[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F20025:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":688},false,[],"Shōhei Imamura (15 September 1926 – 30 May 2006) was a Japanese film director. He was the first Japanese director to win two Palme d'Or awards, but was never Oscar-nominated in any category.","1926-09-15","2006-05-30",2,null,20025,"nm0408076","Directing","今村昌平","Tokyo, Japan",1.6318,"\u002F6eHOTp1bsF9u3j8YinafjhTimnp.jpg",{"cast":19,"crew":129},[20,38,52,70,84,94,102,109,120],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":34,"credit_id":35,"order":36,"media_type":37},"\u002FmGnouDaefwSmdP7N901hz6GSgr7.jpg",[23,24],18,99,85692,"人間蒸発","ja","",1.0909,"\u002FapJbz4tAaN92jmpgH2A81GFyUPS.jpg","1967-07-08",6.9,26,"Self","52fe49559251416c910a9f79",1,"movie",{"adult":4,"backdrop_path":39,"genre_ids":40,"id":41,"title":42,"original_language":27,"original_title":43,"overview":44,"popularity":45,"poster_path":46,"release_date":47,"softcore":4,"video":4,"vote_average":48,"vote_count":49,"character":34,"credit_id":50,"order":51,"media_type":37},"\u002FnhxuQtgAvogZ2R8mJALhFLoWJNl.jpg",[24],124582,"He vivido pero… Una biografía de Yasujiro Ozu","生きてはみたけれど・小津安二郎伝","Documental realizado por Kazuo Inoue acerca de la vida y carrera de Yasujirô Ozu, en el cual participa su asistente Shohei Imamura (director de The Pornographers y The Eel), los críticos Donald Richie y Tadao Sato, y los actores estrellas de sus películas Chishu Ryu, Mariko Okada y Haruko Sugimura, entre otros. Un infaltable para los fanáticos de la belleza del cine de este gran maestro.",1.4302,"\u002F5Atvpg1n01ubGipiNYFi1mlttHC.jpg","1983-10-29",6.8,9,"52fe4aafc3a368484e161857",13,{"adult":4,"backdrop_path":53,"genre_ids":54,"id":57,"title":58,"original_language":59,"original_title":60,"overview":61,"popularity":62,"poster_path":63,"release_date":64,"softcore":4,"video":4,"vote_average":65,"vote_count":66,"character":67,"credit_id":68,"order":69,"media_type":37},"\u002FvpCWLrAPJayIO1vI7KVVl1Gy8no.jpg",[55,56,23],53,28,23132,"2009: Lost Memories","ko","2009 로스트메모리즈","Año 2009, Seúl es la tercera ciudad más importante de Japón. Masayuki Sakamoto se ha convertido en policía, como su padre. Ha olvidado su herencia como coreano, comparte una estrecha amistad con su compañero Saigo y ha jurado lealtad al imperio japonés. Mientras, una minoría de coreanos ha creado una organización de resistencia clandestina llamada 'Hurei-Sen-Jin' (Confederación de Liberación de Corea) para luchar contra Japón. Las autoridades sospechan que hay una enorme conspiración detrás de las actividades de la organización y asignan el caso a Sakamoto y a Saigo. De este modo, Sakamoto se encuentra con Oh Hae-rin, una mujer coreana a la que ha visto en sus sueños. Totalmente confundido por la serie de eventos con los que se va encontrando, Sakamoto se enfrentará a una increíble verdad histórica de la que nunca tuvo conocimiento.",2.1825,"\u002FcceegZtMTViNxoUiPPga1ndatvT.jpg","2002-02-01",6.2,82,"Historian","64ac6cfdb686b900cc0ac21a",10,{"adult":4,"backdrop_path":71,"genre_ids":72,"id":74,"title":75,"original_language":27,"original_title":75,"overview":28,"popularity":76,"poster_path":77,"release_date":78,"softcore":4,"video":4,"vote_average":79,"vote_count":80,"character":81,"credit_id":82,"order":83,"media_type":37},"\u002ForoavFEaMLCL1vFuGdgnxihXbkr.jpg",[24,73],10770,163212,"ブブアンの海賊",1.3977,"\u002FhVGVXife6q5W9ZB2zqBcfTaAAI2.jpg","1972-01-01",6.5,6,"Himself","52fe4c64c3a36