[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F14999:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":10,"birthday":11,"deathday":12,"gender":13,"homepage":14,"id":15,"imdb_id":16,"known_for_department":17,"name":8,"place_of_birth":18,"popularity":19,"profile_path":20,"combined_credits":21,"images":1356},false,[6,7,8,9],"George Andrew Romero","乔治·A·罗梅罗","George A. Romero","Джордж Ендрю Ромеро","George Andrew Romero (February 4, 1940 – July 16, 2017) was an American-Canadian film director, screenwriter and editor, best known for his gruesome and satirical zombie films, including the seminal \"Night of the Living Dead\" (1968) and \"Dawn of the Dead\" (1978). Throughout his career he primarily worked in the horror genre and directed several notable films outside of the zombie subgenre, including vampire film \"Martin\" (1977) and EC Comics homage \"Creepshow\" (1982).","1940-02-04","2017-07-16",2,"http:\u002F\u002Fwww.officialgeorgeromero.com\u002F",14999,"nm0001681","Directing","New York City, New York, USA",4.7568,"\u002Fw2zVF92x149qK79ZxwUowcSp2c6.jpg",{"cast":22,"crew":808},[23,43,59,73,89,102,114,125,137,150,164,180,195,207,217,227,236,244,255,266,274,284,295,305,320,330,343,353,363,373,383,394,403,417,426,436,447,455,463,472,481,489,496,504,514,522,531,542,557,567,580,589,598,605,612,620,626,634,641,648,655,662,670,678,687,702,710,718,726,733,746,759,772,781,797],{"adult":4,"backdrop_path":24,"genre_ids":25,"id":29,"title":30,"original_language":31,"original_title":32,"overview":33,"popularity":34,"poster_path":35,"release_date":36,"softcore":4,"video":4,"vote_average":37,"vote_count":38,"character":39,"credit_id":40,"order":41,"media_type":42},"\u002FmbOx1wxMLikzwWUO9TKAcFIy6op.jpg",[26,27,28],80,53,18,274,"El silencio de los corderos","en","The Silence of the Lambs","Clarice Starling, del FBI, se aventura a una prisión de máxima seguridad para analizar el cerebro enfermo de Hannibal Lecter, un psiquiatra convertido en caníbal.",7.7057,"\u002F8FdQQ3cUCs9goEOr1qUFaHackoJ.jpg","1991-02-14",8.345,18709,"FBI Agent in Memphis (uncredited)","52fe4230c3a36847f800ae17",55,"movie",{"adult":4,"backdrop_path":44,"genre_ids":45,"id":47,"title":48,"original_language":31,"original_title":49,"overview":50,"popularity":51,"poster_path":52,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":55,"character":56,"credit_id":57,"order":58,"media_type":42},"\u002F5KtmBSqFtHY3I9t8lgH27Mc0bqY.jpg",[46],27,10331,"La noche de los muertos vivientes","Night of the Living Dead","Las radiaciones procedentes de un satélite provocan un fenómeno terrorífico: los muertos salen de sus tumbas y atacan a los hombres para alimentarse. La acción comienza en un cementerio de Pennsylvania, donde Barbara, después de ser atacada por un muerto viviente, huye hacia una granja. Allí también se ha refugiado Ben. Ambos construirán barricadas para defenderse de una multitud de despiadados zombies que sólo pueden ser vencidos con un golpe en la cabeza.",14.2727,"\u002F5cjDlHqfb6CJV9gUcAcSp7jlEs4.jpg","1968-10-04",7.6,2868,"Washington Reporter","52fe435b9251416c7500d379",34,{"adult":4,"backdrop_path":60,"genre_ids":61,"id":62,"title":63,"original_language":31,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":68,"vote_count":69,"character":70,"credit_id":71,"order":72,"media_type":42},"\u002FjYtgrQa9dPw2CPwereWZBAoKzwQ.jpg",[46,28],26517,"Martin","Martin (John Amplas) es un adolescente que cree ser un vampiro. Su primo Cuda (Lincoln Maazel) se convence del hecho, a pesar que Martin no teme al ajo, o a los crucifijos, y que puede salir a la luz del sol. Cuda cree que Martin es víctima de una maldición familiar, y que la única solución es salvar su alma. Más que una película de terror, \"Martin\" es un drama psicológico con ribetes muy