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His 1967 film Bonnie and Clyde is credited with initiating the New Hollywood movement, by infusing the biographical crime drama with a counterculture sensibility. He achieved similar critical and commercial success directing the comedy Alice's Restaurant (1969) and the revisionist Western Little Big Man (1970), which further reflected that ethos.\n\nPenn’s other notable films included the neo-noir Night Moves (1975) and the revisionist Western The Missouri Breaks (1976). 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No consigue entenderse a sí mismo ni explicarse cómo ha llegado a semejante situación: su primera obra de teatro ha fracasado, su mejor amigo ha dejado de hablarle y su inestable relación con su novia se ha vuelto a romper.",2.3054,"\u002FgAufFGm2Qly8TYrhy4me9X35B7m.jpg","1993-11-10",4.8,23,"62b1bbc4ecc7e805081f8ebb",31,{"adult":4,"backdrop_path":11,"genre_ids":101,"id":102,"title":103,"original_language":27,"original_title":103,"overview":28,"popularity":104,"poster_path":105,"release_date":106,"softcore":4,"video":4,"vote_average":107,"vote_count":70,"character":33,"credit_id":108,"order":70,"media_type":36},[23],117604,"Edge of Outside",1.5361,"\u002FaR0WqxNM0P9qxmdOZAdSxiSeVW0.jpg","2006-06-11",5.8,"62f68ea34d0e8d0082251492",{"adult":4,"backdrop_path":11,"genre_ids":110,"id":111,"title":112,"original_language":27,"original_title":112,"overview":28,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":116,"vote_count":117,"character":33,"credit_id":118,"order":119,"media_type":36},[23],435860,"Arthur Penn: The Director",1.1523,"\u002Fd0hzrD4gJOQvnHcsHGxqp1uWPAs.jpg","1970-01-18",9,1,"5880024692514134c1000717",0,{"adult":4,"backdrop_path":11,"genre_ids":121,"id":122,"title":123,"original_language":124,"original_title":123,"overview":28,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":119,"vote_count":119,"character":33,"credit_id":128,"order":119,"media_type":36},[23],503078,"Mise en scène with Arthur Penn (a conversation)","it",0.8238,"\u002F9lmWLnL3ZV9T7ejq4pdTSh29uJE.jpg","2016-08-27","5a7799b7c3a3682273007609",{"adult":4,"backdrop_path":11,"genre_ids":130,"id":131,"title":132,"original_language":133,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":4,"video":4,"vote_average":139,"vote_count":83,"character":33,"credit_id":140,"order":141,"media_type":36},[23],67285,"Cineastas contra magnates","ca","Cineastes contra magnats","Ensayo cinematográfico en defensa de los Derechos Morales de los cineastas frente a las manipulaciones que sufren las películas desde los orígenes del cine hasta hoy. Incluye fragmentos de importantes películas, como una escena en la que Felipe II (1559-1598) recorta una pintura de Tiziano porque no cabía en el espacio que le había reservado en El Escorial. Con esta acción el Rey de España se convirtió en el inventor del panning-scanning que en nuestra época altera el formato original de las películas. Este ensayo documental tiene su continuación en \"Cineastas en acción\", también del año 2005. 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Un trauma infantil, un oscuro complejo de culpa, por la muerte de su hermano, impulsa a la maestra a redimirse mediante la educación de la niña. La incompetencia y la negligencia de los padres han hecho de Helen una niña mimada, incapaz de someterse a ninguna disciplina, y con la que toda comunicación parece imposible. La adolescente vive aislada en un mundo propio completamente ajeno a los demás. Sin embargo, Ana Sullivan conseguirá, con mucha paciencia y rigor, romper esa burbuja, ese