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Das Leben eines Staatsfeindes","de",1.0327,"2002-11-11",6.5,"5b98f1529251417259009ca3",9,{"adult":4,"backdrop_path":140,"genre_ids":141,"id":142,"title":143,"original_language":54,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":58,"vote_count":80,"character":148,"credit_id":149,"order":79,"media_type":35},"\u002F4TUFCrNNKYa2v1PeRvbzlbkfkFg.jpg",[25],611977,"Mario y los perros","Un relato de la infancia y juventud del escritor peruano Mario Vargas Llosa, Premio Nobel de Literatura en 2010, y de cómo las duras experiencias vividas durante estos años formativos le llevaron a escribir y publicar su primera gran obra cuando solo contaba veintiséis años.",1.1063,"\u002Fx6gMNeTdsC2sJ5znMMNwhO6BKT7.jpg","2019-06-27","Self - Writer (archivo footage)","5d16f3f05b4fed001b468caf",{"adult":4,"backdrop_path":151,"genre_ids":152,"id":154,"title":155,"original_language":40,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":61,"character":127,"credit_id":161,"order":11,"media_type":35},"\u002FuqJIOZB2qg7hb1Mi4sSaTcbpHew.jpg",[25,153],18,317332,"La Vie Commence Demain","El primer largometraje de semificción del documentalista Védrès se estrenó en Francia en 1949 con el título La Vie Commence Demain. La película se estrenó en Estados Unidos en 1952 con el título La vida comienza mañana. Realizada en colaboración con la UNESCO, la película especula sobre el futuro de la humanidad tras la llegada de la energía atómica. Muchos destacados artistas e intelectuales franceses contribuyen a la narrativa: Jean-Pierre Aumont interpreta El hombre de hoy, André Labarthe es el Hombre del mañana, y Jean-Paul Sartre, Daniel Agache, Jean Rostand, El Corbusier, Pablo Picasso y André Gide son considerados respectivamente \"el existencialista\", \"el psiquiatra\", \"el biólogo\", \"el arquitecto\", \"el artista\" y \"el autor\". Védrès reúne fragmentos de películas de hospitales, aulas escolares, laboratorios científicos e incluso discotecas en una composición fascinante.",1.2543,"\u002FsQasiRpDM3vVrwr7ua6DxBx0J7b.jpg","1950-09-13",6.6,"5e08f3d926dac10012747d93",{"adult":4,"backdrop_path":23,"genre_ids":163,"id":164,"title":165,"original_language":166,"original_title":165,"overview":29,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":29,"credit_id":170,"order":11,"media_type":35},[25],704339,"Parigi '50 - L'esistenza immaginata","it",1.2166,"\u002FxG8izE467IFVYSjCwgbkwQel9z.jpg","1981-01-09","5ebdc557bc8abc0021c24826",{"adult":4,"backdrop_path":172,"genre_ids":173,"id":174,"title":175,"original_language":40,"original_title":175,"overview":29,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":59,"credit_id":179,"order":80,"media_type":35},"\u002F4a1EqnJR7GahfNKfVOsJJ1i4IQz.jpg",[25],705170,"Le siècle de Lévi-Strauss",1.1774,"\u002FhBN3WcN1PETYjmqYc4nTiLLEtXs.jpg","2016-07-06","5ec0ecd29979d2001f2da879",{"adult":4,"backdrop_path":23,"genre_ids":181,"id":182,"title":183,"original_language":40,"original_title":183,"overview":29,"popularity":184,"poster_path":185,"release_date":29,"softcore":4,"video":4,"vote_average":186,"vote_count":80,"character":16,"credit_id":187,"order":61,"media_type":35},[],1429817,"Jean-Paul Sartre - A 20 Year