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Patrullando las calles en su \"Zebra Three\" un llamativo Ford Gran Torino rojo, la pareja combate el crimen sin descanso.",44.6289,"\u002FaBj5oTi1uibVcXDoCJeKseJNY2d.jpg","1975-09-10","Starsky y Hutch",7.35,214,"52570be6760ee3776a074c7d","1975-11-26",{"adult":4,"backdrop_path":255,"genre_ids":256,"id":257,"origin_country":258,"original_language":25,"original_name":259,"overview":260,"popularity":261,"poster_path":262,"first_air_date":263,"softcore":4,"name":259,"vote_average":158,"vote_count":264,"character":6,"credit_id":265,"episode_count":9,"first_credit_air_date":266,"media_type":224},"\u002FwixjwQv8aPfIwbc7euj0fPPsMjT.jpg",[88,22,89],3216,[215],"Baretta","Serie de TV (1975-1978). Antony Vincenzo, apodado \"Tony\" Baretta, es un detective que trabaja para el departamento de policía de una ciudad estadounidense. Viste de manera informal y comparte su apartamento con una cacatúa llamada Fred, que suele contestar el teléfono antes que su dueño. 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Pionera en el arte de mantener el suspense al final de cada capítulo, la serie obtuvo un enorme éxito en todo el mundo y fue líder de audiencia en la televisión americana a comienzos de los ochenta.",95.3904,"\u002Fjmqo8bgHrhKYPc0RK5F71GHa8rm.jpg","1978-04-02",6.895,252,"Aunt Maggie Monahan","606f08c5e92d830029fce0a3","1978-09-30",{"adult":4,"backdrop_path":300,"genre_ids":301,"id":302,"origin_country":303,"original_language":25,"original_name":304,"overview":6,"popularity":305,"poster_path":306,"first_air_date":307,"softcore":4,"name":304,"vote_average":308,"vote_count":309,"character":6,"credit_id":310,"episode_count":311,"first_credit_air_date":312,"media_type":224},"\u002FgrhFLFnggTgQ4HAfWkzEjbFcSJE.jpg",[285],4547,[215],"Another World",13.2679,"\u002F8smTKIXaZ3HVUwkEM9gImrMj5Fo.jpg","1964-05-04",5.5,13,"52576f82760ee36aaa45ef83",1547,"1965-05-03",{"adult":4,"backdrop_path":314,"genre_ids":315,"id":316,"origin_country":317,"original_language":25,"original_name":318,"overview":6,"popularity":319,"poster_path":320,"first_air_date":321,"softcore":4,"name":318,"vote_average":322,"vote_count":323,"character":6,"credit_id":324,"episode_count":9,"first_credit_air_date":325,"media_type":224},"\u002FsCa6Ja6rZrqGp7pZ55jaMyG9Poq.jpg",[22,88],9769,[215],"Vega$",25.0904,"\u002FmyE2ubvyqnX8ToL0KmC6TTBT7c4.jpg","1978-09-20",6.981,26,"5257f71619c29531db2bbff3","1979-03-14",{"adult":4,"backdrop_path":327,"genre_ids":328,"id":329,"origin_country":330,"original_language":25,"original_name":331,"overview":332,"popularity":333,"poster_path":334,"first_air_date":335,"softcore":4,"name":336,"vote_average":337,"vote_count":338,"character":6,"credit_id":339,"episode_count":9,"first_credit_air_date":340,"media_type":224},"\u002FzwQ67ZUddRQz1JNTsOxSq0Edodo.jpg",[241,88,22],10020,[215],"Police Woman","La sargento Suzanne “Pepper” Anderson (Angie Dickinson) es una agente secreta que trabaja en la investigación de casos criminales para el Departamento de Policía de Los Ángeles. Su trabajo la obliga con frecuencia a hacerse pasar por enfermera, maestra, azafata, bailarina o camarera para poder acercarse a los sospechosos y obtener la información necesaria para arrestarlos.",37.9628,"\u002FeKqO6PMfSW4YUJYhZrB82TSjwor.jpg","1974-09-13","La mujer policia",6.456,34,"5257faf919c29531db2fd439","1977-01-04",{"adult":4,"backdrop_path":342,"genre_ids":343,"id":344,"origin_country":345,"original_language":25,"original_name":346,"overview":6,"popularity":347,"poster_path":348,"first_air_date":349,"softcore":4,"name":346,"vote_average":350,"vote_count":125,"character":6,"credit_id":351,"episode_count":9,"first_credit_air_date":352,"media_type":224},"\u002FfwtWvqA5aHdGeThPuXfkPWayTpD.jpg",[22],12273,[215],"Lucan",6.7855,"\u002FbrkBZxJ8gybfSROcM84P6QF5fsn.jpg","1977-09-12",8,"52581e76760ee36aaa779773","1978-01-02",{"adult":4,"backdrop_path":354,"genre_ids":355,"id":358,"origin_country":359,"original_language":25,"original_name":360,"overview":6,"popularity":361,"poster_path":362,"first_air_date":363,"softcore":4,"name":360,"vote_average":364,"vote_count":365,"character":70,"credit_id":366,"episode_count":9,"first_credit_air_date":68,"media_type":224},"\u002FagKG106qEyccmflyi3zwHywuOtR.jpg",[356,357,22],35,99,10029,[215],"Great Performances",89.447,"\u002F1RD6s6KEbX36Cb99pAoWmU8gkwh.jpg","1971-01-28",6.1,25,"5f81a5dd6082eb0038e47c55",[368],{"adult":4,"backdrop_path":369,"genre_ids":370,"id":371,"title":372,"original_language":25,"original_title":372,"overview":373,"popularity":374,"poster_path":375,"release_date":376,"softcore":4,"video":4,"vote_average":69,"vote_count":69,"credit_id":377,"department":378,"job":379,"media_type":35},"\u002FhwbvjCSltl5ihoSPxvcpNMVmPN5.jpg",[357],1256868,"The Forest in Me","Bosques épicos de la taiga siberiana y paisajes de lava negra de un volcán hawaiano se entretejen a lo largo de esta película silenciosamente poderosa que parte de una historia personal sobre vivir con incertidumbre, para reflexionar sobre las posibilidades de amor y conexión humana.\r En una carta íntima a su hijo pequeño, la cineasta establece conexiones entre Agafya Lykova, una anciana que sobrevive sola en el bosque siberiano desde su nacimiento y que ahuyenta a los osos golpeando restos de cohetes espaciales, una tripulación en Hawaii que simula lo que es la vida aislada. podría estar en Marte y su pequeño hijo descubriendo el mundo minuto a minuto.  (Imagineindia)",1.0282,"\u002Fml1FGKhRti2islWRMkIaPNFi0jH.jpg","2024-03-12","65ecf5631ac2920149689b26","Crew","Cinematography",{"profiles":381},[]]