[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F37495:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":9,"birthday":10,"deathday":11,"gender":12,"homepage":13,"id":14,"imdb_id":15,"known_for_department":16,"name":17,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":447},false,[6,7,8],"Jean-Louis Bunuel","Juan Luis Bunuel","Juan-Luis Bunuel","Director de cine francés. Iniciado en el cine de la mano de su padre, Luis Buñuel, como ayudante de dirección de algunos de los filmes de éste, como ‘La joven’ (1960) o ‘Viridiana’ (1961), y de algunos otros de Louis Malle, pronto afrontaría la dirección, logrando su primer trabajo importante con el cortometraje ‘Calanda’ (1966), impresionante documental sobre la Semana Santa de Calanda (Teruel), pueblo natal de su padre, que debe contarse entre lo mejor de su producción. Los comienzos de los años 70 suponen su gran momento como director, con la realización de tres largometrajes. ‘Cita con la muerte alegre’ (1973), el primero de ellos, es el mejor apreciado por crítica y público, consiguiendo en el Festival de Cine de Sitges la medalla de oro al mejor director; pero ni ‘La mujer con botas rojas’ (1974) ni ‘Leonor’ (1975), obras desiguales y olvidadas en las que la influencia del padre es notoria, consiguen prolongar su nombradía como director, lo que le llevará a refugiarse a continuación en la televisión, como bien ponen de manifiesto sus trabajos posteriores, circunscritos a este ámbito.","1934-11-09","2017-12-06",2,null,37495,"nm0125665","Directing","Juan Luis Buñuel","Paris, France",0.7948,"\u002FfbEf58OxBifyMPbfkif1TpSTHjr.jpg",{"cast":22,"crew":176},[23,41,55,65,76,88,106,116,125,136,149,156,164],{"adult":4,"backdrop_path":24,"genre_ids":25,"id":27,"title":28,"original_language":29,"original_title":30,"overview":31,"popularity":32,"poster_path":33,"release_date":34,"softcore":4,"video":4,"vote_average":35,"vote_count":36,"character":37,"credit_id":38,"order":39,"media_type":40},"\u002F6jF3HdLkHsEJtw8qKoEyZ9oJ7qB.jpg",[26],10749,17993,"Henry y June (El diario íntimo de Anaïs Nin)","en","Henry & June","París, años 30. Película sobre la relación que mantuvo la escritora Anais Nin con el novelista Henry Miller y su esposa June, en la época en que el matrimonio vivió en París. Está inspirada en los pasajes más excitantes de los diarios de Anais Nin. (FILMAFFINITY)",7.2173,"\u002F8sxQBq9B1u9KUhNZkdqNIbiHA62.jpg","1990-09-28",6.1,242,"Publisher","52fe47599251416c75096231",7,"movie",{"adult":4,"backdrop_path":13,"genre_ids":42,"id":44,"title":45,"original_language":46,"original_title":45,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":39,"character":52,"credit_id":53,"order":54,"media_type":40},[43],99,141721,"El último guión. Buñuel en la memoria","es","A finales de los setenta, debido a su avanzada edad, Luís Buñuel se da cuenta que ya no puede rodar más películas. Su cómplice creativo durante los últimos 17 años, con el que había escrito nueve guiones, Jean Claude Carrière, le propone para sacarle de su aburrimiento escribir un libro de Memorias en el que reuniría todas las anécdotas que Buñuel le había ido contando. Al principio Buñuel dice “no, no, de ninguna manera, ahora todo el mundo escribe sus memorias, no es interesante”. Carrière escribe un capítulo de prueba y cuando Buñuel lo