Absence?",0.9379,"\u002F1dgZLPdYNsj1h5yolGzI7vxGu1K.jpg",8,"67a43c02f196a73ae766d026",{"adult":4,"backdrop_path":23,"genre_ids":189,"id":190,"title":191,"original_language":40,"original_title":191,"overview":29,"popularity":192,"poster_path":193,"release_date":194,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":29,"credit_id":195,"order":196,"media_type":35},[25],1451514,"Benny Lévy, la révolution impossible",1.037,"\u002Fktfawt34vkxykUaBNHmDtHC6Aq6.jpg","2008-05-08","67dca226143da6410faf2888",13,{"adult":4,"backdrop_path":198,"genre_ids":199,"id":201,"title":202,"original_language":40,"original_title":202,"overview":29,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":59,"credit_id":206,"order":33,"media_type":35},"\u002FaKhFjNCieTVU05wswqJDTpT6RsT.jpg",[200,25],36,768601,"Sartre\u002FCamus, une amitié déchirée",1.0671,"\u002Fn23MqxhfzohAsmdBAZX9elUPCnV.jpg","2014-05-22","68532e8f3f0b708f145d854c",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":88,"original_title":211,"overview":212,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":216,"vote_count":79,"character":59,"credit_id":217,"order":218,"media_type":35},"\u002FaUWBsyb44AiA3xCcqs1fpdc7GqY.jpg",[25],148183,"Oscar Niemeyer: A Vida é Um Sopro","Documental sobre la vida y obra del arquitecto brasileño Oscar Niemeyer (1907), uno de los personajes más influyentes de la arquitectura moderna y pionero en la exploración de las posibilidades constructivas y plásticas del hormigón armado.",1.395,"\u002FkdP8NL5wzkBsGo0DRzNV5EXvmQN.jpg","2007-01-14",6.9,"68c2ed195107ff83b51bde50",12,{"adult":4,"backdrop_path":220,"genre_ids":221,"id":223,"title":224,"original_language":88,"original_title":224,"overview":29,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":69,"vote_count":45,"character":127,"credit_id":228,"order":80,"media_type":35},"\u002FeyF9ibaUQzS6YG1O040x0XSFwdJ.jpg",[25,222],10402,1016206,"Miúcha, a Voz da Bossa Nova",1.1561,"\u002FuX2iZcu99kJ83900J6V6MHHNcYb.jpg","2022-09-10","68c4715a2016c417d10ec592",{"adult":4,"backdrop_path":23,"genre_ids":230,"id":231,"title":91,"original_language":166,"original_title":91,"overview":29,"popularity":232,"poster_path":23,"release_date":233,"softcore":4,"video":4,"vote_average":33,"vote_count":33,"character":29,"credit_id":234,"order":33,"media_type":35},[],1558024,1.5763,"1967-10-06","68e3a7235e1965a6f396194a",{"adult":4,"backdrop_path":236,"genre_ids":237,"id":238,"title":239,"original_language":40,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":59,"credit_id":245,"order":61,"media_type":35},"\u002FiSMJsRg5e8nh8Zg4SvIfpuTy2Iy.jpg",[25,200],1449482,"Los Hermanos de los Hermanos","Les frères des Frères","Entre 1954 y 1962, durante la Guerra de Argelia, ciudadanos franceses prestaron ayuda concreta al FLN en Francia: dieron refugio a refugiados, falsificaron documentos, facilitaron el cruce de fronteras y transportaron fondos. Ya fuera por su compromiso con los ideales de la República o impulsados ​​por revolucionarios tercermundistas, buscaron construir un puente de amistad entre naciones. Pagaron su compromiso con prisión y exilio. Cuatro veteranos de la red Jeanson rememoran este periodo. Hoy, ya no se les considera traidores ni héroes, sino testigos que relatan \"su\" guerra. Tras 30 años de silencio, la \"red Jeanson\" da testimonio de esta