[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F26404:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":172},false,[6],"Daphne Baiwir","Daphné Baiwir (born 18 July 1992) is a Belgian documentarist, actress, screenwriter, and former model.\n\nBaiwir started her career as a model at just 3 years old; as a model, her collaborations include Christian Lacroix and Sonia Rykiel. She made her acting debut on stage at 7 years old. After appearing in several films and TV-series, she made her directorial debut with Devant les barreaux, a documentary about the everyday life of the officers at the Lantin prison. Her documentary The Rebellious Olivia de Havilland was screened at the 2021 Cannes Film Festival. In 2022, she directed a documentary about film and television adaptations of Stephen King's works, King on Screen. Her 2023 film Le Film pro nazi d'Hitchcock premiered at the 80th edition of the Venice Film Festival.\n\nSource: Article \"Daphné Baiwir\" from Wikipedia in English, licensed under CC-BY-SA.","1992-07-18",null,1,"https:\u002F\u002Fdaphnebaiwir.com",26404,"nm1113387","Directing","Daphné Baiwir","Belgium",0.7418,"\u002FuQKFzl3I7MDiKlpSe44TwxP7tNN.jpg",{"cast":20,"crew":117},[21,39,56,70,82,93,104],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":26,"title":27,"original_language":28,"original_title":27,"overview":29,"popularity":30,"poster_path":31,"release_date":32,"softcore":4,"video":4,"vote_average":33,"vote_count":34,"character":35,"credit_id":36,"order":37,"media_type":38},"\u002F86UfYMcI2pOotv52YL9zeMuO7gw.jpg",[24,25],35,18,2594,"Monsieur Batignole","fr","París, 1942. 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Un día, mientras Batignole ofrece una fiesta en su casa a los alemanes, llama a la puerta un niño: es el pequeño Simon Bernstein, que ha logrado escapar y vuelve a casa para reunirse con los suyos.",3.826,"\u002FkgHLVBVrnbeT3G8zGksecWZxM6.jpg","2002-03-06",6.982,254,"Guila Cohen","52fe435fc3a36847f804f3fb",6,"movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":44,"title":45,"original_language":28,"original_title":46,"overview":47,"popularity":48,"poster_path":49,"release_date":50,"softcore":4,"video":4,"vote_average":51,"vote_count":52,"character":53,"credit_id":54,"order":55,"media_type":38},"\u002FijiKTBq83oSWg1FpouegVqlut65.jpg",[42,25,43],14,53,41499,"Barba Azul","Barbe Bleue","Con ambientación austera y simples recursos de montaje, Catherine Breillat desarrolla una sencilla pero entrañable versión del clásico de Charles Perrault. A una de las hermanas, Catherine, le gusta asustar a la otra, Marie-Anne, con cuentos de hadas e insiste con la lectura de Barba Azul. El relato de fines del siglo XVII se empieza a desarrollar en la pantalla. Otras dos hermanas cayeron en desgracia económica. Después de meditarlo, la más joven accede a casarse con el acaudalado Barba Azul, aún desagradable como es, aún desconociendo el paradero de sus siete mujeres anteriores. Cuando éste sale de viaje, ella sólo tiene que respetar la prohibición de entrar al cuarto misterioso del castillo. Pero la curiosidad de las hermanas abre camino al esperado horror. Breillat consigue representar el crudo y sangriento desenlace y mantener el tono de frescura y ensueño juvenil de las jóvenes en París de los años 50.",2.2669,"\u002Fp4Y8k8P1fWOClZ8Zc2ieL646Kf.jpg","2010-03-26",5.6,34,"Anne","52fe45cec3a36847f80db7d1",2,{"adult":4,"backdrop_path":57,"genre_ids":58,"id":59,"title":60,"original_language":28,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":69,"media_type":38},"\u002Fui6H8KO3BIYkkxvlAeJn5PjrzXb.jpg",[25],179100,"Abus de faiblesse","Después de una hemorragia cerebral, Maud, una cineasta, se despierta una mañana en un cuerpo medio muerto que la ha dejado hemipléjica y enfrentando la inevitable soledad. Bedridden, pero decidida a perseguir su último proyecto cinematográfico, descubre a Vilko, un estafador que estafa a las celebridades, en un programa de televisión. Es arrogante, magnético y fascinante. Maud lo quiere para su nueva película. Se encuentran. Él se pega alrededor. Él también la estafó, tomando prestadas sumas astronómicas de dinero.\r Él lo toma todo pero le da alegría, una familia. Esta película cuenta la historia del abuso de debilidad del que Maud cae víctima.",1.809,"\u002F3dpiksuYZc5IoNXBlKUjWxEti5T.jpg","2013-09-06",5.3,44,"Hortense","52fe4da1c3a36847f826b925",7,{"adult":4,"backdrop_path":9,"genre_ids":71,"id":73,"title":74,"original_language":28,"original_title":74,"overview":75,"popularity":76,"poster_path":9,"release_date":77,"softcore":4,"video":4,"vote_average":78,"vote_count":55,"character":79,"credit_id":80,"order":81,"media_type":38},[25,72],10770,771128,"Une vie en