[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F37833:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":11,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":481},false,[6,7,8],"빅토르 에리세","빅토르 에리스","Виктор Эрисе","Víctor Erice Aras es un cineasta español.\n\nVíctor Erice nació en Carranza (Vizcaya) en 1940. Con pocos meses se trasladó con su familia a San Sebastián, donde vivió hasta los diecisiete años. Tras acabar el bachillerato se afincó en Madrid.\n\nAllí estudió Ciencias Políticas y Derecho en la Universidad Central y después entró a estudiar en el Instituto de investigaciones y experiencias cinematográficas (1961). Con sus primeros proyectos cinematográficos hace crítica de cine en publicaciones como Cuadernos de arte y pensamiento o Nuestro cine. También trabaja en diversos oficios cinematográficos, por ejemplo, de guionista para Miguel Picazo, en Oscuros sueños de agosto, y Antonio Eceiza, en El próximo otoño, y como actor en Antoñito vuelve a casa, de Manuel Revuelta.\n\nEn 1963 su proyecto de fin de carrera, el mediometraje Los días perdidos, representa a la Escuela Cinematográfica Española en el XI Festival Cinematográfico de San Sebastián, durante los Encuentros Internacionales de escuelas de cine.","1940-06-30",null,2,37833,"nm0258977","Directing","Víctor Erice","Carranza, Vizcaya, País Vasco, España",1.4477,"\u002Fc1iNbHXNIN2qW0kRPCAaeMN4MnZ.jpg",{"cast":21,"crew":147},[22,38,52,65,76,88,97,104,112,121,134],{"adult":4,"backdrop_path":11,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":28,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":12,"media_type":37},[24],99,106302,"No esperes demasiado","en","Don't Expect Too Much","Documental sobre Nicholas Ray dirigido por su viuda Susan, y en el que se explora en la evolución creativa del realizador estadounidense en los diez últimos años de su vida.",1.0327,"\u002FrQvTZ1rQrEl27BBOwsXzTj8Gd5z.jpg","2011-10-03",6,5,"Himself","63c638a660b58d008b7e48d1","movie",{"adult":4,"backdrop_path":11,"genre_ids":39,"id":41,"title":42,"original_language":43,"original_title":42,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":12,"character":49,"credit_id":50,"order":51,"media_type":37},[40],18,954548,"Antoñito vuelve a casa","es","Antoñito, un niño, es castigado a permanecer de pie haciendo el saludo fascista. Ya adulto, y convertido en un joven universitario, intenta desprenderse de la perversa amalgama de ideas, valores y creencias con la que su familia, la Iglesia católica y los elementos represivos del Estado franquista envenenaron su mente durante su infancia.",0.9172,"\u002Fqhl3Bszs24vx4FUs4o4hMpI4pyM.jpg","1969-01-01",4.5,"","623edc4f7caa47005c168a15",11,{"adult":4,"backdrop_path":53,"genre_ids":54,"id":55,"title":56,"original_language":43,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":40,"character":62,"credit_id":63,"order":64,"media_type":37},"\u002FsA81Kd3wi3ylcr9IbVRDk5jPaRr.jpg",[24],213598,"La Morte rouge (Soliloquio)","El cineasta español Víctor Erice habla de la primera película que probablemente vio en su vida, «La garra escarlata» (1944), dirigida por Roy William Neill y protagonizada por Basil Rathbone como Sherlock Holmes. Los recuerdos de una experiencia cinematográfica tan formativa le llevan a rememorar los oscuros días posteriores al final de la guerra civil española, a confesar los muchos miedos que acechan a los niños y a reflexionar sobre la naturaleza de la propia memoria.",0.9707,"\u002FngT91LmBJbJbdr2UtQz8B3JZLSN.jpg","2006-02-09",6.7,"Self - Narrator","52fe4dc8c3a368484e1fd63d",0,{"adult":4,"backdrop_path":11,"genre_ids":66,"id":67,"title":68,"original_language":43,"original_title":69,"overview":70,"popularity":71,"poster_path":72,"release_date":73,"softcore":4,"video":4,"vote_average":74,"vote_count":34,"character":49,"credit_id":75,"order":12,"media_type":37},[24],337610,"Un