847f822be8f",0,{"adult":4,"backdrop_path":10,"genre_ids":85,"id":86,"title":87,"original_language":27,"original_title":87,"overview":28,"popularity":88,"poster_path":89,"release_date":90,"softcore":4,"video":4,"vote_average":91,"vote_count":92,"character":81,"credit_id":93,"order":83,"media_type":37},[24,73],163214,"無法松故郷に帰る",0.6383,"\u002Fp22iJFmXFFbe6PrE7E5TPhVJLbK.jpg","1973-01-01",6.3,5,"52fe4c64c3a36847f822bea1",{"adult":4,"backdrop_path":10,"genre_ids":95,"id":96,"title":97,"original_language":27,"original_title":97,"overview":28,"popularity":98,"poster_path":99,"release_date":90,"softcore":4,"video":4,"vote_average":100,"vote_count":9,"character":81,"credit_id":101,"order":36,"media_type":37},[24],163216,"からゆきさん",0.8583,"\u002FqSWkpUXvJl43xYynja5sJZ31iZG.jpg",8.2,"52fe4c65c3a36847f822beb9",{"adult":4,"backdrop_path":10,"genre_ids":103,"id":104,"title":105,"original_language":27,"original_title":105,"overview":28,"popularity":106,"poster_path":107,"release_date":78,"softcore":4,"video":4,"vote_average":83,"vote_count":83,"character":34,"credit_id":108,"order":83,"media_type":37},[24],995117,"遠くへ行きたい おれの下北",1.1201,"\u002FmPS5R87kCfWk09P2O8IdcgIqSLx.jpg","62c119ac71f095007cc3921f",{"adult":4,"backdrop_path":10,"genre_ids":110,"id":111,"title":112,"original_language":113,"original_title":112,"overview":114,"popularity":115,"poster_path":116,"release_date":117,"softcore":4,"video":4,"vote_average":118,"vote_count":9,"character":81,"credit_id":119,"order":83,"media_type":37},[24],449671,"Cinéma, de notre temps: Shohei Imamura - Le libre penseur","fr","Documental sobre la carrera del director japonés Shohei Imamura, construido a partir de entrevistas con el realizador junto a su actor fetiche, Kazuo Kitamura Estimulados por el sake, ambos conversan de forma distendida, reviviendo décadas de amistad y cine en común. Sin tapujos, Imamura desgrana las claves de su cine que, según Paulo Rocha, es una amalgama entre la sensualidad vitalista de Jean Renoir y la desmesura de Rabelais.",0.9402,"\u002Fsj1qImSd5HgCwP3wUpcZGk2QaCV.jpg","1995-04-12",8.5,"58dcd41d925141412a00966f",{"adult":4,"backdrop_path":10,"genre_ids":121,"id":122,"title":123,"original_language":113,"original_title":123,"overview":28,"popularity":124,"poster_path":125,"release_date":126,"softcore":4,"video":4,"vote_average":83,"vote_count":83,"character":127,"credit_id":128,"order":80,"media_type":37},[24],1259444,"Des cinemas japonais: Nouveaux territoires",1.191,"\u002Fib9PobRJVsWHIIyvflDCnqOuoEj.jpg","2011-03-25","Self (archive footage)","69c9ad00abb981df20dd6b09",[130,144,157,170,185,188,199,212,227,237,250,254,267,276,286,300,312,324,337,342,345,355,366,369,378,386,389,392,395,408,418,421,429,432,444,447,450,459,467,470,483,496,509,512,521,524,528,537,546,559,569,572,583,592,595,598,601,609,618,628,631,634,637,646,655,658,661,670,679,682,685],{"adult":4,"backdrop_path":131,"genre_ids":132,"id":133,"title":134,"original_language":113,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":141,"credit_id":142,"department":13,"job":143,"media_type":37},"\u002FmpCIVcb4ywBGU6K0Qt1DCIcKoJp.jpg",[23],1926,"11'09''01 - 11 de septiembre","11’09”01 – September 11","Once directores, once historias, once puntos de vista sobre el atentado contra las Torres Gemelas y el Pentágono el 11 de septiembre del 2001, un suceso que cambió la historia del siglo