[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F37302:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":478},false,[],"Georges Franju was a French filmmaker.  He was born in Fougères, Ille-et-Vilaine. Before working in French cinema, Franju had several different jobs. Franju was also briefly in the military in Algeria and was discharged in 1932. On his return, Franju studied to become a set designer and later created backdrops for music halls including Casino de Paris and the Folles Bergère.\n\nIn the mid-thirties, Franju and Henri Langlois met through Franju's twin brother Jacques Franju. As well as creating the 16 mm short film Le Métro, Langlois and Franju also started a short-lived film magazine and created a film club called Le Cercle du Cinema with 500 francs he borrowed from Langlois' parents. The club showed silent films from their own collections followed by an informal debate about them amongst members. From Le Cercle du Cinema, Franju and Langlois founded the Cinématheque Française in 1936.\n\nFranju ceased to be closely related with the Cinématheque Française as early as 1938, and only became associated with it strongly again in the 1980s when he was appointed as the honorary artistic director of the Cinématheque.\n\nIn 1949, Franju began work on a series of nine documentary films. The Nazi occupation of Paris and the industrialism following World War II influenced Franju's early works.  With Head Against the Wall (French:La tête contre les murs) in 1958, Franju turned toward fiction feature films. His second feature was the horror film Eyes Without a Face (French:Les Yeux sans Visage) about a surgeon who tries to repair his daughter's ruined face by grafting on to it the faces of beautiful women. His 1963 film Judex was a tribute to the silent film serials Judex and Fantomas. In Franju's later years his film work became less frequent. Franju occasionally directed for television and in the late seventies he retired from filmmaking to preside over the Cinématheque Française.  In her study of French cinema since the French new wave, Claire Clouzot described Franju's film style as \"a poignant fantastic realism inherited from surrealism and Jean Painlevé science cinema, and influenced by the expressionism of Lang and Murnau\". Franju's focus was on the visual aspect of filmmaking, which he claimed marked a director as an auteur. Franju claimed to \"not have the story writing gift\" and was focused on what he described as the \"putting into form\" of the film.\n\nFranju was also extremely influenced by surrealism. He used elements of surrealism and shock horror within his films in order to “awaken” his audience. Franju had a long history of friendship with well-known surrealists including Andre Breton, and the influence of this movement is extremely evident in his works. Franju uses these elements to link horror, history, and an ironic commentary on modernity’s ideal of progress. Franju is quoted as having said “It’s the bad combination, it’s the wrong synthesis, constantly being made by the eye as it looks around, that stops us from seeing everything as strange.”\n\nDescription above from the Wikipedia article Georges Franju , licensed under CC-BY-SA, full list of contributors on Wikipedia.","1912-04-12","1987-11-05",2,null,37302,"nm0290802","Directing","Georges Franju","Fougères, Ille-et-Vilaine, France",0.9286,"\u002FbPFoB5dMdoiYcTeIskOf1TEB4OW.jpg",{"cast":19,"crew":114},[20,33,45,54,64,80,88,105],{"adult":4,"backdrop_path":10,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":10,"release_date":28,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":30,"credit_id":31,"order":29,"media_type":32},[22],99,1095993,"Franju, l'avion