[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F544569:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":325},false,[6],"Mohammed Lakhdar Hamina","Mohammed Lakhdar-Hamina (26 February 1934 – 23 May 2025) was an Algerian film director and screenwriter. He is best known for his 1975 film Chronicle of the Years of Fire, which won the Palme d'Or at the 1975 Cannes Film Festival and became the first Arab and African film to win the award. He is one of the most prominent figures in contemporary Arabic cinema.\n\nBorn on 26 February 1934 at M'Sila, Algeria, Lakhdar began his studies in his native country. He first became interested in the world of cinema at the Lycée Carnot in Cannes, France. After beginning studies of agriculture and law at French universities, he deserted the French Army in 1958 and joined the anti-French Algerian Resistance in Tunisia, where he worked for the provisional Algerian government in exile. His film career began as he joined the Algerian Maquis (guerrillas).\n\nIn 1959, the Algerian National Liberation Front (FLN) sent him to Prague, where he pursued his cinematography studies at the cinema school, Film and TV School of the Academy of Performing Arts in Prague, the Czech academy for cinema and television. However, he quit his studies in order to work for the Barrandov Studios. Also in 1959, the Algerian ministry of information in exile commissioned Lakhdar-Hamina, together with Djamel Chanderli and Pierre Chaulet, to produce a movie about Algeria's predicament under French colonialism. The documentary film, titled Djazzaïrouna (Our Algeria), aimed at portraying the goals pursued by the Algerian nationalist guerrilla movement, the Maquis.\n\nIn 1960, he joined the Service Cinema, created by the Algerian government in exile.\n\nIn 1961, Lakhdar-Hamina collaborated with Chanderli in the movie Yasmina, which tells the story of a refugee girl who must flee her village following its destruction. Lakhdar-Hamina collaborated again with Chanderli in the 1962 The people's voice and 1961 The guns of freedom. Upon Algerian independence in 1962, he returned to his homeland where, together with his colleagues from Tunisian exile, he founded the Office des actualités algériennes, of which he was director from 1963 until its dissolution in 1974.\n\nFrom 1981 until 1984, he acted as director of the Office National pour le Commerce et l'Industrie Cinématographique, the most important institution for furtherance of the French film industry. One of his most recent films, The last image, was part of the Official Selection at Cannes Film Festival in 1986 and was nominated for the Golden Palm.\n\nLakhdar-Hamina's son, Malik Lakhdar-Hamina, became well known after the release of his first long film, Autumn: October in Algiers (1992), a film that explores the riots of October 1988 through the microcosm of an Algerian family split by a Westernized versus Islamicized view of contemporary Algeria. His other son, Tariq Lakhdar-Hamina, is a film producer.\n\nOn 23 May 2025, Lakhdar-Hamina died in his home in Algiers, at the age of 91.\n\nFrom its inception, Algerian cinema was intertwined with the ideological and existential debates that surrounded the Algerian war of independence and the postcolonial nation-building stage. ...