historia.",1.7909,"\u002F2U3CMOvDXUbzpojbW6l7qnc58pT.jpg","1992-03-14","6a259476309f95736eccfd82",{"adult":4,"backdrop_path":247,"genre_ids":248,"id":249,"title":250,"original_language":133,"original_title":250,"overview":29,"popularity":251,"poster_path":252,"release_date":253,"softcore":4,"video":4,"vote_average":254,"vote_count":80,"character":29,"credit_id":255,"order":44,"media_type":35},"\u002F80ta9vcZMaqWOD0RyIfh7B1QV35.jpg",[25],667856,"Paris Calligrammes",2.2073,"\u002Fly7T4hwyt6EgdMvLSnhi4zamIvp.jpg","2020-10-14",5.5,"6a90d973cdb733e07a770cf5",{"adult":4,"backdrop_path":23,"genre_ids":257,"id":258,"title":259,"original_language":76,"original_title":259,"overview":29,"popularity":260,"poster_path":261,"release_date":29,"softcore":4,"video":262,"vote_average":33,"vote_count":33,"character":127,"credit_id":263,"order":80,"media_type":35},[25],1784455,"Jean-Paul Sartre et Simone de Beauvoir",1.5267,"\u002FmzVnx2cfOiud7GgwH9frSjyRj4v.jpg",true,"6abcacb44ce0e51496185abd",{"adult":4,"backdrop_path":265,"genre_ids":266,"id":268,"origin_country":269,"original_language":40,"original_name":271,"overview":29,"popularity":272,"poster_path":273,"first_air_date":274,"softcore":4,"name":271,"vote_average":58,"vote_count":45,"character":275,"credit_id":276,"episode_count":80,"first_credit_air_date":274,"media_type":277},"\u002FswvBetNnwsJ9SHeLzzsQMSisOyn.jpg",[25,267],10768,158287,[270],"FR","En guerre(s) pour l'Algérie",3.739,"\u002Fhb5vcLyoWvdLtNYfiZ93d5X2y9O.jpg","2022-02-22","Self - Philosopher (archive footage)","630458d154508d00832ab9a1","tv",{"adult":4,"backdrop_path":23,"genre_ids":279,"id":281,"origin_country":282,"original_language":40,"original_name":283,"overview":29,"popularity":284,"poster_path":285,"first_air_date":286,"softcore":4,"name":283,"vote_average":126,"vote_count":11,"character":127,"credit_id":287,"episode_count":80,"first_credit_air_date":288,"media_type":277},[280],10767,136450,[270],"Les Rendez-vous du dimanche",37.5994,"\u002FcsEN53LOtSMucpBohRi8YKY27WU.jpg","1975-01-12","63935d99ba480200888d7e1e","1976-10-31",{"adult":4,"backdrop_path":290,"genre_ids":291,"id":292,"origin_country":293,"original_language":40,"original_name":294,"overview":29,"popularity":295,"poster_path":296,"first_air_date":297,"softcore":4,"name":294,"vote_average":298,"vote_count":45,"character":59,"credit_id":299,"episode_count":80,"first_credit_air_date":300,"media_type":277},"\u002Fwkmh7WClhfU7DQdti6lEFH0qLT3.jpg",[280],30243,[270],"Apostrophes",49.6982,"\u002F8sAKVFRZDoZa51a60BO24Pf6jnb.jpg","1975-01-10",8.5,"63c7e46d142ef1008a53c1fc","1990-03-23",{"adult":4,"backdrop_path":302,"genre_ids":303,"id":304,"origin_country":305,"original_language":40,"original_name":306,"overview":29,"popularity":307,"poster_path":308,"first_air_date":309,"softcore":4,"name":306,"vote_average":58,"vote_count":44,"character":59,"credit_id":310,"episode_count":80,"first_credit_air_date":309,"media_type":277},"\u002F4r8LUqjdx45bwhn3XUlvEwFGjY8.jpg",[25,267],217110,[270],"Le Siècle des icônes",2.7725,"\u002FbA3IPWLMwNSu2MDSKhtlDK1e5JS.jpg","2022-12-27","63beb6a3fc31d317270deb95",{"adult":4,"backdrop_path":312,"genre_ids":313,"id":314,"origin_country":315,"original_language":76,"original_name":317,"overview":318,"popularity":319,"poster_path":320,"first_air_date":321,"softcore":4,"name":317,"vote_average":322,"vote_count":186,"character":323,"credit_id":324,"episode_count":80,"first_credit_air_date":325,"media_type":277},"\u002Frw8WDEdF5hfq0Q9UTV94732RifQ.jpg",[25],24131,[316],"GB","Around