Procedente de Lausana, llega a la isla, provincia española, Enrique Faber, un médico y cirujano suizo, con la esperanza de encontrar a su hijo, que ha sido secuestrado…",0.9465,"\u002Fo8TDfjNu2UOGuuaD1RBg7EIKQsw.jpg","2019-03-07",6.1,14,"5c90bcef9251410ff4a5a402",{"adult":4,"backdrop_path":224,"genre_ids":236,"id":226,"title":227,"original_language":40,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":233,"credit_id":237,"department":143,"job":169,"media_type":35},[86,118],"5c90bd459251410feda5760a",{"adult":4,"backdrop_path":146,"genre_ids":239,"id":148,"title":149,"original_language":40,"original_title":149,"overview":27,"popularity":150,"poster_path":151,"release_date":152,"softcore":4,"video":4,"vote_average":153,"vote_count":65,"credit_id":240,"department":143,"job":144,"media_type":35},[86],"5de12a7a3faba0001908c8a3",{"adult":4,"backdrop_path":84,"genre_ids":242,"id":87,"title":88,"original_language":40,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":94,"credit_id":243,"department":143,"job":144,"media_type":35},[86],"68a1094c3c397e1e6bed14c9",{"profiles":245},[246,251],{"aspect_ratio":247,"height":248,"iso_3166_1":9,"iso_639_1":9,"file_path":17,"vote_average":249,"vote_count":45,"width":250},0.667,495,3.334,330,{"aspect_ratio":247,"height":252,"iso_3166_1":9,"iso_639_1":9,"file_path":253,"vote_average":31,"vote_count":31,"width":254},450,"\u002FvQHtZBhSIvM3xMNaMZntRGRgtcw.jpg",300]