[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F256841:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":14,"popularity":15,"profile_path":16,"combined_credits":17,"images":572},false,[],"Pedro Costa is a Portuguese film director. While studying history at University of Lisbon, Costa switched to film courses at Lisbon Theatre and Film School (Escola Superior de Teatro e Cinema) where he was a student of António Reis, Paulo Rocha and Alberto Seixas Santos. After working as an assistant director to several directors such as Jorge Silva Melo, Vítor Gonçalves and João Botelho, he made a first feature film O Sangue (The Blood) in 1989. He collected the France Culture Award (Foreign Cineaste of the Year) at 2002 Cannes Film Festival for directing the film In Vanda's Room. Colossal Youth was selected for the 2006 Cannes Film Festival and earned the Independent\u002FExperimental prize (Los Angeles Film Critics Association) in 2008. He is considered to be part of \"The School of Reis\" film family. António Reis, Portuguese director, was his teacher at the Lisbon Theatre and Film School. Peter Bradshaw of The Guardian called Pedro Costa \"the Samuel Beckett of cinema\". He is acclaimed for using his ascetic style to depict the marginalised people in desperate living situations. Many of his films are set in a district of Lisbon inhabited by socially disadvantaged and shot in a natural and low-key way in documentary format: some are docufictions.","1958-12-30",null,2,256841,"nm0182276","Directing","Pedro Costa","Lisbon, Portugal",0.8748,"\u002FzwqXtfzCUU72KVuQSVeDKHJAeeP.jpg",{"cast":18,"crew":100},[19,30,38,48,59,68,77,87],{"adult":4,"backdrop_path":8,"genre_ids":20,"id":21,"title":22,"original_language":23,"original_title":22,"overview":24,"popularity":25,"poster_path":8,"release_date":26,"softcore":4,"video":4,"vote_average":27,"vote_count":27,"character":24,"credit_id":28,"order":27,"media_type":29},[],943917,"Dialogues clandestins 2001","fr","",0.8173,"2001-01-01",0,"621a8364f96a3900696f7bd2","movie",{"adult":4,"backdrop_path":8,"genre_ids":31,"id":32,"title":33,"original_language":34,"original_title":33,"overview":24,"popularity":35,"poster_path":8,"release_date":24,"softcore":4,"video":4,"vote_average":27,"vote_count":27,"character":24,"credit_id":36,"order":37,"media_type":29},[],297888,"Finding the Criminal","en",0.6192,"5440fb860e0a26293b001673",1,{"adult":4,"backdrop_path":8,"genre_ids":39,"id":41,"title":42,"original_language":34,"original_title":42,"overview":24,"popularity":43,"poster_path":44,"release_date":45,"softcore":4,"video":4,"vote_average":46,"vote_count":9,"character":24,"credit_id":47,"order":27,"media_type":29},[40],99,288101,"Tout refleurit: Pedro Costa, cinéaste",1.0948,"\u002FvjwvCAoKWB7cSeVRnL7XaabBCyI.jpg","2006-07-10",8,"5442411d0e0a26633a001b0b",{"adult":4,"backdrop_path":8,"genre_ids":49,"id":50,"title":51,"original_language":52,"original_title":51,"overview":24,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":56,"vote_count":9,"character":57,"credit_id":58,"order":27,"media_type":29},[40],599760,"Sacavém","pt",1.2955,"\u002FtqufnhD29gqTsxiXiHZNLGp7A1z.jpg","2019-05-07",6,"Himself","5db1ebee629b2c00132ee573",{"adult":4,"backdrop_path":8,"genre_ids":60,"id":61,"title":62,"original_language":34,"original_title":62,"overview":24,"popularity":63,"poster_path":64,"release_date":65,"softcore":4,"video":4,"vote_average":27,"vote_count":27,"character":66,"credit_id":67,"order":37,"media_type":29},[40],704577,"Wiara",0.9579,"\u002Fb7QBFg5afTtUD23GiQRLo1zoIbV.jpg","2018-01-14","Self","5ebeb7336d675a001f7b42a8",{"adult":4,"backdrop_path":8,"genre_ids":69,"id":70,"title":71,"original_language":72,"original_title":71,"overview":24,"popularity":73,"poster_path":74,"release_date":75,"softcore":4,"video":4,"vote_average":27,"vote_count":27,"character":24,"credit_id":76,"order":9,"media_type":29},[40],756949,"Camino