[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F47374:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":1033},false,[],"David Howard Susskind (December 19, 1920 – February 22, 1987) was an American producer of TV, movies, and stage plays and also a TV talk show host. His talk shows were innovative in the genre and addressed timely, controversial topics beyond the scope of others of the day.\n\nHis first job after the war was as a press agent for Warner Brothers. Next, he was a talent agent for Century Artists, ultimately ending up in the Music Corporation of America's newly minted television programming department, managing Dinah Shore, Jerry Lewis, and others. In New York, Susskind formed Talent Associates, representing creators of material rather than performers.  In 1954, Susskind became a producer of the NBC legal drama Justice, based on case files of the Legal Aid Society of New York. His program Open End began in 1958 on New York City's commercial independent station WNTA-TV and was so titled because the program continued until Susskind or his guests were too tired to continue.  In 1961, Open End was constrained to two hours and went into national syndication. The show was retitled The David Susskind Show for its telecast on Sunday night, October 2, 1966. In the 1960s it was the first nationally broadcast television talk show to feature people speaking out against American involvement in the Vietnam War. In the 1970s it was the first nationally broadcast television talk show to feature people speaking out for gay rights. The show continued until its New York outlet canceled it in 1986.  During his close to three-decade run, Susskind covered many controversial topics of the day, such as race relations, transsexualism, and the Vietnam War. His interview with Soviet Premier Nikita Khrushchev, which aired in October 1960, during the height of the Cold War, generated national attention. It is one of the very few talk show telecasts from the era that was preserved and can be viewed today.  In a now notorious interview with then 25-year-old Muhammad Ali during a recently-unearthed 1968 appearance on the British program The Eamonn Andrews Show, Susskind displayed an intense antipathy and vitriol towards the famous boxer, whom he excoriated with withering criticism for refusing to be conscripted into the U.S. military for the Vietnam War. Some commentators have described this as a racist attack.  Susskind was also a noted producer, with scores of movies, plays, and TV programs to his credit. 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Con tan solo 18 años se convirtió en campeón olímpico en los Juegos de Roma de 1960. Cuatro años después, ya como profesional, se proclamó por primera vez campeón mundial de los grandes pesos. Perdió su corona cuando se negó a combatir en Vietnam y durante más de tres años no pudo subirse a los cuadriláteros. Volvió al ring en 1970 y recuperó su cetro en una mítica pelea contra George Foreman celebrada en Kinshasa, la capital de Zaire, el 30 de octubre de 1974. Fue derrotado en 1975 pero ese mismo año volvió a erigirse, por tercera vez, en campeón mundial. Pero Muhammad Ali no ha sido solamente un gran deportista, también fue un luchador incansable por los derechos de la población negra combatiendo la discriminación racial durante los años sesenta. 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Ha sido una cantera generadora de talentos muy fuerte de varios guinistas, actores, escritores, productores y cantantes. Creado por Lorne Michaels y desarrollado por Dick Ebersol, el programa fue estrenado por la cadena de televisión NBC. Durante más de 30 años, el programa ha presentado personajes locos, situaciones humorísticamente extrañas, parodias de los presidentes y políticos de turno, sarcásticas burlas a celebridades contemporáneas de la música y del cine, y shows musicales en vivo. Su reparto se compone de miembros repertorios, también conocidos como The Not Ready for Prime-Time Players (el nombre del reparto original del programa, que viene a significar «La Compañía No Apta para las Horas de Máxima Audiencia»), y nuevos miembros quienes se conocen como The Featured Players («La Compañía Destacada»).",187.9246,"\u002Fs1cZBqbMwAF3w8S3Yo0j5nr2Yuo.jpg","1975-10-11",6.878,539,"Self (uncredited)","5273d231760ee3572c0169ae","1983-04-09",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"origin_country":166,"original_language":25,"original_name":167,"overview":26,"popularity":168,"poster_path":169,"first_air_date":170,"softcore":4,"name":167,"vote_average":171,"vote_count":105,"character":31,"credit_id":172,"episode_count":90,"first_credit_air_date":173,"media_type":145},"\u002FwW9TkEkmiDD6XAfiBQ07kL7KK8x.jpg",[94,133],10536,[136],"The