lee, reconoce su propia voz. Durante cuatro semanas en México, Carrière y Buñuel, colaboran escribiendo las memorias como si se tratara de otro guión. Así nace “Mi último suspiro” testamento vital de uno de los creadores españoles más importantes del siglo XX.",0.8974,"\u002FeogYTGYF4Vn3223vKzCj9m3L133.jpg","2008-01-01",5.7,"Self","52fe4ac09251416c750ecc93",0,{"adult":4,"backdrop_path":13,"genre_ids":56,"id":57,"title":58,"original_language":29,"original_title":58,"overview":59,"popularity":60,"poster_path":61,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":12,"character":52,"credit_id":64,"order":12,"media_type":40},[43],119398,"Buñuel en Hollywood","Documental que rastrea la relación de Buñuel con la cultura estadounidense y con Hollywood. El programa propone un recorrido cronológico por las estancias del cineasta aragonés en Estados Unidos, los personajes que conoció, las películas que hizo y las que nunca pudo hacer. Además, el programa incluye nuevo material -inédito hasta 2012- que el director aragonés rodó en EE UU a principios de la década de 1940 y en el que se le puede ver jugando con uno de sus hijos o disfrutando de unos días de vacaciones en una casa de campo.",1.8464,"\u002FhJBvlqzh0olllPVlDj8Aawrlhnw.jpg","2000-02-22",8,"52fe4bfec3a36847f821c7e9",{"adult":4,"backdrop_path":13,"genre_ids":66,"id":67,"title":68,"original_language":46,"original_title":68,"overview":69,"popularity":70,"poster_path":71,"release_date":72,"softcore":4,"video":4,"vote_average":73,"vote_count":73,"character":52,"credit_id":74,"order":75,"media_type":40},[43],235445,"Buñuel","Documental realizado en 1984 por Rafael Cortás sobre la vida y obra del genial director y que cuenta con las opiniones de Carlos Saura, John Huston, Federico Fellini, Carlos Fuentes, Paco Rabal y muchos otros más.",1.96,"\u002FoB70nthUkXKCHOO7vMwTkl8wjZ9.jpg","1984-01-01",6,"52fe4e48c3a36847f8287b7f",4,{"adult":4,"backdrop_path":77,"genre_ids":78,"id":79,"title":80,"original_language":46,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":85,"vote_count":86,"character":52,"credit_id":87,"order":75,"media_type":40},"\u002FvlQDNPh0SQMo82sKXJK2Q7utNFM.jpg",[43],391137,"Orson Welles en el país de don Quijote","",1.3291,"\u002FdmjLPoHGYORw8CfqE6fg3J8q6WU.jpg","2000-11-05",6.3,3,"62b5a958383df200613e0c72",{"adult":4,"backdrop_path":89,"genre_ids":90,"id":93,"title":94,"original_language":95,"original_title":96,"overview":97,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":102,"character":103,"credit_id":104,"order":105,"media_type":40},"\u002Fs9CZfxkXBwm8TlMX1MPkSmOxhp5.jpg",[91,92],12,35,34280,"La aventura es la aventura","fr","L'Aventure c'est l'aventure","A cinco simpáticos truhanes cada vez les cuesta más robar bancos, por lo que deciden reciclarse en el secuestro de personalidades. Primero secuestran a Johnny Hallyday.  