XXI.",3.0721,"\u002FkL841ZBn9DqOwSv9qsjcKoqiw9X.jpg","2002-09-04",6.409,126,"52fe4322c3a36847f803cf8f","Director",{"adult":4,"backdrop_path":145,"genre_ids":146,"id":148,"title":149,"original_language":27,"original_title":150,"overview":151,"popularity":152,"poster_path":153,"release_date":154,"softcore":4,"video":4,"vote_average":32,"vote_count":155,"credit_id":156,"department":13,"job":143,"media_type":37},"\u002F2yYrBdhPzsrHQlNqswFa90y6bZu.jpg",[23,147],80,20506,"La anguila","うなぎ","Después de ocho años en la cárcel por haber matado a su esposa, a la que encontró en la cama con otro hombre, Takuro Yamashita sale en libertad condicional. Cuando estaba en la prisión captura una anguila, que se convierte en su mascota y única compañera. Yamashita se establece en una pequeña población a las afueras de Tokio y regenta una barbería, presidida por un aquario en el que nada su anguila. Un día conoce a Keiko Hattori, una joven que intenta suicidarse y que le recuerda a su esposa. Poco a poco se van conociendo y terminan enamorándose. Cuando la vida comienza a sonreirle, se encuentra con un antiguo compañero de cárcel. Yamashita comprende que toda la lucha por convertirse en un hombre nuevo podría desmoronarse si su pasado es revelado. Sobre todo, teniendo en cuenta el interés de los excéntricos habitantes del pequeño pueblo, por conocer más del nuevo barbero.",4.3688,"\u002FxANmQRbvawBMHOKkTCmmg2tbide.jpg","1997-05-12",135,"52fe43e9c3a368484e005929",{"adult":4,"backdrop_path":158,"genre_ids":159,"id":160,"title":161,"original_language":27,"original_title":162,"overview":163,"popularity":164,"poster_path":165,"release_date":166,"softcore":4,"video":4,"vote_average":167,"vote_count":168,"credit_id":169,"department":13,"job":143,"media_type":37},"\u002Flyig5sHaoCGQOllOMub4vT6sqqO.jpg",[147,23],31104,"Cerdos y acorazados","豚と軍艦","Kinta, un matón adolescente, está entusiasmado porque ha conseguido trabajo como supervisor de la piara de una base americana local, con el cual podrá desviar comida al mercado negro y conseguir unos buenos ingresos para su banda yakuza. Su novia Hiroku espera que deje la yakuza y consiga un trabajo honesto, aunque ella no sea un ejemplo de virtud, trabajando como prostituta. La trama sigue esta relación complicada, con el trasfondo de la corrupción, con el resultado del choque de las fuerzas de ocupación contra la pobreza y las aspiraciones del país nipón tras la guerra.",2.7344,"\u002FzUJgHKs84sNvRZfhceRaMW89nuV.jpg","1961-01-21",7.1,67,"52fe445e9251416c9100e489",{"adult":4,"backdrop_path":171,"genre_ids":172,"id":173,"title":174,"original_language":27,"original_title":175,"overview":176,"popularity":177,"poster_path":178,"release_date":179,"softcore":4,"video":4,"vote_average":180,"vote_count":181,"credit_id":182,"department":183,"job":184,"media_type":37},"\u002F76phbJ3Brq4VmpOomEOW9bNy8C5.jpg",[23],42113,"La balada de Narayama","楢山節考","Era una vieja ley del pueblo, de un tiempo tan lejano que ya nadie lo recordaba; Al alcanzar los 70 los ancianos debían abandonar el pueblo para ir a vivir en la cima de la montaña Narayama. Una sentencia de muerte despiadada que sumía en la tristeza y la desesperación a las familias cuando tenían que enviar a sus mayores a la montaña. Orin tiene 69 años y se acerca el momento de partir hacia la montaña, pero todavía tiene que encontrar una mujer a su hijo. Remake de la película \"Narayama bushiko\", dirigida en 1958 por Keisuke