[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F232877:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":10,"known_for_department":11,"name":12,"place_of_birth":7,"popularity":13,"profile_path":7,"combined_credits":14,"images":311},false,[],"",null,2,232877,"nm0576862","Directing","Maurizio Mein",0.5771,{"cast":15,"crew":59},[16,33,48],{"adult":4,"backdrop_path":17,"genre_ids":18,"id":20,"title":21,"original_language":22,"original_title":21,"overview":23,"popularity":24,"poster_path":25,"release_date":26,"softcore":4,"video":4,"vote_average":27,"vote_count":28,"character":29,"credit_id":30,"order":31,"media_type":32},"\u002FsFgiwjr70n4L0SCBVv8I8NBZ5nA.jpg",[19],99,806495,"Fellinopolis","it","Ferruccio Castronuovo fue el único ojo autorizado, entre 1976 y 1986, para filmar al genial cineasta italiano Federico Fellini (1920-93) en su intimidad personal y creativa, para eternizar los engranajes de su gran circo, sus fantásticas mentiras y sus locas invenciones.",4.8968,"\u002FqA3WQU0sE5lCKsKS2O8hwmillOX.jpg","2021-06-10",6.2,18,"Self - Assistant Director (archive footage)","62e3ce6a85702e005d3d9fd9",9,"movie",{"adult":4,"backdrop_path":34,"genre_ids":35,"id":37,"title":38,"original_language":22,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"character":46,"credit_id":47,"order":8,"media_type":32},"\u002Fau9b2tTuEC9T57rB2JAaEGReqky.jpg",[28,36],35,47715,"Entrevista","Intervista","Cinecittá, el gran estudio de cine en las afueras de Roma, ha cumplido 50 años y Fellini, en una entrevista explica a un equipo de la TV japonesa su forma de trabajar. Cine dentro del cine, \"Entrevista\" pretende integrar todos los puntos de vista con objetividad, subordinando los medios (prensa y TV) a la fantasía del autor.",1.9131,"\u002Fb5MdideVYoAALgf3Wo5kf72JaaS.jpg","1987-10-01",6.8,96,"L'Aiuto Regista","62ed3f7ed036b6005a20fc5e",{"adult":4,"backdrop_path":7,"genre_ids":49,"id":50,"title":51,"original_language":22,"original_title":51,"overview":6,"popularity":52,"poster_path":7,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"character":56,"credit_id":57,"order":58,"media_type":32},[19],617272,"Appunti sul film di Federico Fellini «La città delle donne»",0.9915,"1982-04-01",8,1,"Self","5e7164072f3b170014480fc0",7,[60,74,88,98,109,122,125,139,151,163,176,190,203,216,228,241,251,263,274,287,298],{"adult":4,"backdrop_path":7,"genre_ids":61,"id":64,"title":65,"original_language":22,"original_title":66,"overview":6,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"credit_id":72,"department":11,"job":73,"media_type":32},[62,63],80,28,279600,"3S3, agente especial","Agente 3S3, massacro al sole",1.2449,"\u002Fb17VyVrx51YOT3bqjNKW5TOsHdz.jpg","1966-05-20",7.3,3,"6101cae1e9c0dc00744431c5","Assistant Director",{"adult":4,"backdrop_path":75,"genre_ids":76,"id":78,"title":79,"original_language":22,"original_title":80,"overview":81,"popularity":82,"poster_path":83,"release_date":84,"softcore":4,"video":4,"vote_average":44,"vote_count":85,"credit_id":86,"department":11,"job":87,"media_type":32},"\u002FxDnZmqJKNvczAbJ5OXcrFEYEKME.jpg",[77,36],36,273868,"Escipión El africano","Scipione detto anche l'Africano","Publio Cornelio Escipión, llamado \"el africano\", y su hermano Lucio, llamado \"el asiático\", son acusados en el Senado por Catón, el Censor, de haberse adueñado