particulares, como la necesidad de Martin de tranqulizar a sus potenciales víctimas, de manera que estas no sientan temor o pánico o las compulsivas llamadas telefónicas que efectúa a un programa de radio para explicar la auténtica naturaleza del vampirismo. Pero cuidado, el chico no es un mero alienado o un joven inadaptado. Carece de colmillos, pero utiliza hojas de afeitar para cortar la piel de las personas y beber su sangre.",3.3659,"\u002F2UaQChRF3leBWlxYgVnUim7Conj.jpg","1978-05-10",6.773,330,"Father Howard","52fe4508c3a368484e0448b7",8,{"adult":4,"backdrop_path":74,"genre_ids":75,"id":77,"title":78,"original_language":79,"original_title":78,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":86,"credit_id":87,"order":88,"media_type":42},"\u002FvZxcF3NUMNWbYAFt0ltRFZdKqkX.jpg",[76],99,647197,"Zombies en el cañaveral: el documental","es","Tucumán, Argentina, 1965. Tres años antes de que se estrenara «La noche de los muertos vivientes», de George A. Romero, el director Ofelio Linares Montt rodó «Zombis en el cañaveral», que resultó ser tanto una película de terror como una declaración política. Fue un éxito en EE. UU., pero no pudo exhibirse en Argentina debido a la dictadura de Juan Carlos Onganía, y finalmente se perdió. El escritor e investigador Luciano Saracino se embarca en la búsqueda de los orígenes de esta obra maldita.",1.0495,"\u002F1NvpmzjHrLrzCzLWjxOKPVeBXg5.jpg","2019-11-08",7.8,4,"Self - Filmmaker (archive footage)","6195f28a55b0c00043f592db",9,{"adult":4,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":31,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":98,"vote_count":85,"character":99,"credit_id":100,"order":101,"media_type":42},"\u002FlTsQKZTPTS4Xpblmv3rNQ8Ql1uV.jpg",[76,46],215890,"The World's End: The Legacy of 'Day of the Dead'","",1.8139,"\u002FmquPRrvfSzsNPsDg7X3hdzrwXym.jpg","2013-09-17",7.5,"Self","641dddf4c9982600ba475418",3,{"adult":4,"backdrop_path":103,"genre_ids":104,"id":105,"title":106,"original_language":31,"original_title":106,"overview":94,"popularity":107,"poster_path":103,"release_date":108,"softcore":4,"video":4,"vote_average":109,"vote_count":110,"character":111,"credit_id":112,"order":113,"media_type":42},null,[46,76],29945,"Zombie Jamboree ‘93",2.2791,"1993-10-01",10,1,"Himself","52fe4605c3a368484e07c6ab",5,{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":31,"original_title":118,"overview":94,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":122,"vote_count":123,"character":99,"credit_id":124,"order":110,"media_type":42},"\u002FeEAnOXThUJnQlS2ytCqKdV0PeVH.jpg",[76,46],36883,"Midnight Movies: From the Margin to the Mainstream",1.7172,"\u002FpcJHdDK9r2R3ayB5yoNW2uygukP.jpg","2006-06-20",6.3,90,"52fe46149251416c910485c1",{"adult":4,"backdrop_path":126,"genre_ids":127,"id":128,"title":129,"original_language":31,"original_title":129,"overview":94,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":134,"character":99,"credit_id":135,"order":136,"media_type":42},"\u002Fwwal3W3nbVMv3A7NiF2OpLomZLF.jpg",[76,46],43065,"Nightmares in Red, White and Blue",1.8856,"\u002FlI1MdPIr8zghXVGvOX7J2k3YJt5.jpg","2009-08-06",6.5,70,"52fe462ac3a36847f80f0445",7,{"adult":4,"backdrop_path":138,"genre_ids":139,"id":140,"title":141,"original_language":31,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":146,"vote_count":136,"character":147,"credit_id":148,"order":149,"media_type":42},"\u002FwFdNapyRrZLg79I37MAfQ1HvkqK.jpg",[76],37248,"Zombiemania","La evolución del zombi desde sus raíces en el vudú haitiano hasta su codiciado papel como el monstruo más popular del mundo: de ser un cadáver torpe a convertirse en un asesino caníbal y el principal agente de toda pandemia infecciosa, el zombi ha recorrido un largo camino en setenta años. Una mirada a la creciente