et la DS","fr","",0.9002,"1987-01-01",0,"Self","6405e19267dcc900abe062a5","movie",{"adult":4,"backdrop_path":10,"genre_ids":34,"id":35,"title":36,"original_language":25,"original_title":36,"overview":26,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"character":42,"credit_id":43,"order":44,"media_type":32},[22],1101292,"Une histoire du cinéma fantastique français",1.1437,"\u002FlOPnojwzKas8TT3AMbZXRtjTZWQ.jpg","2019-01-31",6,1,"Self (archive footage)","64147484ede1b028635e3bf8",10,{"adult":4,"backdrop_path":10,"genre_ids":46,"id":47,"title":48,"original_language":25,"original_title":48,"overview":26,"popularity":49,"poster_path":50,"release_date":51,"softcore":4,"video":4,"vote_average":52,"vote_count":9,"character":30,"credit_id":53,"order":40,"media_type":32},[22],261915,"La Nouvelle Vague par elle-même",1.2608,"\u002F3okFZRnN0IUD04SrwPw6QyOpL9w.jpg","1964-05-19",8,"533646c3c3a3680e9f0006bc",{"adult":4,"backdrop_path":10,"genre_ids":55,"id":56,"title":57,"original_language":58,"original_title":57,"overview":26,"popularity":59,"poster_path":60,"release_date":61,"softcore":4,"video":4,"vote_average":62,"vote_count":41,"character":42,"credit_id":63,"order":29,"media_type":32},[22],261920,"Georges Franju - Le visionnaire","en",0.9979,"\u002FtfrGhK5azFucdaoogm4xUIC7UZd.jpg","1998-09-02",7,"53364f80c3a3680e69000812",{"adult":4,"backdrop_path":65,"genre_ids":66,"id":68,"title":69,"original_language":25,"original_title":70,"overview":71,"popularity":72,"poster_path":73,"release_date":74,"softcore":4,"video":4,"vote_average":75,"vote_count":76,"character":77,"credit_id":78,"order":79,"media_type":32},"\u002F3YdKGZHLsjEgjlwDIxyrtKciK5v.jpg",[22,67],10402,620039,"Aznavour by Charles","Le Regard de Charles","En 1948, el cantante francés Charles Aznavour (1924-2018) recibe una Paillard Bolex, su primera cámara. Hasta 1982, filmará horas de metraje, su diario filmado. Dondequiera que vaya, lleva su cámara con él. Filma su vida y vive como filma: lugares, momentos, amigos, amores, desgracias.",2.332,"\u002FhxLOdAbOA3CVUolobqNeK8o68RH.jpg","2019-10-02",6.8,17,"Self - Filmmaker (archive footage)","5d9de41ab6c264004871e81f",11,{"adult":4,"backdrop_path":10,"genre_ids":81,"id":82,"title":83,"original_language":25,"original_title":83,"overview":26,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"character":30,"credit_id":87,"order":41,"media_type":32},[22],771211,"Rendez-vous avec Fantômas",1.0931,"\u002Fow5Vig4B1KuV3dvS9OzmvgRD8VW.jpg","1966-09-15","5fc86c4e68188800421e636a",{"adult":4,"backdrop_path":89,"genre_ids":90,"id":93,"origin_country":94,"original_language":25,"original_name":96,"overview":26,"popularity":97,"poster_path":98,"first_air_date":99,"softcore":4,"name":96,"vote_average":100,"vote_count":101,"character":30,"credit_id":102,"episode_count":41,"first_credit_air_date":103,"media_type":104},"\u002FilEht2mkC51htymkX4zYN3vuS77.jpg",[22,91,92],10751,10767,79313,[95],"FR","Cinépanorama",19.4239,"\u002FaA3E04yh8xeNbOEp3Imsq2gqidc.jpg","1956-02-04",8.7,3,"63b052821d1bf4007dbc4012","1958-09-27","tv",{"adult":4,"backdrop_path":10,"genre_ids":106,"id":107,"origin_country":108,"original_language":25,"original_name":109,"overview":26,"popularity":110,"poster_path":111,"first_air_date":112,"softcore":4,"name":109,"vote_average":29,"vote_count":29,"character":30,"credit_id":113,"episode_count":101,"first_credit_air_date":112,"media_type":104},[22],328500,[95],"Pour le