Kinoshita.",5.3519,"\u002FdrZTWC3XxVSqKIfS0VQGgsRa2vz.jpg","1983-04-29",7.507,213,"52fe45eec3a36847f80e2b0b","Writing","Screenplay",{"adult":4,"backdrop_path":171,"genre_ids":186,"id":173,"title":174,"original_language":27,"original_title":175,"overview":176,"popularity":177,"poster_path":178,"release_date":179,"softcore":4,"video":4,"vote_average":180,"vote_count":181,"credit_id":187,"department":13,"job":143,"media_type":37},[23],"52fe45eec3a36847f80e2acd",{"adult":4,"backdrop_path":189,"genre_ids":190,"id":191,"title":192,"original_language":27,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":65,"vote_count":23,"credit_id":198,"department":13,"job":143,"media_type":37},"\u002FxnPlkNQ6NnrBYy5Plv7fBfr3ZHC.jpg",[23],42143,"Eijanaika (Qué más da)","ええじゃないか","Ambientada en la segunda mitad del siglo XIX, narra la peripecia personal de los protagonistas (un superviviente de un naufragio en busca de su esposa secuestrada) en uno de los periodos más turbulentos de la historia de Japón.",1.519,"\u002Fg82MEaenPvPkSiRGqKcFeYQHmub.jpg","1981-01-08","52fe45efc3a36847f80e3141",{"adult":4,"backdrop_path":200,"genre_ids":201,"id":202,"title":203,"original_language":27,"original_title":204,"overview":205,"popularity":206,"poster_path":207,"release_date":208,"softcore":4,"video":4,"vote_average":209,"vote_count":210,"credit_id":211,"department":13,"job":143,"media_type":37},"\u002FdJnL1UmpXJEXSPqBklbmxEkzGcw.jpg",[147,23],42170,"La venganza es mía","復讐するは我にあり","Enokizu es un criminal al que le encanta cometer atrocidades y despiadados crímenes. Toda la policía de Japón le persigue, pero siempre logra escapar. Un día Enokizu conoce a una chica que trabaja en un burdel, y los dos se enamoran...",4.3999,"\u002Ff8Hk4RCOi8ACsKEGItxQfunJelL.jpg","1979-04-21",7.5,161,"52fe45f1c3a36847f80e36f1",{"adult":4,"backdrop_path":213,"genre_ids":214,"id":217,"title":218,"original_language":27,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":224,"vote_count":225,"credit_id":226,"department":13,"job":143,"media_type":37},"\u002Fcrorv6BTbcYBForF1uXkVeHVBUO.jpg",[215,23,216],35,10749,42718,"El pornógrafo","「エロ事師たち」より 人類学入門","Historia acerca de Ogawa, un hombre que mantiene una relación con una mujer viuda, todavía joven, que tiene un hijo y una hija adolescentes. Aunque la mujer cree que él se dedica a la venta de instrumentos quirúrgicos, en realidad sus ingresos provienen de la elaboración y venta de material pornográfico, y de negociar encuentros con falsas vírgenes para viejos clientes. Mientras el hijo padece complejo de Edipo y quiere poner a su madre en contra de Ogawa, éste se siente cada vez más atraído hacia su jovencísima hijastra. A su vez, la viuda está convencida de que su difunto marido se ha reencarnado en la forma de una carpa que habita en la pecera de su casa, y que chapotea en el agua cada vez que presencia un hecho que desaprueba. Polémico film de Imamura que causó controversia en su día por el osado y cómico tratamiento de ciertos tabús como el voyeurismo y el incesto.",2.0511,"\u002FlMc40WSqDpWkqltoPwDMp28F7G0.jpg","1966-03-12",7.3,60,"52fe4615c3a36847f80eba69",{"adult":4,"backdrop_path":228,"genre_ids":229,"id":230,"title":231,"original_language":27,"original_title":231,"overview":28,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":48,"vote_count":235,"credit_id":236,"department":13,"job":143,"media_type":37},"\u002FtIjYFygHGlA4dcZ3x6Rpgnebi1p.jpg",[23,215],37330,"果しなき欲望",1.6492,"\u002F5mHEQiP6xie4osEVk1jIW5tj1nW.jpg","1958-11-18",14,"52fe463f9251416c9104e22b",{"adult":4,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":27,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":247,"vote_count":248,"credit_id":249,"department":13,"job":143,"media_type":37},"\u002F4UnSMjU6OtcRxc8tniVV9oklC2N.jpg",[23],42984,"La