[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F83394:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":129},false,[6],"Josefina Yolanda Pellicer López de Llergo","​From Wikipedia, the free encyclopedia.\n\nJosefina Yolanda Pellicer López de Llergo (April 3, 1934 – December 4, 1964), professionally known as Pina Pellicer, was a Mexican actress known in Mexico for portraying the female lead in Macario (1960), and in the United States as Louisa alongside Marlon Brando in the Brando-directed movie One Eyed Jacks (1961).\n\nDescription above from the Wikipedia article Pina Pellicer, licensed under CC-BY-SA, full list of contributors on Wikipedia","1934-04-03","1964-12-04",1,null,83394,"nm0671186","Acting","Pina Pellicer","Mexico City, Distrito Federal, Mexico",0.8106,"\u002F5YbY5vSFK3vF6XYjZJi19BT5s4c.jpg",{"cast":20,"crew":128},[21,40,55,69,81,91,111],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":29,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"character":36,"credit_id":37,"order":38,"media_type":39},"\u002Fc34lzH24bX4SJJIZCRbIbYShM1K.jpg",[24,25],37,18,18647,"El rostro impenetrable","en","One-Eyed Jacks","Tras el atraco a un banco fronterizo, Johnny Río es traicionado por Dad, su mejor amigo y compañero de correrías. Apresado por la policía mexicana, pasa cinco amargos años en la prision de Sonora, durante los cuales, vive obsesionado con la idea de vengarse del traidor. Tras ser puesto en libertad, visita a Dad, quese ha convertido en un hombre respetable y es el sheriff de Monterrey. Cuando Dad le presenta a su hijastra Louisa, Jonnhy queda prendado de su belleza y la seduce.",7.2894,"\u002F1NpeRKgoZ7MddmtUDua2Dgk9fSB.jpg","1961-03-30",6.7,267,"Louisa","52fe478d9251416c7509d969",19,"movie",{"adult":4,"backdrop_path":41,"genre_ids":42,"id":44,"title":45,"original_language":46,"original_title":45,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":53,"credit_id":54,"order":10,"media_type":39},"\u002F6SKhqqAPrJyPz9Cx1N1jaOBqV0a.jpg",[25,43],14,122019,"Macario","es","Un humilde campesino y leñador llamado Macario (\"Ignacio López Tarso\") vive obsesionado por la pobreza que sufre y el temor a la muerte. Debido a la precaria situación al borde de inanición que viven él y su familia comienza a anhelar poder disfrutar de un banquete sin tener que compartirlo con nadie.",3.7084,"\u002F4tQz97U3qeoabGTtVoKPwuEMVV1.jpg","1960-06-09",8.702,225,"Esposa de Macario","52fe4a73c3a368484e154199",{"adult":4,"backdrop_path":56,"genre_ids":57,"id":58,"title":59,"original_language":46,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":65,"character":66,"credit_id":67,"order":68,"media_type":39},"\u002Fbl360fpevswgI9Cp8AdGfggxRT4.jpg",[25],342590,"Días de otoño","Luisa es una joven pueblerina que trabaja en la pastelería del viudo don Albino. Ensimismada y un tanto hosca con sus compañeras de trabajo, Luisa sueña con casarse y adora a los niños. Justo cuando don Albino demuestra interés en ella, Luisa anuncia que se casará en quince días con Carlos, el chofer de una casa rica a quien conoció poco tiempo atrás. El día de la boda, los sueños matrimoniales de Luisa se deshacen cruelmente cuando Carlos la deja plantada en la iglesia. Incapaz de aceptar la verdad, Luisa miente a todos y se miente a sí misma afirmando que el matrimonio sí se llevó a cabo y que espera su primer hijo. A pesar de que sus compañeras de la pastelería sospechan que algo anda mal en su vida, Luisa logra mantener la farsa, hasta que ésta termina por atraparla a ella también.",0.9945,"\u002F4PYF7DelnFYk8B5ga2C1qLmf2gc.jpg","1963-10-31",7.1,28,"Luisa","556b4937c3a36826f8001e26",0,{"adult":4,"backdrop_path":11,"genre_ids":70,"id":71,"title":72,"original_language":28,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":78,"character":73,"credit_id":79,"order":80,"media_type":39},[],369136,"El