Lugar En El Cine","Nuevo \u002F Otro Cine Español - Un Lugar En El Cine","Un Cineasta Griego, Theo Angelopoulos, Emprende Un Viaje Desde Atenas Hasta Ostia, La Playa Romana Donde Pier Paolo Pasolini Fue Asesinado.",1.0673,"\u002F1W9CrRYf6RHF9FmO2SIHUTDKzeg.jpg","2007-05-03",5.6,"553e0184c3a3683e55007982",{"adult":4,"backdrop_path":11,"genre_ids":77,"id":79,"title":80,"original_language":43,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":33,"character":86,"credit_id":87,"order":64,"media_type":37},[24,78],10770,288296,"Huellas de un espíritu","La historia de la creación de «El espíritu de la colmena», película dirigida por Víctor Erice en 1973.",0.9916,"\u002Fi1DaNolf4EkV1xWFuWaz8ALEmIE.jpg","1998-10-10",6.5,"Self - Filmmaker","5910ef7e9251414e8503893c",{"adult":4,"backdrop_path":11,"genre_ids":89,"id":90,"title":91,"original_language":43,"original_title":91,"overview":49,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":95,"credit_id":96,"order":64,"media_type":37},[24],465075,"Victor Erice in Madrid",1.0807,"\u002Fz4RoU7wFG5yf3J0MvtwmDZiRnHs.jpg","2000-01-01","Interviewee","595fc501c3a368253c09380b",{"adult":4,"backdrop_path":11,"genre_ids":98,"id":99,"title":100,"original_language":43,"original_title":100,"overview":49,"popularity":101,"poster_path":11,"release_date":102,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":95,"credit_id":103,"order":64,"media_type":37},[24],531156,"Versión Española: Victor Erice",1.0994,"2003-09-20","5b2984910e0a263e83000223",{"adult":4,"backdrop_path":11,"genre_ids":105,"id":106,"title":107,"original_language":43,"original_title":107,"overview":108,"popularity":109,"poster_path":11,"release_date":110,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":49,"credit_id":111,"order":64,"media_type":37},[],537429,"Víctor Erice: Paris-Madrid allers-retours","El director de El espiritu de la colmena, bajo la mirada atenta de Alain Bergala, evoca el cine americano de su infancia, la impresión que le produjo a sus 13 años la visión de Ladrón de bicicletas de Vittorio de Sica, el descubrimiento de la Nouvelle Vague, con Los cuatrocientos golpes de Truffaut, la primera película que le hizo desear escribir sobre cine, o À bout de soufflé de Godard. Bergala hace deambular a Erice -DV en mano- entre Madrid y París recordando aquellas escenas primordiales en su formación como cineasta y recuperando lugares más vivos que nunca en su memoria de cinéfilo. Paris-Madrid, allers-retours conjuga genealogía y elegía, bucea en las raíces de la obra de un cineasta y destila una irremediable melancolía sobre el tiempo.",1.4051,"2010-01-01","5b55c0ca0e0a2673d8018514",{"adult":4,"backdrop_path":11,"genre_ids":113,"id":114,"title":115,"original_language":27,"original_title":115,"overview":49,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":64,"vote_count":64,"character":119,"credit_id":120,"order":34,"media_type":37},[24],704577,"Wiara",0.8767,"\u002Fb7QBFg5afTtUD23GiQRLo1zoIbV.jpg","2018-01-14","Self","5ebeb78115a4a1001c9e9511",{"adult":4,"backdrop_path":11,"genre_ids":122,"id":123,"title":124,"original_language":43,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":130,"character":131,"credit_id":132,"order":133,"media_type":37},[24],537417,"Víctor Erice – Abbas Kiarostami: Correspondencias","Correspondencias entre Erice y Kiarostamos",0.9257,"\u002F2vDB7ugVAHkga4sSx9XerpOpFIB.jpg","2007-05-05",7.5,4,"himself","5ec98653140bad001b1b1008",1,{"adult":4,"backdrop_path":11,"genre_ids":135,"id":136,"origin_country":137,"original_language":139,"original_name":140,"overview":49,"popularity":141,"poster_path":142,"first_air_date":143,"softcore":4,"name":140,"vote_average":144,"vote_count":34,"character":119,"credit_id":145,"episode_count":130,"first_credit_air_date":143,"media_type":146},[24],45863,[138],"FI","fi","Sodankylä