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This prompted him to direct his first film, also a documentary, titledDouro, Faina Fluvial (1931). He also acted in the second Portuguese sound film, A Canção de Lisboa (1933). His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto's street children, was a commercial failure when it opened, and its merit only came to be recognised over time. This drawback forced Oliveira to abandon other film projects he was involved in, and to dedicate himself to running his family vineyard. He re-emerged onto the film scene in 1956 with The Artist and the City, a work that marked a turning point in Oliveira's conception of the cinema. In 1963, O Acto de Primavera (The Rite of Spring), a documentary depicting an annual passion play, marked a turning point for his career. This was shortly followed by A caça (The Hunt), a grim feature film that contrasted with the happy tones of his previous documentary. Despite the widespread acclaim garnered by both films, he would not return to the director's seat until the 1970s. Since 1990 (when he turned 82), he has made at least one film each year.  Oliveira has said that he direct movies for the sheer pleasure of doing it, regardless of critical reaction. He maintains a quiet life away from the spotlights, despite multiple honours such as those of the Cannes, Venice and Montreal film festivals. 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Sus andanzas por ciudades desconocidas le permiteron retratar personajes y momentos fugaces que dejaron en su cámara una huella similar a la de los dibujos improvisados con un par de trazos. El resultado es un retrato de las gentes que conoció, al apartarse de las rutas habituales de las principales ciudades del mundo. 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Elegida por la revista Time como una de las mejores películas de 1998.",1.2845,"\u002FeuRxVGm8A3Y1y2rUafr5vKi027g.jpg","1997-05-16",6.7,"Driver","584cdfadc3a3682ad0006d69",{"adult":4,"backdrop_path":178,"genre_ids":179,"id":181,"title":182,"original_language":31,"original_title":182,"overview":32,"popularity":183,"poster_path":184,"release_date":185,"softcore":4,"video":4,"vote_average":186,"vote_count":187,"character":188,"credit_id":189,"order":190,"media_type":41},"\u002FrTnb5JsRwT31ttNk4Lj5kvRfATK.jpg",[180,56,57],10752,103417,"Non, ou a Vã Glória de Mandar",1.589,"\u002FuC6I1yCKX2raTKSQfs2G5Ye4l21.jpg","1990-10-12",6.4,27,"Narrator","5987ccab925141059d01a77a",23,{"adult":4,"backdrop_path":14,"genre_ids":192,"id":193,"title":194,"original_language":31,"original_title":194,"overview":32,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":119,"vote_count":198,"character":199,"credit_id":200,"order":90,"media_type":41},[56],215256,"Conversa Acabada",0.9801,"\u002FfkrSmwoVuUvsT00K6j3uuIc5j4o.jpg","1982-05-13",11,"Padre","59882007c3a368323402f49b",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":31,"original_title":205,"overview":32,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":209,"vote_count":56,"character":210,"credit_id":211,"order":162,"media_type":41},"\u002Fk7ssfmvxvftywQrMx3t4EqfhkZE.jpg",[56,44],117406,"Porto da Minha Infância",1.0209,"\u002FbNUnlO8ktyhebPrha0Uiq1s9HlH.jpg","2001-09-19",6.8,"Himself \u002F Narrator \u002F The Thief","59c81247c3a3687745004b11",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":215,"title":216,"original_language":31,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":209,"vote_count":40,"character":222,"credit_id":223,"order":224,"media_type":41},"\u002FdXcDfd31EqenNgYtWKttwQPHekY.jpg",[56],110214,"Inquietud","Inquietude","Película inspirada en tres obras de muy diferente naturaleza cuyas historias se hilvanan con ingenio. En la primera un padre anima a su hijo a