[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F33821:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":568},false,[],"Jorge Grau Solá was a Spanish director, scriptwriter, playwright and painter.","1930-10-27","2018-12-26",2,null,33821,"nm0336076","Directing","Jorge Grau"," Barcelona, Catalonia, Spain",0.7446,"\u002FnlAEI1yRZ2to0LkKRtgPkLASdeA.jpg",{"cast":19,"crew":209},[20,37,50,60,72,85,95,107,120,131,140,153,163,176,183,197],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":24,"title":25,"original_language":26,"original_title":25,"overview":27,"popularity":28,"poster_path":29,"release_date":30,"softcore":4,"video":4,"vote_average":31,"vote_count":32,"character":33,"credit_id":34,"order":35,"media_type":36},"\u002FxN2dMIwFzaTR2Mx2ecMHdxK270Y.jpg",[23],35,109690,"En fuera de juego","es","Diego, un médico argentino traumatizado por el fútbol desde su infancia, no está satisfecho con su vida. Javi es un representante de chavales que empiezan a jugar al fútbol, un mánager español de tercera que sueña con una oportunidad que cambie su suerte. De repente, el descubrimiento de un joven crack argentino, unirá a Javi y a Diego en una aventura común, llena de sorpresas y y picaresca.",1.8709,"\u002F5smhyrxsIRdGcU6RMsBTv5PTWa8.jpg","2012-06-01",4.9,19,"Guardia Aeropuerto","6476c0d600508a00f98a6b24",18,"movie",{"adult":4,"backdrop_path":10,"genre_ids":38,"id":40,"title":41,"original_language":42,"original_title":41,"overview":43,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":49,"order":9,"media_type":36},[39],99,968024,"Marauders from the Mediterranean: The Macabre Magic of the Spanish Zombie Film","en","",1.1705,"\u002FdDya0LVVNYUzOL4MWhvzWhkFPK1.jpg","2022-04-09",0,"Self","62685f25c613ce00502f059c",{"adult":4,"backdrop_path":10,"genre_ids":51,"id":52,"title":53,"original_language":42,"original_title":53,"overview":43,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":57,"credit_id":58,"order":59,"media_type":36},[39],998889,"Jorge Grau: Catalonia's Cult Film King",1.4321,"\u002FyMkAbFrZX6YySYY5KAw6JVChTpO.jpg","2020-10-01","self","62cc9885fd4a960f4da5bf17",1,{"adult":4,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":26,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":69,"credit_id":70,"order":71,"media_type":36},"\u002F8R5CYgW0guvQVGb5fBEB4WZaqQt.jpg",[39],422115,"Los perversos rostros de Víctor Israel","Orgulloso de una fisonomía que le permitió trabajar en lo que quería, Víctor Israel se convirtió en un rostro habitual del cine español entre los años 70 y 80. Su primer papel (En \"Tierra de todos\", de Isasi-Isasmendi) fue el comienzo de una filmografía que abarcó casi doscientas películas y que hizo un especial hincapié en el fantástico. Ahora, cuando se añora su perdida, este minucioso documental le rinde un merecido tributo.",1.331,"\u002FyEM3eGdgwFANvRkn3Qj9fSCZH3M.jpg","2010-10-10","Himself","5809675692514137870023ba",8,{"adult":4,"backdrop_path":73,"genre_ids":74,"id":75,"title":76,"original_language":26,"original_title":76,"overview":77,"popularity":78,"poster_path":79,"release_date":80,"softcore":4,"video":4,"vote_average":81,"vote_count":82,"character":83,"credit_id":84,"order":32,"media_type":36},"\u002FmdTOn6eUT1DFlXJPgM8Nay7grMV.jpg",[23,35],71787,"El florido pensil","El Florido Pensil\" es un reflejo, en clave de humor, de la educación de varias generaciones de españoles, entre las décadas de los cuarenta a los sesenta. Basada en el libro homónimo de Andrés Sopeña, evoca, desde el presente, sus recuerdos de entonces: la escuela cotidiana, la radio local, los tebeos de Roberto Alcázar, el cine de los jueves con Franco inaugurando pantanos y \"Yon Güein\" persiguiendo y matando indios. A través de la mirada infantil