incierto","es",1.0346,"\u002FZvjiGDszsBqmVSzPA0ESx1StHm.jpg","2021-10-26","5fc3effc6c449c003d39b894",{"adult":4,"backdrop_path":8,"genre_ids":78,"id":80,"title":81,"original_language":72,"original_title":81,"overview":24,"popularity":82,"poster_path":8,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":37,"character":85,"credit_id":86,"order":56,"media_type":29},[79],18,1426311,"9'8m\u002Fs²",1.021,"1998-05-19",7,"Policía 1.","679b8cbeff8a9db5e534668f",{"adult":4,"backdrop_path":88,"genre_ids":89,"id":90,"origin_country":91,"original_language":52,"original_name":93,"overview":24,"popularity":94,"poster_path":95,"first_air_date":96,"softcore":4,"name":93,"vote_average":27,"vote_count":27,"character":24,"credit_id":97,"episode_count":9,"first_credit_air_date":98,"media_type":99},"\u002F98CzhiRrf6UnEXqiBvDIj4vCJ96.jpg",[40],297860,[92],"PT","História do Cinema Português",2.8223,"\u002FeDGX53eXNkx5oaTOUK2nJenuxb2.jpg","2001-02-23","6897e7127a248e37d58da3e9","2001-03-01","tv",[101,114,127,132,137,149,160,172,184,197,208,220,223,236,246,249,259,262,272,283,294,306,317,327,336,339,348,351,360,369,372,380,395,402,406,409,421,424,427,430,439,442,453,456,459,462,465,473,476,485,497,508,511,514,525,533,541,550,553,559,566],{"adult":4,"backdrop_path":102,"genre_ids":103,"id":105,"title":106,"original_language":52,"original_title":106,"overview":107,"popularity":108,"poster_path":109,"release_date":110,"softcore":4,"video":4,"vote_average":84,"vote_count":111,"credit_id":112,"department":12,"job":113,"media_type":29},"\u002FuvMII3LgacbzXS2UYNgvPQ6Wv8z.jpg",[79,104],9648,46821,"O Sangue","Dos hermanos, Nino y Vincente, han aprendido a desenvolverse muy bien juntos durante las inexplicadas ausencias de su padre. El día que aparentemente desaparece para siempre, no tienen ningún problema en seguir como antes. Sin embargo, un día unos criminales que habían tenido negocios con el padre, intentan sacarles información a la fuerza...",1.0857,"\u002FnjiIBA2Fs6W8TgPX4nZwyq9rplJ.jpg","1989-12-07",29,"52fe470ec3a36847f8120fdd","Director",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":52,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"credit_id":126,"department":12,"job":113,"media_type":29},"\u002Fn4WEtkX1bK7FN5xrd3sfAj9qOm8.jpg",[79],82404,"Juventud en marcha","Juventude Em Marcha","Ventura es un obrero jubilado procedente de Cabo Verde que vive en las afueras de Lisboa. Su esposa lo acaba de abandonar, y él se pasa los días deambulando entre el ruinoso alojamiento en el que pasó los últimos 34 años y su nueva residencia, un piso de protección oficial recién construido. Ni él mismo sabe cuántos hijos tiene, ya que todas las pobres almas con las que se encuentra le tratan como padre, aunque no tenga reconocido a ninguno.",1.0035,"\u002FcGPkNPDwAwbUP2zDlygxbRreO1v.jpg","2006-11-23",7.2,53,"52fe48509251416c91087d6b",{"adult":4,"backdrop_path":115,"genre_ids":128,"id":117,"title":118,"original_language":52,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"credit_id":129,"department":130,"job":131,"media_type":29},[79],"52fe48509251416c91087d89","Crew","Cinematography",{"adult":4,"backdrop_path":115,"genre_ids":133,"id":117,"title":118,"original_language":52,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"credit_id":134,"department":135,"job":136,"media_type":29},[79],"52fe48509251416c91087db7","Writing","Writer",{"adult":4,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":52,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":146,"vote_count":147,"credit_id":148,"department":12,"job":113,"media_type":29},"\u002FiXq6SRu8YK0Bo5jFpfQ8TYCNaet.jpg",[79],55700,"Ossos","En Estrela d'Africa, una ciudad próxima a Lisboa. un recién nacido ha llegado al mundo sin ser deseado ni bienvenido. Tina, su joven madre, se encierra