Después reciben el encargo de un grupo revolucionario sudamericano para \"ocuparse\" de un embajador, después... quien será el mejor postor?",2.5469,"\u002Fv9TDCkhNTI4QGIm4EsAHB7rWSrz.jpg","1972-05-04",6.666,196,"Ernesto Juarez","536f83e40e0a2647c40129e0",9,{"adult":4,"backdrop_path":13,"genre_ids":107,"id":108,"title":109,"original_language":46,"original_title":109,"overview":110,"popularity":111,"poster_path":112,"release_date":113,"softcore":4,"video":4,"vote_average":39,"vote_count":114,"character":52,"credit_id":115,"order":114,"media_type":40},[43],458937,"Los chicos de la foto","Una comida organizada por el director de cine George Cukor en 1972 para homenajear a Luis Buñuel, ofreció la posibilidad de realizar uno de los encuentros más míticos que se recuerdan en el séptimo arte. Junto a Buñuel, cineastas como Alfred Hitchcock, William Wyler, John Ford, Billy Wilder, George Stevens, Ruben Mamoulian, Robert Wise o Robert Mulligan, se dieron cita en la espléndida mansión de Cukor, haciéndose luego una sesión fotográfica que quedaría para la posteridad y que ha sido objeto de amplios estudios.",1.3179,"\u002FrgHA41w6ecx3kw5hg7tN0sU4m0b.jpg","2014-05-24",1,"5925a91cc3a368782d010c23",{"adult":4,"backdrop_path":13,"genre_ids":117,"id":118,"title":119,"original_language":95,"original_title":119,"overview":81,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":114,"character":52,"credit_id":124,"order":114,"media_type":40},[43],574183,"Luis Buñuel, la transgression des rêves",1.1872,"\u002F9ClLE9q022shWH2AdZIH4TOhJwS.jpg","2018-03-10",10,"5c37ffc1c3a368267e5cef34",{"adult":4,"backdrop_path":126,"genre_ids":127,"id":128,"title":129,"original_language":46,"original_title":129,"overview":81,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":105,"character":134,"credit_id":135,"order":12,"media_type":40},"\u002FuZFfyNKaEjrFZjuRuSCCVM2cwqS.jpg",[26,92],673951,"Familiaridades",1.4244,"\u002F5KsJa4y94Q65HPzMMxjwmjSwnVo.jpg","1969-01-01",6.7,"Dávalos","5ee746f39715ae0020a65c63",{"adult":4,"backdrop_path":13,"genre_ids":137,"id":139,"title":140,"original_language":46,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":146,"character":147,"credit_id":148,"order":63,"media_type":40},[138,92],14,399556,"La vida láctea","Barry Reilly, un viejo millonario de 80 años, está convencido de que sólo podrá alcanzar la felicidad si consigue convertirse en un bebé como su biznieto. Para sorpresa de los científicos y enfado de su codiciosa familia, el proceso de infantilización comienza a producirse",1.3331,"\u002FsMi5OzZHqOvKAiIuaHQ3YQaMKV4.jpg","1993-02-23",3.6,5,"Dr. Davis","5ee62cc297eab4001ee70464",{"adult":4,"backdrop_path":13,"genre_ids":150,"id":151,"title":152,"original_language":29,"original_title":152,"overview":81,"popularity":153,"poster_path":13,"release_date":154,"softcore":4,"video":4,"vote_average":123,"vote_count":114,"character":81,"credit_id":155,"order":54,"media_type":40},[43],778712,"A Slice of Buñuel",0.8794,"2014-12-26","5fe1fcd16a2227004089726d",{"adult":4,"backdrop_path":13,"genre_ids":157,"id":158,"title":159,"original_language":95,"original_title":159,"overview":81,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":105,"vote_count":114,"character":52,"credit_id":163,"order":75,"media_type":40},[43],571983,"Les paradoxes de Buñuel",0.92,"\u002FtQpJzGi5uCNPMw35UC8vBKKHF7o.jpg","1998-04-29","68d751c1c99913e8d0baffe1",{"adult":4,"backdrop_path":13,"genre_ids":165,"id":166,"origin_country":167,"original_language":95,"original_name":169,"overview":81,"popularity":170,"poster_path":171,"first_air_date":172,"softcore":4,"name":169,"vote_average":146,"vote_count":114,"character":52,"credit_id":173,"episode_count":114,"first_credit_air_date":174,"media_type":175},[43],328178,[168],"FR","Ciné