aislamiento.",5.2717,"\u002FsHU0JZR6sn1Zr2OtBxYCjy8J7el.jpg",7.9,358,"52fe42e8c3a36847f802c17f","Director",{"adult":4,"backdrop_path":318,"genre_ids":319,"id":321,"title":322,"original_language":27,"original_title":323,"overview":324,"popularity":325,"poster_path":326,"release_date":327,"softcore":4,"video":4,"vote_average":328,"vote_count":329,"credit_id":330,"department":14,"job":316,"media_type":36},"\u002FvmMC9rC2Z3iptDj2K5AiK0wlVAF.jpg",[320,241],80,475,"Bonnie y Clyde","Bonnie and Clyde","Durante la década de 1930, en plena Gran Depresión estadounidense, Bonnie Parker y Clyde Burrows, una joven pareja de bandidos, recorren Estados Unidos desafiando a las autoridades y atracando bancos.  La historia de las andanzas de dos de los más famosos atracadores de bancos de Estados Unidos de los años 30. Bonnie y Clyde fueron dos personajes muy peligrosos, tremendamente aficionados a apretar el gatillo y responsables de numerosas muertes entre los agentes de la ley. Sin embargo, la película da una visión mucho más amable de ellos.",13.4039,"\u002FjtDgrTlHkGlO3ZRWQfzErafv8ei.jpg","1967-08-13",7.487,1867,"52fe4247c3a36847f8011fe7",{"adult":4,"backdrop_path":332,"genre_ids":333,"id":334,"title":335,"original_language":27,"original_title":336,"overview":337,"popularity":338,"poster_path":339,"release_date":340,"softcore":4,"video":4,"vote_average":341,"vote_count":342,"credit_id":343,"department":344,"job":345,"media_type":36},"\u002FgSxBpt9YVANM9NdLoVeAfZCIot6.jpg",[241,87],5638,"El restaurante de Alicia","Alice's Restaurant","A finales de la década de los 60, el clima de cambio social y político llevó a una nueva generación a crear un estilo de vida alternativo. A la edad de 22 años, Arlo emprende un viaje con el que pretende encontrar un lugar para sí mismo y su música. El viaje incluirá una visita a su padre gravemente enfermo en el hospital, actuaciones en Nueva York y diversión con sus amigos Alicia y Ray, que regentan un pequeño restaurante en Stockbridge, Massachusetts. 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Sin embargo, Mickey, asustado por su pasado y por las fuertes deudas contraídas en el juego, decide rechazar la prueba que lo podría sacar de la miseria.",2.6698,"\u002FzVEMfHv05WcBmDISv5Pp9TeWylh.jpg","1965-09-27",44,"53e691ff0e0a2628ce0027dd",{"adult":4,"backdrop_path":490,"genre_ids":502,"id":492,"title":493,"original_language":27,"original_title":494,"overview":495,"popularity":496,"poster_path":497,"release_date":498,"softcore":4,"video":4,"vote_average":107,"vote_count":499,"credit_id":503,"department":440,"job":504,"media_type":36},[320,241],"53e691e20e0a2628db002657","Associate Producer",{"adult":4,"backdrop_path":490,"genre_ids":506,"id":492,"title":493,"original_language":27,"original_title":494,"overview":495,"popularity":496,"poster_path":497,"release_date":498,"softcore":4,"video":4,"vote_average":107,"vote_count":499,"credit_id":507,"department":14,"job":316,"media_type":36},[320,241],"53e693080e0a2628d5002741",{"adult":4,"backdrop_path":11,"genre_ids":509,"id":510,"title":511,"original_language":27,"original_title":512,"overview":513,"popularity":514,"poster_path":515,"release_date":516,"softcore":4,"video":4,"vote_average":96,"vote_count":517,"credit_id":518,"department":14,"job":316,"media_type":36},[320,241,24],303693,"Victima del odio","Inside","En Sudáfrica, un hombre de raza negra investiga la verdad sobre un prisionero político torturado durante la década anterior.",1.0691,"\u002FqD3NPLfWXp1c3YBDc9mmht8B81C.jpg","1996-08-25",11,"5468d1d7eaeb816b520010af",{"adult":4,"backdrop_path":520,"genre_ids":521,"id":522,"title":523,"original_language":174,"original_title":524,"overview":525,"popularity":526,"poster_path":527,"release_date":528,"softcore":4,"video":4,"vote_average":251,"vote_count":529,"credit_id":530,"department":14,"job":316,"media_type":36},"\u002FuonotYnbDrHXcMFA1AbembrrQ8N.jpg",[241,23],48336,"Lumière