con él en una habitación y enciende el gas para provocar la muerte por asfixia de ambos, pero el padre consigue rescatarlo a tiempo. Viven en las míseras calles de la ciudad y sobreviven gracias a la caridad.",1.8275,"\u002FnyL274BPztUt6SBxFQyl0yIVWCH.jpg","1997-11-14",6.8,47,"52fe48dbc3a36847f817d21d",{"adult":4,"backdrop_path":150,"genre_ids":151,"id":153,"title":154,"original_language":52,"original_title":154,"overview":24,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":56,"vote_count":158,"credit_id":159,"department":12,"job":113,"media_type":29},"\u002FiTQChEyfm30ljNRHhhDKcp4xnjc.jpg",[79,152],10402,963923,"As Filhas do Fogo",1.2904,"\u002F7QKc6Itf4AL8duxVame61DXXoOS.jpg","2023-05-22",3,"625c2355f10a1a15eca9bcd5",{"adult":4,"backdrop_path":161,"genre_ids":162,"id":163,"title":164,"original_language":23,"original_title":164,"overview":165,"popularity":166,"poster_path":167,"release_date":168,"softcore":4,"video":4,"vote_average":169,"vote_count":170,"credit_id":171,"department":12,"job":113,"media_type":29},"\u002F8wdQ4A4FMjq6DfgTVzuoJiEkUB8.jpg",[40,152],85474,"Ne change rien","\"Ne change rien\" nace de la amistad entre la actriz Jeanne Balibar, el ingeniero de sonido Philippe Morel y el cineasta Pedro Costa. En este documental vemos a Balibar cantando, en ensayos y grabaciones, en conciertos de rock y cursos de canto lírico, en un ático en Sainte-Marie-aux-Mines o en el escenario de un café en Tokyo.",1.1218,"\u002FgojlZDvjc33UREC7hbQQ1P4OjAm.jpg","2009-11-19",7.4,10,"52fe49449251416c910a7e17",{"adult":4,"backdrop_path":173,"genre_ids":174,"id":175,"title":176,"original_language":23,"original_title":177,"overview":178,"popularity":179,"poster_path":180,"release_date":181,"softcore":4,"video":4,"vote_average":169,"vote_count":182,"credit_id":183,"department":12,"job":113,"media_type":29},"\u002FiZ7x8dpJt28vU7GQBXUv8ByogkK.jpg",[40],95533,"¿Dónde yace tu sonrisa escondida?","Où gît votre sourire enfoui?","Costa rinde tributo a la pareja Straub-Huillet a través de esta película. Los acompaña, filmándolos, mientras trabajan en el montaje de su película \"¡Sicilia!\".",1.4624,"\u002FfGbNHbpRmXFd8AIC2pkHAKskcqZ.jpg","2003-01-15",15,"52fe49889251416c750cb1c5",{"adult":4,"backdrop_path":185,"genre_ids":186,"id":187,"title":188,"original_language":52,"original_title":189,"overview":190,"popularity":191,"poster_path":192,"release_date":193,"softcore":4,"video":4,"vote_average":194,"vote_count":195,"credit_id":196,"department":12,"job":113,"media_type":29},"\u002Fa56yntKq9u00uzin9EuNyQ1ym5A.jpg",[79],87063,"En el cuarto de Vanda","No Quarto da Vanda","Vanda Duarte vive en las Fontainhas, uno de los barrios más degradados y terribles de Lisboa, donde impera el tráfico de drogas. El cuarto de Vanda es un cuarto de muerte, aunque allí pasan muchas cosas de vida. Vanda es una persona con una gran fuerza vital que resiste a la muerte.",1.7172,"\u002F9ZBwHKPnqSUCRi6QyNXInRzEDMc.jpg","2001-03-02",6.7,57,"52fe49b19251416c910b5983",{"adult":4,"backdrop_path":198,"genre_ids":199,"id":200,"title":201,"original_language":52,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":84,"vote_count":206,"credit_id":207,"department":12,"job":113,"media_type":29},"\u002Fkse2w3yjli5b89TzzlrprQQbSQj.jpg",[79],126376,"Casa de Lava","Una enfermera se toma muy en serio el cuidado de Leao, un africano sin papeles que sufre un accidente en Lisboa. Cuando lo deportan, ella se encargará de dejarlo sano y salvo en su país natal, lo que la llevará a replantearse su triste y vacía vida.",1.1953,"\u002F2RjUWv8vYlPuTd1HUU2BijDYnHS.jpg","1995-02-10",26,"52fe4addc3a368484e16b0bb",{"adult":4,"backdrop_path":8,"genre_ids":209,"id":210,"title":211,"original_language":212,"original_title":211,"overview":24,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":216,"vote_count":217,"credit_id":218,"department":135,"job":219,"media_type":29},[79,40],128305,"수용소의 