suicidarse para evitar la decrepitud. En la segunda, situada en el Oporto de los años 30, Suzy es una prostituta que se debate entre la vida y la muerte. En la última, un amigo le cuenta al playboy que se ha enamorado de Suzy la vida de una joven campesina, Fisalina, que un buen día descubre que tiene los dedos de oro.",1.2682,"\u002F436eVHZlJMVGQJOlwr4IjQ1V8bu.jpg","1998-05-19","Tango Dancer","59ae6692925141078a053e15",15,{"adult":4,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":47,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":236,"character":91,"credit_id":237,"order":162,"media_type":41},"\u002FhEPUs4yRZE0gFckKPf83OH8sQMp.jpg",[56,27],390,"Historias de Lisboa","Lisbon Story","Es un homenaje de Wim Wender a Lisboa y al cine. Un ingeniero de sonido recibe una postal de un amigo que, en ese momento, está rodando una película en Lisboa. Deberá atravesar Europa para encontrarlo y prestarle ayuda.",2.1913,"\u002FkrMt3ttiOFrjKC1P8GPjUMp1jZk.jpg","1994-12-16",7.2,131,"59eef44a9251413db9025c36",{"adult":4,"backdrop_path":14,"genre_ids":239,"id":240,"title":241,"original_language":31,"original_title":241,"overview":32,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":91,"credit_id":245,"order":51,"media_type":41},[44],500658,"Manoel de Oliveira, O Caso Dele",0.933,"\u002FffWTJy1YNTbo4uNWUUy1BclKFsS.jpg","2007-12-11","5a6905a6c3a3685abc006316",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":250,"title":251,"original_language":31,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":56,"character":258,"credit_id":259,"order":198,"media_type":41},"\u002Ff93jevCVLDydPN8zkz7wLetyedr.jpg",[249,56],10749,131478,"Amor de perdición","Amor de Perdição","Miniserie de TV (1979). 6 episodios. 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Langlois fue un cinéfilo y archivero de cine francés. Langlois se destacó en la conservación y restauración de filmes, y fue uno de los fundadores de la Cinemateca Francesa.",2.9314,"\u002F4TrDrBXQgYnlKMFx7tLMn2l7kuE.jpg","2014-07-27","5e9df3104a4bfc0023d834b2",{"adult":4,"backdrop_path":14,"genre_ids":337,"id":338,"title":339,"original_language":157,"original_title":339,"overview":32,"popularity":340,"poster_path":14,"release_date":341,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":314,"credit_id":342,"order":13,"media_type":41},[],756093,"Cinématon XI",1.5849,"1981-05-14","5f90c720d9f4a60037d79ba7",{"adult":4,"backdrop_path":344,"genre_ids":345,"id":346,"title":347,"original_language":31,"original_title":348,"overview":349,"popularity":350,"poster_path":351,"release_date":352,"softcore":4,"video":4,"vote_average":353,"vote_count":56,"character":32,"credit_id":354,"order":56,"media_type":41},"\u002FgF4K0W7x01Ss0lzgLK0rkwwmSaG.jpg",[56],104482,"La divina comedia","A Divina Comédia","En una \"Casa de Enajenados\", se entrecruzan personajes perseguidos por ideas obsesivas como personas alucinadas. Cada cual a su manera tomándose unos por figuras bíblicas, tales como: los Fariseos, Adán, Eva, Jesús, Lázaro, Marta y María, otros como personajes de romance, como Raskolnikov y Sónia de “Crimen y Castigo”, o Ivan y Aliocha de los “Hermanos Karamazov”; otro que encarna al Filósofo del “Anti-Cristo”, y otro que se cree personificar al Profeta de la “Salvación del Mundo”.",1.3685,"\u002FwqjuaY2MzMmEaSHrhGhk2l8PJMv.jpg","1991-10-11",6.6,"5ff9f130bdd568003f2aa25b",{"adult":4,"backdrop_path":14,"genre_ids":356,"id":357,"title":358,"original_language":157,"original_title":358,"overview":32,"popularity":359,"poster_path":360,"release_date":361,"softcore":4,"video":267,"vote_average":78,"vote_count":129,"character":79,"credit_id":362,"order":13,"media_type":41},[44],745698,"Agnès de ci de là