\n\nSource: Article \"Mohammed Lakhdar-Hamina\" from Wikipedia in English, licensed under CC-BY-SA.","1934-02-26","2025-05-23",2,null,544569,"nm0482228","Directing","Mohammed Lakhdar-Hamina","M'sila, Algeria",0.6655,"\u002F4bfSE7eEoLYocMIgVCLrTeOLg6d.jpg",{"cast":20,"crew":146},[21,41,54,70,84,94,106,122,135],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":27,"title":28,"original_language":29,"original_title":30,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":37,"credit_id":38,"order":39,"media_type":40},"\u002FqyHc9Fxgt6Szby7fmItRd9fpM6V.jpg",[24,25,26],36,18,53,399121,"El oficial y el espía","fr","J'accuse","En 1894, el capitán francés Alfred Dreyfus, un joven oficial judío, es acusado de traición por espiar para Alemania y condenado a cadena perpetua en la Isla del Diablo, en la Guayana Francesa. Entre los testigos que hicieron posible esta humillación se encuentra el coronel Georges Picquart, encargado de liderar la unidad de contrainteligencia que descubrió al espía. Pero cuando Picquart se entera de que se siguen pasando secretos militares a los alemanes, se adentrará en un peligroso laberinto de mentiras y corrupción, poniendo en peligro su honor y su vida.",7.6574,"\u002FuQCZY0JGa5c5Plku7rtcyIcXip7.jpg","2019-09-30",7.052,1631,"Bachir","63e21a91528b2e00b5c40cdf",23,"movie",{"adult":4,"backdrop_path":11,"genre_ids":42,"id":44,"title":45,"original_language":29,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":51,"character":52,"credit_id":53,"order":51,"media_type":40},[43],99,331682,"Caméra arabe","",1.1269,"\u002FzJvHzMX4D6jhwjWSpYpzWZPtlrZ.jpg","1987-01-02",6,4,"Self","6532d5acb2681f0138e055ab",{"adult":4,"backdrop_path":55,"genre_ids":56,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"character":68,"credit_id":69,"order":10,"media_type":40},"\u002FsBkXUnl7LAcsgTXfl3Ei5a4zEpF.jpg",[25,57,24],10752,52555,"Crónica de los años de fuego","ar","Chronique des Années de Braise","Crónica minuciosa de la evolución del movimiento nacional argelino desde 1939 hasta el estallido de la revolución el 1 de noviembre de 1954, la película demuestra inequívocamente que la Guerra de Argelia no es un accidente de la historia, sino un lento proceso de revueltas y sufrimiento. , ininterrumpidamente, desde el inicio de la colonización en 1830, hasta este Día de Todos los Santos Rojo del 1 de noviembre de 54. En el centro, Ahmed despierta poco a poco a la conciencia política contra la colonización, bajo la mirada de su hijo, símbolo de la nueva Argelia, y de Miloud, medio loco arengador, medio profeta, encarnación de la memoria popular de la revuelta, de la liberación. de Argelia y su pueblo.",1.5679,"\u002FrMIDJSkgX2A40jNRluXxExYeomo.jpg","1975-11-26",6.6,30,"Miloud, Le conteur","551fb965c3a3684dd4001769",{"adult":4,"backdrop_path":71,"genre_ids":72,"id":74,"title":75,"original_language":29,"original_title":75,"overview":46,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":81,"credit_id":82,"order":83,"media_type":40},"\u002FbMb3x1BeLUk05fnnZkPownobWR2.jpg",[73,25],35,198467,"La Dernière Image",1.6036,"\u002F7m2T9SgICBRP92yp6M8vbP0fept.jpg","1986-06-02",0,1,"Oncle Amar","66da09d33fa5c5d97e3c30f6",9,{"adult":4,"backdrop_path":85,"genre_ids":86,"id":87,"title":88,"original_language":60,"original_title":88,"overview":46,"popularity":89,"poster_path":90,"release_date":91,"softcore":4,"video":4,"vote_average":79,"vote_count":79,"character":92,"credit_id":93,"order":79,"media_type":40},"\u002FuVrSfKsmnnbpGhALctqyDean6l6.jpg",[43],1610960,"Un seul héros le peuple",1.4906,"\u002FxbBnskaRZIIacOhkLS7B1GG9niI.jpg","2026-01-07","Self (archive footage)","695cf8e5a97e89dead9f2c12",{"adult":4,"backdrop_path":95,"genre_ids":96,"id":97,"title":98,"original_language":99,"original_title":98,"overview":46,"popularity":100,"poster_path":101,"release_date":102,"softcore":4,"video":4,"vote_average":103,"vote_count":80,"character":52,"credit_id":104,"order":105,"media_type":40},"\u002F8uz4BNqLJSyzmeNeqx2W5P1MJO.jpg",[43],606972,"De