plaisir",6.3913,"\u002Fi9iCdQwd2m876zwgbBwe84w7em3.jpg","1964-11-04","6a55370e16afa4c691d41577",[115,129,134,148,160,173,186,199,209,212,225,236,248,251,260,271,275,287,295,304,313,316,319,322,330,333,342,351,361,364,373,376,379,382,393,402,405,408,411,420,428,431,438,441,452,455,458,465,474],{"adult":4,"backdrop_path":116,"genre_ids":117,"id":120,"title":121,"original_language":25,"original_title":121,"overview":26,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":127,"department":13,"job":128,"media_type":32},"\u002FejILlAn9ekPpUnRKC0jvKSjkvVN.jpg",[118,119],27,53,4443,"Nuits rouges",1.557,"\u002FeL8x3KNVwCsi1g3B10WhIFo6BOP.jpg","1974-11-20",5.9,24,"52fe43c2c3a36847f806d5ef","Director",{"adult":4,"backdrop_path":116,"genre_ids":130,"id":120,"title":121,"original_language":25,"original_title":121,"overview":26,"popularity":122,"poster_path":123,"release_date":124,"softcore":4,"video":4,"vote_average":125,"vote_count":126,"credit_id":131,"department":132,"job":133,"media_type":32},[118,119],"52fe43c2c3a36847f806d601","Sound","Original Music Composer",{"adult":4,"backdrop_path":135,"genre_ids":136,"id":138,"title":139,"original_language":25,"original_title":140,"overview":141,"popularity":142,"poster_path":143,"release_date":144,"softcore":4,"video":4,"vote_average":145,"vote_count":146,"credit_id":147,"department":13,"job":128,"media_type":32},"\u002FwlqwUNYHMuswEdGo3nSZ9i0LIlc.jpg",[137,118,119],18,31417,"Los ojos sin rostro","Les Yeux sans visage","En París, un brillante y desquiciado cirujano rapta chicas con el fin de utilizar su piel para reconstruir la belleza de su hija, destrozada por un trágico accidente del que él se siente culpable.",7.5703,"\u002FuV1rTX8m0tzbiO4WtcEJnwf02Oc.jpg","1960-01-11",7.585,836,"52fe447c9251416c91012623",{"adult":4,"backdrop_path":149,"genre_ids":150,"id":152,"title":153,"original_language":25,"original_title":153,"overview":26,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":157,"vote_count":158,"credit_id":159,"department":13,"job":128,"media_type":32},"\u002FaMXbo0X8RNHozagv1Gm15rtazkC.jpg",[151],9648,65610,"Pleins feux sur l'assassin",3.3276,"\u002FuTrkzYsNh4QFdLKkRzEAI1rXu6W.jpg","1961-03-31",6.5,21,"52fe4711c3a368484e0b355d",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":25,"original_title":165,"overview":166,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":170,"vote_count":171,"credit_id":172,"department":13,"job":128,"media_type":32},"\u002FnsYpQwr3eJx8sDwaiQAJbvoA81P.jpg",[137],65901,"El pecado del padre Mouret","La Faute de l'abbé Mouret","Serge Mouret es un fraile que vive en una región parisina. Un accidente le hace perder la memoria y es atendido por una atractiva enfermera. Durante este tiempo juntos, surge una intensa conexión entre ellos y se enamoran profundamente. Sin embargo, la situación se complica cuando Serge recupera su memoria y se enfrenta al conflicto entre su vocación religiosa y su amor por la enfermera. Esta historia explorará las complejidades de los sentimientos y las difíciles decisiones a las que se enfrenta Serge al intentar conciliar su amor y su fe.",1.3649,"\u002F3a1sLHPEL5WMIDtwiNrboXMAdUs.jpg","1970-10-14",4.3,12,"52fe471fc3a368484e0b62ef",{"adult":4,"backdrop_path":174,"genre_ids":175,"id":176,"title":177,"original_language":25,"original_title":178,"overview":179,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":185,"department":13,"job":128,"media_type":32},"\u002FxptEFtH35Q7zLf99PuK1rdlZr6l.jpg",[137],80476,"Relato íntimo","Thérèse Desqueyroux","Adaptación de la novela homónima del escritor francés François Mauriac. Cuando Thérèse Desqueyroux es absuelta por un tribunal de haber intentado envenenar a su marido Bernard, recapitula los acontecimientos que la condujeron a ser acusada de intento de asesinato. La gris y monótona vida provinciana y unas convenciones sociales asfixiantes la llevaron a contraer matrimonio con un hombre anódino e inspido, al cual