y compañía","Lumière et Compagnie","Cuarenta directores internacionales aceptaron la idea de hacer un cortometraje utilizando el cinematógrafo original inventado por los hermanos Lumière y trabajando en condiciones similares a las de 1895. Además, debían cumplir tres condiciones: la película no debía superar los 52 segundos, no podía tener más de tres tomas, y la sincronización del sonido no estaba permitida.",3.2939,"\u002FiCDYGeKvRCyS0d2NUn8O5o9doZZ.jpg","1995-12-20",74,"54d5260392514109ba01428e",{"adult":4,"backdrop_path":11,"genre_ids":532,"id":534,"title":535,"original_language":27,"original_title":535,"overview":28,"popularity":536,"poster_path":537,"release_date":538,"softcore":4,"video":4,"vote_average":119,"vote_count":119,"credit_id":539,"department":14,"job":316,"media_type":36},[241,533,24],10752,462046,"The Dark Side of the Earth",1.3049,"\u002F4GMbgEEuvv5ez8GACCSmSwSSxNR.jpg","1957-09-19","5943402fc3a3686beb017608",{"adult":4,"backdrop_path":443,"genre_ids":541,"id":445,"title":446,"original_language":27,"original_title":447,"overview":448,"popularity":449,"poster_path":450,"release_date":451,"softcore":4,"video":4,"vote_average":139,"vote_count":435,"credit_id":542,"department":440,"job":441,"media_type":36},[241,88,87],"597a8228925141363f00151f",{"adult":4,"backdrop_path":11,"genre_ids":544,"id":545,"title":546,"original_language":27,"original_title":546,"overview":28,"popularity":547,"poster_path":548,"release_date":549,"softcore":4,"video":4,"vote_average":83,"vote_count":117,"credit_id":550,"department":14,"job":316,"media_type":36},[87,241,24],678460,"The Battler",0.8987,"\u002F9O8NPCpFDFXYtt8pWFysEOXvt16.jpg","1955-10-18","5e58a1b5a6d93100165e7c21",{"adult":4,"backdrop_path":552,"genre_ids":553,"id":555,"title":309,"original_language":27,"original_title":309,"overview":28,"popularity":556,"poster_path":557,"release_date":558,"softcore":4,"video":4,"vote_average":119,"vote_count":119,"credit_id":559,"department":14,"job":316,"media_type":36},"\u002FjhRlzBUu3Y8wPjp8by2ItuzE47x.jpg",[241,554,24,198],10751,1550072,1.2148,"\u002F1Ryx2w1VTU9p5LjviZu99NeyiJg.jpg","1957-02-07","68d06313ddc148b09f7a458c",{"adult":4,"backdrop_path":11,"genre_ids":561,"id":562,"title":563,"original_language":27,"original_title":563,"overview":28,"popularity":564,"poster_path":557,"release_date":565,"softcore":4,"video":4,"vote_average":119,"vote_count":119,"credit_id":566,"department":14,"job":316,"media_type":36},[352,24],1550100,"Invitation to a Gunfighter",1.4586,"1957-03-07","68d0690b6f9f494cccd41947",{"adult":4,"backdrop_path":11,"genre_ids":568,"id":569,"title":570,"original_language":27,"original_title":570,"overview":28,"popularity":571,"poster_path":572,"release_date":573,"softcore":4,"video":4,"vote_average":119,"vote_count":119,"credit_id":574,"department":14,"job":316,"media_type":36},[],1552275,"Where's Charley?",1.5285,"\u002F1r3j0j70pRFu4aTRrq9AcZs1eMx.jpg","1957-03-28","68d5a22249a7cf948590aa87",{"adult":4,"backdrop_path":576,"genre_ids":577,"id":578,"title":579,"original_language":27,"original_title":580,"overview":581,"popularity":582,"poster_path":583,"release_date":584,"softcore":4,"video":4,"vote_average":274,"vote_count":585,"credit_id":586,"department":587,"job":588,"media_type":36},"\u002F5rp9Jydh9RxrvVBW2lr27B8NYiT.jpg",[241,88,320],3133,"Malas tierras","Badlands","Dakota del Sur, 1959. 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