regards",15.0104,"\u002FneCpAdj9o3EKkB5wntZt1nxCofb.jpg","1978-01-04","6a566878aace02cd664486f7","1981-05-16","tv",[177,191,202,207,218,221,231,242,246,253,262,270,283,296,309,321,334,346,361,374,377,388,401,415,427,432,442],{"adult":4,"backdrop_path":178,"genre_ids":179,"id":182,"title":183,"original_language":95,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":51,"vote_count":188,"credit_id":189,"department":16,"job":190,"media_type":40},"\u002FdbKLMVnSVFAwZxPYWEnitt0mK6T.jpg",[180,138,181],27,18,104498,"Leonor","Entre los siglos XIV y XV, Richard, desde lo alto de su castillo, gobierna todos sus territorios. Está casado con Leonor, una mujer a la que adora. Cuando ella muere, él tiene la esperanza de encontrar a otra mujer que le haga olvidar a Leonor. Catherine, su segunda esposa, le da dos hijos. Pero, transcurrido cierto tiempo, Leonor vuelve a la vida.",1.2991,"\u002Fw3oJ7WqC52F7CyQCIpEd3qRpPF2.jpg","1975-09-01",26,"52fe4a36c3a36847f81c1285","Director",{"adult":4,"backdrop_path":192,"genre_ids":193,"id":194,"title":195,"original_language":95,"original_title":195,"overview":81,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":199,"vote_count":200,"credit_id":201,"department":16,"job":190,"media_type":40},"\u002Fh4yySgg7wdP8uKKLbYZGOII74I9.jpg",[180,181],121017,"Au rendez-vous de la mort joyeuse",1.351,"\u002F5z2IUka4Yw088qI9JM9ggBlXYXf.jpg","1973-01-25",5.3,21,"52fe4a58c3a368484e14e00d",{"adult":4,"backdrop_path":192,"genre_ids":203,"id":194,"title":195,"original_language":95,"original_title":195,"overview":81,"popularity":196,"poster_path":197,"release_date":198,"softcore":4,"video":4,"vote_average":199,"vote_count":200,"credit_id":204,"department":205,"job":206,"media_type":40},[180,181],"52fe4a58c3a368484e14e013","Writing","Writer",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":95,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":51,"vote_count":188,"credit_id":217,"department":16,"job":190,"media_type":40},"\u002Fehxrgbyk3OkoRyur16sNknLe1oz.jpg",[92,181,138],130647,"La mujer con botas rojas","La Femme aux bottes rouges","Un hombre mayor (Fernando Rey) conduce su coche por la carretera durante la noche. En una curva se encuentra con una mujer (Catherine Deneuve) que lleva puestas unas increíbles botas rojas.",2.4795,"\u002F4IzwLKRTwTYPQvH7JlI4ihFEMMm.jpg","1974-12-11","52fe4b61c3a368484e186347",{"adult":4,"backdrop_path":178,"genre_ids":219,"id":182,"title":183,"original_language":95,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":51,"vote_count":188,"credit_id":220,"department":205,"job":206,"media_type":40},[180,138,181],"5546d8d89251414c920056d4",{"adult":4,"backdrop_path":13,"genre_ids":222,"id":224,"title":225,"original_language":46,"original_title":225,"overview":81,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":229,"vote_count":75,"credit_id":230,"department":16,"job":190,"media_type":40},[223],37,356127,"La rebelión de los colgados",1.4295,"\u002FdegnSTTRp5HTqOi3KZ16xIkgbGx.jpg","1986-11-19",6.5,"55dc5dc692514171d5001c10",{"adult":4,"backdrop_path":13,"genre_ids":232,"id":234,"title":235,"original_language":95,"original_title":235,"overview":81,"popularity":236,"poster_path":237,"release_date":238,"softcore":4,"video":4,"vote_average":239,"vote_count":63,"credit_id":240,"department":16,"job":241,"media_type":40},[233,181],80,66835,"La