[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F37497:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":712},false,[6],"Pedro Portabella","Pere Portabella (born in 1927) is a Catalan director, producer, and politician. In 1977, he was elected Senator in Spain's first democratic elections and participated in the writing of the Spanish Constitution. As a filmmaker, his style is experimental, reaching new aspects of film language, often with a poetic tone and social content. Portabella is hailed as an essential figure in the political and cultural history of Spain.","1927-01-01",null,2,37497,"nm0691908","Directing","Pere Portabella","Figueres, Catalonia, Spain",1.0351,"\u002FvS6B7Ug4RaZjYEWm7PX645Y7n84.jpg",{"cast":19,"crew":217},[20,34,51,65,76,92,104,115,127,137,149,160,171,183,191,204],{"adult":4,"backdrop_path":9,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":26,"credit_id":31,"order":32,"media_type":33},[22],80,883729,"Olímpicament mort","ca","",0.7045,"\u002FbwcYxvKzaduEBZIbHRqZqDZEd5J.jpg","1986-10-15",0,"61643171b865eb00253a1ace",5,"movie",{"adult":4,"backdrop_path":35,"genre_ids":36,"id":38,"title":39,"original_language":40,"original_title":41,"overview":42,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":47,"character":48,"credit_id":49,"order":50,"media_type":33},"\u002Fw77GAf19s7zrXF1KrwPVDB4lDkM.jpg",[37],99,137626,"Informe general","es","Informe general sobre unas cuestiones de interés para una proyección pública","Versión remasterizada y remontada de una de las películas políticas más importantes de la historia del cine europeo, rodada en los meses posteriores a la muerte del general Franco. La película constituye la síntesis de las filmaciones clandestinas abiertamente políticas de Portabella y su entorno. Rodada en los meses posteriores a la muerte del general Franco, se trata de un film \"documental\" realizado con las técnicas de un film de ficción. Coherente eslabón en una filmografía dirigida a explorar los límites de la representación fílmica, Informe General... trata de la futura representación política en la transición española, con una clara vocación democrática contradicha por su virtual \"invisibilidad\" durante treinta años. Las intervenciones giran sobre una única cuestión: ¿Cómo pasar de una dictadura a un estado de derecho?",0.9683,"\u002F2A7mJf6zIXG2A0EQmPJd0vtPJkU.jpg","1977-12-07",6.7,9,"Self","642df3aaa6a4c1009770f7d5",25,{"adult":4,"backdrop_path":52,"genre_ids":53,"id":55,"title":56,"original_language":57,"original_title":56,"overview":58,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":62,"vote_count":63,"character":26,"credit_id":64,"order":47,"media_type":33},"\u002FAuiBZyvoRQXCs6iIq4fkMhBIyea.jpg",[54],18,325816,"BiBici Story","en","A la espera de lanzar la producción de su largometraje Liberxina 90 (1970), Carlos Durán rodó este cortometraje (con el apoyo muy expresivo de varios profesores de la Escuela de Barcelona): una sátira de siniestro color sobre la sociedad moderna en cuanto tal, y su fascista Español. variedad en particular. ¡Popular! va la bomba anarquista. \"La intrusión en la intimidad de un ser humano, distintas tendencias que existen en la sociedad en la que vivimos, hasta que descienden al caos\". Carlos Durán",0.665,"\u002Fq5By99dOzzyr42nNDKBbzG2GDgz.jpg","1969-01-01",7.5,4,"645a73defe077a5caadff162",{"adult":4,"backdrop_path":66,"genre_ids":67,"id":69,"title":70,"original_language":25,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":61,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":74,"credit_id":75,"order":30,"media_type":33},"\u002FkmxNyFzVUrWvwX4eZaoWIOVayIC.jpg",[68],10402,937834,"Preludi de Chopin, Opus 28, Núm. 7","Un magnetófono registra una voz (la locución es de Pere Portabella) que lee de manera rigurosa y exhaustiva todos los signos que aparecen en la partitura para piano de la pieza de