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Sin más preámbulos, Laura parte hacia Sudamérica para encontrar a su verdadero padre. 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Después de algunos intentos logra persuadir a Mateo Iribarren para que sea el director de la obra. Durante el proceso de convocatoria de los actores Ignacio se ve enfrentado a negativas que genera la imagen de Guzmán dentro del mismo gremio donde hay tendencias políticas opuestas, que no permiten la participación de algunos actores más radicales en el montaje. A pesar de estos rechazos, forman un elenco. Comienzan los ensayos y un proceso creativo intenso. (FILMAFFINITY)",0.6511,"\u002F97IIwjVL86u8tRCgCU3B7j79Nx8.jpg","2013-10-17",3.3,"Max \u002F Pinochet","5c34dd60925141482bdd2c77",10,{"adult":4,"backdrop_path":11,"genre_ids":88,"id":90,"title":91,"original_language":28,"original_title":91,"overview":7,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":10,"vote_count":33,"character":95,"credit_id":96,"order":97,"media_type":37},[23,89,41],10749,689679,"La Tirana",0.7482,"\u002FtYDEUY8nc5aH5Wef8rK6c9TWkiD.jpg","2010-09-14","Com. 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Siendo niño es testigo de la muerte de su hermana quien es asesinada sobre un piano, hecho en el cual se compone accidentalmente una melodía. Esto lo transforma en un músico obsesionado y mentalmente perturbado, atrapado por esa música: el compositor de una música mortal, vanguardista y codiciada. Años después, otro hombre intenta rescatar esa original sinfonía, sin saber los peligros que encierra tal hazaña. Ricardo Coppa es un músico mediocre y sin talento que pretende reconocimiento y éxito; un Salieri de todos los tiempos. Junto a un grupo de músicos emprende un viaje en búsqueda de Montalbán y su olvidada creación musical, con el objeto de transformar esa música en una composición propia. 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Niki, un joven desesperanzado y cuyo único espacio es la calle, decide adentrarse a ese mundo, sin imaginar las fatales consecuencias.",0.8399,"\u002Fn7YtI2UgiWFIJU7ftw11Csapd26.jpg","1990-10-19",7,"Niki's brother-in-law","5f38707a111da1003672272d",{"adult":4,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":28,"original_title":151,"overview":152,"popularity":153,"poster_path":154,"release_date":155,"softcore":4,"video":4,"vote_average":156,"vote_count":157,"character":158,"credit_id":159,"order":160,"media_type":37},"\u002FgGwA6YErMjiROavfGyxdciQnlTA.jpg",[23,25],596247,"Pacto de fuga","La noche  del 29 de enero de 1990,  poco antes de  iniciarse la reconstrucción democrática  en  Chile,  medio  centenar  de  presos  políticos  se  fugaron  de  la  cárcel pública  de  Santiago  por  un  túnel  que  24  militantes  del  Frente  Patriótico Manuel Rodríguez  (FPMR)  habían  excavado  durante  18  meses,  80  metros  de  longitud  con herramientas  tan  rudimentarias  como  cucharas,  tenedores  y  un  solo  destornillador; escondiendo  55  toneladas  de  tierra  dentro  del  centro  penitenciario.  Ni  los  presos comunes  de  las celdas cercanas ni los gendarmes  que  los  vigilaban  a  diario descubrieron  el  plan  que  llevaría  a  49  reclusos  a  alcanzar  la  libertad  en  uno  de  los escapes más sorprendentes de la historia penal chilena.",3.0205,"\u002Fziao1KWNkw4X5qL7rWCSJ6lyjX9.jpg","2020-01-23",7.496,118,"CNI","5f4c82ff65e0a200334ea1d9",27,{"adult":4,"backdrop_path":11,"genre_ids":162,"id":163,"title":164,"original_language":28,"original_title":164,"overview":7,"popularity":165,"poster_path":11,"release_date":166,"softcore":4,"video":4,"vote_average":144,"vote_count":33,"character":167,"credit_id":168,"order":169,"media_type":37},[23,25],392108,"Mi último hombre",0.7095,"1996-04-09","Man at the Funeral","5f4e8d4465e0a2003257678e",22,{"adult":4,"backdrop_path":11,"genre_ids":171,"id":173,"title":174,"original_language":28,"original_title":174,"overview":175,"popularity":176,"poster_path":177,"release_date":178,"softcore":4,"video":4,"vote_average":109,"vote_count":109,"character":179,"credit_id":180,"order":181,"media_type":37},[172,23],37,139932,"Sal","Sergio, un director de cine español, está obsesionado con hacer un western. 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