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Sus primeros pasos en la profesión los dio como ayudante de Santos Pereira en Reveliao em Vila Rica (1958), para posteriormente llevar a cabo varios documentales. En los primeros años sesenta estudió cine en el Slade School of Arte of London, en Londres, y con los hermanos Maysle, en Nueva York. Era la época del “cinema verité” que tanto se daba en Europa y Norteamérica, y que él quiso aplicar en sus proyectos. Se reencontró con sus compañeros de cine-club universitario cuando se llevó a cabo el trabajo colectivo titulado Cinco vezes favela, impulsado por el Centro Popular de Cultura de la Unión Nacional de Estudiantes, en el que se acogían jóvenes de izquierdas. El episodio de Andrade, que consiguió varios premios internacionales, aunque rodado con anterioridad, fue incorporado posteriormente al contener una historia que se identificaba plenamente con los planteamientos del proyecto. Quizás en este momento encontramos ya los primeros pasos del “Cinema Novo”, el movimiento brasileño de renovación cinematográfica, muy en la línea de lo que estaba sucediendo en todo el mundo. Tras este proyecto, su carrera evolucionó con una interesante adaptación literaria, El cura y la muchacha (1965) y varios cortometrajes. A finales de los sesenta consiguió sacar adelante un proyecto ambicioso, Macunaima (1969), película en la que reflexionó sobre cómo un país es capaz de engullir a uno de sus hijos. Si bien este trabajo hubo de someterse a una férrea censura, la película se convirtió en un gran éxito nacional e internacional y recibió numerosos premios, lo que sirvió para relanzar el “Cinema Novo” por el mundo. 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La película se inspira en una famosa novela de Mario de Andrade, fundador del \"Movimiento Literario Modernista\" de los años 20 y narra la historia y la metamorfosis de Macunaíma, el héroe perezoso y sin ningún carácter, que nace negro en el interior de Brasil. Emigra con sus hermanos hacia la gran ciudad en busca de un amuleto de la suerte, y en el camino se vuelve blanco. 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Este amor prohibido pronto se convierte en una pasión desenfrenada.",1.3477,"\u002FdOJKpblyXlP7uR6MNLrLEYOY5rD.jpg","1966-03-28",7,34,"52fe4bf1c3a36847f821a0f7",{"adult":4,"backdrop_path":168,"genre_ids":182,"id":171,"title":172,"original_language":25,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":179,"credit_id":183,"department":184,"job":185,"media_type":33},[170,63],"52fe4bf1c3a36847f821a103","Production","Producer",{"adult":4,"backdrop_path":168,"genre_ids":187,"id":171,"title":172,"original_language":25,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":179,"credit_id":188,"department":189,"job":190,"media_type":33},[170,63],"52fe4bf1c3a36847f821a12d","Editing","Editor",{"adult":4,"backdrop_path":168,"genre_ids":192,"id":171,"title":172,"original_language":25,"original_title":173,"overview":174,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":178,"vote_count":179,"credit_id":193,"department":124,"job":125,"media_type":33},[170,63],"52fe4bf1c3a36847f821a139",{"adult":4,"backdrop_path":10,"genre_ids":195,"id":196,"title":197,"original_language":25,"original_title":197,"overview":26,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":41,"credit_id":202,"department":184,"job":203,"media_type":33},[108],258515,"Gordos e Magros",0.7741,"\u002FkXDVTVTHYQ7dcSCQjUWBvYKm5dh.jpg","1976-01-01",10,"627fa6306d1bb25925f1b23a","Executive Producer",{"adult":4,"backdrop_path":205,"genre_ids":206,"id":207,"title":208,"original_language":25,"original_title":209,"overview":210,"popularity":211,"poster_path":212,"release_date":213,"softcore":4,"video":4,"vote_average":214,"vote_count":215,"credit_id":216,"department":13,"job":120,"media_type":33},"\u002FhhSYz8m0WC6to2j6Z2CGv0RVPp7.jpg",[22],163936,"Garrincha - Alegría del Pueblo","Garrincha, Alegria do Povo","Documental sobre el jugador de fútbol del fútbol brasileño (algunos dicen que de la historia del fútbol) En el cenit de su carrera , mostrando escenas clásicas de 1958 y 1962 de la Copa Mundial . Garrincha era un jugador muy original y con mucho talento, con piernas curvas . Las mujeres y el alcohol eran su pasión, y la causa de su posterior decadencia. 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