mujer insecto","にっぽん昆虫記","Película que sigue la vida de Tome, mujer nacida en una familia de clase baja en 1918, que desde pequeña, sufre los maltratos de su padrastro. De joven, emigra de su pueblo natal para ir a trabajar a una fábrica donde mantiene una aventura con su jefe, y posteriormente ganarse la vida como criada y, finalmente, prostituta.",3.359,"\u002FdJU6sOuhIhNPyM9Oc5YUTKoPk25.jpg","1963-11-16",7.2,79,"52fe4624c3a36847f80ef1b3",{"adult":4,"backdrop_path":238,"genre_ids":251,"id":240,"title":241,"original_language":27,"original_title":242,"overview":243,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":247,"vote_count":248,"credit_id":252,"department":183,"job":253,"media_type":37},[23],"52fe4625c3a36847f80ef1b9","Writer",{"adult":4,"backdrop_path":255,"genre_ids":256,"id":257,"title":258,"original_language":27,"original_title":259,"overview":260,"popularity":261,"poster_path":262,"release_date":263,"softcore":4,"video":4,"vote_average":264,"vote_count":265,"credit_id":266,"department":13,"job":143,"media_type":37},"\u002Fj1xGWkNCBP3ozPJdgzOIgaOpXQv.jpg",[235,23,215,216],44768,"Agua tibia bajo un puente rojo","赤い橋の下のぬるい水","Yosuke Sasano es un hombre en paro, de unos cuarenta años, al que acaba de abandonar su esposa. Cuando un viejo vagabundo le cuenta que tiene escondido el Buda de oro que robó en un templo de Kioto en una lejana casa situada cerca de un puente rojo, Yosuke decide emprender el viaje en su búsqueda. Cuando llega al lugar no encuentra el Buda pero sí a una extraña mujer que vive en la casa .",3.1636,"\u002FjPyoWY7vbc4bo2wDSPyo16nenV7.jpg","2001-11-03",6.6,54,"52fe469bc3a36847f81081b5",{"adult":4,"backdrop_path":10,"genre_ids":268,"id":269,"title":270,"original_language":27,"original_title":270,"overview":28,"popularity":271,"poster_path":272,"release_date":273,"softcore":4,"video":4,"vote_average":274,"vote_count":23,"credit_id":275,"department":13,"job":143,"media_type":37},[215,23],46150,"西銀座駅前",1.0246,"\u002FeAZt5Oe7LQn8tdtwKHH89bnzOlS.jpg","1958-07-29",5.5,"52fe46e7c3a36847f8118df1",{"adult":4,"backdrop_path":277,"genre_ids":278,"id":279,"title":280,"original_language":27,"original_title":280,"overview":28,"popularity":281,"poster_path":282,"release_date":283,"softcore":4,"video":4,"vote_average":284,"vote_count":235,"credit_id":285,"department":13,"job":143,"media_type":37},"\u002FhN2QzWpCeOAdflB2jBx0O0C0EZz.jpg",[215,23],46149,"盗まれた欲情",1.2834,"\u002F2jjtaMgtuwiYEBObStDtli1sayc.jpg","1958-05-20",6.7,"52fe46e7c3a36847f8118dbb",{"adult":4,"backdrop_path":287,"genre_ids":288,"id":290,"title":291,"original_language":27,"original_title":292,"overview":293,"popularity":294,"poster_path":295,"release_date":296,"softcore":4,"video":4,"vote_average":297,"vote_count":298,"credit_id":299,"department":13,"job":143,"media_type":37},"\u002FfjNM6qTGr9DMP6dkMjfls29NSXZ.jpg",[215,23,289],36,68528,"Doctor Akagi","カンゾー先生","1945, vísperas de la rendición japonesa. En medio de una tensa atmósfera de guerra, el Doctor Akagi, médico de un pueblo pesquero en una de las islas japonesas, está consternado por la cantidad de personas que caen afectadas de hepatitis, primera causa de muerte en el desnutrido país. Ante esta grave situación decide implicarse para salvar su integridad profesional. Se alía con sus viejos colegas; un monje que ha colgado los hábitos, un cirujano nihilista adicto