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Después de la muerte empiezan a pasarle cosas extrañas.",1.8238,"\u002F7RqkEVBtg1p5YTJKHiY0P5dVVfC.jpg","2007-04-19",4.933,"5c28223a92514138cbbfbca7",{"adult":4,"backdrop_path":316,"genre_ids":317,"id":318,"title":319,"original_language":22,"original_title":319,"overview":6,"popularity":320,"poster_path":321,"release_date":322,"softcore":4,"video":4,"vote_average":323,"vote_count":324,"credit_id":325,"department":11,"job":167,"media_type":31},"\u002FoS9zGU70lu6XNeu5PMn109qqDd4.jpg",[141,34],178032,"Lúcio Flávio, o Passageiro da Agonia",1.2557,"\u002FqLnx7Y7IK1x9aZQM5AbtbsUSEPQ.jpg","1977-02-01",7.1,45,"5c44787b0e0a266d5ed36684",{"adult":4,"backdrop_path":7,"genre_ids":327,"id":152,"title":153,"original_language":22,"original_title":153,"overview":6,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":26,"vote_count":8,"credit_id":328,"department":11,"job":167,"media_type":31},[34,151],"5c44b830925141470327c0c8",{"adult":4,"backdrop_path":7,"genre_ids":330,"id":152,"title":153,"original_language":22,"original_title":153,"overview":6,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":26,"vote_count":8,"credit_id":331,"department":223,"job":224,"media_type":31},[34,151],"5c44c0d5c3a36866963b7151",{"adult":4,"backdrop_path":333,"genre_ids":334,"id":335,"title":336,"original_language":22,"original_title":336,"overview":6,"popularity":337,"poster_path":338,"release_date":339,"softcore":4,"video":4,"vote_average":136,"vote_count":26,"credit_id":340,"department":11,"job":167,"media_type":31},"\u002FsgdLxyFzQov1jylTPdaA8EoxuKC.jpg",[34],200663,"Gaijin: Caminhos da Liberdade",1.5333,"\u002FwferJSoAJhflrkcoBgLBnFNHa67.jpg","1980-02-20","5c9aa15c0e0a261ba2c295d8",{"adult":4,"backdrop_path":342,"genre_ids":343,"id":344,"title":345,"original_language":22,"original_title":345,"overview":6,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":349,"vote_count":66,"credit_id":350,"department":11,"job":167,"media_type":31},"\u002FhaVwW3NVPlPxQOd59lYtkkye91a.jpg",[34,141],231223,"Como Nascem os Anjos",1.3785,"\u002F5YfWlTKCvl7YKbqNgA0llBgPIIR.jpg","1996-08-06",7.2,"5c9b9d8d925141780cf7f694",{"adult":4,"backdrop_path":352,"genre_ids":353,"id":354,"title":355,"original_language":22,"original_title":355,"overview":6,"popularity":356,"poster_path":357,"release_date":358,"softcore":4,"video":4,"vote_average":359,"vote_count":26,"credit_id":360,"department":11,"job":167,"media_type":31},"\u002FCJOLLrnzdyJ5VDzYhGkKefMLmO.jpg",[34],327356,"O Sonho Não Acabou",1.2765,"\u002F629voGb6FwTyNNdzQOCNa0jMVfv.jpg","1982-08-06",4.9,"5c9bf3ea9251410a5809cf93",{"adult":4,"backdrop_path":7,"genre_ids":362,"id":364,"title":365,"original_language":22,"original_title":365,"overview":6,"popularity":366,"poster_path":367,"release_date":368,"softcore":4,"video":4,"vote_average":369,"vote_count":26,"credit_id":370,"department":11,"job":167,"media_type":31},[363],35,262954,"Urubus e Papagaios",0.7297,"\u002Fv4TxC7DTd7AHItNlg30jWzlNkV1.jpg","1987-05-14",4.2,"5c9fb3129251411a1805bddb",{"adult":4,"backdrop_path":372,"genre_ids":373,"id":374,"title":375,"original_language":37,"original_title":375,"overview":376,"popularity":377,"poster_path":378,"release_date":379,"softcore":4,"video":4,"vote_average":380,"vote_count":256,"credit_id":381,"department":11,"job":102,"media_type":31},"\u002Fic4khkQvSEpabIWiZ4v8X5XFI4H.jpg",[34],392459,"Ya