pecador","",1.0545,"\u002FuCJyZR7eMvU2arZVJEd17GIXNB8.jpg","1965-04-01",4,7,"564cc98a92514158f6002aa8",3,{"adult":4,"backdrop_path":11,"genre_ids":82,"id":83,"title":84,"original_language":46,"original_title":84,"overview":85,"popularity":86,"poster_path":87,"release_date":88,"softcore":4,"video":4,"vote_average":77,"vote_count":89,"character":84,"credit_id":90,"order":68,"media_type":39},[25],369701,"Rogelia","Máximo, el marido de Rogelia, es un obrero de carácter bastante violento. Tras herir gravemente a Fernando, un médico que acababa de curarlo, es condenado a pasar su vida entre rejas. Poco después, Rogelia se fuga con Fernando y tiene una hija de él. Sin embargo, el sentimiento de culpa por su infidelidad le pesa sobre la conciencia como una losa, de ahí que decida volver con su marido y visitarlo en la cárcel.",1.1006,"\u002Fk4JzQkHMTs1y0KEwRlgzKOMFQng.jpg","1962-01-01",5,"5652d75f9251417a6e002738",{"adult":4,"backdrop_path":92,"genre_ids":93,"id":96,"origin_country":97,"original_language":28,"original_name":99,"overview":100,"popularity":101,"poster_path":102,"first_air_date":103,"softcore":4,"name":104,"vote_average":105,"vote_count":106,"character":107,"credit_id":108,"episode_count":10,"first_credit_air_date":109,"media_type":110},"\u002Fvh29Z9EqTbaBy0sX5I370Hf3KJG.jpg",[94,25,95],10759,9648,10083,[98],"US","The Fugitive","La vida del doctor Richard Kimble (David Janssen), un conocido pediatra de Indiana, da un vuelco el día en que su mujer es brutalmente asesinada por un hombre manco. A pesar de que es juzgado y condenado, consigue escapar y se convierte en un fugitivo al que la policía persigue sin tregua. Por su parte, Kimble sabe muy bien que la única manera de probar su inocencia es encontrar al misterioso manco.",70.2481,"\u002FcSvrnCMFX8OWqHSkUwERfKU7mnP.jpg","1963-09-17","El fugitivo",7.3,63,"Mrs. Maria Alvarez","5257fc3319c29531db30ad90","1963-10-29","tv",{"adult":4,"backdrop_path":112,"genre_ids":113,"id":115,"origin_country":116,"original_language":28,"original_name":117,"overview":118,"popularity":119,"poster_path":120,"first_air_date":121,"softcore":4,"name":122,"vote_average":123,"vote_count":124,"character":125,"credit_id":126,"episode_count":10,"first_credit_air_date":127,"media_type":110},"\u002F5qNlwCIPJm4RkO3MnxfPnnwB310.jpg",[114,95,25],80,21728,[98],"The Alfred Hitchcock Hour","Inmortalizada por la silueta de Alfred Hitchcock apareciendo en la pantalla con el sonido de Marcha fúnebre para una marioneta de Charles Gounod, esta serie está compuesta de una antología de pequeñas historias extrañas, con final a menudo inesperado.\n\nAl comienzo de cada episodio se realiza una presentación, siempre teñida de humor negro, donde Alfred Hitchcock saludaba a los telespectadores con un severo «Buenas noches». En el epílogo, tras el final de la historia, reaparecía para exponer su lectura moral sobre la historia.",68.9481,"\u002F6bnJU1YmobWBNokjLruUsZ6cykC.jpg","1962-09-20","La hora de Alfred Hitchcock",7.9,85,"Maria Diaz","5f63bd09dd926a0039403eee","1964-10-26",[],{"profiles":130},[131,136,141],{"aspect_ratio":132,"height":133,"iso_3166_1":11,"iso_639_1":11,"file_path":18,"vote_average":134,"vote_count":10,"width":135},0.667,905,3.334,604,{"aspect_ratio":137,"height":138,"iso_3166_1":11,"iso_639_1":11,"file_path":139,"vote_average":134,"vote_count":10,"width":140},0.666,845,"\u002F6mkLxf2AW1lL49in7CbBvhmiBIG.jpg",563,{"aspect_ratio":137,"height":142,"iso_3166_1":11,"iso_639_1":11,"file_path":143,"vote_average":144,"vote_count":80,"width":145},500,"\u002FjrOkmpQbUFQJmtTBnr98hGiKuw5.jpg",2.278,333]