[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F4523934:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":125},false,[],"Boudjemaâ Karèche, born in 1941, is a law graduate from the Faculty of Algiers. Host of the Algerian Cinematheque since 1971, he was appointed director there from 1978 to 2003, succeeding its founder, Ahmed Hocine.\n\nThis mecca of culture, debate and freedom, known to film buffs around the world, embraces the history of Algeria. Two private cinemas adjoin the cinema library. In 1995, in the midst of the civil war, bombs devastated them, causing eight deaths and many injured. The Algiers Cinematheque has never suspended a screening. In addition to his activity as a curator and his numerous participations on international festival juries, Boudjemaâ Karèche has made several appearances as an actor in films by Merzak Allouache (\"The Adventures of a Hero\", \"The Man Who Watched the windows\") and Mohamed Bouamari (\"First Step\").\n\nIn 2005, he published the book \"Un Jour, Un Film\" (Editions Jazz, Algiers), a collection of old articles written for the Algerian daily newspapers Le Matin and Liberté. In 2009, Boudjema Karèche published \"Juste Un Mot\", then in 2013 \"L'Héritage Du Charbonnier\", a story about the life and work of the Algerian filmmaker Mohamed Bouamari who died in 2006.\n\nIn 2021, the “Cinéma Mémoire” collective is putting a series of master classes hosted by Boudjemaâ Karèche “Boudjemaâ Karèche: L’Instinct Du Cinéma” online on the Viméo platform.","1941-01-01",null,2,"https:\u002F\u002Fwww.youtube.com\u002F@lesarchivesdelacinemathequ6771",4523934,"nm15807674","Acting","Boudjemaâ Karèche","Algiers, Algeria",0.4826,"\u002FsEpb3soiUBas6efv6Bpxz6Ltf9u.jpg",{"cast":19,"crew":124},[20,36,46,60,71,80,91,104,114],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":9,"character":28,"credit_id":33,"order":34,"media_type":35},"\u002F8xhT7bChhuPL1M9uBkfFDAarYHp.jpg",[23,24],18,35,331834,"Al-Khutwat Al-Ula","ar","",1.1444,"\u002FeAM0pEjpu2GhnJpntwGeY8S1w4U.jpg","1980-01-02",9.5,"65c3df263fe7970162fe81a9",4,"movie",{"adult":4,"backdrop_path":37,"genre_ids":38,"id":39,"title":40,"original_language":27,"original_title":40,"overview":28,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":32,"vote_count":9,"character":28,"credit_id":44,"order":45,"media_type":35},"\u002FzldZAsg5c0BlBDROb7rw7rHfMRx.jpg",[23],333114,"رَجل وَنوافذ",1.4323,"\u002FhEgIuW6Qd9pb55egkcPfSvkZmpi.jpg","1985-01-01","65c4747107faa20163c2576f",1,{"adult":4,"backdrop_path":47,"genre_ids":48,"id":50,"title":51,"original_language":52,"original_title":51,"overview":28,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":56,"vote_count":45,"character":57,"credit_id":58,"order":59,"media_type":35},"\u002F5MjPYL4QBb6zzgXchqlqLo6tci9.jpg",[49],99,1242177,"Boudjemâa et la Maison Cinéma","fr",1.4273,"\u002FduBXKl5kCLyzYyvfzGdcUHdyvY0.jpg","2019-12-09",10,"Self","65c48f3efd6fa10187793002",0,{"adult":4,"backdrop_path":61,"genre_ids":62,"id":64,"title":65,"original_language":27,"original_title":65,"overview":28,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":56,"vote_count":9,"character":28,"credit_id":69,"order":70,"media_type":35},"\u002FynWojJuYZvdnJlbWXADKFghnkDD.jpg",[24,63],12,332868,"Mughamarat Batal",0.8325,"\u002FjBT5HjIZ2nQZ2NWimrwtsg9cm1H.jpg","1979-01-02","65c4755df495ee01970c1c5b",3,{"adult":4,"backdrop_path":72,"genre_ids":73,"id":74,"title":75,"original_language":52,"original_title":75,"overview":28,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":56,"vote_count":45,"character":57,"credit_id":79,"order":9,"media_type":35},"\u002FuVuQf1UA9IengxLyOYavR4qnAlK.jpg",[49],1220211,"زينات، الجزائر، السعادة",1.0196,"\u002FfbXpJslcaldUuyXa0NDlhSZzoN7.jpg","2023-12-15","6663cbb2928d198a5c824fd9",{"adult":4,"backdrop_path":81,"genre_ids":82,"id":83,"title":84,"original_language":52,"original_title":85,"overview":86,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":56,"vote_count":45,"character":57,"credit_id":90,"order":70,"media_type":35},"\u002FvwvMvU2J8zS8EXioEwH1mqiQecc.jpg",[49],592856,"Mi Historia Aún No Está Escrita","Mon Histoire N'est Pas Encore Écrite","Jacqueline Gozlan, que abandonó Argelia con sus padres en 1961, recorre con nostalgia la historia de la Cinemateca de Argel, inseparable de la de la Independencia del