de quinientos talentos, tributo de Antioco, rey de Siria. En realidad Catón no le preocupa tanto saber dónde ha ido a parar ese dinero, sino que le interesa inflingir un golpe al prestigio del Africano para evitar que, en un periodo en el que en Roma escasean los grandes hombres, la personalidad del célebre caudillo pueda hacer correr a la República el riesgo de una dictadura. (FILMAFFINITY)",1.4493,"\u002FqRQfX9F612Y87sDZQuLg4bd5OpL.jpg","1971-03-03",20,"62cdddf6e8131d1dca450fb9","First Assistant Director",{"adult":4,"backdrop_path":89,"genre_ids":90,"id":91,"title":92,"original_language":22,"original_title":92,"overview":6,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":54,"credit_id":97,"department":11,"job":87,"media_type":32},"\u002FA3XhiRlFMqFQcXjMnks7Jtq4r16.jpg",[36],324196,"Assolto per aver commesso il fatto",1.2785,"\u002F62kZcxnbMyrphkD4pTJhETSTQu9.jpg","1992-04-17",5.9,"62f35cc8fea6e3007d07b3e3",{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":22,"original_title":102,"overview":6,"popularity":103,"poster_path":104,"release_date":105,"softcore":4,"video":4,"vote_average":106,"vote_count":58,"credit_id":107,"department":11,"job":108,"media_type":32},"\u002F2DHZFvmq2SsfElcZZB9JYcEhMBY.jpg",[36],257313,"Avventura al motel",1.1981,"\u002FmmGts9zSYamH61ZqO9Cr85C6hyh.jpg","1963-02-09",4.3,"62fbc5342dffd8007daee43a","Script Supervisor",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":22,"original_title":114,"overview":115,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":120,"credit_id":121,"department":11,"job":87,"media_type":32},"\u002FmrLqmBNmj5U0QCjcOQ4esB6IBF9.jpg",[36],25606,"Desventuras de un funcionario","Fantozzi","Fantozzi, un gris contable de una gran empresa, es un hombre apocado y servil. Lo maltratan sus superiores y sus compañeros; está enamorado de la señorita Silvani, la secretaria de la oficina, que ni se fija en él. Por si fuera poco tiene una esposa posesiva y una hija feísima.",2.1312,"\u002FelGj4wK8fz5NT0weWitmfGizpr8.jpg","1975-03-27",7.78,904,"630a6145ca7ec60092476fe0",{"adult":4,"backdrop_path":34,"genre_ids":123,"id":37,"title":38,"original_language":22,"original_title":39,"overview":40,"popularity":41,"poster_path":42,"release_date":43,"softcore":4,"video":4,"vote_average":44,"vote_count":45,"credit_id":124,"department":11,"job":87,"media_type":32},[28,36],"61ae7f0f6d97e6001a93f27d",{"adult":4,"backdrop_path":126,"genre_ids":127,"id":129,"title":130,"original_language":22,"original_title":131,"overview":132,"popularity":133,"poster_path":134,"release_date":135,"softcore":4,"video":4,"vote_average":136,"vote_count":137,"credit_id":138,"department":11,"job":87,"media_type":32},"\u002FkPdvXDdXIbuKKAt9gEy13FNYgbm.jpg",[28,128],14,11163,"Satiricón","Fellini – satyricon","En la Roma del siglo primero después de Cristo, dos estudiantes, Encolpio y Ascilto, discuten sobre su propiedad sobre el adolescente Gitone. El niño escoge a Ascilto. Sólo un terremoto salva a Encolpio del suicidio. A partir de entonces, Ascilto vivirá una serie de aventuras y desventuras para conocer nuevos amores.",3.7228,"\u002FmWAUPd3FRAAbmytfSplZ6a8b5oS.jpg","1969-09-18",6.7,373,"61abbea1a84a47001cf2dbeb",{"adult":4,"backdrop_path":140,"genre_ids":141,"id":142,"title":143,"original_language":22,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":149,"credit_id":150,"department":11,"job":87,"media_type":32},"\u002F577MexfjVxgTakrbugG8QbfimUn.jpg",[36,28],11035,"Roma","Durante