de un Sopeña niño (Daniel Rubio) y de sus compañeros de escuela se descubre una manera de entender el mundo, la sociedad y una España \"de glorias florido pensil\", tal y como se cantaba en el himno nacional de aquellos años.",1.0791,"\u002FffsEysxyHFDYNfyytbHqi9W3CBZ.jpg","2002-03-22",6.2,9,"Obispo","5ac15930925141601804c5f0",{"adult":4,"backdrop_path":10,"genre_ids":86,"id":87,"title":88,"original_language":26,"original_title":88,"overview":89,"popularity":90,"poster_path":91,"release_date":92,"softcore":4,"video":4,"vote_average":93,"vote_count":9,"character":48,"credit_id":94,"order":82,"media_type":36},[39],549769,"Queridos monstruos","Una visión de la historia del cine fantástico y de terror desde los años sesenta hasta nuestros días. Las coproducciones, el sistema de financiación, el caso Matesa, la Ley Miró o el sistema Back to back son algunos de los temas contados en primera persona por sus protagonistas.",0.9753,"\u002FkI2k9H0dL79U9NRuKQEYpGJBr9h.jpg","2014-10-10",5.5,"5ba61f970e0a2635ec0088af",{"adult":4,"backdrop_path":96,"genre_ids":97,"id":98,"title":99,"original_language":26,"original_title":99,"overview":100,"popularity":101,"poster_path":102,"release_date":103,"softcore":4,"video":4,"vote_average":104,"vote_count":82,"character":48,"credit_id":105,"order":106,"media_type":36},"\u002FnwBGQMWTeRdDgMr7D18bxthJCuw.jpg",[39],170249,"El hombre que vio llorar a Frankenstein","Paul Naschy dijo en una ocasión «Soy la única persona que vio llorar a Karloff, el monstruo de Frankenstein». Y precisamente por aquella sentencia, El hombre que vio llorar a Frankenstein es el título del documental que narra la vida de Jacinto Molina, conocido en el mundo del cine con el nombre de Paul Naschy, icono internacional del cine fantástico y de terror. (FILMAFFINITY)",1.4901,"\u002F20EhzAGtBh14s684qTeTrCsCO7G.jpg","2010-10-07",6,"5bd40c6592514103a00101c5",13,{"adult":4,"backdrop_path":108,"genre_ids":109,"id":111,"title":112,"original_language":42,"original_title":112,"overview":43,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":116,"vote_count":117,"character":48,"credit_id":118,"order":119,"media_type":36},"\u002FykXnGxJzvxVkMZnJKHSIzpIYF6a.jpg",[39,110],10770,200365,"Horror Europa with Mark Gatiss",1.5663,"\u002Fwz68n1kn91WNIegNy6LHOD8iReS.jpg","2012-10-30",7.385,14,"5bfc85880e0a265b28018b91",7,{"adult":4,"backdrop_path":121,"genre_ids":122,"id":123,"title":124,"original_language":26,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":104,"vote_count":9,"character":129,"credit_id":130,"order":119,"media_type":36},"\u002FqJtCQSY8w9acLF1lPiXj0rk6ZnD.jpg",[39],257844,"¡Zarpazos! Un viaje por el spanish horror","A finales de los sesenta, el cine español comenzó a producir una gran cantidad de películas de terror: se abrieron los mercados internacionales, hubo una producción continua y se creó un pequeño star system, así como un sólido grupo de directores especializados. Aunque se imitaban tendencias extranjeras, el horror español ofrecía un enfoque particular del sexo, la sangre y la violencia. Fue un movimiento artístico extremadamente inusual en la España de Franco.",1.622,"\u002FsXp49NOIt7PTrNcHQuk98zQ7kNu.jpg","2014-06-20","Self - Director","5cd8c4500e0a265585cab896",{"adult":4,"backdrop_path":10,"genre_ids":132,"id":133,"title":134,"original_language":26,"original_title":134,"overview":135,"popularity":136,"poster_path":137,"release_date":138,"softcore":4,"video":4,"vote_average":93,"vote_count":104,"character":43,"credit_id":139,"order":82,"media_type":36},[23],467128,"El sexo ataca (1ª jornada)","Todo lo que usted nunca quiso saber sobre el sexo de los españoles. Un documento de ficción que parece una ocurrencia surrealista. Con los inefables Tip y Coll