droomproducenten","nl",0.9848,"\u002FbDgvhpPVpBsPnQ6WURXpxmV8Z1e.jpg","1984-01-01",10,"6a102569b0fce5c454235486",21,{"adult":4,"backdrop_path":107,"genre_ids":108,"id":110,"origin_country":111,"original_language":29,"original_name":113,"overview":46,"popularity":114,"poster_path":115,"first_air_date":116,"softcore":4,"name":113,"vote_average":117,"vote_count":10,"character":52,"credit_id":118,"episode_count":119,"first_credit_air_date":120,"media_type":121},"\u002F4rJpvb0fi7Coh96e35WTRPrkods.jpg",[109],10767,244224,[112],"FR","Spécial cinéma",70.2545,"\u002FjONImBKU4sK9mBcK5cx7a4R4h5v.jpg","1974-09-25",9.5,"65b642956e0d720163482809",3,"1983-01-17","tv",{"adult":4,"backdrop_path":123,"genre_ids":124,"id":126,"origin_country":127,"original_language":29,"original_name":128,"overview":46,"popularity":129,"poster_path":130,"first_air_date":131,"softcore":4,"name":128,"vote_average":132,"vote_count":119,"character":52,"credit_id":133,"episode_count":80,"first_credit_air_date":134,"media_type":121},"\u002FetNtSeEcl3XpVnKIvV3PrnFwihd.jpg",[109,125],10763,120589,[112],"Le Grand Échiquier",33.9498,"\u002FhWsFrkYyPwCz4rt2lpiKmqkgxRp.jpg","1972-01-12",8,"632b8f40ba4802009392ede9","1986-05-14",{"adult":4,"backdrop_path":11,"genre_ids":136,"id":137,"origin_country":138,"original_language":29,"original_name":139,"overview":46,"popularity":140,"poster_path":141,"first_air_date":142,"softcore":4,"name":139,"vote_average":143,"vote_count":80,"character":52,"credit_id":144,"episode_count":80,"first_credit_air_date":145,"media_type":121},[43],328178,[112],"Ciné regards",17.6622,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04",5,"6a566fd62874a488470150bd","1982-03-22",[147,152,157,170,179,189,192,202,205,208,217,220,223,226,235,238,252,255,258,261,265,274,282,285,294,306,309,321],{"adult":4,"backdrop_path":55,"genre_ids":148,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":149,"department":150,"job":151,"media_type":40},[25,57,24],"621d4fe6519bbb0044847ea5","Camera","Camera Operator",{"adult":4,"backdrop_path":55,"genre_ids":153,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":154,"department":155,"job":156,"media_type":40},[25,57,24],"621d482054f6eb00705aa2e4","Production","Producer",{"adult":4,"backdrop_path":158,"genre_ids":159,"id":161,"title":162,"original_language":60,"original_title":162,"overview":46,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":50,"credit_id":167,"department":168,"job":169,"media_type":40},"\u002FwIxj5PXUdw5vVwAMyYCDUX4fc0e.jpg",[160,57,73],12,330662,"Hassan Terro",0.9632,"\u002Ff1CPVlvjoDHqlBujc3yNcW5RJwM.jpg","1968-10-14",8.5,"6224b6a67c6de3004468b4dc","Writing","Writer",{"adult":4,"backdrop_path":11,"genre_ids":171,"id":172,"title":173,"original_language":60,"original_title":173,"overview":46,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":103,"vote_count":80,"credit_id":177,"department":14,"job":178,"media_type":40},[57,43],478076,"Sawt Echaâb",0.6412,"\u002FtciK1fCuXBCqIAXDgOM1GkXYEcB.jpg","1961-01-01","6224b729e32943006f4a38a2","Director",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":182,"title":183,"original_language":60,"original_title":183,"overview":46,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":83,"credit_id":188,"department":150,"job":151,"media_type":40},"\u002F4aaQt8Lza4cbWhXgGDQAtOS2rUb.jpg",[25,57],198790,"ريح الاوراس",1.251,"\u002F2a7pn3dm4O55fGSBgRySdHfpf62.jpg","1967-06-08",6.8,"6225ea974a4bfc006e3dee5b",{"adult":4,"backdrop_path":55,"genre_ids":190,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":191,"department":14,"job":178,"media_type":40},[25,57,24],"52fe4833c3a36847f815c37b",{"adult":4,"backdrop_path":11,"genre_ids":193,"id":195,"title":196,"original_language":29,"original_title":196,"overview":46,"popularity":197,"poster_path":11,"release_date":198,"softcore":4,"video":4,"vote_average":79,"vote_count":79,"credit_id":199,"department":200,"job":201,"media_type":40},[194],9648,836686,"Le