país, a través de extractos cinematográficos y numerosos testimonios; en particular el de uno de sus creadores, Jean-Michel Arnold, pero también el de cineastas como Merzak Allouache y críticos como Jean Douchet. Lugar de vida para los argelinos, la Cinémathèque era el centro de los cines africanos. Creada en 1965 por Ahmed Hocine, Mahieddine Moussaoui y Jean-Michel Arnold, la Cinémathèque se benefició del entusiasmo de la Independencia. La Cinemateca se convierte en un lugar de encuentro de la sociedad argelina, los futuros cineastas encuentran allí su mejor escuela. En 1969, el Festival Panafricano de Argel reunió a todos los cineastas africanos y, a partir de 1970, Boudjemâa Kareche desarrolló una colección de películas árabes y africanas.",1.485,"\u002F2iyLfKQxu4kKgocHjTRX22NYs6h.jpg","2017-06-27","66fcca6ee26a53c1225947f8",{"adult":4,"backdrop_path":92,"genre_ids":93,"id":95,"title":96,"original_language":52,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":9,"character":57,"credit_id":102,"order":103,"media_type":35},"\u002F7btRUESEbJP7D056Hr99sZbjhef.jpg",[49,94],36,363315,"Algérie(s)","Serie documental en dos partes: 1. Un pueblo sin voz (80'), 2. Una tierra de luto (78'). Primera parte: Un pueblo sin voz: Octubre del 88, la República argelina se tambalea, la película vuelve a las fuentes de esta tragedia y explica cómo empezó el cara a cara entre los islamistas y los que estaban en el poder. La interrupción de las elecciones legislativas de diciembre del 91, seguida poco después por el asesinato del Presidente Boudiaf en junio del 92, sumió a Argelia en el caos. Parte 2: Una tierra de luto: el ciclo de violencia que conduce a masacres y el lado económico y geopolítico de la guerra. Más de 100.000 muertos, un grado increíble de barbarie, masacres, aparentemente incomprensibles... Detrás de la ventana oficial del poder y de su escenario político artificial, se esconde un poder en la sombra.",1.2753,"\u002FigtbUTvbHMsrrbMSsW2VLQ8ujMp.jpg","2002-01-01",8.5,"6709d684576497fbd05a41c4",5,{"adult":4,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":52,"original_title":108,"overview":109,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":56,"vote_count":45,"character":57,"credit_id":113,"order":45,"media_type":35},"\u002Fl9EskNiQwfiUfEvoTPlyHMtQGkP.jpg",[49],1467907,"Regards D'en Face - Alger","Es con el arquitecto Jean-Jacques Deluz que visitamos Argel, \"su ciudad\" desde 1960 y que abandonó sólo dos años durante los peores momentos del terrorismo. Desde la Casbah, en el centro del siglo XIX, se pasan las ciudades de Fernand Pouillon y Bab El Oued para llegar a la nueva ciudad de Maelma que él mismo construyó hoy. Una mirada tierna, pero sin concesiones al mismo tiempo, un paseo arquitectónico y encuentros con actores del arte y la cultura: Djamel Allam, el cantante cabileño, Djamel Amrani, el poeta amigo de Jean Sennac, Mohamed Ben Gettaf, dramaturgo y director del teatro de Argel, Souad Delmi-Bourras, el joven diseñador Boudjemàa Kareche, director del cine argelino, Amine Kouider, director de orquesta que relanza la ópera en Argelia, el pintor Malek Salah, y otros. Una mirada a Argelia y a los argelinos, lejos de los clichés de ciertos medios de comunicación que tienden a buscar signos de esperanza en lugar de \"sangre y lágrimas\".",0.9966,"\u002Ffw4Z0DCKcyUFJWWkQ2Sj0ll5nRQ.jpg","2003-01-01","68056bceb659822812ee31d2",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":119,"original_title":118,"overview":28,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":59,"vote_count":59,"character":57,"credit_id":123,"order":45,"media_type":35},"\u002FaiSCvlp6UXUNt2GvPFz2dHkOOK7.jpg",[49,94],1707732,"WHEN CINEMA SPEAKS...","en",1.013,"\u002Fibu4GATW8EPFzH1xokj1AEVotQ8.jpg","2026-05-13","6a20858a1d86bc1a2f00f2a7",[],{"profiles":126},[127,132,135],{"aspect_ratio":128,"height":129,"iso_3166_1":8,"iso_639_1":8,"file_path":17,"vote_average":130,"vote_count":9,"width":131},0.667,1920,1.75,1280,{"aspect_ratio":128,"height":129,"iso_3166_1":8,"iso_639_1":8,"file_path":133,"vote_average":134,"vote_count":45,"width":131},"\u002FsDh2HSmXFOS9Kbm3aHuD3exuLWB.jpg",0.166,{"aspect_ratio":136,"height":137,"iso_3166_1":8,"iso_639_1":8,"file_path":138,"vote_average":134,"vote_count":45,"width":139},0.666,2000,"\u002FSxnZZlDkjadSBENR7ebsgFfgcV.jpg",1332]