ikuisesti: Elokuvan vuosisata",3.7264,"\u002F6b0UjcwBYudUAcxR1gRAAJRyT0x.jpg","2010-06-18",6.4,"691f1d830423198c74fa2be6","tv",[148,162,174,179,190,201,213,226,229,232,242,255,263,266,271,279,287,294,303,314,324,334,342,345,356,359,362,366,369,372,380,383,386,393,399,402,413,416,421,428,433,436,447,454,458,465,472,475,478],{"adult":4,"backdrop_path":149,"genre_ids":150,"id":152,"title":153,"original_language":43,"original_title":153,"overview":154,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":158,"vote_count":159,"credit_id":160,"department":15,"job":161,"media_type":37},"\u002F4vbL72K9uVaMLhnvmdg1So7kqex.jpg",[40,151],14,4495,"El espíritu de la colmena","Ocurrió en un pueblo castellano a mediados de los años cuarenta, es decir, en plena postguerra. Un domingo, Isabel y Ana, dos hermanas de ocho y seis años respectivamente, vieron la película \"El Doctor Frankenstein\". A la pequeña le causó tal impresión que no dejaba de hacer preguntas sobre el monstruo a su hermana mayor. Cierto día, la familia se dio cuenta de que Ana había desaparecido de la casa. Y mientras todo el pueblo la buscaba, ella consiguió ver a Frankenstein reflejado en las aguas del río por la luz de la luna. Y desde entonces lo sigue invocando",3.2139,"\u002FueefcFKn9qoAQqjSWY6H9xjjLU2.jpg","1973-10-08",7.6,419,"52fe43c6c3a36847f806eaa1","Director",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":27,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":173,"department":15,"job":161,"media_type":37},"\u002F3lvQSIawim7dc2FrzrIf72Uxw6v.jpg",[40,24],23676,"Ten Minutes Older: The Trumpet","Film dividido en episodios independientes, cada uno de ellos dirigido por un director, que propone su particular visión sobre el tiempo concebido como entidad metafísica. Lifeline (Víctor Erice) - España. Con Ana Sofía Llano, Pelayo Suárez. Ten Thousand Years Older (Werner Herzog) - Portugal. Con Tari, Wapo, Mauro Oliveira. Int. Trailer Night (Jim Jarmusch) - USA. Con Chloë Sevigny. Twelve Miles to Trona (Wim Wenders) - Alemania. Con Charles Esten, Amber Tamblyn.  We Wuz Robbed (Spike Lee) - USA. Con Michael Feldman, Nick Baldick, Mike Whouley, Sandra Sobieraj, Donna Brazile. 100 Flowers Hidden Deep (Chen Kaige) - China. Con Feng Yuanzheng, Geng Le, Li Quang, Zhang Jin.",2.1058,"\u002FyxIKQ2MeZAYiZ5lbJyYrNmXf7Dy.jpg","2002-05-18",6.853,51,"52fe4472c3a368484e023903",{"adult":4,"backdrop_path":163,"genre_ids":175,"id":165,"title":166,"original_language":27,"original_title":166,"overview":167,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":171,"vote_count":172,"credit_id":176,"department":177,"job":178,"media_type":37},[40,24],"52fe4472c3a368484e023927","Writing","Writer",{"adult":4,"backdrop_path":11,"genre_ids":180,"id":181,"title":182,"original_language":43,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":34,"credit_id":188,"department":177,"job":189,"media_type":37},[40],537415,"Los días perdidos","Una mujer casada que vive en Francia regresa a Madrid para enterrar a su padre.",1.0843,"\u002FbyY7U7tLnNBunGTh5uYM0wwhECh.jpg","1963-10-20",6.2,"623db149a349110093cc5b75","Screenplay",{"adult":4,"backdrop_path":191,"genre_ids":192,"id":193,"title":194,"original_language":43,"original_title":194,"overview":195,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":158,"vote_count":199,"credit_id":200,"department":15,"job":161,"media_type":37},"\u002F1zdXOqfLlMW9LCmr3fIw3d9YPn3.jpg",[40],48139,"El sur","“La Gaviota” es una casa con veleta situada a las afueras de una ciudad del norte de España. En ella viven Agustín, médico y zahorí, su mujer Julia, maestra represaliada durante la Guerra Civil, y Estrella, la hija de ambos. Estrella recorrerá el camino desde la infancia