la construcción del metro de Roma, las excavaciones dejan al descubierto una vieja casa llena de pinturas murales al fresco. Una de ellas representa a una vieja dama de la aristocracia romana, que organiza en su casa unos desfiles de moda muy originales. La película recorre las casas de tolerancia de la época y los espectáculos de la noche romana. Poco después, es Fellini quien recuerda sus años de escolar, entre latines que evocaban a Julio César y Nerón.",8.2509,"\u002FvtlWdzyeV9oZp9ick82O2SX3o96.jpg","1972-03-16",7.264,377,"61abd30d678259001c0c154c",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":22,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":161,"credit_id":162,"department":11,"job":87,"media_type":32},"\u002FiFQzlUmO5QmMPcSHHDdfd522x33.jpg",[36,28],7857,"Amarcord","Historia de un hombre que un día se da cuenta de que apenas reconoce a las personas con las que ha vivido durante años, hasta el punto de que su propia esposa e hijos le parecen extraños y todo lo que lo rodea le resulta opaco e indiferente. Se lanza entonces a la búsqueda desesperada de algún punto de referencia para recuperar su identidad y no hundirse en el caos. Emprende así, a través de las ilimitadas regiones de la memoria, un viaje que lo conduce a la infancia, a la época en que era un niño que vivía en un pequeño pueblo costero; a la Italia de los años treinta, cuando el fascismo había alcanzado el punto culminante de su apogeo.",3.8796,"\u002Fi2BL91OVOONviajAE0VlbMAyOm9.jpg","1973-12-18",7.866,1258,"61abd82d7f6c8d008e8f8b02",{"adult":4,"backdrop_path":164,"genre_ids":165,"id":166,"title":167,"original_language":22,"original_title":168,"overview":169,"popularity":170,"poster_path":171,"release_date":172,"softcore":4,"video":4,"vote_average":173,"vote_count":174,"credit_id":175,"department":11,"job":87,"media_type":32},"\u002Fnn84IU1JFwvfcVhQ08teDM080yd.jpg",[28,77],42236,"Casanova","Il Casanova di Federico Fellini","Giacomo Casanova, viejo bibliotecario del castillo del Dux, en Bohemia, recuerda su vida, repleta de historias de amor y de aventuras. Anciano, solo y desesperado, rememora los apasionantes viajes de su juventud por todas las capitales de Europa.",3.019,"\u002FvhJbfZybkw8UljqUuaFfne3zEGi.jpg","1976-12-10",6.9,255,"61acd76d6eecee006031d834",{"adult":4,"backdrop_path":177,"genre_ids":178,"id":180,"title":181,"original_language":22,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":188,"credit_id":189,"department":11,"job":87,"media_type":32},"\u002Fo5GFE1PdgnFhak7jGDjkUgppIEA.jpg",[36,28,179],10402,47850,"Ensayo de orquesta","Prova d'orchestra","En una capilla medieval romana, una orquesta se prepara para ensayar. Los acompaña un equipo de Televisión. El director es un alemán que insulta a los músicos y los trata mal. Después de un descanso, éstos se rebelan contra él.",1.9419,"\u002FuIZpc0SZeIBShwBY3WX36BwEp6q.jpg","1979-02-22",6.662,133,"61acde6d53466100605312c0",{"adult":4,"backdrop_path":191,"genre_ids":192,"id":194,"title":195,"original_language":22,"original_title":196,"overview":197,"popularity":198,"poster_path":199,"release_date":200,"softcore":4,"video":4,"vote_average":58,"vote_count":201,"credit_id":202,"department":11,"job":87,"media_type":32},"\u002Fv3OBPtCS4iHOGKNBwiO22QFfMQ1.jpg",[36,193,128],12,11936,"La