Temps D'une Image",1.0794,"1965-06-03","60b95745ec8a4300298f5d0d","Crew","Cinematography",{"adult":4,"backdrop_path":11,"genre_ids":203,"id":195,"title":196,"original_language":29,"original_title":196,"overview":46,"popularity":197,"poster_path":11,"release_date":198,"softcore":4,"video":4,"vote_average":79,"vote_count":79,"credit_id":204,"department":14,"job":178,"media_type":40},[194],"60b956c009dda4006efdb199",{"adult":4,"backdrop_path":11,"genre_ids":206,"id":195,"title":196,"original_language":29,"original_title":196,"overview":46,"popularity":197,"poster_path":11,"release_date":198,"softcore":4,"video":4,"vote_average":79,"vote_count":79,"credit_id":207,"department":168,"job":169,"media_type":40},[194],"60b956cf8de0ae0059ae9448",{"adult":4,"backdrop_path":209,"genre_ids":210,"id":211,"title":212,"original_language":60,"original_title":212,"overview":46,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":103,"vote_count":10,"credit_id":216,"department":14,"job":178,"media_type":40},"\u002Fx42I3TzB9hFo5k6StOPOxOPsHzs.jpg",[25],198492,"Vent de sable",0.9417,"\u002FULhcq7dyt7XRVsRWK12UPmLz4X.jpg","1982-04-04","52fe4d7e9251416c9111817b",{"adult":4,"backdrop_path":71,"genre_ids":218,"id":74,"title":75,"original_language":29,"original_title":75,"overview":46,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":219,"department":14,"job":178,"media_type":40},[73,25],"52fe4d7e9251416c91117ff9",{"adult":4,"backdrop_path":180,"genre_ids":221,"id":182,"title":183,"original_language":60,"original_title":183,"overview":46,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":83,"credit_id":222,"department":14,"job":178,"media_type":40},[25,57],"52fe4d889251416c91119821",{"adult":4,"backdrop_path":71,"genre_ids":224,"id":74,"title":75,"original_language":29,"original_title":75,"overview":46,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"credit_id":225,"department":168,"job":169,"media_type":40},[73,25],"60fe2837db72c0002fd3a4a8",{"adult":4,"backdrop_path":227,"genre_ids":228,"id":229,"title":230,"original_language":29,"original_title":230,"overview":46,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":103,"vote_count":10,"credit_id":234,"department":14,"job":178,"media_type":40},"\u002Fc5FReJBhG3okO95HMUKFDTJnjRO.jpg",[25,57],329449,"Décembre",1.1316,"\u002FuCfMjptSQG7faGVRn8LFOc4Q8sI.jpg","1973-01-02","54fc02b392514122be0015dc",{"adult":4,"backdrop_path":158,"genre_ids":236,"id":161,"title":162,"original_language":60,"original_title":162,"overview":46,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":50,"credit_id":237,"department":14,"job":178,"media_type":40},[160,57,73],"55046581c3a36862e1001147",{"adult":4,"backdrop_path":239,"genre_ids":240,"id":242,"title":243,"original_language":29,"original_title":244,"overview":245,"popularity":246,"poster_path":247,"release_date":248,"softcore":4,"video":4,"vote_average":249,"vote_count":250,"credit_id":251,"department":155,"job":156,"media_type":40},"\u002FaBPTu88INshGvRxLZSoxYn8ZRgD.jpg",[241,73,25],10402,60612,"La sala de baile","Le Bal","Ettore Scola recorre la historia de Europa de los últimos cincuenta años, mas concretamente la de Francia, a través de la música y del baile. Lo que pretende es reflejar los cambios políticos y sociales, y las tendencias en la moda, desde 1936 hasta la actualidad. Toda la acción se desarrolla en un salón de baile y sin necesidad de