[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F56836:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":703},false,[],"Raymond Depardon is a photographer, a journalist and a filmmaker, but, above all, his eyes view humans with compassion. He respects others and is kind with the reality of their lives. He was born into a family of farmers in 1942 in Burgundy and went to Paris in 1958, wishing to be a photographer. He was first taken on as a messenger in an agency and was sent to take photos of an opening-night at the cinema: the movie was none other than Jean-Luc Godard's Breathless. He finally established his own agency, Gamma, together with three reporters, in 1966 'not for money but for the freedom'. He suggested to set up a cinema department: 'we bought an Eclair- camera and tried to make news-films for television in addition to taking news-photograhs... It was then that I learned to hold the camera.\" When Depardon films people, he is silent. If one has the impression that he always keeps his eyes lowered in the face of the world's miseries, it is untrue. Raymond Depardon looks as through a lattice and reacts like quicksilver, keeping his deepest, innermost emotion secret, and allow his pictures to speak for themselves. His films are now screened in all international film festivals, from Cannes to Hong Kong.","1942-07-06",null,2,"https:\u002F\u002Fwww.palmeraieetdesert.fr",56836,"nm0220019","Directing","Raymond Depardon","Villefranche-sur-Saône",0.8696,"\u002FhYNHPXItm5ELS49dspIMDPoxRzh.jpg",{"cast":19,"crew":190},[20,36,48,61,76,89,103,115,125,135,143,152,163,172,180],{"adult":4,"backdrop_path":8,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},[22],99,126326,"Journal de France","fr","Periódico filmado, un viaje en el tiempo en el que varios realizadores capturaron la esencia de Francia; encontraron trozos de películas inéditas que recogen la memoria e historia del país galo.",0.905,"\u002FmgZskKHdF88epwiEuLZhHc3SLMn.jpg","2012-05-22",6.8,20,"","52fe4adcc3a368484e16ae37",0,"movie",{"adult":4,"backdrop_path":8,"genre_ids":37,"id":38,"title":39,"original_language":25,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":34,"media_type":35},[22],128470,"New York, N.Y.","Una mirada contemplativa al deslumbrante paisaje urbano de Nueva York durante el día y la noche.",0.8132,"\u002FcByuW0sLDqMSM9meSoQKVk6mSL1.jpg","1986-01-01",6.5,13,"Narrator (voice)","626b58b50ed2ab01833bb635",{"adult":4,"backdrop_path":49,"genre_ids":50,"id":52,"title":53,"original_language":25,"original_title":53,"overview":32,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":44,"vote_count":57,"character":58,"credit_id":59,"order":60,"media_type":35},"\u002Fnv5vE1zTdViKbjgDuStbs4a2E4Q.jpg",[22,51],36,1148223,"L'Âge d'or de la pub",1.3625,"\u002FwWkz10PqaTQDAqRiV6QjIwNkTLK.jpg","2023-06-02",6,"Self (archive footage)","652a60eeea84c7010c1b73fa",133,{"adult":4,"backdrop_path":62,"genre_ids":63,"id":64,"title":65,"original_language":25,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"character":73,"credit_id":74,"order":75,"media_type":35},"\u002FA5uLAf8KCwiN4Idw0qfgOPvnKR0.jpg",[22],37478,"Profils paysans : Le Quotidien","Profils paysans : le quotidien","En Lozère, Ardèche y Haute-Loire, nos encontramos con varias familias de zonas rurales.",1.2312,"\u002Fxst9VFagMzXbU5dN0mYmT4APAos.jpg","2005-02-23",7.2,12,"Narrator (voice) (uncredited)","665571f0dc8efee4671cb9f4",27,{"adult":4,"backdrop_path":77,"genre_ids":78,"id":79,"title":80,"original_language":25,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"character":73,"credit_id":87,"order":88,"media_type":35},"\u002FjF2xO3W88sAutt9htQTkJqUK5g9.jpg",[22],37477,"Profils paysans : l'approche","El cineasta y fotógrafo Raymond Depardon nos ofrece un viaje por el mundo rural. Nos deja para la posteridad un retrato lleno de ternura de los campesinos, una categoría socio-profesional olvidada con demasiada frecuencia.",1.3904,"\u002FlQEkAzieP4DB5MwSpKcVl8QfeAn.jpg","2001-05-09",7.4,14,"665571dce73154a29ba367b6",22,{"adult":4,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":25,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":99,"vote_count":100,"character":73,"credit_id":101,"order":102,"media_type":35},"\u002FmvypTziHBOTFZzhtPNWgQteQNOX.jpg",[22],8930,"La vida moderna","Profils paysans : La