ciudad de las mujeres","La città delle donne","Relato de un hombre soñador en un mundo poblado de mujeres de toda condición.",3.1654,"\u002F9b1M4K5bc91pUxAB4FLToD9cWp.jpg","1980-03-28",303,"61acfda8aa659e001cb3e61a",{"adult":4,"backdrop_path":204,"genre_ids":205,"id":207,"title":208,"original_language":22,"original_title":208,"overview":209,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":213,"vote_count":214,"credit_id":215,"department":11,"job":87,"media_type":32},"\u002Fleh3xqnCGJqgsz3cHxNDwT8XPob.jpg",[206,19],10770,335210,"Block-notes di un regista","Fellini opina sobre como hacer películas y sus procedimientos poco ortodoxos. Él busca la inspiración en varios sitios. Durante este film los espectadores de la película van con él al Colisseum de noche, dan un paseo por las catacumbas romanas a la Vía Apia, pasan por un matadero, y hacen una visita a la casa de Marcello Mastroianni. Fellini también es visto en su propia oficina entrevistando una serie de personajes caracteristicos de sus peliculas.",1.4925,"\u002FptAWCqXRNEsSRhiHLG3BRVcOejl.jpg","1969-03-15",6.66,25,"61c0b40ba84ff70068f93290",{"adult":4,"backdrop_path":217,"genre_ids":218,"id":219,"title":220,"original_language":22,"original_title":221,"overview":222,"popularity":223,"poster_path":224,"release_date":225,"softcore":4,"video":4,"vote_average":173,"vote_count":226,"credit_id":227,"department":11,"job":87,"media_type":32},"\u002FlEvdinLO1qmc6dAHsRArExHtjYw.jpg",[206,36],42590,"Los clowns","I Clowns","Documental en el que el maestro Fellini rinde un homenaje al desprestigiado arte de los payasos. Dividida en varias partes, incluye entrevistas con antiguos payasos muy famosos que fueron olvidados, escenas de la infancia del propio director, explicaciones sobre su obsesión por el circo y un tributo final a los propios payasos. Realizada para la televisión italiana RAI, obtuvo excelentes críticas que aclamaron su ingenio, su mensaje y su emocionante final.",6.4845,"\u002FobL37ec9p87eRpnP5tJuWZSYcTT.jpg","1970-12-27",105,"61c0b5f6f29d66001cc0c73b",{"adult":4,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":22,"original_title":233,"overview":234,"popularity":235,"poster_path":236,"release_date":237,"softcore":4,"video":4,"vote_average":238,"vote_count":239,"credit_id":240,"department":11,"job":87,"media_type":32},"\u002FzUG8zc2zPpJxdShnrvHZDMQVPQa.jpg",[36,28],82372,"Doctor Tersilli, médico de la clínica Villa Celeste, afiliada a la mutua","Il Prof. Dott. Guido Tersilli primario della Clinica Villa Celeste convenzionata con la Mutua","Esta secuela de \"Il medico della Mutua\" (Luigi Zampa, 1968) sigue también las peripecias del Doctor Guido Tersilli.",1.9024,"\u002F1l1Qh3tmSwzjxGv8sjCzO7inkWW.jpg","1969-12-19",6.5,84,"639c248c075288008c9691ce",{"adult":4,"backdrop_path":7,"genre_ids":242,"id":243,"title":244,"original_language":22,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":4,"video":4,"vote_average":58,"vote_count":8,"credit_id":250,"department":11,"job":73,"media_type":32},[28],463067,"Mañana ya no estaremos aquí","Domani non siamo piu' qui","La presencia de una mujer neurótica perturba a un grupo de amigos que están de vacaciones. Uno a uno irán abandonando el lugar para volver