Chopin.",0.7133,"\u002Fe6JsDUFZieHn1v9jBzihbIhtMSo.jpg","Narrator (voice)","6207e3981cac8c00b77c57ef",{"adult":4,"backdrop_path":77,"genre_ids":78,"id":80,"title":81,"original_language":82,"original_title":83,"overview":84,"popularity":85,"poster_path":86,"release_date":87,"softcore":4,"video":4,"vote_average":88,"vote_count":89,"character":26,"credit_id":90,"order":91,"media_type":33},"\u002FnCJGyJ4VGsg6vZTBxTJCI9sgppO.jpg",[54,79],27,72309,"Marqués de Sade: Justine","it","Marquis de Sade: Justine","El Marqués de Sade (Klaus Kinski) escribe en la cárcel la historia de Justine (Romina Power) y Juliette (Maria Rohm), dos hermanas adineradas que se quedan solas e indefensas cuando su padre es forzado a abandonar el país, y su madre muere. Juliette acaba como prostituta, mientras Justine busca abrirse camino en un mundo cruel en el cual todo tipo de locos y pervertidos intentan utilizarla y abusar de ella.",4.0492,"\u002F2wYbYpjUYz2f2TnNuJfIrpgDw9t.jpg","1969-04-03",5.008,66,"657577eabbe1dd00ac7c81f4",26,{"adult":4,"backdrop_path":93,"genre_ids":94,"id":95,"title":96,"original_language":25,"original_title":97,"overview":98,"popularity":99,"poster_path":100,"release_date":101,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":102,"credit_id":103,"order":30,"media_type":33},"\u002F1BOxle6xelVuYyME4uG5JZh3Ck7.jpg",[37],1320323,"Constelación Portabella","Constel·lació Portabella","El primer documental dedicado a Pere Portabella, una de las figuras más importantes del cine español, nos conduce, mediante el testimonio del cineasta y de su extensa obra (que incluye hitos como Vampir - Cuadecuc, El sopar o Informe general), a través de décadas de la historia de este país, desde las postrimerías del franquismo hasta la actualidad, pasando por la Transición. Lo acompañan en ese viaje otras figuras de la vanguardia cultural española, tales como Joan Brossa, Carles Santos o Manuel Vázquez Montalbán.",0.7978,"\u002FdGT0xIeOeau156NevpaLDsScH9S.jpg","2024-09-05","Self (archive footage)","669fb98525507a8c860a680c",{"adult":4,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":25,"original_title":109,"overview":26,"popularity":110,"poster_path":111,"release_date":112,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":48,"credit_id":113,"order":114,"media_type":33},"\u002Fv6gQFZjnYcQOecJ41TAiNnQj8sz.jpg",[37],1338355,"Los tapices de Joan Miró","Els tapissos de Miró",1.081,"\u002FqGGbrHWWM1y4UDqpTgkZ9Rq0GO0.jpg","2023-01-19","66c9c5a5923b195cc38781aa",6,{"adult":4,"backdrop_path":9,"genre_ids":116,"id":117,"title":118,"original_language":40,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":124,"character":125,"credit_id":126,"order":10,"media_type":33},[37],462497,"In girum imus nocte et consumimur igni: filmbiografía de Antonio Maenza","Documento que repasa la obra de uno de los realizadores \"malditos\" del cine español con testimonios de colaboradores y amigos de Maenza así como extractos de las tres películas por él dirigidas. Heterodoxia, vanguardia  y cine experimental.",0.8386,"\u002F8uRqEndfOnJSf9593gGqgdajc5V.jpg","2012-06-19",7,1,"Himself","5947b466c3a36816c503e6f5",{"adult":4,"backdrop_path":9,"genre_ids":128,"id":129,"title":130,"original_language":40,"original_title":130,"overview":131,"popularity":132,"poster_path":133,"release_date":134,"softcore":4,"video":4,"vote_average":63,"vote_count":124,"character":26,"credit_id":135,"order":136,"media_type":33},[37],461670,"Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico","Acercamiento a la persona y obra de Antonio Maenza (1948-1979). Cineasta, escritor, maldito, hipervulnerable, incapaz de vivir la vida tal como es. Como nos cuenta a su comienzo: la suya es una obra conscientemente inacabada. Practicaba el goce del proceso. El documental reúne testimonios de algunos de quienes lo conocieron y compartieron, trabajaron con él, le acompañaron en su corto pero intenso trayecto vital. Entremezcladas