no basta con rezar","La película retrata en años previo al triunfo de la Unidad Popular, el proceso interno de un sacerdote católico que, enfrentado a las injusticias que observa en el entorno parroquial y ante la indolencia de la jerarquía eclesiástica, decide emprender por su cuenta el cambio social.",1.6074,"\u002F1CtBiHBxtxHzSzSKF9p05xaATLP.jpg","1972-08-28",7.5,"5e53f9d33520e80013338863",{"adult":4,"backdrop_path":372,"genre_ids":383,"id":374,"title":375,"original_language":37,"original_title":375,"overview":376,"popularity":377,"poster_path":378,"release_date":379,"softcore":4,"video":4,"vote_average":380,"vote_count":256,"credit_id":384,"department":126,"job":216,"media_type":31},[34],"5eaafd9e945d36001e863f5a",{"adult":4,"backdrop_path":7,"genre_ids":386,"id":387,"title":388,"original_language":37,"original_title":388,"overview":389,"popularity":390,"poster_path":7,"release_date":391,"softcore":4,"video":4,"vote_average":111,"vote_count":8,"credit_id":392,"department":126,"job":216,"media_type":31},[34],389007,"Metamorfosis del jefe de la policía política","Tras la llegada de Salvador Allende al poder, Helvio Soto asume labores directivas en la Televisión Nacional de Chile, por lo que interrumpe su actividad cinematográfica. A fines de 1972 comienza a realizar su película mas conflictiva:Metamorfosis del jefe de la policía política. Se termina a mediados de 1973, pero viene el Golpe y Soto la puede recién estrenar en París, a fines de ese año. En otro contexto, la película que hablaba de las divisiones internas de la izquierda chilena, no fue bien recibida, dado el momento de solidaridad existente con Chile tras el Golpe y la crítica específica a lo que detonaría este conflicto, calificado incluso de “intelectualismo burgués”. Película nunca estrenada en Chile. Participó en la Quincena de Realizadores del Festival de Cannes.",1.0815,"1973-11-22","5eb58beee375c00021fbd355",{"adult":4,"backdrop_path":7,"genre_ids":394,"id":395,"title":396,"original_language":37,"original_title":396,"overview":397,"popularity":398,"poster_path":399,"release_date":400,"softcore":4,"video":4,"vote_average":401,"vote_count":91,"credit_id":402,"department":11,"job":93,"media_type":31},[151,206,34],268331,"Teresa","Teresa Wilms Montt es escritora, una mujer rebelde, atormentada y bella. Se casa a los 17 años desafiando la oposición familiar. Se enamora de quien no debe y un tribunal familiar la condena al encierro en un convento. Separada de sus dos hijas se escapa a Buenos Aires con Vicente Huidobro. Desde esa huida su vida se transforma en un apasionante y trágico itinerario. (FILMAFFINITY)",0.6938,"\u002Fr4PeT5yIQccaJpA4X3GPeoLfr9L.jpg","2009-06-17",5.2,"5f1c727b0bb0760035f0146a",{"adult":4,"backdrop_path":7,"genre_ids":404,"id":405,"title":406,"original_language":37,"original_title":406,"overview":6,"popularity":407,"poster_path":408,"release_date":409,"softcore":4,"video":4,"vote_average":176,"vote_count":26,"credit_id":410,"department":11,"job":93,"media_type":31},[151,34],45177,"Azul y Blanco",1.3819,"\u002FzeXlMzNPnqABFl5wRdGxh1Mmqsg.jpg","2004-04-23","5f849c4839549a003562485d",{"adult":4,"backdrop_path":7,"genre_ids":412,"id":413,"title":414,"original_language":37,"original_title":414,"overview":415,"popularity":416,"poster_path":417,"release_date":418,"softcore":4,"video":4,"vote_average":419,"vote_count":420,"credit_id":421,"department":11,"job":93,"media_type":31},[363,34],37006,"Mi