[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F80260:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":16,"birthday":17,"deathday":18,"gender":19,"homepage":20,"id":21,"imdb_id":22,"known_for_department":23,"name":24,"place_of_birth":25,"popularity":26,"profile_path":27,"combined_credits":28,"images":488},false,[6,7,8,9,10,11,12,13,14,15],"ルネ・ラルー","Rune rarū","赫内·拉鲁","Hè nèi·lā lǔ","Рене́ Лалу́ ","René Lalú","رينيه لالوكس","rinih lalwiks","르네 랄루","leune lallu","René Laloux was born in Paris in 1929 and went to art school to study painting. After some time working in advertising, he got a job in a psychiatric institution where he began experimenting in animation with the interns. It is at the psychiatric institution that he made 1960's Monkey's Teeth (Les Dents du Singe), in collaboration with Paul Grimault's studio, and using a script written by the Cour Cheverny's interns. Another important collaborator of his was Roland Topor with whom Laloux made Dead Time (Les Temps Morts, 1964), The Snails (Les Escargots, 1965) and his most famous work, the feature length Fantastic Planet (La Planète Sauvage, 1973). Laloux also worked with Jean Giraud (Mœbius) to create the lesser known film Les Maîtres du temps (Time Masters), released in 1982. Laloux's 1988 film, Gandahar, was released in the US as Light Years, and made in cooperation with the artist Caza. The US version was redubbed by Harvey Weinstein, from a screenplay adapted by Isaac Asimov. The US version was not as successful as the French version, grossing less than $400,000 on its release. Laloux died of a heart attack on March 14, 2004 in Angoulême, Charente, Poitou-Charentes, France.","1929-07-13","2004-03-14",2,null,80260,"nm0482537","Directing","René Laloux","Paris, France",1.1089,"\u002Fz8OB7OFbI1kQDQaE04PckDpPgj6.jpg",{"cast":29,"crew":98},[30,49,63,70,85],{"adult":4,"backdrop_path":31,"genre_ids":32,"id":35,"title":36,"original_language":37,"original_title":38,"overview":39,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"character":45,"credit_id":46,"order":47,"media_type":48},"\u002FsEUGzZZ5JNcaGLuKsm5f411D7iP.jpg",[33,34],99,10770,294486,"Salvaje Laloux","fr","Laloux sauvage","",1.4562,"\u002FqQOzWPEAJ3BRvw43dXqrzfUuUl0.jpg","2010-12-08",5.1,7,"Self","5421b871c3a3683544000263",0,"movie",{"adult":4,"backdrop_path":50,"genre_ids":51,"id":53,"title":54,"original_language":37,"original_title":55,"overview":39,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":59,"vote_count":44,"character":60,"credit_id":61,"order":62,"media_type":48},"\u002Fbgdpg2Lh18AnxkUEuHxUZI6MFg6.jpg",[52,34],18,113945,"El pequeño claus y el gran claus","Le petit Claus et le grand Claus",1.3975,"\u002FqAMqqfs3aCSpJ7CSxDw0ug08RrG.jpg","1964-12-25",6.9,"Un tanneur","5d933980c0348b001441118b",15,{"adult":4,"backdrop_path":20,"genre_ids":64,"id":65,"title":66,"original_language":67,"original_title":66,"overview":39,"popularity":68,"poster_path":20,"release_date":39,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":45,"credit_id":69,"order":47,"media_type":48},[33],1482414,"De L'Orphelin de Perdide aux Maîtres du Temps","en",0.8241,"6827bd42f5a4f4eac80bcbc4",{"adult":4,"backdrop_path":71,"genre_ids":72,"id":74,"origin_country":75,"original_language":37,"original_name":77,"overview":39,"popularity":78,"poster_path":79,"first_air_date":80,"softcore":4,"name":77,"vote_average":44,"vote_count":81,"character":45,"credit_id":82,"episode_count":83,"first_credit_air_date":80,"media_type":84},"\u002FgxO8UG0qDpqgbT5CY5eRWYnx3pZ.jpg",[73],16,117508,[76],"FR","De l'autre côté",4.5794,"\u002F12SQjOyRt0KWGgm0DrzB9QzMaHg.jpg","1989-05-19",1,"601864bfb97442003d216aff",39,"tv",{"adult":4,"backdrop_path":86,"genre_ids":87,"id":89,"origin_country":90,"original_language":37,"original_name":91,"overview":39,"popularity":92,"poster_path":93,"first_air_date":94,"softcore":4,"name":91,"vote_average":95,"vote_count":19,"character":45,"credit_id":96,"episode_count":81,"first_credit_air_date":97,"media_type":84},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[88],10767,244224,[76],"Spécial