Dénonciation",1.0731,"\u002FsoWiO8wid1Kvy1oIeqbBShAcW4j.jpg","1962-07-18",5.2,"61ce6b89af58cb004190393b","Second Assistant Director",{"adult":4,"backdrop_path":208,"genre_ids":243,"id":210,"title":211,"original_language":95,"original_title":212,"overview":213,"popularity":214,"poster_path":215,"release_date":216,"softcore":4,"video":4,"vote_average":51,"vote_count":188,"credit_id":244,"department":205,"job":245,"media_type":40},[92,181,138],"5737edff925141155f00273f","Screenplay",{"adult":4,"backdrop_path":13,"genre_ids":247,"id":248,"title":249,"original_language":95,"original_title":249,"overview":81,"popularity":250,"poster_path":13,"release_date":251,"softcore":4,"video":4,"vote_average":39,"vote_count":75,"credit_id":252,"department":16,"job":190,"media_type":40},[43],420438,"Calanda",0.9113,"1967-06-01","57fac0159251413d9900133c",{"adult":4,"backdrop_path":254,"genre_ids":255,"id":256,"title":257,"original_language":95,"original_title":257,"overview":81,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":35,"vote_count":105,"credit_id":261,"department":16,"job":241,"media_type":40},"\u002F1eLwr3EZ1lC8wOXUju8xqLdB10i.jpg",[181],398546,"Le cœur battant",0.8423,"\u002FnbopCkWrTmRqOrOPqFMjdkwkmSj.jpg","1960-12-26","63c53aeeb7d35200bdfbdc84",{"adult":4,"backdrop_path":13,"genre_ids":263,"id":264,"title":265,"original_language":95,"original_title":265,"overview":81,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":133,"vote_count":86,"credit_id":269,"department":16,"job":190,"media_type":40},[91],436740,"Barrage sur l'Orénoque",1.3889,"\u002FqpPLKBkF1QYYx6kyJQWxPCZqwDg.jpg","1996-09-14","588529649251410451022f32",{"adult":4,"backdrop_path":271,"genre_ids":272,"id":273,"title":274,"original_language":46,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":279,"vote_count":280,"credit_id":281,"department":16,"job":282,"media_type":40},"\u002F2QGuTuyxwCCER9iwSeONW8BAxce.jpg",[181],4497,"Viridiana","Don Jaime, un viejo hidalgo español, vive retirado y solitario en su hacienda desde la muerte de su esposa, ocurrida el mismo día de la boda. Un día recibe la visita de su sobrina Viridiana, novicia en un convento, que tiene un gran parecido con su mujer.",4.392,"\u002FdcXpg8ELDUZMb8MikPReiwH3lYY.jpg","1962-04-01",7.7,569,"58a33f0292514127de000d3e","Assistant Director",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":286,"title":287,"original_language":95,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":293,"vote_count":294,"credit_id":295,"department":16,"job":282,"media_type":40},"\u002FvpPdmaGYQUiM9Rb2znWpNyzE3Km.jpg",[181,92],36245,"Diario de una camarera","Le Journal d'une femme de chambre","Una joven entra a trabajar como doncella en casa de una familia aristocrática. Adaptación de una novela de Octave Mirbeau que Jean Renoir ya había llevado al cine en su etapa americana.",3.1054,"\u002Fqjg0SdlVW5GA2Fjsf1d5mrD0msU.jpg","1964-03-04",7.083,247,"58a641c5925141743b0002e0",{"adult":4,"backdrop_path":297,"genre_ids":298,"id":299,"title":300,"original_language":95,"original_title":301,"overview":302,"popularity":303,"poster_path":304,"release_date":305,"softcore":4,"video":4,"vote_average":306,"vote_count":307,"credit_id":308,"department":16,"job":282,"media_type":40},"\u002F79ofDLTW1ozMSYDNWhDYe5cQzAa.jpg",[92,181,26],5781,"Ese