Varda",1.2492,"\u002Fmb3YxGBK38LmEuoIxqzhHC5D71U.jpg","2011-10-01","60671aa3124c8d0029fb1776",{"adult":4,"backdrop_path":14,"genre_ids":364,"id":365,"title":366,"original_language":157,"original_title":366,"overview":32,"popularity":367,"poster_path":368,"release_date":341,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":32,"credit_id":369,"order":51,"media_type":41},[],818189,"Cinématon n°102 : Manoel de Oliveira",1.1119,"\u002F3AhAplAd4LXp0fldDuWQbB3asQy.jpg","60766f3b19ab590057a1de36",{"adult":4,"backdrop_path":371,"genre_ids":372,"id":373,"title":374,"original_language":157,"original_title":374,"overview":32,"popularity":375,"poster_path":376,"release_date":377,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":79,"credit_id":378,"order":198,"media_type":41},"\u002F3ITUfL2NCIUoVMZCvyMMl7zcmci.jpg",[44],202992,"Biette",0.8542,"\u002Fmth8se8c7P8zfFVyDpvRVTEZt20.jpg","2013-06-26","66e1d2a8f35a503c85118c40",{"adult":4,"backdrop_path":14,"genre_ids":380,"id":381,"title":382,"original_language":31,"original_title":382,"overview":32,"popularity":383,"poster_path":14,"release_date":384,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":32,"credit_id":385,"order":13,"media_type":41},[44],1511023,"Cinéma Portugais – Un Mode d'Emploi",0.8698,"1990-01-01","686e96346036f18987540ddf",{"adult":4,"backdrop_path":14,"genre_ids":387,"id":388,"title":389,"original_language":31,"original_title":389,"overview":32,"popularity":390,"poster_path":391,"release_date":392,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"character":32,"credit_id":393,"order":162,"media_type":41},[44],1512821,"A Vida dos Espelhos",1.2341,"\u002Fyq6CmWgsuPTwO7BRHARUtae9Wee.jpg","2025-07-13","6874395a51092a0c63ba3ad4",{"adult":4,"backdrop_path":14,"genre_ids":395,"id":396,"title":397,"original_language":31,"original_title":397,"overview":32,"popularity":398,"poster_path":399,"release_date":400,"softcore":4,"video":4,"vote_average":150,"vote_count":101,"character":401,"credit_id":402,"order":51,"media_type":41},[56,27],885088,"O Improvável Não é Impossível",0.8029,"\u002Fy378CWi794HHyEaLboHvEvQareV.jpg","2006-09-01","(voice)","697d2b89648a77dc7bea0b16",{"adult":4,"backdrop_path":404,"genre_ids":405,"id":406,"title":407,"original_language":31,"original_title":408,"overview":409,"popularity":410,"poster_path":411,"release_date":412,"softcore":4,"video":4,"vote_average":174,"vote_count":413,"character":32,"credit_id":414,"order":415,"media_type":41},"\u002F5Je5W2w1AtehkR1VZJGXsAyqWof.jpg",[56,57],95536,"Una película hablada","Um Filme Falado","Rosa María, una profesora de Historia de la Universidad de Lisboa, emprende con su hija María Joana un crucero por el Mediterráneo que las llevará desde Pompeya a Atenas, pasando por Estambul y Egipto. Al final, debe reunirse con su marido en Bombay, desde donde saldrán de vacaciones. Descubre así parajes que sólo conocía a través de los libros. Durante el crucero, conoce a tres mujeres y a un hombre que le producen una profunda impresión: una prestigiosa empresaria francesa, una famosa modelo italiana ya retirada, una actriz y profesora de canto griega y un americano de origen polaco, que es el capitán del barco. Las cuatro cenan con el capitán, y cada una habla en su lengua materna, aunque todos comprenden lo que quiere decir; se reproduce así una Torre de Babel idílica. Sin embargo, cuando se dirigen hacia el Golfo Pérsico, ocurre algo que perturbará la cena.",1.914,"\u002FlBQLbrL1akECxcKnr7QF2WRajMQ.jpg","2003-08-31",50,"697d310cb4649d0ac3e4e3cf",10,{"adult":4,"backdrop_path":417,"genre_ids":418,"id":419,"title":420,"original_language":31,"original_title":420,"overview":32,"popularity":421,"poster_path":422,"release_date":423,"softcore":4,"video":4,"vote_average":140,"vote_count":424,"character":425,"credit_id":426,"order":129,"media_type":41},"\u002FzOU9KOULP6HH4FafZTwMdawBQzL.jpg",[56],163880,"Benilde