cinéma",70.4104,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65b512052faf4d017cdc54e2","1982-04-05",[99,115,128,141,156,168,172,185,195,208,211,225,238,251,254,257,270,280,290,299,309,318,321,324,328,331,334,337,340,343,346,349,352,355,358,361,364,368,372,375,379,382,385,388,391,394,397,400,403,408,413,425,429,434,439,445,449,455,460,465,470,475,479,483],{"adult":4,"backdrop_path":100,"genre_ids":101,"id":104,"title":105,"original_language":37,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":113,"department":23,"job":114,"media_type":48},"\u002FeOgq3wNremNJ5V3hxapQop7JXvP.jpg",[73,102,103],878,12,22501,"Los amos del tiempo","Les maîtres du temps","Aclamada producción animada del director de \"El planeta salvaje\". La historia comienza cuando una nave cae en el extraño e inhóspito planeta Perdide. Tal impacto ha eliminado a casi toda la tripulación menos al hijo de una pareja: Piel. Este chico y su única esperanza representada por un micrófono que apoda Mike, serán uno de los varios protagonistas. Este pequeño artefacto, al que el niño atribuye vida propia, es un mecanismo de comunicación que puede soslayar las distancias estelares y encontrar algún receptor. Un grupo de colonos recibe la señal de auxilio y se embarca en el rescate del huérfano. Además, los peligros aumentan, ya que ese planeta ha sido seleccionado para su colonización por una avanzadísima raza de seres.",3.5457,"\u002Fuo4pbRnorRalaZEoFBXDuO2T6Mo.jpg","1982-03-24",7.3,204,"52fe4443c3a368484e01917f","Director",{"adult":4,"backdrop_path":116,"genre_ids":117,"id":119,"title":120,"original_language":37,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":59,"vote_count":126,"credit_id":127,"department":23,"job":114,"media_type":48},"\u002FomysgecSqildPjk4LL8To0L3tgm.jpg",[73,102,118,103],14,22500,"Gandahar, los años luz","Gandahar","Por haber olvidado al monstruo Metamorphe en el fondo del océano, los habitantes de Gandahar, un feliz planeta son condenados a desaparecer. Afortunadamente Metamorphe asustado por lo inminente de su muerte debe resucitarlos para obtener de ellos la energía que precisa para alcanzar la inmortalidad.",3.6658,"\u002FykDTRN8wr7kBJkQntbZnWbsYHnk.jpg","1987-12-11",155,"52fe4443c3a368484e019133",{"adult":4,"backdrop_path":129,"genre_ids":130,"id":131,"title":132,"original_language":37,"original_title":133,"overview":134,"popularity":135,"poster_path":136,"release_date":137,"softcore":4,"video":4,"vote_average":138,"vote_count":139,"credit_id":140,"department":23,"job":114,"media_type":48},"\u002FAwrqoanoZVYoc0MRyE0RiHEKm71.jpg",[73,102],16306,"El planeta salvaje","La Planète sauvage","En el planeta Ygam, los Draags, humanoides azules extremadamente avanzados tecnológica y espiritualmente, consideran a los diminutos Oms, seres humanos descendientes de los habitantes de Terra, como animales ignorantes. Los que viven en la esclavitud son tratados como simples mascotas y utilizados para entretener a los niños Draag; los que viven escondidos en los hostiles desiertos del planeta son periódicamente cazados y masacrados sin piedad como si fueran alimañas.",3.4248,"\u002FskuBfcttPSVrnaOvdDRbIvHUIOI.jpg","1973-12-01",7.627,1162,"52fe46c39251416c75082a77",{"adult":4,"backdrop_path":142,"genre_ids":143,"id":144,"title":145,"original_language":37,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"credit_id":153,"department":154,"job":155,"media_type":48},"\u002F4TjCcDaVO43oFtzmN6RaAqH3wuj.jpg",[73,103],22502,"Los chicos de la lluvia","Les enfants de la pluie","Para los Pyross, que eran adoradores del sol y dependían de él, el agua significaba muerte y desolación: les quemaba. La estación lluviosa también suponía la agitación de los dragones. Los monstruos se acercaban furtivamente a sus cuevas en Orfalaise e incluso mataban a algunos de ellos. Cada día esperaban los signos de la estación seca. Cuando el sol regresaba, los Pyross se embarcaban en una cruzada a través del desierto en