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This collaboration continued throughout most of Vasiliev's professional life.\n\nAs director-Intern for the institute, he staged A Solo for a Clock with Chimes, which first brought him to the attention of Moscow theatre-goers. Subsequent productions of The First Draught of Vassa Zheleznova, in 1978, and The Grown Daughter of a Young Man, in 1979, were both staged at the Stanislavski Theatre). In 2010, Vasiliev started a three-year course for the training of theatre pedagogists. The course is based in Venice, takes place during two months each year and is mainly for Italian professionals, but also combines pedagogists, actors and directors from around the world. In mid-2011 Vasiliev began a Research seminary on acting techniques at the Grotowski Institute in Wrocław, Poland. The seminary lasted two years and combined graduates of the Venice program and actors from various European countries. In 2016, Vasiliev will return to direct, for the first time in seven years, the play La Musica deuxième by French playwright Marguerite Duras, at the Comédie-Française in Paris. He is aided by his long time collaborator Natacha Isaeva, researcher of theatre and translator, and Boaz Trinker, actor-training specialist graduated from the Venice program.\n\nVasiliev was awarded the Laureate of Russian Stanislavsky Premium in 1988, he received the Order of the Cavalier of Art and Literature from France in 1989, the Premio Europa Nuove Realtà Teatrali of the Europe Theatre Prize in Taormina, Italy, in 1990, and the Chaos and Pirandello prizes in Agrigento, Italy, in 1992. In 1993, he received the Honoured Art Worker of Russia award, followed in 1995 by the Laureate of the Premium of Stanislasky Fund award for contributions in developing theatre pedagogics. With Igor Popov, he received the 1999 State Premium of Russia award in the field of Literature and Art for the creation of Moscow theatre School of Dramatic Art, and the 2001 National Premium \"Triumph\" award. In December 2012, he was awarded the prestigious Italian UBU award, for his three-year Island of Pedagogy project (2010–2012) in Venice. 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