con los testimonios se muestran fragmentos de sus obras \"El lobby contra el cordero\" (1967-68) y \"Orfeo filmado en el campo de batalla\" (1968-69), y de su última filmación recientemente restaurada, \"Hortensia – Beance\" (1969-70), que ayudan a tejer la imagen de un Maenza que, al igual que su obra, se revela inacabada, unas veces distorsionada, otras contradictoria, para la mayoría llena de incógnitas.",1.0561,"\u002Fwlwf5SNgyUIEOU5SgEY7DwaI9ta.jpg","2012-06-13","593fddc9c3a368517f0023f3",16,{"adult":4,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":40,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":146,"vote_count":114,"character":147,"credit_id":148,"order":114,"media_type":33},"\u002FakP5fgYxGg6RKCgIrTcmyk7X9s.jpg",[54],198666,"España otra vez","David (Mark Stevens) es un médico que regresa a España 30 años después de su participación en la Guerra Civil Española. Ahora miembro de una convención médica, busca a viejos amigos y encuentra a su antiguo amante, ahora una mujer casada con una hija . Él y su hija (Manuela Vargas) tienen una atracción mutua inmediata y mutua. Considera huir con la exótica belleza antes de pedirle a su esposa que se una a él para unas largas vacaciones después de la convención.",1.3973,"\u002FnaPzNNvPXhFdsqmEokpCh2IWKkX.jpg","1969-06-07",6.5,"Dr. Sanpona","5afb6b6e925141073500043a",{"adult":4,"backdrop_path":9,"genre_ids":150,"id":151,"title":152,"original_language":25,"original_title":153,"overview":26,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":157,"vote_count":32,"character":48,"credit_id":158,"order":159,"media_type":33},[37],68147,"Cineastas en acción","Cineastes en acció",1.9104,"\u002Fs3U0cs3VDAXhVeGLQH5xX2GIypq.jpg","2006-09-15",7.2,"5bef91a70e0a262674027c82",29,{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":40,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":114,"vote_count":169,"character":48,"credit_id":170,"order":54,"media_type":33},"\u002FgJbzPjmWrLVA8ZulHEX0XLOSvfl.jpg",[37],73455,"A propósito de Buñuel","Documental sobre la vida y obra del cineasta aragonés. Agresivo, genial, enigmático, esquivo, Luis Buñuel fue uno de los más importantes artistas del siglo XX. Sus películas, realizadas a lo largo de los cincuenta años que van desde \"Un perro andaluz\" (1929) hasta \"Ese oscuro objeto del deseo\" (1979), siguen manteniendo intactas su maestría y su capacidad de sorpresa.",1.5201,"\u002F3ufBuPr1SXOyNanbNiKkTm32kf2.jpg","2000-06-09",12,"670f46047a22bf3607f280e8",{"adult":4,"backdrop_path":172,"genre_ids":173,"id":174,"title":175,"original_language":40,"original_title":175,"overview":176,"popularity":177,"poster_path":178,"release_date":179,"softcore":4,"video":4,"vote_average":180,"vote_count":32,"character":125,"credit_id":181,"order":182,"media_type":33},"\u002FbVDTAepoWmKYZXE0wZD06CBErO6.jpg",[37],474627,"Drácula Barcelona","Barcelona 1970. A pesar de la dictadura, Barcelona pretende ser una ciudad abierta y moderna. En ese momento, el brillante, ultraproductivo y transgresor Jess Franco, decide rodar su Drácula en Barcelona. Y el cineasta experimental Pere Portabella registrará aquel singular rodaje a través de un making of de vanguardia. El cine dentro del cine en un documental que plasma el encuentro entre dos cineastas que han impuesto su personalidad en los márgenes de la industria. Jess Franco desde el fantástico, el terror o el erotismo. Portabella desde la experimentación y el compromiso político.",1.2096,"\u002FMPbWpRqft9lx0GNS4hq9Mrcfxa.jpg","2017-10-05",5.8,"698cf4f22b62bd44c26af445",3,{"adult":4,"backdrop_path":9,"genre_ids":184,"id":185,"title":186,"original_language":25,"original_title":186,"overview":26,"popularity":187,"poster_path":188,"release_date":189,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":48,"credit_id":190,"order":30,"media_type":33},[37],1725022,"Poetes, 50 anys