busca de la gente que ellos consideran responsables de su mal: Los Hydross. Si ellos pudieran destruirles, el mundo sería mejor, un mundo sin dragones. Para los Hydross, el ciclo era opuesto: el calor del sol les convierte en estatuas, transformando sus cuerpos en piedra y dejandoles a merced de sus enemigos. Solo los beneficiosos efectos del agua podrían devolverles a la vida... La guerra entre los Pyross y los Hydross continuaba hasta el día en que Skän, un joven guerrero Pyross que había ido a una cruzada en el lejano desierto, fijó sus ojos en Kallisto.",2.2671,"\u002FtzvO9sATKMWtQNLnip8r2BHfean.jpg","2003-06-25",7.1,120,"609a297f72a2c9003d33b7f1","Writing","Author",{"adult":4,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":37,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":151,"vote_count":166,"credit_id":167,"department":23,"job":114,"media_type":48},"\u002FqBgnJzrBcNqVznCUjiL4P3PaNtB.jpg",[52,73,118],69328,"Cómo se salvó Wang Fo","Comment Wang-Fô fut sauvé","Una antigua historia china acerca de cómo el pintor Wang-Fo se salvó de su sentencia de muerte. Aprovechando el rodaje del largometraje \"Gandahar\", con la colaboración de Philippe Caza, surgen dos cortos: \"Comment Wang Fô fut sauvé \u002F Como se salvó Wang Fô\", inspirado en una novela corta de la escritora Margueritte Yourcenar; y \"La prisonnière \u002F La prisionera\" (1987), un sketch realizado por el propio Laloux con la ayuda del mismo asistente y dibujante (Caza).",1.9711,"\u002FcHKdGfhuS26pc0UQBahVMioJtxr.jpg","1987-01-01",28,"52fe47c3c3a368484e0d82fb",{"adult":4,"backdrop_path":157,"genre_ids":169,"id":159,"title":160,"original_language":37,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":151,"vote_count":166,"credit_id":170,"department":154,"job":171,"media_type":48},[52,73,118],"52fe47c3c3a368484e0d8307","Adaptation",{"adult":4,"backdrop_path":173,"genre_ids":174,"id":175,"title":176,"original_language":37,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":182,"vote_count":183,"credit_id":184,"department":23,"job":114,"media_type":48},"\u002FyLDFnZC7vk9HWZhmVa38YTP5o0Q.jpg",[73,52],69559,"Tiempo muerto","Les temps morts","Este film narra, mediante el escrito del belga Jacques Sternberg, esa fascinación morbosa pero poética que el ser humano siente hacia la muerte.",1.1368,"\u002FWG53s7cmAaWFjVvy1YwKlurVaT.jpg","1964-12-01",7.069,36,"52fe47cdc3a368484e0da4f9",{"adult":4,"backdrop_path":20,"genre_ids":186,"id":187,"title":188,"original_language":37,"original_title":188,"overview":39,"popularity":189,"poster_path":20,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":81,"credit_id":192,"department":193,"job":194,"media_type":48},[73],964417,"L'Escalier chimérique",1.0326,"1988-01-01",6,"625db5a6dd731b32884b5ef6","Art","Art Direction",{"adult":4,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":37,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":205,"vote_count":166,"credit_id":206,"department":154,"job":207,"media_type":48},"\u002FkrR4fuIqySsf0QAje9TVRy5EHHC.jpg",[73,118],116350,"La prisionera","La prisonnière","Dos niños viajan a una ciudad donde el silencio es sagrado. Aprovechando el rodaje del largometraje \"Gandahar\", con la colaboración de Philippe Caza surgen dos cortos: \"Comment Wang Fô fut sauvé \u002F Como se salvó Wang Fô\", de quince minutos e inspirado en una novela corta de la escritora Margueritte Yourcenar; y \"La prisonnière \u002F La prisionera\" (1987), un sketch realizado por el propio Laloux con la ayuda del mismo asistente y dibujante (Caza).",1.5687,"\u002Fq8vSBjaWPvhxyue3vE45aM8Ngh2.jpg","1985-01-01",6.4,"52fe4b8cc3a36847f8209071","Writer",{"adult":4,"backdrop_path":196,"genre_ids":209,"id":198,"title":199,"original_language":37,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":205,"vote_count":166,"credit_id":210,"department":23,"job":114,"media_type":48},[73,118],"52fe4b8cc3a36847f820905f",{"adult":4,"backdrop_path":212,"genre_ids":213,"id":216,"title":217,"original_language":37,"original_title":218,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":59,"vote_count":223,"credit_id":224,"department":23,"job":114,"media_type":48},"\u002F8kW9loNEik2TsOtWGNVMvJ2pJgQ.jpg",[73,214,118,102,215],35,27,116351,"Los