marea de la cultura zombi examinando por qué algo tan muerto tiene tanta vida en las pesadillas de los espectadores y en la taquilla.",1.1709,"\u002FuVv1jMKG7PXMI88mrnHKeRettdb.jpg","2008-01-03",6.1,"Himself - Filmmaker","52fe46379251416c9104d119",0,{"adult":4,"backdrop_path":151,"genre_ids":152,"id":154,"title":155,"original_language":31,"original_title":156,"overview":157,"popularity":158,"poster_path":159,"release_date":160,"softcore":4,"video":4,"vote_average":161,"vote_count":113,"character":99,"credit_id":162,"order":163,"media_type":42},"\u002FiEDv3lOuXXzeERTtBezwwszieaV.jpg",[76,153],10770,63206,"Starz Inside: Fantastic Flesh","Fantastic Flesh: The Art of Make-Up EFX","Este documental profundiza en el arte de los efectos de maquillaje con las leyendas de la industria Dick Smith, Rob Bottin, Tom Savini, John Landis, Frank Darabont, Joe Dante y muchos otros con un fuerte enfoque en Greg Nicotero y Howard Berger de KNB Make-Up EFX . Escrito por Kevin VanHook.",1.3734,"\u002F97xY02gpEEWHoZ55qfu64UpqKDh.jpg","2008-10-07",6.6,"52fe469fc3a368484e09adeb",13,{"adult":4,"backdrop_path":165,"genre_ids":166,"id":168,"title":169,"original_language":31,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"character":177,"credit_id":178,"order":179,"media_type":42},"\u002FoOZtWMhJft0QvPcnJXFgGlt0Jn7.jpg",[46,167,27],878,11683,"La tierra de los muertos vivientes","Land of the Dead","En el mundo actual, los muertos vivientes ocupan una tierra desértica mientras intentan llevar una vida normal a las afueras de una ciudad fortificada. Un día se rebelan y deciden atacar la urbe.",10.2799,"\u002FbLFow6tnwCZ2LPiUbSu94V8klpl.jpg","2005-06-18",6.265,1909,"Puppeteer (voice) (uncredited)","61cd754585702e0042a0b688",67,{"adult":4,"backdrop_path":181,"genre_ids":182,"id":184,"title":185,"original_language":31,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":136,"vote_count":191,"character":192,"credit_id":193,"order":194,"media_type":42},"\u002FsZUnqJCjEUtdZ0vhPO3oe1PFYV9.jpg",[46,28,183],9648,8408,"El día de los muertos","Day of the Dead","Los zombies se han apoderado del planeta, y el número de humanos se reduce a uno por cada 400.000 muertos vivientes. Un pequeño grupo de personas, formado por científicos y militares, se refugian en una antigua instalación subterránea del gobierno. Allí intentan contactar sin éxito con otros grupos supervivientes. Mientras, los doctores investigan el origen del fenómeno, y de su posible cura; a la vez que intentan domesticar a un muerto viviente al que mantienen encadenado. A medida que pasa el tiempo, las tensiones entre los científicos y los soldados irán creciendo dentro del grupo.",7.1221,"\u002Fne35GlABRF821ENspOTPrghiEsq.jpg","1985-07-03",1462,"Zombie with Scarf (uncredited)","61cd74e641aac400422359db",39,{"adult":4,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":31,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":205,"vote_count":72,"character":99,"credit_id":206,"order":163,"media_type":42},"\u002F3kLrN9YPeh4TzY4ptyy3hXD0Lts.jpg",[76],67800,"Carpenter: El miedo es sólo el comienzo... El hombre y sus películas","John Carpenter: The Man and His Movies","Documental sobre el director y compositor John Carpenter mediante escenas de sus películas y algunas entrevistas.",1.7054,"\u002FeqyAfflMkdJltqvAkJUuYtQeF7N.jpg","2004-03-23",5.5,"52fe4778c3a368484e0c8c0d",{"adult":4,"backdrop_path":208,"genre_ids":209,"id":210,"title":211,"original_language":31,"original_title":211,"overview":94,"popularity":212,"poster_path":213,"release_date":214,"softcore":4,"video":4,"vote_average":133,"vote_count":215,"character":111,"credit_id":216,"order":149,"media_type":42},"\u002FeYH1LMdA9TfTYuYcWH2aYNxeSL3.jpg",[76,46],87489,"Document of the