mejor enemigo","Diciembre 1978. Chile y Argentina están a días de comenzar un enfrentamiento armado en la frontera sur. En la Patagonia, una patrulla chilena rompe accidentalmente su brújula y se pierde en medio de la pampa. Cavan sus trincheras sin saber si es Chile o Argentina. Comienza una larga espera que interrumpirá una patrulla argentina que se instala frente a ellos. Ambas esperan ahora la guerra, pero la tensa espera dará paso a la amistad que se da entre seres humanos que son enemigos, pero que confundidos por la soledad de la pampa, transitan en una frágil línea entre el deber y el querer.",1.2255,"\u002FhhOtApHWPE197cTGOkRcCdSMxy.jpg","2005-05-05",7.4,25,"5fd7db718c44b9003bd96fdb",{"adult":4,"backdrop_path":316,"genre_ids":423,"id":318,"title":319,"original_language":22,"original_title":319,"overview":6,"popularity":320,"poster_path":321,"release_date":322,"softcore":4,"video":4,"vote_average":323,"vote_count":324,"credit_id":424,"department":126,"job":425,"media_type":31},[141,34],"67cd375cad486b43ebe2ba9f","First Assistant Director",{"adult":4,"backdrop_path":55,"genre_ids":427,"id":57,"origin_country":428,"original_language":22,"original_name":60,"overview":6,"popularity":61,"poster_path":62,"first_air_date":63,"softcore":4,"name":60,"vote_average":42,"vote_count":42,"credit_id":429,"department":126,"episode_count":66,"first_credit_air_date":63,"job":127,"media_type":67},[19],[59],"642eec7e0e597b0105e4ccab",{"adult":4,"backdrop_path":431,"genre_ids":432,"id":434,"origin_country":435,"original_language":22,"original_name":436,"overview":437,"popularity":438,"poster_path":439,"first_air_date":440,"softcore":4,"name":436,"vote_average":441,"vote_count":91,"credit_id":442,"department":11,"episode_count":443,"first_credit_air_date":440,"job":167,"media_type":67},"\u002FePpnruaFlrjFzD6s0mcDcGLMqlN.jpg",[433,34],10766,31738,[59],"Amazônia","La unión de dos siglos, el final del XIX y el comienzo del XXI, a través de la historia del Amazonas. En el año 2020, la acción se centra en Milla, una joven periodista que deja Río de Janeiro para ir a Manaos en busca de aventuras, y su relación con Lúcio, el líder de una banda de estafadores en el puerto de Manaos, un joven con visiones y poderes paranormales.\n\nEn estas visiones, Lúcio se ve a sí mismo en el año 1899, cuando la explotación de las plantaciones de caucho amazónicas dominaba el panorama. Caio era hijo del todopoderoso Comandante Mangabeira y prometido de la dulce María Luísa, hija del comerciante Peçanha, dos familias enriquecidas por el caucho. Caio también se involucra con la seductora cortesana Camille, que no es otra que Milla en el siglo XXI.",16.3799,"\u002F28asD4WTwmikuqjvXTEeGghfFM7.jpg","1991-12-10",4.4,"680cc1a85b2ebd5b95377679",162,{"adult":4,"backdrop_path":431,"genre_ids":445,"id":434,"origin_country":446,"original_language":22,"original_name":436,"overview":437,"popularity":438,"poster_path":439,"first_air_date":440,"softcore":4,"name":436,"vote_average":441,"vote_count":91,"credit_id":447,"department":448,"job":448,"media_type":67},[433,34],[59],"680c6e74d10b48cb0c857f58","Creator",{"profiles":450},[]]