Mike Douglas Show",197.3665,"\u002FqNk97cbF3dZyhkfIcJhjFDD64sM.jpg","1961-12-11",5.8,"64d4cc67bf31f201c94d027c","1978-07-10",{"adult":4,"backdrop_path":10,"genre_ids":175,"id":176,"origin_country":177,"original_language":25,"original_name":178,"overview":26,"popularity":179,"poster_path":180,"first_air_date":181,"softcore":4,"name":178,"vote_average":182,"vote_count":9,"character":103,"credit_id":183,"episode_count":90,"first_credit_air_date":184,"media_type":145},[133,94],26854,[136],"Jackie Gleason and His American Scene Magazine",8.2854,"\u002F14HmMbKVkkTwWCsKfp6jivvkBe5.jpg","1962-09-29",7,"5c02e5f80e0a2629ce098ad5","1963-12-14",{"adult":4,"backdrop_path":10,"genre_ids":186,"id":176,"origin_country":187,"original_language":25,"original_name":178,"overview":26,"popularity":179,"poster_path":180,"first_air_date":181,"softcore":4,"name":178,"vote_average":182,"vote_count":9,"character":188,"credit_id":189,"episode_count":90,"first_credit_air_date":190,"media_type":145},[133,94],[136],"Cameo","5c02e2ff0e0a26360e0a0be8","1963-12-28",{"adult":4,"backdrop_path":192,"genre_ids":193,"id":194,"origin_country":195,"original_language":25,"original_name":196,"overview":26,"popularity":197,"poster_path":198,"first_air_date":199,"softcore":4,"name":196,"vote_average":30,"vote_count":30,"character":31,"credit_id":200,"episode_count":90,"first_credit_air_date":201,"media_type":145},"\u002FjEvPT9wS5WFIxjZeTcmsR069koo.jpg",[133],13095,[136],"The Phil Donahue Show",9.1131,"\u002Fmdoyeumsx7ml8gRbByHPIZEfw4K.jpg","1967-11-06","62ee27fe706e56007dd1edab","1982-11-29",{"adult":4,"backdrop_path":203,"genre_ids":204,"id":205,"origin_country":206,"original_language":25,"original_name":207,"overview":26,"popularity":208,"poster_path":209,"first_air_date":210,"softcore":4,"name":207,"vote_average":141,"vote_count":211,"character":212,"credit_id":213,"episode_count":214,"first_credit_air_date":215,"media_type":145},"\u002FfvNn1mQS4ecSph1QVSpKCQNyh47.jpg",[133],9890,[136],"The Dick Cavett Show",65.0987,"\u002FuDkndfnwbEGeSY4YmZbTRg4U5RQ.jpg","1968-06-06",22,"Self - 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Recién llegado a Nueva York, encuentra trabajo como estibador del puerto y traba amistad con Tommy Tyler (Sidney Poitier), un joven negro. A pesar de que Tommy es trabajador y respetuoso con sus compañeros, Charles Malik (Jack Warden), el capataz, no está satisfecho de él, pues teme que puedan surgir conflictos raciales entre los trabajadores. Llega incluso a amenazar a Axel con el despido si no se aleja de Tommy, pero no conseguirá romper tan sólida amistad.",2.6129,"\u002FjObVsYxPOvFKHQdzHcm459S1EVC.jpg","1957-01-04",63,"52fe45969251416c9103785d",{"adult":4,"backdrop_path":303,"genre_ids":304,"id":305,"title":306,"original_language":25,"original_title":307,"overview":308,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":312,"vote_count":313,"credit_id":314,"department":13,"job":268,"media_type":33},"\u002F5AibuYyzAlJesXvZVjW4vFeqKpj.jpg",[53,37],16153,"Alicia ya no vive aquí","Alice Doesn't Live Here Anymore","Alice Hyatt, casada con un repartidor y madre de un rebelde hijo de once años, lleva una vida mediocre en Socorro, Nuevo México. Un día, conversando con su confidente y vecina, recibe la noticia de que su marido ha fallecido en un accidente de tráfico. A partir de ese instante se plantea cambiar totalmente de vida y, tras vender sus escasas pertenencias, ella y su hijo se dirigen a Monterrey, California, su ciudad natal y el único lugar donde Alice cree que podrá hacer realidad el sueño de su vida: cantar.",5.6836,"\u002FaHjiUmbMwiz0VoDfHtyj7lOnwKK.jpg","1974-12-09",6.968,560,"52fe46ac9251416c7507fc95",{"adult":4,"backdrop_path":10,"genre_ids":316,"id":317,"title":318,"original_language":25,"original_title":318,"overview":26,"popularity":319,"poster_path":320,"release_date":321,"softcore":4,"video":4,"vote_average":322,"vote_count":214,"credit_id":323,"department":13,"job":268,"media_type":33},[94,37],81991,"Mark Twain Tonight!",0.9339,"\u002FlCCEuYWwZz3anX9JTFUJRalopIO.jpg","1967-03-06",7.5,"52fe48369251416c91084455",{"adult":4,"backdrop_path":325,"genre_ids":326,"id":327,"title":328,"original_language":25,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":334,"vote_count":65,"credit_id":335,"department":13,"job":336,"media_type":33},"\u002FjMpXAbs50FlPfrHmBW2yx8PVv8k.jpg",[94,53],242758,"Cambio de esposas","Loving Couples","Los viejos valores y la nueva moralidad chocan frontalmente en esta comedia. 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