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At this time she adopted the name Nita Naldi, which was an homage to a childhood friend named Florence Rinaldi.\n\nShe continued working on Broadway, and after a well received performance in The Bonehead, she was offered a stint with well-known producer William A. Brady. Brady cast her in his play Opportunity in 1920.\n\nNaldi was asked to perform in a short film with Scottish comedian Johnny Dooley (no relation). She quit the film after realizing that Dooley had romantic intentions with another woman. She was then offered a role in A Divorce of Convenience with Owen Moore. After those two films, she had small roles in several independent films before being selected for Dr. Jekyll and Mr. Hyde (1920) with John Barrymore. The role in the film would give Naldi much prestige. During the production of Dr. Jekyll and Mr. Hyde, Barrymore and Naldi became friends, and remained friends for many years, with Barrymore lovingly calling her the Dumb Duse.\n\nNaldi was selected by Spanish author Vicente Blasco Ibáñez for the role of Dona Sol in the film version of his novel Blood and Sand (1922). Naldi was signed by Famous Players-Lasky for the role, and it became her first pairing with screen idol Rudolph Valentino. The film was a major success, for it gave Naldi the image of a vamp, which would follow her for the rest of her life. Naldi and Valentino were never romantic, and she would be one of the few to befriend his wife Natacha Rambova, though that friendship would sour when the Valentinos divorced.\n\nThanks to the financial reverses caused by her retirement from films, as well as the Depression, Naldi filed bankruptcy in 1932. She went back to the stage with Queer People and The Firebird in 1933. 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