després",1.4183,"\u002F6zf0ONlooGcKnQXeoUxX8IXdjkH.jpg","2022-12-27","6a46bf5f9837329c54e4c63f",{"adult":4,"backdrop_path":192,"genre_ids":193,"id":194,"origin_country":195,"original_language":25,"original_name":197,"overview":26,"popularity":198,"poster_path":199,"first_air_date":200,"softcore":4,"name":197,"vote_average":30,"vote_count":30,"character":102,"credit_id":201,"episode_count":10,"first_credit_air_date":202,"media_type":203},"\u002FcEsUadpSM43bWjPYJSaEHPXAdtl.jpg",[37],307345,[196],"ES","La gran il·lusió, relat intermitent del cinema català",3.7163,"\u002Fn8EwS1935HDn171eVDO81iukHcQ.jpg","2019-01-07","693c63d1d38cde81d7f77f09","2025-12-08","tv",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":208,"origin_country":209,"original_language":25,"original_name":210,"overview":26,"popularity":211,"poster_path":212,"first_air_date":213,"softcore":4,"name":210,"vote_average":30,"vote_count":30,"character":214,"credit_id":215,"episode_count":124,"first_credit_air_date":216,"media_type":203},"\u002FobsLnxUXw03pqMFmnQAHrr642i1.jpg",[207],10767,324212,[196],"Savis i sàvies",2.6669,"\u002FuVgkMr4zc559rq8SHGfoiGj2MM2.jpg","2008-03-25","Self - Interviewee","6a22b1176be3e7e08c55b3d8","2010-01-11",[218,228,242,247,259,262,276,288,300,307,316,326,329,338,341,349,352,363,373,385,392,395,402,411,414,419,426,429,439,448,460,470,484,492,503,506,516,524,532,543,548,551,563,566,569,572,575,578,581,584,587,590,597,600,604,607,615,619,622,625,628,631,640,650,653,663,666,670,678,688,697,708],{"adult":4,"backdrop_path":9,"genre_ids":219,"id":220,"title":221,"original_language":25,"original_title":221,"overview":26,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":225,"department":226,"job":227,"media_type":33},[37],963059,"D'ombres",1.3321,"\u002FdvFixmGn1QKpp8e9XodlzdvlFd8.jpg","2021-11-25","6259ad070cb33500991c5042","Crew","Thanks",{"adult":4,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":25,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":239,"credit_id":240,"department":13,"job":241,"media_type":33},"\u002FjArX3t2Uuc2g5yAZLNe9KRYjaYP.jpg",[54],84028,"Puente de Varsovia","Pont de Varsòvia","Puente de Varsovia esta fechado en 1989, el año de la caída del Muro de Berlín. Si el look predominante en Nocturno 29 era el de la alta burguesía sesentista, en Puente de Varsovia refulgen las imágenes de la nueva intelectualidad y de la amnésica clase política progresista europea. Pero bajo la superficie reluciente de eventos socioculturales espectaculares y de vida frívola en la Europa feliz se tensan las memorias de fracturas y cataclismos personales e históricos. Filmada con la misma pulcritud que el cine comercial coetáneo, Puente de Varsovia hace estallar el argumento en los mil fragmentos de un paisaje europeo roto por el retorno de la Historia. No resulta extraño que Godard rubricase dos años después un filme hermano, Alemania nueve cero, explícitamente heredero del Alemania año cero de Rossellini en la posguerra europea de 1947",1.2532,"\u002F41tZnYwZRUKsv4U5Sw5Caz4uRVE.jpg","1990-03-01",4.9,11,"52fe48d19251416c910995df","Director",{"adult":4,"backdrop_path":229,"genre_ids":243,"id":231,"title":232,"original_language":25,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":239,"credit_id":244,"department":245,"job":246,"media_type":33},[54],"52fe48d19251416c910995e5","Writing","Writer",{"adult":4,"backdrop_path":9,"genre_ids":248,"id":249,"title":250,"original_language":25,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":258,"department":245,"job":246,"media_type":33},[68],94509,"El silencio antes de Bach","Die Stille vor Bach","Johann Sebastian Bach (1685-1750), el gran músico del barroco alemán, se traslada a Leipzig con su familia para desempeñar la función de Cantor en la Escuela de Santo Tomás. Bach, un ferviente devoto y un incansable trabajador, es además modesto y su posición social dista mucho de ser privilegiada. El