[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F84461:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":150},false,[6],"伍思薇","Alice Wu ( 伍思薇, born April 21, 1970) is an American film director and screenwriter.\n\nIn both of her films, the main characters are Chinese American. For the film Saving Face, a number of production companies offered to buy the script for the film, but Wu opted not to sell it in order to uphold an authentic portrayal of the Taiwanese-American community. Aside from Asian protagonists, her films also often explore the lives of intellectual, LGBT female characters. Saving Face and Wu's impact on the industry have paved way for greater Asian representation in the film industry today. Her contributions in film have inspired Asian-American actresses such as Awkwafina and Lana Condor.","1970-04-21",null,1,84461,"nm1226108","Writing","Alice Wu","San Jose, California, USA",1.1237,"\u002F4nOKxXZwwczb6icdmPc1L3UiUG.jpg",{"cast":19,"crew":48},[20,36],{"adult":4,"backdrop_path":9,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},[22],99,27047,"Fabulous! The Story of Queer Cinema","en","Este documental repasa cronológicamente las películas norteamericanas de temática gay\u002Flésbica, desde los precursores de mediados del siglo XX (como Fireworks, de Kenneth Anger) hasta documentales como Tarnation (Jonathan Caouette, 2004) o producciones “major” como Brokeback Mountain (2005). Entre los que opinan están directores como Todd Haynes (Velvet Goldmine), Gus Van Sant (Mi Mundo Privado), John Cameron Mitchell (Shortbus), Ang Lee (Brokeback) y John Waters (Pink Flamingos).",1.714,"\u002Fw2239Q4JXBNngQ42X3YukJIgx8W.jpg","2006-02-12",5.4,21,"Self","59fd10e4925141473300488e",22,"movie",{"adult":4,"backdrop_path":9,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"character":45,"credit_id":46,"order":47,"media_type":35},[22],809549,"Slaying the Dragon: Reloaded","",1.2499,"\u002FrBdnSu29XbQ8aN87rJ5ySDLGWQ5.jpg","2011-03-12",0,"Herself","605a58bf091e620029a4eab4",19,[49,61,65,80,83,96,101,104,121,137],{"adult":4,"backdrop_path":9,"genre_ids":50,"id":53,"title":54,"original_language":25,"original_title":54,"overview":40,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":58,"department":59,"job":60,"media_type":35},[51,52],18,10751,958729,"The Note",1.0366,"\u002FxL2tQUuYBXguq3pMMMfVdeWdFZl.jpg","2022-04-04","624b8e353e01ea00511a7fc1","Directing","Director",{"adult":4,"backdrop_path":9,"genre_ids":62,"id":53,"title":54,"original_language":25,"original_title":54,"overview":40,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":44,"vote_count":44,"credit_id":63,"department":13,"job":64,"media_type":35},[51,52],"624b8e3d0143250050a7983e","Writer",{"adult":4,"backdrop_path":66,"genre_ids":67,"id":70,"title":71,"original_language":25,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":78,"credit_id":79,"department":59,"job":60,"media_type":35},"\u002FpiT1WWJlC0ebUVpAWI1SBwg2Vdq.jpg",[68,69,51],35,10749,19316,"Guardando las apariencias","Saving Face","Para Wilhelmina \"Wil\" Pang, neoyorquina de 28 años, la vida es una representación de juegos malabares entre una prometedora carrera como cirujana y sus responsabilidades como hija obediente. Al igual que la línea 7 del metro que la lleva a visitar a su familia china una vez por semana, Wil está permanentemente en tránsito entre dos mundos. Las expectativas de la sociedad de Flushing, Queens, de la que procede, y su propio deseo de alejarse de ella han logrado que Wil esté satisfecha con la vida paralela que ha optado llevar, a pesar de que ello conlleve un involuntario juego de charadas con su madre viuda y el viejo mundo que ésta representa. 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Pero justo al comienzo de su primer verano de libertad sexual, su ex esposa desaparece, dejándolo con los niños y sin saber dónde está o si planea regresar.",26.1529,"\u002F92IONu231B2HF9WZpQvqxYacw3K.jpg","2022-11-17","Fleishman está en apuros",7.22,157,"6374fb74229ae200bc2632e4","tv",{"adult":4,"backdrop_path":138,"genre_ids":139,"id":141,"origin_country":142,"original_language":25,"original_name":143,"overview":144,"popularity":145,"poster_path":146,"first_air_date":147,"softcore":4,"name":143,"vote_average":77,"vote_count":148,"credit_id":149,"department":59,"episode_count":10,"first_credit_air_date":147,"job":60,"media_type":136},"\u002F5y4cSOkBHoacJbymwldlDQtdN1W.jpg",[51,140,68],80,212246,[126],"Interior Chinatown","Interior Chinatown narra la historia de Willis Wu, un actor de figuración atrapado en una serie policíaca que intenta abrirse camino a un papel principal. En el proceso, descubre secretos sobre el extraño mundo en el que vive y sobre su historia familiar enterrada.",18.2819,"\u002FzjK40iAZMGW1pyInr5U3GaOwdU4.jpg","2024-11-19",89,"673dfdf5d3ff14906f962f95",{"profiles":151},[152,156],{"aspect_ratio":153,"height":154,"iso_3166_1":9,"iso_639_1":9,"file_path":17,"vote_average":44,"vote_count":44,"width":155},0.667,450,300,{"aspect_ratio":153,"height":157,"iso_3166_1":9,"iso_639_1":9,"file_path":158,"vote_average":44,"vote_count":44,"width":159},1500,"\u002Fph7zS8pc8YlaJ5QQIWCDecukciD.jpg",1000]