caracoles","Les escargots","Una serie de individuos mudos plasman visualmente sus pasiones y traumas. Especie de preludio artístico de lo que sería posteriormente la película \"El planeta salvaje\". Se trata de una pequeña producción de muy bajo presupuesto cuyo guión, escrito por Laloux y Topor, fue inspirado por los internos de un centro psiquiátrico.",1.5085,"\u002FnL1xIqxvbUeAyFxmo4YKAvdVQtl.jpg","1966-05-31",85,"52fe4b8cc3a36847f820907f",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":229,"title":230,"original_language":37,"original_title":231,"overview":39,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":235,"vote_count":236,"credit_id":237,"department":154,"job":171,"media_type":48},"\u002FzGi6Rs0HyZer5DOEKq8t0OnJ1xb.jpg",[73,228],10751,116353,"El ojo del lobo","L'Œil du loup",1.8364,"\u002F8JizAPuMav1FKehQdyn89nzWxKr.jpg","1998-09-14",7.7,3,"52fe4b8cc3a36847f82090bf",{"adult":4,"backdrop_path":239,"genre_ids":240,"id":241,"title":242,"original_language":37,"original_title":243,"overview":244,"popularity":245,"poster_path":246,"release_date":247,"softcore":4,"video":4,"vote_average":248,"vote_count":249,"credit_id":250,"department":23,"job":114,"media_type":48},"\u002FfKx4WKvWkMtXmL2CzcXIISKW7Xj.jpg",[73,214],116352,"Los dientes del mono","Les dents du singe","Un joven Laloux, inmerso en el mundo de la pintura y las expresiones artísticas, ingresa como monitor en la clínica psiquiátrica Cour Cheverny de París, en 1955. Los espectáculos teatrales -marionetas y mimo- realizados por los mismos internados, son el reparto y guión para su cortometraje sin diálogos \"Les dents du singe\" (Los dientes del mono). El film se realiza con la colaboración del estudio ofrecido por Paul Grimault. La música la conduce Maurice Ohana y el corto se presenta en algún que otro festival amateur. La provocación de su obra por un sobreuso de un surrealismo denso, consigue la atención del público y de la crítica.",1.218,"\u002F3OW6nBKmb5LGoQQeuDhUaDXtepW.jpg","1961-10-01",6.6,25,"52fe4b8cc3a36847f8209099",{"adult":4,"backdrop_path":100,"genre_ids":252,"id":104,"title":105,"original_language":37,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"credit_id":253,"department":154,"job":207,"media_type":48},[73,102,103],"54b60d5e9251412e70000db9",{"adult":4,"backdrop_path":196,"genre_ids":255,"id":198,"title":199,"original_language":37,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":205,"vote_count":166,"credit_id":256,"department":193,"job":194,"media_type":48},[73,118],"565b2041925141692500288e",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":262,"title":263,"original_language":264,"original_title":265,"overview":39,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":44,"vote_count":81,"credit_id":269,"department":23,"job":114,"media_type":48},"\u002F9SiLIkWxPsSTAIq4ZancN4YE8vT.jpg",[260,261],9648,10402,537826,"Los achalunés","xx","Les achalunés",0.8992,"\u002Fgyk735AuRyfvDfxblNbMuX75RZn.jpg","1959-01-01","5b583c16c3a3685c9304e49d",{"adult":4,"backdrop_path":271,"genre_ids":272,"id":273,"title":274,"original_language":37,"original_title":275,"overview":39,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":44,"vote_count":81,"credit_id":279,"department":23,"job":114,"media_type":48},"\u002Fmz5HBL4jBhQBVo07EZuEncMi5d0.jpg",[73],563491,"Control de calidad","La maîtrise de la qualité",0.9634,"\u002FuDPZjBZZh3Laz4wLUAk1PTJn7V5.jpg","1984-01-01","5bf594839251415cc10b0977",{"adult":4,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":37,"original_title":285,"overview":39,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":44,"vote_count":81,"credit_id":289,"department":23,"job":114,"media_type":48},"\u002FxAk9ryHXmlpXk1TOz3r65ZtlUzh.jpg",[73],563538,"Los hombres-máquina","Les 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