Dead",1.4209,"\u002FgSP1917ituww6bt9hMMVHnDRkKs.jpg","1981-01-19",31,"52fe49c99251416c910b8ac7",{"adult":4,"backdrop_path":218,"genre_ids":219,"id":220,"title":221,"original_language":31,"original_title":221,"overview":94,"popularity":222,"poster_path":223,"release_date":224,"softcore":4,"video":4,"vote_average":225,"vote_count":113,"character":111,"credit_id":226,"order":13,"media_type":42},"\u002FuM7FK0NDQv1VwYEitenZ40I1zMF.jpg",[76],87712,"Scream Greats, Vol.1: Tom Savini, Master of Horror Effects",1.5229,"\u002FoqL29D25S4gitOLR3qPAKfT0k8b.jpg","1986-01-01",7.9,"52fe49d49251416c910ba14f",{"adult":4,"backdrop_path":103,"genre_ids":228,"id":229,"title":230,"original_language":31,"original_title":230,"overview":94,"popularity":231,"poster_path":232,"release_date":233,"softcore":4,"video":4,"vote_average":234,"vote_count":101,"character":99,"credit_id":235,"order":13,"media_type":42},[76],226481,"Heartstoppers: Horror at the Movies",1.8772,"\u002FgIiWC7xUvdfd7FscxlfKOGh4iVB.jpg","1992-10-31",9.3,"6226706cd11e0e004561c69c",{"adult":4,"backdrop_path":103,"genre_ids":237,"id":238,"title":239,"original_language":31,"original_title":239,"overview":94,"popularity":240,"poster_path":241,"release_date":242,"softcore":4,"video":4,"vote_average":98,"vote_count":13,"character":99,"credit_id":243,"order":136,"media_type":42},[76],592614,"After Effects: Memories of Pittsburgh Filmmaking",0.9323,"\u002FmSpg9AASSnOW4cagx6YDMRZqNHK.jpg","2005-10-25","64a319dc8e20c500cbec2b41",{"adult":4,"backdrop_path":245,"genre_ids":246,"id":247,"title":248,"original_language":31,"original_title":248,"overview":94,"popularity":249,"poster_path":250,"release_date":251,"softcore":4,"video":4,"vote_average":234,"vote_count":252,"character":99,"credit_id":253,"order":254,"media_type":42},"\u002FpSqHevZtyMOhGYrBS8x5bsSneUo.jpg",[76],62912,"Shadows in the Dark: The Val Lewton Legacy",1.2104,"\u002FxTaCAGTQI6340KC1WmTaiX73B1P.jpg","2005-10-04",20,"623d685a945c20004a71cc62",14,{"adult":4,"backdrop_path":256,"genre_ids":257,"id":258,"title":259,"original_language":31,"original_title":259,"overview":94,"popularity":260,"poster_path":261,"release_date":262,"softcore":4,"video":4,"vote_average":263,"vote_count":264,"character":111,"credit_id":265,"order":149,"media_type":42},"\u002F9v7dm5dYmCVrHa5sBuj7IIREznk.jpg",[76],171795,"Birth of the Living Dead",1.4998,"\u002F9c8MuQI49HRssx4Ok4ywZinhbxi.jpg","2013-10-18",6.7,61,"52fe4d14c3a36847f824d813",{"adult":4,"backdrop_path":103,"genre_ids":267,"id":268,"title":269,"original_language":31,"original_title":269,"overview":94,"popularity":270,"poster_path":103,"release_date":271,"softcore":4,"video":4,"vote_average":272,"vote_count":85,"character":99,"credit_id":273,"order":136,"media_type":42},[76],176812,"The Walking Dead Girls",1.3956,"2011-03-22",3.8,"52fe4d78c3a36847f8262aa5",{"adult":4,"backdrop_path":275,"genre_ids":276,"id":277,"title":278,"original_language":31,"original_title":278,"overview":94,"popularity":279,"poster_path":280,"release_date":281,"softcore":4,"video":4,"vote_average":282,"vote_count":113,"character":99,"credit_id":283,"order":136,"media_type":42},"\u002FwFSfxCQsNdwc9OOdY025qHqGNwq.jpg",[76],199038,"The Many Days of Day of the Dead",1.212,"\u002FydCUWxxiRsod5V5XhfEDvPhlYMm.jpg","2003-08-19",6.8,"52fe4d909251416c9111a9cd",{"adult":4,"backdrop_path":285,"genre_ids":286,"id":287,"title":288,"original_language":31,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":293,"vote_count":27,"character":99,"credit_id":294,"order":85,"media_type":42},"\u002F3nvBxCz5bJO1W7rFvDlxdlIFyHn.jpg",[76,46],250577,"Doc of the Dead","Dirigido por Alexander O. Philippe (The people versus George Lucas y The Life and Times of Paul the Psychic Octopus) y con las participaciones de Alex Cox, Simon Pegg, George A. Romero o Steven Scholzman, esta pieza