hasta la adolescencia sospechando que hay algo oculto en la vida de su querido padre: otra mujer. A medida que Estrella va sabiendo más, la vida en “La Gaviota” empieza a cambiar.",1.9706,"\u002FeSwNZHkvSPZBRtsXrv4RluzMz7n.jpg","1983-05-19",163,"52fe4756c3a36847f81300f3",{"adult":4,"backdrop_path":202,"genre_ids":203,"id":204,"title":205,"original_language":43,"original_title":205,"overview":206,"popularity":207,"poster_path":208,"release_date":209,"softcore":4,"video":4,"vote_average":210,"vote_count":211,"credit_id":212,"department":15,"job":161,"media_type":37},"\u002FwGv3uv2a1z0Eqz6X0EOjzD0ZxQE.jpg",[24],94706,"El sol del membrillo","Un pintor retrata con mimo un membrillero que hace años que crece en su jardín. Ese árbol ha sido uno de los leitmotivs de su obra durante toda su vida. De hecho, cada otoño le ha dedicado una nueva pintura. Y lleva unos cuántos a sus espaldas. Aún así, nunca ha pintado los rayos de sol colándose entre sus hojas… Algo que, incluso para un experto artista como él, es de una extrema dificultad. Este año, lo hará. Pero simplemente por disfrutar de unas ilusionantes horas de luz frente a su amado árbol. Al llegar el invierno, el árbol pierde su frondosidad… Y el pintor comienza a relatar un sueño que ha tenido.",2.4149,"\u002F4aHZwRxKEk0j9kzaQLSQpAM9Zy5.jpg","1992-10-01",7.3,55,"52fe49659251416c750c6b45",{"adult":4,"backdrop_path":214,"genre_ids":215,"id":216,"title":217,"original_language":218,"original_title":217,"overview":219,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":223,"vote_count":224,"credit_id":225,"department":15,"job":161,"media_type":37},"\u002Fe6eesTwHHKD1Qo1VkyW8z6sMwyM.jpg",[40,24],145014,"Centro Histórico","pt","La ciudad portuguesa de Guimarães fue, durante el año 2012, Capital Europea del año. El filme Centro Histórico es la combinación del trabajo cuatro cineastas sobre cuatro distintas historias que tiene lugar allí. El primer episodio, titulado El tabernero, está dirigido por Aki Kaurismäki y tiene como protagonista a un hombre solitario, que ve pasar la vida observando los distintos acontecimientos, pero sin experimentar nada de primera mano. El segundo episodio tiene como nombre Dulce exorcista, su director es Pedro Costa e indaga en el pasado colonial.\r Finalmente, el último episodio del filme, El conquistador conquistado, tiene como director a Manoel de Oliveira, que hace una sátira de los turistas que toman fotografías sin parar del centro de Guimarães.",1.0668,"\u002FwK7JYzY3gHEbrGn214prcS2aKb4.jpg","2012-11-10",6.1,15,"52fe4b4a9251416c750fe357",{"adult":4,"backdrop_path":53,"genre_ids":227,"id":55,"title":56,"original_language":43,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":40,"credit_id":228,"department":15,"job":161,"media_type":37},[24],"52fe4dc8c3a368484e1fd633",{"adult":4,"backdrop_path":53,"genre_ids":230,"id":55,"title":56,"original_language":43,"original_title":56,"overview":57,"popularity":58,"poster_path":59,"release_date":60,"softcore":4,"video":4,"vote_average":61,"vote_count":40,"credit_id":231,"department":177,"job":178,"media_type":37},[24],"52fe4dc8c3a368484e1fd639",{"adult":4,"backdrop_path":11,"genre_ids":233,"id":234,"title":235,"original_language":43,"original_title":235,"overview":236,"popularity":237,"poster_path":238,"release_date":239,"softcore":4,"video":4,"vote_average":74,"vote_count":240,"credit_id":241,"department":15,"job":161,"media_type":37},[40],258057,"Los desafíos","Tres formas distintas de ver y expresar cómo una situación que parece normal termina desembocando inexorablemente en un estallido de violencia. Un padre que teme perder una hija. Un marido que se siente engañado. Un viajero que decide que su viaje y el de sus compañeros no tiene por qué continuar. 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