oscuro objeto del deseo","Cet obscur objet du désir","Durante un viaje en tren, de Sevilla a Madrid, el otoñal caballero Mathieu cuenta a sus compañeros de vagón la historia de sus infortunios amorosos con la bailarina Conchita. A partir de su primer encuentro, Conchita juega con la obsesión de Mathieu, haciéndolo pasar del deseo a la frustración y del amor al odio más furibundo",4.4516,"\u002FSjPvUTtdsK4TqALKryKkWZpE5x.jpg","1977-08-17",7.437,471,"58a9d9df92514114be00030c",{"adult":4,"backdrop_path":310,"genre_ids":311,"id":312,"title":313,"original_language":95,"original_title":314,"overview":315,"popularity":316,"poster_path":317,"release_date":318,"softcore":4,"video":4,"vote_average":35,"vote_count":319,"credit_id":320,"department":16,"job":282,"media_type":40},"\u002Fom47GMuXbkAtlBgBcOnklWAXg6H.jpg",[91,92,26,223],11799,"¡Viva María!","Viva Maria!","En 1910, dos mujeres (ambas llamadas María) descubren accidentalmente el “striptease” y obtienen un éxito tan rotundo que su público, plenamente entregado, también se desnuda durante el espectáculo. Una de ellas, se enamora de un guapo revolucionario y, sin proponérselo se ve implicada en una revuelta campesina.",3.9485,"\u002Fm53Qdgzv0mXgFYkVZBbBMWAKqM9.jpg","1965-11-22",114,"594e1579925141310c033f19",{"adult":4,"backdrop_path":322,"genre_ids":323,"id":325,"title":326,"original_language":95,"original_title":327,"overview":328,"popularity":329,"poster_path":330,"release_date":331,"softcore":4,"video":4,"vote_average":133,"vote_count":332,"credit_id":333,"department":16,"job":282,"media_type":40},"\u002FjkOxEQ4iwjuuAoqUZ4F6uyyZuuE.jpg",[92,233,181,324],36,55370,"El ladrón de París","Le Voleur","George Randal es un ladrón que entiende y justifica su actividad delictiva como una forma de rebelión contra la burguesía, clase social a la que detesta. El robo es una profesión que Randal lleva ejerciendo desde niño y gracias a la cual se ha enriquecido lo suficiente para acabar, paradójicamente, viviendo al más puro estilo burgués. (FILMAFFINITY)",1.7329,"\u002FkNCE0tr0i1x05m7PsWVMqpAJww2.jpg","1967-02-22",90,"594e22f9c3a3683279033a8a",{"adult":4,"backdrop_path":335,"genre_ids":336,"id":337,"title":338,"original_language":95,"original_title":339,"overview":340,"popularity":341,"poster_path":342,"release_date":343,"softcore":4,"video":4,"vote_average":35,"vote_count":344,"credit_id":345,"department":16,"job":282,"media_type":40},"\u002FdBlWShywAgnUILzEzJjnrP2rb5j.jpg",[181],48863,"Los ambiciosos","La fièvre monte à El Pao","Cuando el gobernador de la prisión situada en un país imaginario de la América latina es asesinado, su secretario, Ramón Vázquez, asume el rol de gobernador en funciones a la espera que llegue el nuevo mandatario. Vázquez, un idealista, aprovecha esta oportunidad para intentar mejorar las condiciones de los prisioneros y empezar una relación con la viuda del antiguo gobernador, Inés.",2.7864,"\u002FsUN5LcM1Kbb4nv2lIcPf44zZIq1.jpg","1959-12-05",34,"5d971a1e2c6b7b0013943938",{"adult":4,"backdrop_path":347,"genre_ids":348,"id":349,"title":350,"original_language":351,"original_title":352,"overview":353,"popularity":354,"poster_path":355,"release_date":356,"softcore":4,"video":4,"vote_average":357,"vote_count":358,"credit_id":359,"department":16,"job":360,"media_type":40},"\u002FoFFSZANj9DgiXEcT7VWjEwujsb4.jpg",[181,92],74080,"El