improvisando a fondo. Atentos a las encuestas populares",1.1522,"\u002F8oeK6CZn4yZnOtHBGMKUMrFqRXs.jpg","1979-06-14","5d19dc62ca4f670018d6bf87",{"adult":4,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":26,"original_title":144,"overview":145,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":149,"vote_count":106,"character":150,"credit_id":151,"order":152,"media_type":36},"\u002FfEBB0YvOvRhfgrgVh2U57iPUQdg.jpg",[39],637490,"Sesión salvaje","Un paseo por la época dorada del cine de explotación español, de los años sesenta a los ochenta; un cine de bajo presupuesto y una gran aceptación popular que explotó las modas cinematográficas: westerns, películas de terror, comedias eróticas y thrillers sobre criminales de poca monta.",1.4401,"\u002F7KhjhzR1IHm3S5MiWb4yWAjMK5y.jpg","2019-12-13",6.8,"Self - Filmmaker","5d9e596865686e001e613725",10,{"adult":4,"backdrop_path":10,"genre_ids":154,"id":155,"title":156,"original_language":26,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":119,"vote_count":59,"character":43,"credit_id":161,"order":162,"media_type":36},[23],449258,"La Rana Verde","Cimera de los Infantes, Castilla, España. Los jóvenes que se reúnen todos los días en el bar La Rana Verde se aburren porque cuentan con pocas diversiones, así que deciden seducir a las chicas que acuden a un curso de verano en el histórico castillo de la localidad.",0.9135,"\u002F64qw7zsB7nOI07WvvpxSp2SlhWs.jpg","1958-06-11","5ef6578613af5f0035505b94",22,{"adult":4,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":26,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":104,"character":173,"credit_id":174,"order":175,"media_type":36},"\u002FwcKHoGbi497x1JTXGY86L0UNT2u.jpg",[35],107656,"Chicas de club","La película empieza con un poema y un reportaje. El poema habla de la noche; el reportaje, de las chicas de club. Las chicas cuentan su vida. Tal vez sólo en parte, pero ni sus rostros ni su voz pueden ocultar la verdad. También existe una historia, la de Elisa. Ella narra su angustia, su resentimiento, su ternura, su soledad, sus miedos y lo cuenta apoyándose en el pasado que les dio origen y en el presente. Y lo mismo que ella, las demás chicas que aparecen, con sus propias vivencias.",1.348,"\u002FqZVYRUfsnXHsQGDRnQfcEQ12jOs.jpg","1972-07-17",4.5,"Entrevistador (uncredited)","5f57692c9d89390035d34fd6",33,{"adult":4,"backdrop_path":10,"genre_ids":177,"id":178,"title":179,"original_language":26,"original_title":179,"overview":43,"popularity":180,"poster_path":10,"release_date":181,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":43,"credit_id":182,"order":47,"media_type":36},[39],755762,"Jorge Grau on The Living Dead at Manchester Morgue",0.9078,"2000-10-24","5f8fc2e989f74900380b3b73",{"adult":4,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":26,"original_title":187,"overview":188,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"character":194,"credit_id":195,"order":196,"media_type":36},"\u002FePxPKXz4uQ9X2p7MpDUKtM79cuF.jpg",[35],368432,"La trastienda","El doctor Navarro, un conocido médico, se siente fuertemente atraído por su enfermera, la cual está también enamorada del doctor. Este, sin embargo, se mantiene fiel a su esposa y trata por todos los medios de evitar que sus relaciones con la enfermera traspasen los límites profesionales.",1.3325,"\u002FaPLB1N6lB0q53jp1zneP1g5XaXG.jpg","1976-02-23",5.1,15,"Man in the street (Uncredited)","69d4772f737a897621cbff2c",26,{"adult":4,"backdrop_path":10,"genre_ids":198,"id":199,"origin_country":200,"original_language":42,"original_name":202,"overview":43,"popularity":203,"poster_path":204,"first_air_date":205,"softcore":4,"name":202,"vote_average":71,"vote_count":59,"character":48,"credit_id":206,"episode_count":59,"first_credit_air_date":207,"media_type":208},[39],68436,[201],"GB","Eurotika!",3.7826,"\u002FscO0IGkXQO26BCftgm6wSa6Mbpc.jpg","1999-10-03","58c07c7e9251412c820008ed","1999-12-12","tv",[210,225,229,244,254,266,269,280,291,295,298,301,311,319,330,333,342,353,356,366,369,378,389,392,395,403,406,409,412,415,428,436,439,448,464,473,476,479,488,491,494,497,500,503,508,519,524,527,538,541,552,555],{"adult":4,"backdrop_path":211,"genre_ids":212,"id":215,"title":216,"original_language":26,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":221,"vote_count":82,"credit_id":222,"department":223,"job":224,"media_type":36},"\u002FiG8X2z7Dy2gEJYBr2x4KESaHN1M.jpg",[213,214],27,53,3700,"Pena de muerte","Él es un duro juez famoso por su intransigencia. No tiene reparos de ningún tipo al condenar a un delincuente a pena de muerte. Durante una visita a España se ve involucrado en los acontecimientos que se desarrollan en el hotel en que él y su mujer se alojan. Una serie de asesinatos que él propone aclarar para condenar al responsable a la pena de muerte.",3.0391,"\u002FhNkgG0eAWNCgijMkRr4dEzWjWhi.jpg","1974-08-12",6.1,"52fe43a3c3a36847f8063ddf","Writing","Screenplay",{"adult":4,"backdrop_path":211,"genre_ids":226,"id":215,"title":216,"original_language":26,"original_title":216,"overview":217,"popularity":218,"poster_path":219,"release_date":220,"softcore":4,"video":4,"vote_average":221,"vote_count":82,"credit_id":227,"department":13,"job":228,"media_type":36},[213,214],"52fe43a3c3a36847f8063dd9","Director",{"adult":4,"backdrop_path":230,"genre_ids":231,"id":233,"title":234,"original_language":235,"original_title":236,"overview":237,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":4,"vote_average":241,"vote_count":242,"credit_id":243,"department":13,"job":228,"media_type":36},"\u002F9xxF1MBsXJ3Y2EJQsqU61StzcNU.jpg",[213,232,35],878,25627,"No profanar el sueño de los muertos","it","Non si deve profanare il sonno dei morti","Un joven anticuario se va de vacaciones. En el camino conoce a una joven mujer en camino a la granja de su hermana. En el campo ella es atacada por un extraño vagabundo que supuestamente había muerto hacía una semana. El motivo es una nueva máquina experimental del ministerio de agricultura que, a través del ultrasonido, acaba con plagas y los insectos. Cuando la pareja llega a la granja, se encuentran con un hombre asesinado por este espectral zombie. La trama se complica con la investigación de la policía, que sospecha que todo es asunto de hippies satánicos y drogadictos.",4.9783,"\u002FxiU1GfrUk9RjrAMLYmrlwFJA8Ec.jpg","1974-11-28",6.381,244,"52fe44d2c3a368484e038e8d",{"adult":4,"backdrop_path":10,"genre_ids":245,"id":247,"title":248,"original_language":26,"original_title":248,"overview":249,"popularity":250,"poster_path":251,"release_date":252,"softcore":4,"video":4,"vote_average":172,"vote_count":9,"credit_id":253,"department":13,"job":228,"media_type":36},[35,246],10402,80614,"Tuset Street","Jordi Artigas es un joven arquitecto que vive en uno de los barrios más modernos de Barcelona. Entre sus amigos tiene fama de ser un gran conquistador. En el Pub de la calle Tuset conoce a Violeta Riscal, una vedette del \"Molino\". Animado por su amigo Micky, hace una apuesta que consiste en seducir a Violeta, quien, además de cantar, vive del alterne.",1.5811,"\u002Fnt1dV9LoyXQiZOkFTAqqhV2nYKf.jpg","1968-09-16","52fe47cd9251416c910762eb",{"adult":4,"backdrop_path":255,"genre_ids":256,"id":257,"title":258,"original_language":26,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":263,"vote_count":264,"credit_id":265,"department":13,"job":228,"media_type":36},"\u002FjUz1AZ8N7BdToeAT8t2qflIx4OF.jpg",[213],87125,"Ceremonia sangrienta","La historia del Marqués