sólo le preocupaba mantener sus propiedades y el buen nombre de la familia. El enigma consiste en saber si se trató de un accidente, si Thérése aumentó premeditadamente la dosis de la medicina que Bernard tomaba o si lo planeó inconscientemente.",1.347,"\u002FzoBCx2Lsjb8PYy7UdzsopUFWgwD.jpg","1962-09-21",6.7,33,"52fe47c29251416c91074d8f",{"adult":4,"backdrop_path":187,"genre_ids":188,"id":189,"title":190,"original_language":25,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":197,"credit_id":198,"department":13,"job":128,"media_type":32},"\u002Feof4FfAgUVVxKFxz00nNPo0RNcE.jpg",[22],91262,"La sangre de las bestias","Le Sang des bêtes","Contrasta las pacíficas escenas de los suburbios parisinos con escenas de un matadero. El filme documenta la matanza de un caballo, ovejas y terneros. Una vez el caballo es aturdido por una pistola aturdidora de bala cautiva, es sangrado y descuartizado. El filme es narrado sin lenguaje emotivo.",1.5712,"\u002FwXubND1NNqnhOK7needlwW3kXqz.jpg","1949-01-01",7.5,86,"52fe48c99251416c750b35a5",{"adult":4,"backdrop_path":10,"genre_ids":200,"id":201,"title":202,"original_language":25,"original_title":202,"overview":26,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":206,"department":207,"job":208,"media_type":32},[22],961998,"Sur le pont d’Avignon",1.1421,"\u002Fxypjept5H9dqUnTGYclWBbKguNI.jpg","1956-01-01","62567ea9389da1009deefcd8","Writing","Writer",{"adult":4,"backdrop_path":10,"genre_ids":210,"id":201,"title":202,"original_language":25,"original_title":202,"overview":26,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":29,"vote_count":29,"credit_id":211,"department":13,"job":128,"media_type":32},[22],"62567e75389da10051191ddd",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":216,"title":217,"original_language":25,"original_title":217,"overview":218,"popularity":219,"poster_path":220,"release_date":221,"softcore":4,"video":4,"vote_average":222,"vote_count":223,"credit_id":224,"department":13,"job":128,"media_type":32},"\u002FeNQxoousltKctmhf0LesrobK87l.jpg",[215,119,151],80,56800,"Judex","Favraux, un banquero sin escrúpulos, recibe una nota amenazadora, firmada por un tal Judex, que le pide que devuelva todo el dinero que ha robado. Favraux se niega y aparentemente muere después de un baile de disfraces. Sin embargo, sólo ha sido drogado por Judex y encerrado...",2.1807,"\u002F7pIRCW0eutMGXgtgRA84z5ONaSM.jpg","1963-12-04",6.9,84,"52fe4913c3a36847f8187f95",{"adult":4,"backdrop_path":10,"genre_ids":226,"id":228,"title":229,"original_language":25,"original_title":229,"overview":26,"popularity":230,"poster_path":231,"release_date":232,"softcore":4,"video":4,"vote_average":157,"vote_count":233,"credit_id":234,"department":207,"job":235,"media_type":32},[137,227],10752,102569,"Thomas l'imposteur",1.1066,"\u002FlqanMmzG042Eka9jx1h9s9l55rh.jpg","1965-06-01",16,"60c269d6960cde0040f4a12e","Scenario Writer",{"adult":4,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":25,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":75,"vote_count":246,"credit_id":247,"department":13,"job":128,"media_type":32},"\u002Fwpbx3caM5ogiIENUoGalzulRSZo.jpg",[137],77356,"La cabeza contra la pared","La Tête contre les murs","Un chico termina en un hospital psiquiátrico pese a no estar realmente loco, pero poco a poco se va dando cuenta de que a la larga puede acabar realmente trastornado. El adolescente tuvo muchos enfrentamientos con su severo padre y una juventud de lo más inquieta y ahora deberá luchar por mantenerse en la línea de la