analiza cómo el fenómeno zombie se ha popularizado en los últimos años en todo tipo de campos, como la literatura, las series o, incluso, la moda.",2.4131,"\u002FdbHdDX9lI4ujWeQwQCxBcIi6qv5.jpg","2014-03-10",6.2,"52fe4df79251416c9112206b",{"adult":4,"backdrop_path":103,"genre_ids":296,"id":297,"title":298,"original_language":31,"original_title":298,"overview":94,"popularity":299,"poster_path":300,"release_date":301,"softcore":4,"video":4,"vote_average":302,"vote_count":303,"character":99,"credit_id":304,"order":136,"media_type":42},[76],92850,"Nightmare Factory",3.481,"\u002FaKTceKHI7kCzs6LLFr5262HePMS.jpg","2011-10-27",7.2,24,"53221477c3a368572e003931",{"adult":4,"backdrop_path":306,"genre_ids":307,"id":308,"title":309,"original_language":31,"original_title":310,"overview":311,"popularity":312,"poster_path":313,"release_date":314,"softcore":4,"video":4,"vote_average":315,"vote_count":316,"character":317,"credit_id":318,"order":319,"media_type":42},"\u002F9OKzKuCfcMwpHVp56pjNI7J4xXR.jpg",[46,167],923,"Zombi","Dawn of the Dead","La epidemia que hace resucitar a los muertos convertidos en seres ávidos de carne humana se ha extendido, llegando al punto en el que varias ciudades han quedado prácticamente desiertas. 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En el segundo (\"El gato negro\"), un reportero gráfico mantiene una relación con una mujer, amante de los gatos, que en una vida anterior había sido una sádica bruja.",3.9306,"\u002FA1cAnTTXeWTtyOZQBpPCDYgcWkU.jpg","1990-01-25",6.112,361,"52fe45e6c3a368484e0755e7",{"adult":4,"backdrop_path":962,"genre_ids":963,"id":964,"title":965,"original_language":31,"original_title":966,"overview":967,"popularity":968,"poster_path":969,"release_date":970,"softcore":4,"video":4,"vote_average":205,"vote_count":971,"credit_id":972,"department":17,"job":827,"media_type":42},"\u002Fl7TLxnV6lB9QySMOVcuaOhN4aHC.jpg",[46,27],29512,"El rostro de la venganza","Bruiser","Un ejecutivo, maltratado por su jefe e ignorado por su esposa, se levanta un día y ve cómo su rostro está borrado y ocupado por una gran mancha blanca, de la que no puede deshacerse. 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En un intento por controlar la epidemia, el ejército envía una fuerza de élite a bloquear los accesos a la ciudad, aislando a los pocos ciudadanos no infectados que quedan y dejándolos a merced de los despiadados asesinos que acechan en la oscuridad.",7.146,"\u002FtVuAEloskv8GDNJwNRUtCV7aHDk.jpg","2010-02-26",6.308,2384,"52fe45dfc3a368484e073b59",{"adult":4,"backdrop_path":948,"genre_ids":985,"id":950,"title":951,"original_language":952,"original_title":953,"overview":954,"popularity":955,"poster_path":956,"release_date":957,"softcore":4,"video":4,"vote_average":958,"vote_count":959,"credit_id":986,"department":817,"job":818,"media_type":42},[46],"52fe45e6c3a368484e0755ed",{"adult":4,"backdrop_path":988,"genre_ids":989,"id":990,"title":991,"original_language":31,"original_title":992,"overview":993,"popularity":994,"poster_path":995,"release_date":996,"softcore":4,"video":4,"vote_average":997,"vote_count":998,"credit_id":999,"department":17,"job":827,"media_type":42},"\u002F6yjyTfX3bupv91OAh9LGXWb718w.jpg",[46,167,28,27],29787,"Atracción diabólica","Monkey Shines","Allan Mann, un joven con un brillante futuro en el mundo de las leyes y el deporte, sufre un terrible accidente que lo deja paralizado. Su novia le deja y su madre le atosiga con una enfermera, pero encuentra una solución: la compañía de una mona. El problema surge cuando la primate se vuelve celosa y no soporta que nadie se meta en la relación, al tiempo que el simio le obedece en todo. Tanto que acaba interpretando cuáles son sus más oscuros deseos y los ejecuta. 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