[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F213378:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":12,"id":13,"imdb_id":14,"known_for_department":15,"name":16,"place_of_birth":17,"popularity":18,"profile_path":19,"combined_credits":20,"images":541},false,[6,7],"Слободан Алигрудић","Слободан Алигрудич","Slobodan Aligrudić was a Serbian actor known for some of the most memorable roles in the history of former Yugoslav cinema.\n\nHe earned prominence as a thespian in Belgrade's Atelje 212 Theatre, but to a wider audience he is best known for his memorable character portrayals on film. Some of those roles were achieved in classic films of former Yugoslav cinema, including Love Affair: Or the Case of Missing Switchboard Operator. Due to his distinctly coarse look, most of his roles were stern authority figures, but he always managed to give them a breath of humanity. One of the best examples is Maho, a father character in Emir Kusturica's 1981 coming-of-age drama Do You Remember Dolly Bell?.\n\nAligrudić worked with Kusturica again in his 1985 celebrated drama When Father Was Away on Business, in which he played an UDBA agent in charge of protagonist's \"re-education\". He died shortly after that film won Palme d'Or at the Cannes Film Festival and shortly after the death of his long-time colleague Zoran Radmilović. 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El chico busca la libertad en la vida marginal de las calles, y un día tiene que esconder a Dolly Bell, una prostituta de la que se enamora.",2.4296,"\u002FnJo2bMNcRVHKQfLWtP7ymrHpNQ3.jpg","1981-04-10",7.3,95,"Father","52fe47b0c3a36847f8142f27",{"adult":4,"backdrop_path":95,"genre_ids":96,"id":98,"title":99,"original_language":28,"original_title":99,"overview":44,"popularity":100,"poster_path":101,"release_date":102,"softcore":4,"video":4,"vote_average":103,"vote_count":104,"character":105,"credit_id":106,"order":107,"media_type":39},"\u002FxNAEChby0kpOxDoAad1u4LBReOz.jpg",[25,97],10752,265666,"Zaseda",1.1115,"\u002FO2eNIyRuKn58x0U1cW6rxzJ0CE.jpg","1969-06-30",6,12,"drug Jotić","535377aa0e0a2656140043f4",3,{"adult":4,"backdrop_path":109,"genre_ids":110,"id":111,"title":112,"original_language":28,"original_title":112,"overview":44,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":48,"vote_count":116,"character":117,"credit_id":118,"order":104,"media_type":39},"\u002F9TxOcgxS7xRV5DQrFEBUBB1DHJb.jpg",[25],265686,"Специјално васпитање",0.9984,"\u002FtUHmN9DJaMyfYdyxKXmo3GxxWil.jpg","1977-04-28",25,"Komandir milicije","5353c52ac3a3681da0003f4a",{"adult":4,"backdrop_path":120,"genre_ids":121,"id":122,"title":123,"original_language":28,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":130,"character":131,"credit_id":132,"order":65,"media_type":39},"\u002FffR5kTg4PCdbdE8C8LEwLWqTM2Y.jpg",[25],33243,"El Chico Prometedor","Дечко који обећава","Slobodan Milosevic es un un joven estudiante, serio, inteligente, con una novia formal, y aficionado a la guitarra. 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II","5556259b9251411e62002e87",{"adult":4,"backdrop_path":12,"genre_ids":235,"id":236,"title":237,"original_language":28,"original_title":237,"overview":44,"popularity":238,"poster_path":239,"release_date":240,"softcore":4,"video":199,"vote_average":200,"vote_count":200,"character":241,"credit_id":242,"order":243,"media_type":39},[97,70,104],1009714,"Više od igre",0.9393,"\u002F43NMnQzMYcwAdQQWQqa9QGBzJFu.jpg","1976-03-20","Agent antikomunističkog odeljenja (uncredited)","6382835ba4af8f00ca0b24fb",45,{"adult":4,"backdrop_path":12,"genre_ids":245,"id":246,"title":247,"original_language":28,"original_title":247,"overview":44,"popularity":248,"poster_path":249,"release_date":250,"softcore":4,"video":4,"vote_average":169,"vote_count":62,"character":251,"credit_id":252,"order":62,"media_type":39},[70],348134,"Indijsko 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Este film tuvo problemas con la censura, justamente porque “una gran parte de público, inocentemente, no se dio cuenta de que los monólogos a modo de eslogan de la mujer que lidera el grupo se habían tomado al pie de la letra de las apasionadas cartas de Marx a Arnold Ruge de 1843 (publicadas con el mismo título que la película), y de fuentes como el Manifiesto comunista”. 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