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La segunda es en Alemania (Berlín) en la que triunfa como actor (nuevos conceptos: conciencia dividida en la que percibe su actuación ante el público y las orientaciones que le da su personaje durante la representación. Sustituye la memoria afectiva por la imaginación pura) pero no lleva a cabo sus ideales de formación del actor. La tercera etapa transcurre en Francia (París) donde crea su propio teatro llamado Chejov-Boner Studio el cual fracasa por su teatro utópico, en los Estados bálticos (Estonia y Lituania) en la que vuelve a interpretar y a ser maestro; y a Estados Unidos, donde ocupó la dirección del Group Theatre, recientemente abandonada por Lee Strasberg, y donde pudo presentar explícitamente por primera vez ejemplos de su trabajo desde su exilio de Moscú. Se planteó la gran incógnita que persiguió a Chéjov: era un excelente actor, pero ¿era posible enseñar su técnica? Entonces una alumna le propone viajar a Inglaterra con nuevos planes. Es entonces cuando junto con Beatrice Straight y Deirdre Hurt consiguen en Dartington el sueño de Chéjov, creando el Teatro Estudio Chéjov. Allí, la preparación, que duraba dos años completos, era completa y exhaustiva recordando que el trabajo del actor debía estar condicionado por un estímulo externo para después interiorizarlo. Pero la escuela se cerró debido a problemas políticos, y se reabrió en un pueblo cerca de Nueva York. Allí crea el concepto de gesto psicológico en el que se encuentran el alma del personaje y el cuerpo físico del intérprete. Por último se traslada a Los Ángeles donde termina con una gran carrera de actor y su muerte en 1955.Estuvo tres años casado con Olga Chéjova que tomó el apellido de su marido. 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