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She joined The Royal Ballet Upper School in 1976, won gold in the 1977 Adeline Genée International Ballet Competition and joined the Company that year. Her wide repertory with the Company includes Lady Capulet (Romeo and Juliet), Empress Elisabeth and Helene Vetsera (Mayerling), Madge (La Sylphide), Princess and Queen (Swan Lake), Lady Elgar (Enigma Variations), Madame Larina (Onegin), Pianist (The Lesson), Berthe (Giselle), Queen and Carabosse (The Sleeping Beauty), Madame (Manon), Bride (Les Noces), Utah Longhorn Ram (‘Still Life’ at the Penguin Café) and Tsarevna and Tsarina (Anastasia).  Her role creations include Marie Virginie Avegno (Strapless), Madame Moritz (Frankenstein) and in Fleeting Figures, Piano, Half the House, Frankenstein, the Modern Prometheus, Isadora, Gloria and La Fin du jour. 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Esta producción de la Bella Durmiente lleva deleitando al público de Covent Garden desde 1946. Un clásico del ballet ruso que coronó al Royal Ballet en su nueva sede, tras la Segunda Guerra Mundial, como gran compañía a nivel mundial. Sesenta años después, en 2006, se ha rescatado la puesta en escena original, volviendo a los magníficos diseños de Oliver Messel y a los deslumbrantes trajes.  La gran partitura de Pyotr Il’Yich Tchaikovski y la coreografía original de Marius Petipa combinan a la perfección con las variaciones creadas para The Royal Ballet por Frederick Ashton, Anthony Dowell y Christopher Wheeldon.  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La mejor música de Tchaikovsky y la impresionante coreografía de Marius Petipa funcionaron en perfecta armonía, haciendo que \"La bella durmiente\" fuese un éxito inmediato cuando se estrenó en San Petersburgo allá por 1890. Desde entonces, se ha convertido en uno de los ballets más famosos de todo el repertorio clásico. 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