diálogos. (FILMAFFINITY)",1.894,"\u002FcAWB2CFtLg2cKYlQqbaHPEA2vBF.jpg","1983-12-21",7,79,"55b00e479251411e1100d158",{"adult":4,"backdrop_path":209,"genre_ids":253,"id":211,"title":212,"original_language":60,"original_title":212,"overview":46,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":103,"vote_count":10,"credit_id":254,"department":168,"job":169,"media_type":40},[25],"61f85345fe6c18006889d8a6",{"adult":4,"backdrop_path":55,"genre_ids":256,"id":58,"title":59,"original_language":60,"original_title":61,"overview":62,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":66,"vote_count":67,"credit_id":257,"department":168,"job":169,"media_type":40},[25,57,24],"56a604ba925141161a0003fb",{"adult":4,"backdrop_path":227,"genre_ids":259,"id":229,"title":230,"original_language":29,"original_title":230,"overview":46,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":103,"vote_count":10,"credit_id":260,"department":168,"job":169,"media_type":40},[25,57],"65bb07f4e18b97017b993f30",{"adult":4,"backdrop_path":227,"genre_ids":262,"id":229,"title":230,"original_language":29,"original_title":230,"overview":46,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":103,"vote_count":10,"credit_id":263,"department":168,"job":264,"media_type":40},[25,57],"65bb0844459ad601616b2783","Dialogue",{"adult":4,"backdrop_path":266,"genre_ids":267,"id":268,"title":269,"original_language":60,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":176,"softcore":4,"video":4,"vote_average":103,"vote_count":80,"credit_id":273,"department":14,"job":178,"media_type":40},"\u002F28HH3PTD8SBtzxpHTWUnWO6DfIz.jpg",[25],1239229,"Yasmina","\"Yasmina\", filmada en 1961 en plena guerra de Argelia, cuenta la historia de una pequeña niña argelina con su gallina y su familia cuyo padre murió en un bombardeo del ejército de ocupación colonial francés. La familia, tras un largo viaje, se dirige hacia los campos de refugiados de la frontera con Túnez. Producidas por el Servicio de Cine del Gobierno Provisional de la República de Argelia (GPRA) en plena guerra de independencia, estas películas tenían como objetivo volver a informar a la población y a la opinión pública internacional sobre los abusos cometidos por el ejército colonial francés: la tortura , detenciones y ejecuciones arbitrarias, bombardeos con napalm, incendios en los aduars, pueblos enteros borrados del mapa, etc. que los medios franceses calificaron de campaña de \"pacificación\". Estos últimos censuran o reorientan cualquier imagen que pueda dañar la narrativa colonial.",1.4475,"\u002FfwwnU8dtDn1t8zMSI1sC3lTjocE.jpg","65bbe733d7cd06017b542d78",{"adult":4,"backdrop_path":275,"genre_ids":276,"id":277,"title":278,"original_language":60,"original_title":278,"overview":46,"popularity":279,"poster_path":280,"release_date":176,"softcore":4,"video":4,"vote_average":103,"vote_count":80,"credit_id":281,"department":14,"job":178,"media_type":40},"\u002Fn6AeCDzfT0DXHVWTxBk89xY6ble.jpg",[43,57],1239768,"بناديق الحورية (Banâdiq El-Houria )",0.9934,"\u002FJpfVmJmywqCSM6tMYxxrB2Ko26.jpg","65bd869a031deb0183eda1e5",{"adult":4,"backdrop_path":11,"genre_ids":283,"id":172,"title":173,"original_language":60,"original_title":173,"overview":46,"popularity":174,"poster_path":175,"release_date":176,"softcore":4,"video":4,"vote_average":103,"vote_count":80,"credit_id":284,"department":168,"job":169,"media_type":40},[57,43],"65bd937f12c604017cff2e0c",{"adult":4,"backdrop_path":286,"genre_ids":287,"id":288,"title":289,"original_language":29,"original_title":289,"overview":46,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":132,"vote_count":80,"credit_id":293,"department":14,"job":178,"media_type":40},"\u002FlBJAs4ZI0CKZHGtHLqZhoTWCP7y.jpg",[25],348740,"Crépuscule des