reconocimiento a su música aún no se ha producido, el talento que imprimirá a sus composiciones irá creciendo con el paso de los años. La grandeza se la otorgarán definitivamente los siglos venideros. Alrededor de este argumento, casi anecdótico, la historia se abre hacia un profundo entramado donde están presentes el arte, la historia y, sobre todo, el trabajo y disciplina que supone la creación musical así como los oficios y pequeñas labores que la rodean.",1.1828,"\u002Fnv6tOTiYaRy8VEqkhr0kP14BvOD.jpg","2007-12-21",6.8,22,"52fe495c9251416c750c589b",{"adult":4,"backdrop_path":9,"genre_ids":260,"id":249,"title":250,"original_language":25,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":261,"department":13,"job":241,"media_type":33},[68],"52fe495c9251416c750c588f",{"adult":4,"backdrop_path":263,"genre_ids":264,"id":266,"title":267,"original_language":40,"original_title":267,"overview":268,"popularity":269,"poster_path":270,"release_date":271,"softcore":4,"video":4,"vote_average":256,"vote_count":272,"credit_id":273,"department":274,"job":275,"media_type":33},"\u002FmJ6SbrfWwviKF1NGp2z89Px7Zij.jpg",[265],35,99883,"El cochecito","Don Anselmo, un anciano jubilado, decide comprar un cochecito motorizado para discapacitados ya que todos sus amigos pensionistas tienen uno. Su familia se niega rotundamente a que compre el vehículo, así que don Anselmo decide tomar medidas extremas para lograr su objetivo…",1.4435,"\u002FjDh5pJ4EnIEwR9JS7DU0Mt47p6P.jpg","1960-11-03",59,"52fe4a459251416c750e37f3","Production","Producer",{"adult":4,"backdrop_path":277,"genre_ids":278,"id":279,"title":280,"original_language":40,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":4,"video":4,"vote_average":46,"vote_count":285,"credit_id":286,"department":274,"job":287,"media_type":33},"\u002Fc0ldioM4ZnvZBAXHR7381DaJwfC.jpg",[54],32934,"Tren de sombras","En la madrugada del 8 de noviembre de 1930, el abogado parisino Fleury salía en busca de la luz adecuada para completar una filmación paisajística en torno al lago Le Thuit. Ese mismo día, el abogado fallece en extrañas circunstancias.",1.1694,"\u002F6Kk8aiS9WOmckykkkVDDa9r4rBx.jpg","1997-12-13",19,"6269a4314ccc5000651f2d1a","Executive Producer",{"adult":4,"backdrop_path":289,"genre_ids":290,"id":291,"title":292,"original_language":57,"original_title":292,"overview":293,"popularity":294,"poster_path":295,"release_date":296,"softcore":4,"video":4,"vote_average":297,"vote_count":298,"credit_id":299,"department":13,"job":241,"media_type":33},"\u002F8dSbJfSUTIFLSRCPMelKrumasdo.jpg",[37],126278,"Cuadecuc, vampir","Un ensayo atmosférico, que viene a ser una versión alternativa de «El conde Drácula», película dirigida por Jesús Franco en 1970; una narración fantasmal entre la ficción y la realidad.",3.1506,"\u002F6Ktgs4F6wfphozsi0KOgZzHeKCq.jpg","1972-05-05",6.1,43,"52fe4adbc3a368484e16aa85",{"adult":4,"backdrop_path":9,"genre_ids":301,"id":302,"title":303,"original_language":25,"original_title":303,"overview":304,"popularity":282,"poster_path":9,"release_date":305,"softcore":4,"video":4,"vote_average":32,"vote_count":10,"credit_id":306,"department":13,"job":241,"media_type":33},[37],134230,"Miró tapís","Realizada por encargo de la Galeria Maeght con motivo de la exposición de Joan Miró, organizada por el Ministerio de Asuntos Culturales Francés en el Gran Palais, inaugurada el 17 de mayo de 1974 en París. Esta película se rodó en seis días en Montroig del Camp (en el Mas Miró) y en Tarragona durante el proceso de realización, por parte de Josep Royo, de un tapíz original de Joan Miró. Cinco personas trabajaron durante ocho meses en la realización de este tapíz, utilizando 1200kg de lana y 600kg para la urdimbre. El peso total era de 3500kg y media 6 metros de ancho por 11 metros de largo. Se necesito un telar especialmente construido para tejerlo. 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