ou a Virgem Mãe",1.4866,"\u002FA0JDRnA875L5O9lnqK7EryxWDWT.jpg","1975-11-21",14,"Screaming Madman (voice)","6999bcd01ee413172a6a30d7",{"adult":4,"backdrop_path":428,"genre_ids":429,"id":430,"title":431,"original_language":157,"original_title":431,"overview":32,"popularity":432,"poster_path":433,"release_date":434,"softcore":4,"video":4,"vote_average":78,"vote_count":415,"character":435,"credit_id":436,"order":437,"media_type":41},"\u002F1huGSSbdZZ2JNXcD8A0HQPvsTv2.jpg",[56,57],132799,"Le Soulier de satin",1.5372,"\u002FkjnWD3yrKCy3RmalNugpr4TgOKX.jpg","1986-01-08","Gentleman bowing with hat","6999bcf323c7ba8bed80e4b2",31,{"adult":4,"backdrop_path":439,"genre_ids":440,"id":441,"title":442,"original_language":157,"original_title":442,"overview":32,"popularity":443,"poster_path":444,"release_date":445,"softcore":4,"video":4,"vote_average":89,"vote_count":424,"character":32,"credit_id":446,"order":198,"media_type":41},"\u002F5xKmt7y8TgiUjRKuvasoKAhAdCb.jpg",[28,56],473621,"HH, Hitler à 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do Cinema Português",3.3704,"\u002FeDGX53eXNkx5oaTOUK2nJenuxb2.jpg","2001-02-23","6897e638d1029113e65d0be6","2001-02-28",{"adult":4,"backdrop_path":14,"genre_ids":502,"id":503,"origin_country":504,"original_language":157,"original_name":505,"overview":32,"popularity":506,"poster_path":507,"first_air_date":508,"softcore":4,"name":505,"vote_average":90,"vote_count":101,"character":79,"credit_id":509,"episode_count":101,"first_credit_air_date":510,"media_type":457},[44],328178,[452],"Ciné regards",17.1094,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a56694e64b66ad055cd3c9f","1981-05-30",[512,525,538,541,546,555,567,571,581,592,604,616,619,631,634,637,648,651,662,665,677,689,692,703,706,718,721,731,734,737,740,751,762,765,776,786,795,804,814,823,826,834,843,854,857,860,863,871,874,879,889,899,907,917,920,928,933,942,947,955,958,961,965,973,976,979,990,993,996,999,1002,1011,1014,1022,1025,1028,1031,1041,1044,1047,1050,1053,1056,1059,1062,1065,1069,1072,1075,1078,1081,1084,1087,1090,1093,1096,1099,1102,1105,1108,1111,1114,1117,1120,1123,1126,1130,1133,1136,1139,1142,1145,1148,1151,1154,1157,1160,1163,1166,1169,1173,1176,1179,1182,1185,1188,1191,1194,1197,1200,1203,1210,1213,1216,1219,1222,1225,1228,1231,1234,1237,1240,1243,1246,1249,1252,1260,1268,1271,1274,1277,1280,1283,1292,1295,1298,1301,1304,1312,1315,1318,1326,1329,1332,1335,1338,1341,1344,1347,1355,1358,1367,1375,1378,1382,1386,1390],{"adult":4,"backdrop_path":513,"genre_ids":514,"id":515,"title":516,"original_language":157,"original_title":517,"overview":518,"popularity":519,"poster_path":520,"release_date":521,"softcore":4,"video":4,"vote_average":186,"vote_count":522,"credit_id":523,"department":17,"job":524,"media_type":41},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[28,56],36108,"A cada uno su cine (Chacun son cinéma)","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Reunión de 33 cortometrajes de unos tres minutos cada uno realizados por 35 directores con motivo del 60 aniversario del Festival de Cannes.",2.8865,"\u002FoqsHDWIh26sJXz9Ua3lPQhUx3lK.jpg","2007-10-31",163,"52fe45cd9251416c9103edb3","Director",{"adult":4,"backdrop_path":526,"genre_ids":527,"id":528,"title":529,"original_language":31,"original_title":530,"overview":531,"popularity":532,"poster_path":533,"release_date":534,"softcore":4,"video":4,"vote_average":89,"vote_count":37,"credit_id":535,"department":536,"job":537,"media_type":41},"\u002FAvrq28yMYjCjDIYtus01bsbsdkc.jpg",[56,249],44411,"Singularidades de una chica rubia","Singularidades de uma Rapariga Loura","De camino al Algarve, un hombre decide contarle a una compañera de viaje el amor más grande y más trágico de su vida. Trabaja como contable para su tío en Lisboa. Desde