Vie moderne","Marcel y Raymond ya tienen más de ochenta años pero siguen trabajando duro al cuidado de sus ovejas y demás animales. Sin embargo, los años no pasan en balde y, día a día, observan como sus rebaños son cada vez más pequeños, los pastizales se llenan de matojos y sus huesos se empeñan en hacerles la puñeta. Además, la mujer de su sobrino no hace más que reprocharles su falta de higiene. A Germaine y Marcel ya sólo les quedan dos vacas y Daniel es el único de los seis hermanos que ha permanecido en el pueblo al cuidado del ganado. Todos ellos forman parte de un modo de vida en estado de coma que se resiste a desaparecer. Ellos son los vestigios de nuestro pasado.",1.6901,"\u002F5LZKsMfqaCDxoUFG2OiXtbFtOZl.jpg","2008-10-29",7.5,25,"665b209429b9be64e198fe3a",18,{"adult":4,"backdrop_path":8,"genre_ids":104,"id":105,"title":106,"original_language":25,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":111,"vote_count":112,"character":32,"credit_id":113,"order":114,"media_type":35},[22],411372,"Donner la parole","Dar voz a nueve lenguas entre las 2700 en peligro en el mundo: el Chipaya, el Kawésqar, el Quechua, el Mapuche, el Guarani, el Yanomami, el Afar, el Breton, el Occitan. Con palabras muy sencillas, universales, trece personas nos hablan de su compromiso con su lengua y afirman su voluntad de preservarla.",0.8061,"\u002FxC2k8jgzqSZGQLAYqb85Bel8Epc.jpg","2008-01-01",5.2,5,"57b0b54dc3a368438300045d",1,{"adult":4,"backdrop_path":8,"genre_ids":116,"id":117,"title":118,"original_language":25,"original_title":118,"overview":32,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":114,"character":123,"credit_id":124,"order":34,"media_type":35},[22],498245,"Ciné-portrait de Raymond Depardon",1.5233,"\u002FuRJlbo1tB0G12LjYGpt1D9stH2R.jpg","1983-01-01",9,"himself","5a5a40580e0a26570600ad99",{"adult":4,"backdrop_path":8,"genre_ids":126,"id":127,"title":128,"original_language":25,"original_title":128,"overview":32,"popularity":129,"poster_path":130,"release_date":131,"softcore":4,"video":4,"vote_average":132,"vote_count":9,"character":133,"credit_id":134,"order":114,"media_type":35},[22],500187,"Quoi de neuf au Garet?",1.1547,"\u002Fv7v6vpOEBgZPQ8GSFtz6LJHSTPZ.jpg","2005-09-30",7,"Self (voice) (uncredited)","5a6572bfc3a3687fa302f1cf",{"adult":4,"backdrop_path":8,"genre_ids":136,"id":137,"title":138,"original_language":25,"original_title":138,"overview":32,"popularity":139,"poster_path":140,"release_date":141,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":123,"credit_id":142,"order":34,"media_type":35},[22],498525,"Un Moment Si Doux",0.8727,"\u002F7AUcJ4RNcuaeyDXhWa4Qmr84hVD.jpg","2013-01-01","5a5beb70925141323b000a1c",{"adult":4,"backdrop_path":8,"genre_ids":144,"id":145,"title":146,"original_language":25,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":71,"vote_count":112,"character":46,"credit_id":151,"order":114,"media_type":35},[102],272879,"Un homme sans l'Occident","Una evocación de la vida de los últimos hombres libres del Sahara en el debut del siglo XX. Adoptados por los cazadores, son ellos quienes se desvían del desierto y se dejan guiar por la colonización.",0.9516,"\u002FtvNCTg4QeVhG58D2VMND4NXAlON.jpg","2003-01-15","5b2b8bb4c3a3687d2500485d",{"adult":4,"backdrop_path":153,"genre_ids":154,"id":156,"title":157,"original_language":25,"original_title":157,"overview":32,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":161,"credit_id":162,"order":112,"media_type":35},"\u002FctvPt1yGKrDgg32U2yNXcmIO1DL.jpg",[155],80,126394,"La rouge et la noire",1.7731,"\u002Fzz4xymOgyAdG69SdSpOY4Mbemkv.jpg","2011-06-08","Self","5ea6d15aec4552001f418b50",{"adult":4,"backdrop_path":8,"genre_ids":164,"id":165,"title":166,"original_language":25,"original_title":166,"overview":32,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":114,"character":161,"credit_id":171,"order":57,"media_type":35},[102],697695,"Incognito",1.8849,"\u002F9TmKKKcTJ5w6YmjITpWTDFGIEMW.jpg","1990-11-27",8,"5ea6ca4ca2d2e90018df474b",{"adult":4,"backdrop_path":8,"genre_ids":173,"id":174,"title":175,"original_language":25,"original_title":175,"overview":32,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":32,"credit_id":179,"order":34,"media_type":35},[22],1630635,"Raymond Depardon: Fermes