[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1509801:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":10,"known_for_department":11,"name":12,"place_of_birth":7,"popularity":13,"profile_path":7,"combined_credits":14,"images":125},false,[],"",null,0,1509801,"nm0941545","Writing","Michel Worms",0.3553,{"cast":15,"crew":29},[16],{"adult":4,"backdrop_path":7,"genre_ids":17,"id":18,"origin_country":19,"original_language":21,"original_name":22,"overview":6,"popularity":23,"poster_path":7,"first_air_date":24,"softcore":4,"name":22,"vote_average":8,"vote_count":8,"character":6,"credit_id":25,"episode_count":26,"first_credit_air_date":27,"media_type":28},[],324922,[20],"NL","nl","NOS WK Avond",2.9343,"2026-06-11","6a57f6ea939ec0f3397f6709",1,"2026-07-15","tv",[30,45,59,74,89,93,111],{"adult":4,"backdrop_path":7,"genre_ids":31,"id":34,"title":35,"original_language":36,"original_title":35,"overview":6,"popularity":37,"poster_path":38,"release_date":39,"softcore":4,"video":4,"vote_average":40,"vote_count":41,"credit_id":42,"department":11,"job":43,"media_type":44},[32,33],18,10752,102569,"Thomas l'imposteur","fr",1.026,"\u002FlqanMmzG042Eka9jx1h9s9l55rh.jpg","1965-06-01",6.5,16,"60c269ff2c6b7b002a4328f1","Scenario Writer","movie",{"adult":4,"backdrop_path":46,"genre_ids":47,"id":48,"title":49,"original_language":36,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":55,"vote_count":26,"credit_id":56,"department":57,"job":58,"media_type":44},"\u002F2sMCyt1Y3fmf4lYKLnXDqbWQqCo.jpg",[32],359686,"Dos mujeres en su vida","La Modification","Léon decide dejar a su mujer Cécile por Henriette, a la que ha conocido en Roma. Durante el viaje en tren a Italia, se pregunta si ha decidido bien.",0.9447,"\u002FwBncYaJGlGfUQiynbDb0QePRB31.jpg","1970-07-31",8,"55f5a630c3a3686d0b006c38","Directing","Director",{"adult":4,"backdrop_path":60,"genre_ids":61,"id":63,"title":64,"original_language":36,"original_title":65,"overview":66,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"credit_id":72,"department":57,"job":73,"media_type":44},"\u002FmX0a4W9KUxWnyPDASlZHQuAjpaS.jpg",[62],99,235932,"El gran Méliès","Le Grand Méliès","Una biografía del pionero director de cine Georges Méliès, con su hijo André Georges participando como su padre, y con la actuación de su segunda esposa, de 90 años de edad.",1.0637,"\u002FbDwhkL6Eon8d1vd27t26NVYHsBJ.jpg","1952-11-12",6.9,14,"65b76ab50fb17f016233cf37","Second Assistant Director",{"adult":4,"backdrop_path":75,"genre_ids":76,"id":80,"title":81,"original_language":36,"original_title":81,"overview":82,"popularity":83,"poster_path":84,"release_date":85,"softcore":4,"video":4,"vote_average":70,"vote_count":86,"credit_id":87,"department":57,"job":88,"media_type":44},"\u002FeNQxoousltKctmhf0LesrobK87l.jpg",[77,78,79],80,53,9648,56800,"Judex","Favraux, un banquero sin escrúpulos, recibe una nota amenazadora, firmada por un tal Judex, que le pide que devuelva todo el dinero que ha robado. Favraux se niega y aparentemente muere después de un baile de disfraces. 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La cosa no funciona hasta que Joe tiene que defenderse del pistolero Morton, que está celoso del amor del joven hacia la bella hija del ranchero Olsen.",4.5081,"\u002Fowfj4DpOuzd24JcS9h3Ph4fGJzv.jpg","1972-09-28",6.6,144,"5e45c99a9603310015f6212e","Assistant Director",{"adult":4,"backdrop_path":112,"genre_ids":113,"id":114,"title":115,"original_language":36,"original_title":116,"overview":117,"popularity":118,"poster_path":119,"release_date":120,"softcore":4,"video":4,"vote_average":107,"vote_count":121,"credit_id":122,"department":123,"job":124,"media_type":44},"\u002FfKx4WKvWkMtXmL2CzcXIISKW7Xj.jpg",[41,96],116352,"Los dientes del mono","Les dents du singe","Un joven Laloux, inmerso en el mundo de la pintura y las expresiones artísticas, ingresa como monitor en la clínica psiquiátrica Cour Cheverny de París, en 1955. Los espectáculos teatrales -marionetas y mimo- realizados por los mismos internados, son el reparto y guión para su cortometraje sin diálogos \"Les dents du singe\" (Los dientes del mono). El film se realiza con la colaboración del estudio ofrecido por Paul Grimault. La música la conduce Maurice Ohana y el corto se presenta en algún que otro festival amateur. La provocación de su obra por un sobreuso de un surrealismo denso, consigue la atención del público y de la crítica.",1.4409,"\u002F3OW6nBKmb5LGoQQeuDhUaDXtepW.jpg","1961-10-01",25,"5fb420bfafa1b0003ebb8a29","Editing","Editor",{"profiles":126},[]]