ombres",0.9093,"\u002FvIu759syT88V0vUXFf2Lplh5Cz9.jpg","2014-08-24","57ba9230c3a36815800001b8",{"adult":4,"backdrop_path":295,"genre_ids":296,"id":297,"title":298,"original_language":60,"original_title":299,"overview":300,"popularity":301,"poster_path":302,"release_date":303,"softcore":4,"video":4,"vote_average":304,"vote_count":103,"credit_id":305,"department":155,"job":156,"media_type":40},"\u002F4WI0M3826ErxPNQUPfDIAGJ0LgA.jpg",[25],260659,"Murallas de arcilla","Remparts d'Argile","En un pueblo al borde del Sahara, Rima, una huérfana de 19 años, sueña con aprender, descubrir, vivir libre mientras los hombres de la mina de sal se declaran en huelga. Las autoridades reaccionan enviando el ejército, Rima decide ayudar a los huelguistas atrapando a los soldados. Coproducida con la Office des Actualités Algériens y rodada en la región de Téhouda, a 50 kilómetros de Biskra, esta película franco-argelina forma parte plenamente del patrimonio cinematográfico de ambas orillas del Mediterráneo. Bertuccelli adopta la técnica del cinema verité, con actores no profesionales del propio pueblo, dando a la película una sorprendente textura documental y una rara fuerza de autenticidad. Llevada por la conmovedora interpretación de Leila Shenna en el papel de Rima, la actriz Krikèche y arrullada por la música de Taos Amrouche, la película cuestiona la emancipación femenina, la resistencia social y la relación con el territorio.",1.2546,"\u002Fj7uP3YrosMJJOYrgfprdIL0aQdr.jpg","1970-11-11",7.1,"65fe45b7226c5601646f8532",{"adult":4,"backdrop_path":180,"genre_ids":307,"id":182,"title":183,"original_language":60,"original_title":183,"overview":46,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":83,"credit_id":308,"department":168,"job":169,"media_type":40},[25,57],"5909ad2f9251411cde00c5a2",{"adult":4,"backdrop_path":310,"genre_ids":311,"id":312,"title":313,"original_language":60,"original_title":314,"overview":315,"popularity":316,"poster_path":317,"release_date":318,"softcore":4,"video":4,"vote_average":319,"vote_count":10,"credit_id":320,"department":14,"job":178,"media_type":40},"\u002Fhr6Jpi7iUfdlTNJFCb9jjsYcgsj.jpg",[43,57],1109602,"Nuestra Argelia","جزائرنا (Djazaïrouna)","\"Djazaïrouna\", producida por el servicio de cine del Gobierno Provisional de la República Argelina (GPRA), es un montaje cinematográfico destinado a informar a la comunidad internacional presente en la ONU en 1959 sobre los objetivos perseguidos por la resistencia argelina durante la guerra de independencia en Argelia (1954-1962). En 1959, Djamel-Eddine Chanderli y Mohammed Lakdar-Hamina produjeron Djazaïrouna (Nuestra Argelia) a partir de imágenes tomadas por René Vautier y el doctor Pierre Chaulet. Esta película, finalizada un poco más tarde, dará como resultado la película “La Voz del Pueblo”. Ce documentaire  sur l'histoire de l'Algérie à travers un montage d'actualités, retrace les actions politiques et militaires de l'A.L.N, des manifestations de décembre 1960, et l'attaque d'une base fortifiée française à la frontière algéro- tunecina.",1.6177,"\u002Fagvj7XBahSCkwV8hUc1JqSRSxd1.jpg","1959-01-01",5.5,"642edd060d2f5300b6cc4723",{"adult":4,"backdrop_path":158,"genre_ids":322,"id":161,"title":162,"original_language":60,"original_title":162,"overview":46,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":166,"vote_count":50,"credit_id":323,"department":150,"job":324,"media_type":40},[160,57,73],"69205efd6bd7b34d9021acbd","Director of Photography",{"profiles":326},[327,332],{"aspect_ratio":328,"height":329,"iso_3166_1":11,"iso_639_1":11,"file_path":18,"vote_average":330,"vote_count":80,"width":331},0.667,1020,3.334,680,{"aspect_ratio":333,"height":334,"iso_3166_1":11,"iso_639_1":11,"file_path":335,"vote_average":336,"vote_count":80,"width":337},0.666,1922,"\u002Fv7O5UgTvCfBmt72EShoViZuj9gA.jpg",0.166,1280]