retour","",1.0924,"2005-07-20",7.5,"Claire","63b2240e0d417e00821bcdb3",3,{"adult":4,"backdrop_path":83,"genre_ids":84,"id":85,"title":86,"original_language":28,"original_title":86,"overview":75,"popularity":87,"poster_path":88,"release_date":89,"softcore":4,"video":4,"vote_average":78,"vote_count":90,"character":91,"credit_id":92,"order":55,"media_type":38},"\u002FypymUMjZlRB61VeiVQz14LJ65Bc.jpg",[25,24,72],457498,"Les bottes",2.1069,"\u002Fr9slxGrhSYmll2qkXigCXLPJJMh.jpg","2004-05-12",4,"Caroline","59173bb9c3a368426903638a",{"adult":4,"backdrop_path":94,"genre_ids":95,"id":96,"title":97,"original_language":28,"original_title":97,"overview":75,"popularity":98,"poster_path":99,"release_date":100,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"character":102,"credit_id":103,"order":101,"media_type":38},"\u002F6hBI8ok8nDpdDY69pO9fObDQdPD.jpg",[25],461037,"Homo Faber (Trois femmes)",2.0058,"\u002Fo6Zlm1tepHf1a3tLLOjrlJlgUY.jpg","2015-01-24",0,"Sabeth","59396464c3a36878ae010232",{"adult":4,"backdrop_path":105,"genre_ids":106,"id":107,"title":108,"original_language":28,"original_title":108,"overview":75,"popularity":109,"poster_path":110,"release_date":111,"softcore":4,"video":4,"vote_average":112,"vote_count":113,"character":114,"credit_id":115,"order":116,"media_type":38},"\u002FazQnj8lFrni6RRJ5UhZwNtklRTc.jpg",[25],264012,"Ordo",1.1212,"\u002F9r0lOUtz1JDjhBhu3tFo3j0Vche.jpg","2004-09-15",4.8,10,"Estelle enfant","5fc8131aede1b0003f264115",20,[118,133,138,150,154,164],{"adult":4,"backdrop_path":119,"genre_ids":120,"id":123,"title":124,"original_language":28,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":81,"credit_id":131,"department":14,"job":132,"media_type":38},"\u002FdvRLeQJsp3ltxMSAW0hrkIYsrjD.jpg",[121,122,72],99,36,847075,"Olivia de Havilland, insumisa","Olivia de Havilland, l'insoumise","Documental que repasa la historia de Olivia de Havilland, la estrella de Hollywood que ganó la batalla contra los estudios Warner con solo veintiséis años.",1.7256,"\u002Fjw4AZUiOpRAzY40kIEmogUXDce0.jpg","2021-07-02",7.3,"60df61d50f3655005e081dff","Director",{"adult":4,"backdrop_path":119,"genre_ids":134,"id":123,"title":124,"original_language":28,"original_title":125,"overview":126,"popularity":127,"poster_path":128,"release_date":129,"softcore":4,"video":4,"vote_average":130,"vote_count":81,"credit_id":135,"department":136,"job":137,"media_type":38},[121,122,72],"60df7f22071650005d9a1027","Writing","Writer",{"adult":4,"backdrop_path":139,"genre_ids":140,"id":141,"title":142,"original_language":143,"original_title":142,"overview":75,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"credit_id":149,"department":14,"job":132,"media_type":38},"\u002Fh4JWVX5ts2Li56zjV74SPIfgMDG.jpg",[121],1013651,"King on Screen","en",2.7074,"\u002F8IxzBsnEPafpk4JTz4yoHJcpFZm.jpg","2023-08-11",7.1,16,"62fc331f6eecee007ce879ad",{"adult":4,"backdrop_path":139,"genre_ids":151,"id":141,"title":142,"original_language":143,"original_title":142,"overview":75,"popularity":144,"poster_path":145,"release_date":146,"softcore":4,"video":4,"vote_average":147,"vote_count":148,"credit_id":152,"department":136,"job":153,"media_type":38},[121],"63d4e817955c6500a0ea2e14","Screenplay",{"adult":4,"backdrop_path":155,"genre_ids":156,"id":157,"title":158,"original_language":28,"original_title":158,"overview":159,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":37,"vote_count":55,"credit_id":163,"department":14,"job":132,"media_type":38},"\u002Ffxfj1ZbVVptQST0RDL5wMDDN6UD.jpg",[121],1156281,"Le Film Pro-Nazi d’Hitchcock","Después de hacer varias películas defendiendo la entrada estadounidense en la guerra junto con los británicos, en violación directa de la Ley de Neutralidad, Hitchcock aprovechó la salida de Zanuck de 20th Century Fox para lanzar un nuevo e importante proyecto de propaganda: Lifeboat.\r Le pidió a John Steinbeck que escribiera la historia básica. Esta gran figura literaria estadounidense, autor de Las uvas de la ira, cuya adaptación fue uno de los mayores éxitos de Fox, estaba muy comprometido con el esfuerzo bélico.",0.9186,"\u002F5541Ez7BqCmIg5KyOdoIufmt7MD.jpg","2023-09-08","64c0092db3316b00e2e9327f",{"adult":4,"backdrop_path":9,"genre_ids":165,"id":166,"title":167,"original_language":143,"original_title":167,"overview":75,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":101,"vote_count":101,"credit_id":171,"department":14,"job":132,"media_type":38},[121],790011,"Deauville et le rêve américain",1.4727,"\u002F9LS6kSzQAWSYw6DCiILTfqd8J8M.jpg","2020-09-05","600e9c2f0b5fd6003e5f997d",{"profiles":173},[174,179,183],{"aspect_ratio":175,"height":176,"iso_3166_1":9,"iso_639_1":9,"file_path":18,"vote_average":177,"vote_count":10,"width":178},0.667,966,3.334,644,{"aspect_ratio":175,"height":180,"iso_3166_1":9,"iso_639_1":9,"file_path":181,"vote_average":177,"vote_count":10,"width":182},2161,"\u002Ft3gorpRCGuTyLvhpm4IPUsjYrO.jpg",1441,{"aspect_ratio":175,"height":184,"iso_3166_1":9,"iso_639_1":9,"file_path":185,"vote_average":186,"vote_count":55,"width":187},900,"\u002F5K9m0LJlrfOxUss17Js7GOPlY4k.jpg",0.166,600]