a la morfina y una mujer, formando así un grupo al margen de la sociedad militar japonesa",2.057,"\u002FrnlqENIJSVmKmgZzcPsmbLBFdAJ.jpg","1998-05-17",6.4,27,"52fe4797c3a368484e0cf529",{"adult":4,"backdrop_path":301,"genre_ids":302,"id":303,"title":304,"original_language":27,"original_title":305,"overview":306,"popularity":307,"poster_path":308,"release_date":309,"softcore":4,"video":4,"vote_average":310,"vote_count":265,"credit_id":311,"department":13,"job":143,"media_type":37},"\u002FygpyhavKrCoCSvvXPVWm9cP8wI9.jpg",[23],49571,"Deseos impuros","赤い殺意","Narra la historia de una gris y gorda ama de casa que vive en la pobreza con su pareja de hecho, su hijo de otra mujer y su madre. Cuando es violada por un ladrón, escapa a Japón en busca de una nueva vida con su agresor.",1.9866,"\u002F8AIAu33U3DhQmvI0KwqpOcdJgWt.jpg","1964-06-28",7,"52fe479cc3a36847f813f1d1",{"adult":4,"backdrop_path":313,"genre_ids":314,"id":315,"title":316,"original_language":27,"original_title":317,"overview":318,"popularity":319,"poster_path":320,"release_date":321,"softcore":4,"video":4,"vote_average":264,"vote_count":322,"credit_id":323,"department":13,"job":143,"media_type":37},"\u002FaPc2mhLLlUpGbFPtr7pVGCF0WRP.jpg",[23],49569,"Mi segundo hermano","にあんちゃん","La película narra la historia de cuatro huérfanos que habitan en una ciudad minera empobrecida. El argumento tine como base el diario de una adolescente de 10 años zainichi (coreano-japonesa). Fue una de las primeras películas que trataron el tema de la identidad zainichi y sus luchas en Japón. (FILMAFFINITY)",1.4084,"\u002F6kQ8qQZaDMqsJCwILxxz7IwNNSv.jpg","1959-10-28",8,"52fe479cc3a36847f813f0d3",{"adult":4,"backdrop_path":325,"genre_ids":326,"id":327,"title":328,"original_language":27,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":334,"vote_count":335,"credit_id":336,"department":13,"job":143,"media_type":37},"\u002Fk5xRpN0Cgrq2UnWTD3aW2JbzaZP.jpg",[23],50696,"El profundo deseo de los dioses","神々の深き欲望","Un ingeniero de Tokyo llamado Kariya llega a una primitiva isla tropical para excavar un pozo que suministre agua a los campos de azúcar. En la isla, cuenta con la asistencia de Kametaro, un miembro de la familia Futori. Nekichi Futori está encadenado en un hoyo que debe ser excavado porque cree que debe apaciguar a los dioses antes de que acaben con la protección de la isla. 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En la película, las tres hijas se involucran en una especie de relación complicada. Las hermanas y sus Hombres adjuntos están diseñados deliberadamente como figuras alegóricas sobre las cambiantes condiciones sociales. Una comedia maravillosamente divertida, a veces graciosa, entre Nara y Tokio, Adagio y Allegro, Ayer y Hoy, en busca de una mañana.",1.8853,"\u002FtYcLyybBLhK4uTE6BfHuMabGS73.jpg","1955-01-08","53085aa2c3a36841f0002158","Assistant Director",{"adult":4,"backdrop_path":10,"genre_ids":445,"id":104,"title":105,"original_language":27,"original_title":105,"overview":28,"popularity":106,"poster_path":107,"release_date":78,"softcore":4,"video":4,"vote_average":83,"vote_count":83,"credit_id":446,"department":13,"job":143,"media_type":37},[24],"62c119cbaf6e94125c8511eb",{"adult":4,"backdrop_path":213,"genre_ids":448,"id":217,"title":218,"original_language":27,"original_title":219,"overview":220,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":224,"vote_count":225,"credit_id":449,"department":340,"job":341,"media_type":37},[215,23,216],"547b71509251412d