gran atasco","it","L'ingorgo","Nada más empezar el verano, los italianos se lanzan a recorrer sus magníficas autopistas, de las que se sienten tan orgullosos que se arriesgan a soportar la inevitable consecuencia de una salida tan masiva: el atasco. En la autovía que lleva de Roma a Nápoles, cientos y cientos de vehículos han quedado atrapados, y sus ocupantes se verán obligados a convivir durante horas y horas... Adaptación del cuento \"La autopista del sur\", de Cortázar. (FILMAFFINITY)",1.4988,"\u002FuoxWeT8SXJ06BQs8LdhWCVUd0ti.jpg","1979-01-12",6.8,84,"5e7d22fdf794ad0011eef30c","Second Unit Director",{"adult":4,"backdrop_path":362,"genre_ids":363,"id":364,"title":365,"original_language":95,"original_title":365,"overview":366,"popularity":367,"poster_path":368,"release_date":369,"softcore":4,"video":4,"vote_average":73,"vote_count":370,"credit_id":371,"department":372,"job":373,"media_type":40},"\u002Fzkteot2z9I9j4xgzOvWZbd1EcOr.jpg",[181],17367,"Belle Toujours","38 años después de \"Belle de jour\" de Luis Buñuel, dos personajes de la película vuelven a cruzarse con el misterio de un secreto que sólo conoce el personaje masculino y cuya revelación es imprescindible para el personaje femenino. Aunque ella le evita, él sigue sus pasos hasta que finalmente consigue que le preste atención al confesarle su intención de revelarle el secreto. Fijan una cita, una cena durante la cual ella, ahora viuda, aguarda la esperada revelación: qué es lo que él le dijo a su marido cuando éste estaba mudo y paralítico por un disparo efectuado por un amante de ella. La situación es tensa y ella termina sin saber qué es lo que realmente pasó. Se trata de la venganza de él porque la mujer nunca le permitió poseerla.",2.1762,"\u002Ffy7ajB92MUB50uq9LhSrk3lEFoq.jpg","2006-09-08",20,"5fe0145de7c097003e18674e","Crew","Thanks",{"adult":4,"backdrop_path":13,"genre_ids":375,"id":158,"title":159,"original_language":95,"original_title":159,"overview":81,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":105,"vote_count":114,"credit_id":376,"department":205,"job":245,"media_type":40},[43],"68d74e67686bca377f2ddd4b",{"adult":4,"backdrop_path":378,"genre_ids":379,"id":380,"title":381,"original_language":29,"original_title":381,"overview":382,"popularity":383,"poster_path":384,"release_date":385,"softcore":4,"video":4,"vote_average":39,"vote_count":386,"credit_id":387,"department":16,"job":282,"media_type":40},"\u002FbBK5j3FUk2qy5KtHXMJDLdKH7Ba.jpg",[181],35030,"La joven","Miller es un guardabosques que vive en una desierta isla cerca de la costa americana. El otro habitante de la isla es Ewie, una huérfana inocente e ingenua de 13 años, hacía quien Miller se siente irresistiblemente atraido al descubrir que se está convertiendo en mujer. Cuando llega Traver, un inocente músico negro huyendo de un intento de linchamiento por una falsa acusación de violación, Miller quiere delatarle para deshacerse de él.",3.8097,"\u002Fdr909VAfyAIS0a5LqLdyRpBesX8.jpg","1960-09-05",64,"69149b2ed0450fa3063a3ceb",{"adult":4,"backdrop_path":389,"genre_ids":390,"id":391,"title":392,"original_language":29,"original_title":393,"overview":394,"popularity":395,"poster_path":396,"release_date":397,"softcore":4,"video":4,"vote_average":398,"vote_count":399,"credit_id":400,"department":16,"job":282,"media_type":40},"\u002Fv2NFZfpBLiOqfPFpZ0YGS6qiJp.jpg",[223],67659,"Los