a la ciudad.",0.959,"\u002FsSREGiI13WzScnxWBf2aGXEOC0P.jpg","1967-02-28","594d0dab92514131080244db",{"adult":4,"backdrop_path":252,"genre_ids":253,"id":254,"title":255,"original_language":22,"original_title":256,"overview":257,"popularity":258,"poster_path":259,"release_date":260,"softcore":4,"video":4,"vote_average":27,"vote_count":261,"credit_id":262,"department":11,"job":87,"media_type":32},"\u002Fgzl7iSXCj2nvg1u9aQJdUNcMkyF.jpg",[36],297505,"Yo soy la oveja negra","La pecora nera","Dos hermanos, idénticos físicamente pero de un carácter totalmente distinto, mantienen distantes sus relaciones familiares. Uno es serio e incorruptible; el otro es fanfarrón y sin escrúpulos. Las circunstancias permiten que éste usurpe la personalidad de su hermano, haga importantes negocios y sea considerado como \"indispensable\" en ciertos sectores del Gobierno.",1.5983,"\u002FpbAzEiBV8pVQOSEjCPgCT3FmZ2t.jpg","1968-11-09",5,"64d35ef6bf31f201cd4d4897",{"adult":4,"backdrop_path":264,"genre_ids":265,"id":266,"title":267,"original_language":22,"original_title":267,"overview":6,"popularity":268,"poster_path":269,"release_date":270,"softcore":4,"video":4,"vote_average":271,"vote_count":71,"credit_id":272,"department":11,"job":273,"media_type":32},"\u002FbKKmEo1oMkDCezDICxOBc5ptnt3.jpg",[19],665765,"Diario segreto di Amarcord",1.5556,"\u002F3M1GgvesNHOV56Eij9fyuIY1Ney.jpg","1974-01-01",6,"5e2710fd1685da0011df0c1d","Director",{"adult":4,"backdrop_path":275,"genre_ids":276,"id":279,"title":280,"original_language":22,"original_title":280,"overview":6,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":284,"vote_count":285,"credit_id":286,"department":11,"job":73,"media_type":32},"\u002F9JIXFd85GD1BYqWsbBeKguGHvKY.jpg",[277,278],53,9648,104938,"Più tardi Claire, più tardi...",1.2732,"\u002FcKkTj3yoLG8NagYUgleA8LmExG6.jpg","1968-05-01",5.8,4,"5ea00fa2db72c00019ef30fc",{"adult":4,"backdrop_path":288,"genre_ids":289,"id":290,"title":291,"original_language":22,"original_title":291,"overview":6,"popularity":292,"poster_path":293,"release_date":294,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"credit_id":295,"department":296,"job":297,"media_type":32},"\u002FxxWW6NffM6ql244u1TuU6y3MQJy.jpg",[36],1603012,"Carogne - Ciro and Me",1.1814,"\u002FbKisFOuqFt88LlPYx2s99fw3iCQ.jpg","1995-06-02","694aa8e925905827412fcae2","Production","Producer",{"adult":4,"backdrop_path":299,"genre_ids":300,"id":302,"title":303,"original_language":22,"original_title":304,"overview":305,"popularity":306,"poster_path":307,"release_date":308,"softcore":4,"video":4,"vote_average":58,"vote_count":309,"credit_id":310,"department":11,"job":73,"media_type":32},"\u002Faur68UIJEbXdQfW5nIqIzCIjhMS.jpg",[301],37,45211,"Cara a cara","Faccia a faccia","Brad Fletcher, un tímido profesor de Historia, inicia un periodo de convalecencia en un apartado pueblo del Oeste. En el mismo lugar se presenta, conducido por el sheriff y su ayudante, Beauregard Bennet. Beauregard es un famoso asesino conocido por “Beau” y jefe de la “manada salvaje”. El forajido logra escapar y se lleva como rehén al profesor. Durante la huida da comienzo un enfrentamiento entre ambos hombres que tratan de imponer sus propios razonamientos.",3.7508,"\u002F558Y7oZBPiItr4tkL9PczZtl2uX.jpg","1967-11-24",115,"6a8c67e2f66a8a8fb620babe",{"profiles":312},[]]