삶 : 디지털 삼인삼색 2007","ko",2.5526,"\u002F53yFGTWmVzrcugAvojwEECEkksA.jpg","2007-08-01",5.5,5,"52fe4b18c3a368484e177585","Story",{"adult":4,"backdrop_path":8,"genre_ids":221,"id":210,"title":211,"original_language":212,"original_title":211,"overview":24,"popularity":213,"poster_path":214,"release_date":215,"softcore":4,"video":4,"vote_average":216,"vote_count":217,"credit_id":222,"department":12,"job":113,"media_type":29},[79,40],"52fe4b18c3a368484e1775b5",{"adult":4,"backdrop_path":224,"genre_ids":225,"id":226,"title":227,"original_language":52,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":182,"credit_id":233,"department":234,"job":235,"media_type":29},"\u002Fe6eesTwHHKD1Qo1VkyW8z6sMwyM.jpg",[79,40],145014,"Centro Histórico","La ciudad portuguesa de Guimarães fue, durante el año 2012, Capital Europea del año. El filme Centro Histórico es la combinación del trabajo cuatro cineastas sobre cuatro distintas historias que tiene lugar allí. El primer episodio, titulado El tabernero, está dirigido por Aki Kaurismäki y tiene como protagonista a un hombre solitario, que ve pasar la vida observando los distintos acontecimientos, pero sin experimentar nada de primera mano. El segundo episodio tiene como nombre Dulce exorcista, su director es Pedro Costa e indaga en el pasado colonial.\r Finalmente, el último episodio del filme, El conquistador conquistado, tiene como director a Manoel de Oliveira, que hace una sátira de los turistas que toman fotografías sin parar del centro de Guimarães.",1.0117,"\u002FwK7JYzY3gHEbrGn214prcS2aKb4.jpg","2012-11-10",6.1,"6273f5e106f98400a94a6f1b","Camera","Director of Photography",{"adult":4,"backdrop_path":237,"genre_ids":238,"id":239,"title":240,"original_language":52,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":232,"vote_count":84,"credit_id":245,"department":12,"job":113,"media_type":29},"\u002F2WwOD277GY4WVyfDksYLs9SVUbH.jpg",[79],128306,"O Nosso Homem","\"Yo era un buen obrero. Nunca levanté un muro de cualquier manera. Mi jefe nunca tuvo la menor queja de mí. Un día, el trabajo se paró. Perdí el paro. Sin pensión de jubilación, sin ayudas sociales. Busqué trabajo por todas partes, pero nada. No traía dinero a casa. Suzete me echó a la calle.\"",1.0349,"\u002FhldBYetI0szUTO7eQ8D33glWwLh.jpg","2010-02-05","52fe4b18c3a368484e1775e3",{"adult":4,"backdrop_path":237,"genre_ids":247,"id":239,"title":240,"original_language":52,"original_title":240,"overview":241,"popularity":242,"poster_path":243,"release_date":244,"softcore":4,"video":4,"vote_average":232,"vote_count":84,"credit_id":248,"department":135,"job":219,"media_type":29},[79],"52fe4b18c3a368484e1775e9",{"adult":4,"backdrop_path":8,"genre_ids":250,"id":251,"title":252,"original_language":52,"original_title":252,"overview":24,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":256,"vote_count":257,"credit_id":258,"department":12,"job":113,"media_type":29},[40,79],126677,"O Estado do Mundo",1.1716,"\u002Fk39yZMY5U84r3gdUl04ek6vqKNX.jpg","2007-06-16",5.3,11,"52fe4ae3c3a368484e16c323",{"adult":4,"backdrop_path":224,"genre_ids":260,"id":226,"title":227,"original_language":52,"original_title":227,"overview":228,"popularity":229,"poster_path":230,"release_date":231,"softcore":4,"video":4,"vote_average":232,"vote_count":182,"credit_id":261,"department":12,"job":113,"media_type":29},[79,40],"52fe4b4a9251416c750fe351",{"adult":4,"backdrop_path":263,"genre_ids":264,"id":265,"title":266,"original_language":23,"original_title":266,"overview":267,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":146,"vote_count":56,"credit_id":271,"department":12,"job":113,"media_type":29},"\u002F7fpfeTtzx45768BlQ2DhNpzLSqP.jpg",[],212127,"6 Bagatelas","Seis inusitadas escenas de WHERE LIES YOUR HIDDEN SMILE. 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