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De regreso a Alemania, su carrera como director de cine comienza en 1919 con Der Knabe in Blau (El muchacho en azul). De su periodo mudo en aquel país se ha perdido prácticamente todo, aunque entre las películas que se han salvado están Nosferatu, el vampiro (1922), basada en la novela Drácula de Bram Stoker, y tres protagonizadas por el gran actor austriaco Emil Jannings: El último (1924), Tartufo (1926) y Fausto (1926). De 1926 en adelante, Murnau trabajó en Estados Unidos. Allí dirigió Amanecer (1927), por la que recibió un Oscar a la calidad artística de la producción, antes de viajar a Tahití, en 1929, con el documentalista Robert Flaherty con el que hizo su última película, Tabú, estrenada tras su muerte en accidente automovilístico en California.","1888-12-28","1931-03-11",2,"https:\u002F\u002Fmurnau-forum.de",9076,"nm0003638","Directing","F. W. 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Flaherty, aunque por diversos problemas sólo la firmó Murnau. 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Privado de su antiguo trabajo y del uniforme que le identifica, intenta ocultar su nueva condición, pero su vida se desintegra lentamente.",7.0665,"\u002Fr23jNChGtptT7elVDbBaBH6TwsK.jpg","1924-12-23",373,"52fe4434c3a36847f8088491",{"adult":4,"backdrop_path":179,"genre_ids":180,"id":181,"title":182,"original_language":85,"original_title":182,"overview":51,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":186,"vote_count":78,"credit_id":187,"department":19,"job":116,"media_type":44},"\u002F7cjv1RscQckNNMiMRfh75dkt9PE.jpg",[29,58],6123,"Sehnsucht",0.9244,"\u002F2RVBw22FqD9myoGTcGIOgJnWorq.jpg","1921-01-01",8,"52fe443fc3a36847f808ad15",{"adult":4,"backdrop_path":189,"genre_ids":190,"id":193,"title":194,"original_language":85,"original_title":195,"overview":196,"popularity":197,"poster_path":198,"release_date":199,"softcore":4,"video":4,"vote_average":200,"vote_count":201,"credit_id":202,"department":19,"job":116,"media_type":44},"\u002FzRTMEWcGldnmy2FzFM2Bp3T0zDq.jpg",[29,191,192,58],9648,80,6793,"El castillo Vogeloed","Schloß Vogelöd","En el castillo Vogeloed, unos aristócratas están esperando a la baronesa Safferstatt, cuando, de repente, aparece el indeseable conde Oetsch, al que nadie había invitado. Todos están convencidos de que él asesinó a su hermano, el primer marido de la baronesa Safferstat. Sin embargo, Oetsch, pese a no ser bien recibido, se queda en el castillo, arguyendo que él no sólo no es el asesino, sino que además encontrará a quien mató a su hermano.",2.1387,"\u002Fw9MC8No9kEFvpQDQk8lM7xrTcg7.jpg","1921-04-07",6.3,57,"52fe4465c3a36847f80938af",{"adult":4,"backdrop_path":204,"genre_ids":205,"id":206,"title":207,"original_language":33,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":213,"vote_count":214,"credit_id":215,"department":19,"job":116,"media_type":44},"\u002F6hOnedl1IdzLc1xMuESG9KUtNMr.jpg",[29,30],34796,"El pan nuestro de cada día","City Girl","Primer film sonoro de Murnau (y último de ficción). Durante su producción y rodaje (en tierras americanas, donde había realizado ya la obra maestra \"Sunrise\"), surgieron importantes divergencias del director alemán con el dueño de la Fox, William Fox. La más importante fue la imposición de ser un film hablado (Murnau comenzó la película siendo muda), dado el fulgurante éxito del cine sonoro, así como la incapacidad del estudio por conseguir a la estrella Janet Gaynor (protagonista de \"Amanecer\"). Murnau, desencantado, decidió una vez acabada la película asociarse con el documentalista Robert J. Flaherty, para rodar \"Tabu\" sin ningún tipo de imposición de los estudios. \"El pan nuestro de cada día\" está basada en la obra \"The Mad Turtle\", de Elliott Lester, y narra la historia de un joven de Minnesota que va a Chicago y se enamora.",2.1479,"\u002Fd0ioAdV4cg9euanBb2OdA3zpAsT.jpg","1930-01-12",7.467,107,"52fe457d9251416c9103438f",{"adult":4,"backdrop_path":217,"genre_ids":218,"id":219,"title":220,"original_language":85,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":226,"vote_count":227,"credit_id":228,"department":19,"job":116,"media_type":44},"\u002F9IhK5UJArJb2WmkHqT0ISHu1uKE.jpg",[29,30,133],28480,"El beso de la fama","Phantom","Adaptación de una novela de Gerhart Hauptmann, que mediante la historia de amor no correspondido de un contable opone a la sordidez del mundo proletario y pequeño burgués con el ambiente cosmopolita de los ricos.",2.5527,"\u002FpnvXPrxyj6PPTLLzHrpIKVaq060.jpg","1922-11-13",6.9,54,"52fe4599c3a368484e0645bd",{"adult":4,"backdrop_path":230,"genre_ids":231,"id":233,"title":234,"original_language":85,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":240,"vote_count":241,"credit_id":242,"department":19,"job":116,"media_type":44},"\u002FlrMaroA8Iben5pf7AkymgelJi0s.jpg",[232,29],35,55536,"Las finanzas del Gran Duque","Die Finanzen des Großherzogs","Cinta de intrigas 'palaciegas' ambientada en el diminuto ducado mediterráneo de Abacco.",1.2466,"\u002FyjYZTIVWtj8NJR8P8ZZzunCWLI6.jpg","1924-01-07",6.6,30,"52fe48d2c3a36847f817b2a1",{"adult":4,"backdrop_path":244,"genre_ids":245,"id":246,"title":247,"original_language":85,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":4,"video":4,"vote_average":89,"vote_count":192,"credit_id":253,"department":19,"job":116,"media_type":44},"\u002F1vmfytDgYC7YZNK38jT3zbA22Fg.jpg",[29,232],55544,"Tartufo o el hipócrita","Herr Tartüff","Fábula moral basada en la famosa comedia de Moliere sobre la hipocresía de un hombre que quiere adueñarse de una gran fortuna.",1.9709,"\u002FtKmMdSNON5IZP4QWZjYvJRVvlq2.jpg","1926-01-25","52fe48d2c3a36847f817b41b",{"adult":4,"backdrop_path":255,"genre_ids":256,"id":257,"title":258,"original_language":85,"original_title":259,"overview":260,"popularity":261,"poster_path":262,"release_date":263,"softcore":4,"video":4,"vote_average":200,"vote_count":264,"credit_id":265,"department":19,"job":116,"media_type":44},"\u002F8Eo501fYyvBRzdhdzlOGQP2QDfP.jpg",[29],55549,"La tierra en llamas","Der brennende Acker","Drama rural de luchas familiares por la posesión de la tierra que escenifica la pasión y la codicia, las supersticiones y las leyendas, en una narración expresionista. 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