el balconcito de su oficina puede ver la ventana de la casa enfrente, donde vive una chica joven a la que le gusta pararse frente a la ventana refrescándose con un abanico chino. Él se enamora de ella a primera vista, pero su tío no aprueba sus sentimientos.",1.8376,"\u002FAqV3kJ9fJ3Yk9cOJ4Ro22z3T9ne.jpg","2009-04-30","52fe4687c3a36847f8103eb7","Writing","Screenplay",{"adult":4,"backdrop_path":526,"genre_ids":539,"id":528,"title":529,"original_language":31,"original_title":530,"overview":531,"popularity":532,"poster_path":533,"release_date":534,"softcore":4,"video":4,"vote_average":89,"vote_count":37,"credit_id":540,"department":17,"job":524,"media_type":41},[56,249],"52fe4687c3a36847f8103eab",{"adult":4,"backdrop_path":526,"genre_ids":542,"id":528,"title":529,"original_language":31,"original_title":530,"overview":531,"popularity":532,"poster_path":533,"release_date":534,"softcore":4,"video":4,"vote_average":89,"vote_count":37,"credit_id":543,"department":544,"job":545,"media_type":41},[56,249],"52fe4687c3a36847f8103edd","Editing","Editor",{"adult":4,"backdrop_path":547,"genre_ids":548,"id":549,"title":550,"original_language":31,"original_title":550,"overview":32,"popularity":551,"poster_path":552,"release_date":553,"softcore":4,"video":4,"vote_average":51,"vote_count":51,"credit_id":554,"department":17,"job":524,"media_type":41},"\u002F5nD35G94ON4KvQHmtnMm3QBeCUu.jpg",[],953153,"Romance de Vila do Conde",0.9482,"\u002FloXPZEPHPXMlMAV6Q765BB4zQKm.jpg","2008-08-28","623b2f5ee942be00877f8d79",{"adult":4,"backdrop_path":556,"genre_ids":557,"id":558,"title":559,"original_language":31,"original_title":560,"overview":561,"popularity":562,"poster_path":563,"release_date":564,"softcore":4,"video":4,"vote_average":565,"vote_count":198,"credit_id":566,"department":17,"job":524,"media_type":41},"\u002FgnjRpJVy9FzAWKlZ7HGe5hvzgdX.jpg",[57],61841,"Palabra y utopía","Palavra e Utopia","Siglo XVII. El padre jesuita Antonio Vieira es obligado a comparecer ante el Tribunal del Santo Oficio en Coimbra. Una serie de intrigas a sus espaldas le han colocado en una situación complicada tras la muerte de su amigo, el rey Joao IV. Ante los jueces hará un repaso de su vida, empezando por su juventud en Brasil y su papel como adalid de los indios nativos.",1.2121,"\u002FvvykzSYJAcSRsbd0IxGS1nIwEXV.jpg","2000-11-17",5.8,"52fe4666c3a368484e08ea13",{"adult":4,"backdrop_path":556,"genre_ids":568,"id":558,"title":559,"original_language":31,"original_title":560,"overview":561,"popularity":562,"poster_path":563,"release_date":564,"softcore":4,"video":4,"vote_average":565,"vote_count":198,"credit_id":569,"department":536,"job":570,"media_type":41},[57],"52fe4666c3a368484e08ea19","Writer",{"adult":4,"backdrop_path":572,"genre_ids":573,"id":574,"title":575,"original_language":157,"original_title":575,"overview":32,"popularity":576,"poster_path":577,"release_date":578,"softcore":4,"video":4,"vote_average":579,"vote_count":129,"credit_id":580,"department":17,"job":524,"media_type":41},"\u002F8psvvXOFh2pF4uHK7SPriWsVTsK.jpg",[56,424],65531,"Mon Cas",1.2095,"\u002F35XcJlvNNknzNyL5qgzO5ypkG4q.jpg","1986-09-25",6.9,"52fe470ec3a368484e0b299f",{"adult":4,"backdrop_path":582,"genre_ids":583,"id":584,"title":585,"original_language":157,"original_title":585,"overview":586,"popularity":587,"poster_path":588,"release_date":589,"softcore":4,"video":4,"vote_average":150,"vote_count":590,"credit_id":591,"department":17,"job":524,"media_type":41},"\u002Fzkteot2z9I9j4xgzOvWZbd1EcOr.jpg",[56],17367,"Belle Toujours","38 años después de \"Belle de jour\" de Luis Buñuel, dos personajes de la película vuelven a cruzarse con el misterio de un secreto que sólo conoce el personaje masculino y cuya revelación es imprescindible para el personaje femenino. Aunque ella le evita, él