7c000696",{"adult":4,"backdrop_path":451,"genre_ids":452,"id":453,"title":454,"original_language":27,"original_title":454,"overview":28,"popularity":455,"poster_path":456,"release_date":457,"softcore":4,"video":4,"vote_average":49,"vote_count":36,"credit_id":458,"department":183,"job":184,"media_type":37},"\u002Fv1HCmvrEB5u9Ba7ItAw2BJS7cW8.jpg",[23],892249,"サムライの子",1.3111,"\u002Fd4x3jLuHC6D2K0qcxv2AoF6UNLF.jpg","1963-02-24","617e6cba142ef1008e692e3a",{"adult":4,"backdrop_path":10,"genre_ids":460,"id":461,"title":462,"original_language":27,"original_title":462,"overview":28,"popularity":463,"poster_path":464,"release_date":465,"softcore":4,"video":4,"vote_average":49,"vote_count":36,"credit_id":466,"department":183,"job":253,"media_type":37},[215,23],912672,"経営学入門より ネオン太平記",1.0059,"\u002Fi7NYHzzw9AfijcWkzdfyOvz1fQz.jpg","1968-04-13","61aeed42699fb7005f883e89",{"adult":4,"backdrop_path":189,"genre_ids":468,"id":191,"title":192,"original_language":27,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":65,"vote_count":23,"credit_id":469,"department":340,"job":341,"media_type":37},[23],"56548a9492514170130045e1",{"adult":4,"backdrop_path":471,"genre_ids":472,"id":473,"title":474,"original_language":27,"original_title":475,"overview":476,"popularity":477,"poster_path":478,"release_date":479,"softcore":4,"video":4,"vote_average":480,"vote_count":481,"credit_id":482,"department":13,"job":443,"media_type":37},"\u002Fp5BLZ8KmcQFOaT51KnmDmRxrpnb.jpg",[23],55197,"El sabor del té verde con arroz","お茶漬けの味","Takeo, una mujer caprichosa de la alta sociedad de Tokio, se aburre con su marido, un hombre tranquilo, que se ha educado en el campo, aunque ahora es ejecutivo de una empresa.",3.0104,"\u002FAfBftDyertJi4zBz4nioJlR6aEg.jpg","1952-10-01",7.55,110,"56779e7b92514179d20081c1",{"adult":4,"backdrop_path":484,"genre_ids":485,"id":486,"title":487,"original_language":27,"original_title":488,"overview":489,"popularity":490,"poster_path":491,"release_date":492,"softcore":4,"video":4,"vote_average":405,"vote_count":493,"credit_id":494,"department":340,"job":495,"media_type":37},"\u002FpDDAfCdglMVzIWhJFep7xnUu1yG.jpg",[24],51929,"El ejército desnudo del emperador sigue marchando","ゆきゆきて、神軍","Este documental, rodado durante cinco años, tiene como protagonista a Okuzaku Kenzo, un hombre de 62 años, superviviente de la campaña de Nueva Guinea de la Segunda Guerra Mundial y famoso por atentar contra el Emperador acusándolo de cometer crímenes de guerra. Cuando Okuzaki emprende la investigación del asesinato de dos miembros de un escuadrón a manos de sus superiores, su búsqueda, organizada mediante duros interrogatorios, se va tornando cada vez más violenta. Finalmente, la película ofrece una incisiva exploración de los conceptos de memoria y culpa colectiva, temas habitualmente ignorados en el Japón moderno.",1.6301,"\u002Fo3o6Z4GgCXVolHboSwwO5ylUf4c.jpg","1987-08-01",56,"56f20d7d9251412fef0003d7","Associate Producer",{"adult":4,"backdrop_path":497,"genre_ids":498,"id":499,"title":500,"original_language":27,"original_title":501,"overview":502,"popularity":503,"poster_path":504,"release_date":505,"softcore":4,"video":4,"vote_average":506,"vote_count":507,"credit_id":508,"department":13,"job":443,"media_type":37},"\u002F2U4bERBTIEVXLFfEJBV7KxCLNg1.jpg",[23],50247,"El comienzo del verano","麦秋","En el Tokio de la posguerra, los miembros de una familia convencional llevan una vida tranquila y serena. 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