cañones de San Sebastián","La Bataille de San Sebastian","En 1750, León, un patriota rebelde que ha sido herido, huye por las calles de un pueblo mejicano y se refugia en la iglesia, donde el padre José, un viejo franciscano, lo acoge y se niega terminantemente a entregarlo a las autoridades. Condenados los dos al destierro, no tienen más salida que refugiarse en San Sebastián, un mísero y apartado poblado, donde se verán acosados por toda clase de peligros.",5.5097,"\u002FlC8uEGJGKTSKsToieEdJwk57TlC.jpg","1967-04-26",7.045,111,"691f3e475e3e862606eb69b2",{"adult":4,"backdrop_path":402,"genre_ids":403,"id":405,"origin_country":406,"original_language":95,"original_name":407,"overview":81,"popularity":408,"poster_path":409,"first_air_date":410,"softcore":4,"name":407,"vote_average":411,"vote_count":39,"credit_id":412,"department":413,"episode_count":75,"first_credit_air_date":410,"job":414,"media_type":175},"\u002FojgF1FWUXdPA0fBubrRd2OsTDeC.jpg",[233,404],9648,69725,[168],"Fantômas",3.4275,"\u002FefzmZjNlm5Lv57qMprmN44WFpNa.jpg","1980-05-03",6.9,"5880534592514134c4005580","Art","Art Direction",{"adult":4,"backdrop_path":416,"genre_ids":417,"id":418,"origin_country":419,"original_language":95,"original_name":420,"overview":81,"popularity":421,"poster_path":422,"first_air_date":423,"softcore":4,"name":420,"vote_average":424,"vote_count":63,"credit_id":425,"department":16,"episode_count":114,"first_credit_air_date":426,"job":190,"media_type":175},"\u002FmwtHh7flsWBLFgLv6No0NKg2WQW.jpg",[181,92],60624,[168],"Série rose",10.9891,"\u002F4fdYcPVqidr3fTvkfT72rDBMIEv.jpg","1986-11-08",5.6,"588f10c992514101a3005b5e","1986-12-06",{"adult":4,"backdrop_path":402,"genre_ids":428,"id":405,"origin_country":429,"original_language":95,"original_name":407,"overview":81,"popularity":408,"poster_path":409,"first_air_date":410,"softcore":4,"name":407,"vote_average":411,"vote_count":39,"credit_id":430,"department":16,"episode_count":12,"first_credit_air_date":431,"job":190,"media_type":175},[233,404],[168],"5e4a917935811d00194a53fc","1980-05-17",{"adult":4,"backdrop_path":13,"genre_ids":433,"id":434,"origin_country":435,"original_language":95,"original_name":437,"overview":81,"popularity":438,"poster_path":13,"first_air_date":439,"softcore":4,"name":437,"vote_average":54,"vote_count":54,"credit_id":440,"department":16,"episode_count":114,"first_credit_air_date":441,"job":190,"media_type":175},[181],202181,[436,168],"CA","Haute tension",3.4325,"1988-10-30","6456a8dc156cc7015e75a541","1991-09-21",{"adult":4,"backdrop_path":402,"genre_ids":443,"id":405,"origin_country":444,"original_language":95,"original_name":407,"overview":81,"popularity":408,"poster_path":409,"first_air_date":410,"softcore":4,"name":407,"vote_average":411,"vote_count":39,"credit_id":445,"department":446,"job":446,"media_type":175},[233,404],[168],"63b18f76875d1a00e274c40a","Creator",{"profiles":448},[449,453],{"aspect_ratio":450,"height":451,"iso_3166_1":13,"iso_639_1":13,"file_path":20,"vote_average":54,"vote_count":54,"width":452},0.667,450,300,{"aspect_ratio":450,"height":454,"iso_3166_1":13,"iso_639_1":13,"file_path":455,"vote_average":54,"vote_count":54,"width":456},600,"\u002FtOq4ogo8mOX23qxxWHlyz5gF7yP.jpg",400]