familiales",1.0844,"\u002Fn4xu9doXn3pHr7o4jxahaJDpXNG.jpg","1985-01-01","6986670a52f819f56a6b5b7f",{"adult":4,"backdrop_path":181,"genre_ids":182,"id":183,"title":184,"original_language":25,"original_title":184,"overview":32,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":132,"vote_count":188,"character":32,"credit_id":189,"order":34,"media_type":35},"\u002Fa2GBTEs8oz2ra1tYAF4c0BLVH7R.jpg",[22],163842,"Les années déclic: 1957-1977",1.1306,"\u002FvXO2tHoWWqqTH39A96fMQ7gDiiA.jpg","1984-07-04",3,"698772f504a63e37428c8ab1",[191,195,209,212,221,224,234,246,256,261,273,276,279,289,298,301,311,316,319,331,340,350,360,363,372,375,386,394,404,416,421,425,436,448,451,454,457,460,471,474,477,490,499,507,515,524,533,536,539,547,550,553,556,559,562,565,573,576,579,582,592,601,604,613,622,625,628,636,644,647,650,659,666,669,675,682,689,692,700],{"adult":4,"backdrop_path":90,"genre_ids":192,"id":92,"title":93,"original_language":25,"original_title":94,"overview":95,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":99,"vote_count":100,"credit_id":193,"department":13,"job":194,"media_type":35},[22],"52fe44c9c3a36847f80a9ee1","Director",{"adult":4,"backdrop_path":196,"genre_ids":197,"id":199,"title":200,"original_language":25,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":206,"vote_count":207,"credit_id":208,"department":13,"job":194,"media_type":35},"\u002F20vIC3JXCFrsLwv0TpiBbK7IKh2.jpg",[198,102],35,36108,"A cada uno su cine (Chacun son cinéma)","Chacun son cinema ou Ce petit coup au coeur quand la lumiere s'eteint et que le film commence","Reunión de 33 cortometrajes de unos tres minutos cada uno realizados por 35 directores con motivo del 60 aniversario del Festival de Cannes.",2.8521,"\u002FoqsHDWIh26sJXz9Ua3lPQhUx3lK.jpg","2007-10-31",6.4,163,"52fe45cd9251416c9103edb9",{"adult":4,"backdrop_path":62,"genre_ids":210,"id":64,"title":65,"original_language":25,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"credit_id":211,"department":13,"job":194,"media_type":35},[22],"52fe464c9251416c9104ffbb",{"adult":4,"backdrop_path":8,"genre_ids":213,"id":214,"title":215,"original_language":25,"original_title":215,"overview":216,"popularity":217,"poster_path":218,"release_date":219,"softcore":4,"video":4,"vote_average":132,"vote_count":102,"credit_id":220,"department":13,"job":194,"media_type":35},[22],37479,"Délits flagrants","Raymond Depardon filma el itinerario sumarial de varias personas arrestadas en flagrante delito, desde su llegada a la oficina de la Jefatura de policía, hasta la entrevista con el sustituto del procurador, o el abogado de oficio. Ante la cámara, en una serie de secuencias que muestran un enfrentamiento cara a cara, se desvelan unas situaciones que en general se mantienen a puertas cerradas: las personas que cometen delitos menores. Tras la entrevista, la persona citada ante la justicia será liberada con una convocatoria para una audiencia posterior, o deberá someterse a un procedimiento de comparecencia inmediata.",0.8651,"\u002FwOwfya9UCgMkXVknxB9rjofKzKd.jpg","1994-10-05","52fe464c9251416c9104ffc7",{"adult":4,"backdrop_path":77,"genre_ids":222,"id":79,"title":80,"original_language":25,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"credit_id":223,"department":13,"job":194,"media_type":35},[22],"52fe464c9251416c9104ffb1",{"adult":4,"backdrop_path":225,"genre_ids":226,"id":227,"title":228,"original_language":25,"original_title":228,"overview":32,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":31,"credit_id":233,"department":13,"job":194,"media_type":35},"\u002FpQ7RlSEeXKrFfdmAoHlyOVnGb2X.jpg",[22],37480,"1974, une partie de campagne",1.1283,"\u002Fs9BfIq8HIkhWzuf1nwqPKnYT6DH.jpg","2002-02-20",6.6,"52fe464c9251416c9104ffed",{"adult":4,"backdrop_path":235,"genre_ids":236,"id":237,"title":238,"original_language":25,"original_title":239,"overview":240,"popularity":241,"poster_path":242,"release_date":243,"softcore":4,"video":4,"vote_average":206,"vote_count":244,"credit_id":245,"department":13,"job":194,"media_type":35},"\u002FuonotYnbDrHXcMFA1AbembrrQ8N.jpg",[102,22],48336,"Lumière y compañía","Lumière et Compagnie","Cuarenta directores internacionales aceptaron la idea de hacer un cortometraje utilizando el cinematógrafo original inventado por los hermanos Lumière y trabajando en condiciones similares a las de 1895. 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