cordura.",1.7884,"\u002FxkMo3pHTCuD1mTxvSHhKTO2qW1A.jpg","1959-03-20",41,"52fe4968c3a368484e129de1",{"adult":4,"backdrop_path":10,"genre_ids":249,"id":228,"title":229,"original_language":25,"original_title":229,"overview":26,"popularity":230,"poster_path":231,"release_date":232,"softcore":4,"video":4,"vote_average":157,"vote_count":233,"credit_id":250,"department":13,"job":128,"media_type":32},[137,227],"52fe4a0ac3a36847f81b53fd",{"adult":4,"backdrop_path":10,"genre_ids":252,"id":253,"title":254,"original_language":25,"original_title":254,"overview":26,"popularity":255,"poster_path":256,"release_date":257,"softcore":4,"video":4,"vote_average":258,"vote_count":41,"credit_id":259,"department":13,"job":128,"media_type":32},[],843288,"La Discorde",1.269,"\u002Firoqzgz2MAKagcQJ5Ke9dFVLmi1.jpg","1978-03-22",9,"60cffc0e0021340057a41ff3",{"adult":4,"backdrop_path":10,"genre_ids":261,"id":262,"title":263,"original_language":25,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":125,"vote_count":269,"credit_id":270,"department":13,"job":128,"media_type":32},[22],150838,"Hotel de los Inválidos","Hôtel des Invalides","Un recorrido por el Hôtel des Invalides y, más concretamente, por el Museo del Ejército y la Capilla de San Luis. De la armadura de Francisco I y el avión de Guynemer, a las tumbas de Napoleón y del Mariscal Foch. Pero este no es un recorrido convencional, es más bien una escalofriante visita guiada por Georges Franju y narrada por Michel Simon que enfatiza –a veces a través de un humor mordaz– no la gloria, sino el absurdo de la guerra y sus trágicas consecuencias.",0.9024,"\u002FrAVIpNiRmY4B8HWrOBK7wWnehF4.jpg","1952-12-31",23,"52fe4aee9251416c910ca62b",{"adult":4,"backdrop_path":237,"genre_ids":272,"id":239,"title":240,"original_language":25,"original_title":241,"overview":242,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":75,"vote_count":246,"credit_id":273,"department":207,"job":274,"media_type":32},[137],"62761a0cd236e60066e3ced5","Adaptation",{"adult":4,"backdrop_path":276,"genre_ids":277,"id":278,"title":279,"original_language":25,"original_title":280,"overview":281,"popularity":282,"poster_path":283,"release_date":284,"softcore":4,"video":4,"vote_average":222,"vote_count":285,"credit_id":286,"department":13,"job":128,"media_type":32},"\u002FmX0a4W9KUxWnyPDASlZHQuAjpaS.jpg",[22],235932,"El gran Méliès","Le Grand Méliès","Una biografía del pionero director de cine Georges Méliès, con su hijo André Georges participando como su padre, y con la actuación de su segunda esposa, de 90 años de edad.",1.016,"\u002FbDwhkL6Eon8d1vd27t26NVYHsBJ.jpg","1952-11-12",14,"52fe4e52c3a36847f8289e43",{"adult":4,"backdrop_path":10,"genre_ids":288,"id":289,"title":290,"original_language":25,"original_title":290,"overview":26,"popularity":291,"poster_path":292,"release_date":293,"softcore":4,"video":4,"vote_average":52,"vote_count":41,"credit_id":294,"department":207,"job":208,"media_type":32},[22],261941,"À propos d'une rivière",0.7741,"\u002FuN63uXjH3xUNXczaZYZ4OcozAa2.jpg","1955-01-01","53369649c3a3680e9f000cf2",{"adult":4,"backdrop_path":10,"genre_ids":296,"id":297,"title":298,"original_language":25,"original_title":298,"overview":26,"popularity":299,"poster_path":300,"release_date":293,"softcore":4,"video":4,"vote_average":301,"vote_count":101,"credit_id":302,"department":207,"job":303,"media_type":32},[22],261937,"Mon chien",1.6176,"\u002FfMVZkeGJDMTlaGxg8AnXIysZmDl.jpg",7.3,"53368939c3a3680e7f000ca4","Screenplay",{"adult":4,"backdrop_path":10,"genre_ids":305,"id":306,"title":307,"original_language":25,"original_title":307,"overview":26,"popularity":308,"poster_path":309,"release_date":310,"softcore":4,"video":4,"vote_average":62,"vote_count":311,"credit_id":312,"department":207,"job":208,"media_type":32},[22],261936,"En passant par la 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