the World with Orson Welles","\"La vuelta al mundo con Orson Welles\" (emitida en Francia bajo el título: Le Carnet De Voyage d'Orson Welles) es una serie de 6 episodios de 26 minutos producida por Louis Dolivet para una nueva cadena británica, ITV, dedicada a Orson Welles y que sigue a \"Orson Welles' Sketch Book\". El contrato firmado en marzo de 1955 con ITV preveía un pedido de 26 episodios, cada uno de ellos un documental de viajes. Se trata del primer trabajo real de Welles para la televisión (la serie \"Sketch Book\" consiste en planos fijos largos en el estudio). El primer episodio filmado es el dedicado a Viena. Dos episodios están dedicados al País Vasco, otro a la tauromaquia, después a un barrio de París, Saint-Germain-des-Prés, y finalmente, el último a los jubilados de Chelsea (Londres). El episodio dedicado al caso Domenici quedó parcialmente inacabado, pero debería haber sido el primer documental dedicado a este asunto que llegó a los titulares de los periódicos franceses en 1952.",3.0161,"\u002FxerzUUvaSzBxABXXFwTQhRfafEO.jpg","1955-10-07",7.1,"Self — Author","68cab7b57fa3c37e2898df60","1955-11-18",[327,339,352,365,375,384,394,405,414,426,437,449,457,461,470,480,493,503,513,516,525,534,542,550,558,561,569,579,592,600,607,616,623,630,642,651,662,673,685,696,707,717],{"adult":4,"backdrop_path":328,"genre_ids":329,"id":330,"title":331,"original_language":40,"original_title":331,"overview":332,"popularity":333,"poster_path":334,"release_date":335,"softcore":4,"video":4,"vote_average":216,"vote_count":336,"credit_id":337,"department":15,"job":338,"media_type":35},"\u002F7MTwRqOrbsnvaVfQ0AjbihIhfYb.jpg",[153,200],4300,"Les Sorcières de Salem","Salem, 1692. El agricultor John Proctor ha hecho el amor dos veces con Abigail, una joven de 17 años que él y su esposa han acogido. Su esposa Elisabeth lo ha estado rechazando durante siete meses, por su puritanismo y frialdad. Cuando Elisabeth encuentra a John abrazando a Abigail, echa a la muchacha de su casa y John, sintiéndose condenado, está de acuerdo. Abigail jura venganza. Su oportunidad llega cuando acusa a Elisabeth de brujería y manipula a las niñas más jóvenes para apoyar sus afirmaciones de ver espíritus. El ministro de la ciudad y los políticos quieren una causa: liberar al pueblo de la brujería. John también es acusado; Abigail le ofrece una manera de evitar la horca. Elisabeth tiene su propia confesión.",2.5807,"\u002FyZstkxmcf2OrJ9k700kHqZ6O60J.jpg","1957-04-26",49,"52fe43b9c3a36847f806adb5","Screenplay",{"adult":4,"backdrop_path":340,"genre_ids":341,"id":342,"title":343,"original_language":166,"original_title":344,"overview":345,"popularity":346,"poster_path":347,"release_date":348,"softcore":4,"video":4,"vote_average":322,"vote_count":349,"credit_id":350,"department":15,"job":351,"media_type":35},"\u002FejxYcR34IMJWW0CBxOK0s8C71hO.jpg",[153],166888,"Los condenados de Altona","I sequestrati di Altona","Tras ser denunciado por su padre a la Gestapo, Franz von Gerlach se alista en el ejército y se convierte en un torturador. 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