Karl Ziemmer y su esposa, Erszebeth Bathory, descendiente de la condesa que solía bañarse en sangre de vírgenes. En la comarca se inicia una serie de crímenes cuyas víctimas son siempre jovencitas cuya sangre es misteriosamente drenada.",1.5055,"\u002Fodhc1ja9p70Na3CMoIw6uL8PNOI.jpg","1973-09-10",5.3,42,"52fe49b79251416c910b660d",{"adult":4,"backdrop_path":255,"genre_ids":267,"id":257,"title":258,"original_language":26,"original_title":258,"overview":259,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":263,"vote_count":264,"credit_id":268,"department":223,"job":224,"media_type":36},[213],"52fe49b79251416c910b6613",{"adult":4,"backdrop_path":270,"genre_ids":271,"id":273,"title":274,"original_language":26,"original_title":274,"overview":275,"popularity":276,"poster_path":277,"release_date":278,"softcore":4,"video":4,"vote_average":93,"vote_count":162,"credit_id":279,"department":13,"job":228,"media_type":36},"\u002F9k9VP9zy7ldon5VITxQJpwdZPfx.jpg",[272,213,214],80,104980,"Coto de caza","Adela es una abogada penal que se dedica a defender delincuentes con total convencimiento de lo que hace y dice sobre las penalidades que llevan al delito y no cree en la maldad natural. Esta candidez le lleva a que la banda del Mauri, a uno de cuyos integrantes defiende, le robe el coche con las cosas personales y prepare un golpe a la casa de campo familiar que tiene un coto de caza privado.",1.6228,"\u002F11o1QcHLl0dCT8sf0lm520yZX8m.jpg","1983-01-01","52fe4a44c3a36847f81c4369",{"adult":4,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":26,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":289,"vote_count":289,"credit_id":290,"department":223,"job":224,"media_type":36},"\u002FmCH04w2oWmL0bfYqGSyJK4wnbeq.jpg",[35],124388,"Cartas de amor de una monja","Estamos en 1640, en una España donde la Inquisición imponía, casi a la fuerza, la ley de Dios. A raíz de una serie de sucesos, Mariana de la Cruz, Madre Superiora de un convento de carmelitas, comienza a preguntarse si el sexo es pecado cuando va ligado al amor.",0.9822,"\u002FmYrmXtGFF78wrWLxsHCvTnCTKCs.jpg","1978-09-29",4,"52fe4aaac3a368484e160a49",{"adult":4,"backdrop_path":281,"genre_ids":292,"id":283,"title":284,"original_language":26,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":289,"vote_count":289,"credit_id":293,"department":223,"job":294,"media_type":36},[35],"52fe4aaac3a368484e160a4f","Story",{"adult":4,"backdrop_path":281,"genre_ids":296,"id":283,"title":284,"original_language":26,"original_title":284,"overview":285,"popularity":286,"poster_path":287,"release_date":288,"softcore":4,"video":4,"vote_average":289,"vote_count":289,"credit_id":297,"department":13,"job":228,"media_type":36},[35],"52fe4aaac3a368484e160a43",{"adult":4,"backdrop_path":164,"genre_ids":299,"id":166,"title":167,"original_language":26,"original_title":167,"overview":168,"popularity":169,"poster_path":170,"release_date":171,"softcore":4,"video":4,"vote_average":172,"vote_count":104,"credit_id":300,"department":13,"job":228,"media_type":36},[35],"52fe4a84c3a36847f81d2969",{"adult":4,"backdrop_path":10,"genre_ids":302,"id":303,"title":304,"original_language":26,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":104,"vote_count":309,"credit_id":310,"department":13,"job":228,"media_type":36},[35],141670,"El espontáneo","Paco es el joven botones de un hotel de lujo. Suele hacer pequeños negocios con la reventa de entradas de corridas de toros a losturistas. Por un equívoco es despedido del trabajo. No encuentra ningún empleo de su gusto y deambula por las tabernas de la calle Victoria. Finalmente descubre su única oportunidad en los toros, oficio que considera fácil y le gusta. 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