sigue sus pasos hasta que finalmente consigue que le preste atención al confesarle su intención de revelarle el secreto. Fijan una cita, una cena durante la cual ella, ahora viuda, aguarda la esperada revelación: qué es lo que él le dijo a su marido cuando éste estaba mudo y paralítico por un disparo efectuado por un amante de ella. La situación es tensa y ella termina sin saber qué es lo que realmente pasó. Se trata de la venganza de él porque la mujer nunca le permitió poseerla.",1.4173,"\u002Ffy7ajB92MUB50uq9LhSrk3lEFoq.jpg","2006-09-08",20,"52fe47219251416c7508eb55",{"adult":4,"backdrop_path":593,"genre_ids":594,"id":595,"title":596,"original_language":157,"original_title":597,"overview":598,"popularity":599,"poster_path":600,"release_date":601,"softcore":4,"video":4,"vote_average":209,"vote_count":602,"credit_id":603,"department":17,"job":524,"media_type":41},"\u002FoIk31jAIz6f3pjpagyd6PtNxXe7.jpg",[56,28],49685,"Vuelvo a casa","Je rentre à la maison","La cómoda rutina diaria del envejecido actor parisino Gilbert Valence, de 76 años, se ve repentinamente sacudida cuando se entera de que su mujer, su hija y su yerno han muerto en un accidente de coche. Al tener que cuidar de su nieto, ahora huérfano, lucha por seguir con su carrera de actor de toda la vida como estaba acostumbrado. Pero los papeles que le ofrecen -un llamativo programa de televisión y una agitada sustitución de última hora en una película en inglés del Ulises de Joyce- acaban por convencerle de que ha llegado el momento de retirarse.",2.0665,"\u002FArafBZc3PQ5ivqjNXC2ZyKD45yV.jpg","2001-05-13",46,"52fe47a0c3a36847f813ffed",{"adult":4,"backdrop_path":605,"genre_ids":606,"id":607,"title":608,"original_language":31,"original_title":609,"overview":610,"popularity":611,"poster_path":612,"release_date":613,"softcore":4,"video":4,"vote_average":119,"vote_count":614,"credit_id":615,"department":536,"job":570,"media_type":41},"\u002FzWmb8EMZNCuVaLnWUlYUaohneUz.jpg",[56,424,249],53413,"El extraño caso de Angélica","O Estranho Caso de Angélica","Penúltimo largometraje de Manoel de Oliveira, que esta vez se divierte con una película de fantasmas en la que un fotógrafo emprende un viaje alucinado después de retratar a la hija muerta de los propietarios de un hotel. Sin caer en la nostalgia del que sabe que la visita de la Parca está proxima, el director nos invita a un viaje mágico en el que la realidad y la ficción se funden para darnos a entender que la vida y la muerte son una y la misma cosa. Contada con la sonrisa perpetua en los labios, la aventura de Isaac mantiene el encanto y la frescura del cine de la época silente, pero no su característica ingenuidad. Oliveira que, como el mismísimo Diablo, sabe más por viejo que por diablo, como él se divierte, manejando como un titiritero al desdichado fotógrafo.",2.0405,"\u002FpGvjtEuHaUNktqFbEES8Gqf96U4.jpg","2010-12-29",64,"52fe4864c3a36847f8164f45",{"adult":4,"backdrop_path":605,"genre_ids":617,"id":607,"title":608,"original_language":31,"original_title":609,"overview":610,"popularity":611,"poster_path":612,"release_date":613,"softcore":4,"video":4,"vote_average":119,"vote_count":614,"credit_id":618,"department":17,"job":524,"media_type":41},[56,424,249],"52fe4864c3a36847f8164f3f",{"adult":4,"backdrop_path":620,"genre_ids":621,"id":622,"title":623,"original_language":31,"original_title":624,"overview":625,"popularity":626,"poster_path":627,"release_date":628,"softcore":4,"video":4,"vote_average":78,"vote_count":629,"credit_id":630,"department":17,"job":524,"media_type":41},"\u002FvAzsFnjLY0Y4DCnLTuOho6dfJru.jpg",[56,104],81210,"Aniki Bóbó","Aniki-Bóbó","La película sigue a unos niños por las calles de Oporto, donde el grito de guerra es \"Aniki-Bóbó!\". 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