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A conspirator in the exhibition of films that did not come to Chile through the regular commercial circuit, Chaskel promoted, together with a group of contemplative people, a custom that was not very common in Chile: the cinema forum, or the debate organized after the film screenings that he did at the Central House of the Universidad de Chile. It was there that classics of German expressionism, Italian neo-realism and any film they had available were shown for the first time in Chile.\n\nIn 1973, due to the military coup suffered by the government of President Salvador Allende, Chaskel is expelled from the Universidad de Chile by the military authorities, and travels abroad.\n\nBetween 1974 and 1983 he settled in Cuba, where he worked as an editor at the Cuban Institute of Art and Cinematographic Industry (ICAIC), and since 1979, as a director and filmmaker for the same institute.\n\nIn 1983, he returns to Chile. He works in film and video as an independent professional, working as an editor and director of documentaries.\n\nFrom 1997 to date, he has taught film at many Chilean universities.","1932-08-02",null,2,1459288,"nm0006657","Editing","Pedro Chaskel","Germany",0.587,"\u002FrfTMptymXkQqPRC6TVD6UQuwqWj.jpg",{"cast":19,"crew":45},[20,34],{"adult":4,"backdrop_path":9,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"character":31,"credit_id":32,"order":30,"media_type":33},[22],99,561424,"Nada pertenece a la memoria","es","",1.2168,"\u002FtUJq1haDrYmIKacYZX5bfhpY8zd.jpg","2017-11-12",0,"Himself","5be9f7f5925141582803747a","movie",{"adult":4,"backdrop_path":9,"genre_ids":35,"id":36,"title":37,"original_language":25,"original_title":37,"overview":26,"popularity":38,"poster_path":39,"release_date":40,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"character":26,"credit_id":43,"order":44,"media_type":33},[],255980,"Cantata de Chile",1.2706,"\u002FahoJ1QR3ycUXNahFLuYiKAOocoX.jpg","1976-10-23",10,1,"5fb8975d5aadc40040fbb242",9,[46,57,68,71,79,91,99,107,116,119,122,131,139,142,145,154,167,170,177,186,194,201,209,212,221,228,236,239,247,260,270,279,282,291,304,314,317,326,335,338,347,350,358,366,369,377,380,383,393,400,403,414,417,424,428,436,446,454,457,466,469,480,483,492],{"adult":4,"backdrop_path":9,"genre_ids":47,"id":49,"title":50,"original_language":25,"original_title":50,"overview":51,"popularity":52,"poster_path":9,"release_date":53,"softcore":4,"video":4,"vote_average":54,"vote_count":42,"credit_id":55,"department":13,"job":56,"media_type":33},[48],18,419720,"Yo tenía un camarada","Un niño recorre la ciudad en busca de flores para su amigo muerto. Filmado en 35 mm con la misma cámara que utilizó Joris Ivens para su película \"A Valparaíso\", esta primera película contó con la colaboración de Gustavo Becerra en música, Pedro Chaskel en el montaje y la fotografía de Héctor Ríos, todos ellos partícipes del Cine Experimental de la Universidad de Chile. Posteriormente fue incluida como parte del largometraje \"Érase un niño, un guerrillero y un caballo\", de 1967, película perdida.",0.8104,"1964-04-28",6,"60485cd390fca3005a890474","Editor",{"adult":4,"backdrop_path":9,"genre_ids":58,"id":59,"title":60,"original_language":25,"original_title":60,"overview":26,"popularity":61,"poster_path":9,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"credit_id":65,"department":66,"job":67,"media_type":33},[22],358942,"Testimonio",1.2396,"1969-11-12",5.2,4,"604bd3c75249780056f9756e","Writing","Screenplay",{"adult":4,"backdrop_path":9,"genre_ids":69,"id":59,"title":60,"original_language":25,"original_title":60,"overview":26,"popularity":61,"poster_path":9,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"credit_id":70,"department":13,"job":56,"media_type":33},[22],"604bd3d2439be100435772e5",{"adult":4,"backdrop_path":9,"genre_ids":72,"id":73,"title":74,"original_language":25,"original_title":74,"overview":26,"popularity":75,"poster_path":76,"release_date":77,"softcore":4,"video":4,"vote_average":44,"vote_count":42,"credit_id":78,"department":13,"job":56,"media_type":33},[48],806648,"Érase un niño, un guerrillero, un caballo…",0.9885,"\u002F1r5sEEYyOiMDLnKgcZSeQjTXKZt.jpg","1967-12-04","605111a17314a10057c1f19e",{"adult":4,"backdrop_path":9,"genre_ids":80,"id":81,"title":82,"original_language":25,"original_title":82,"overview":83,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":87,"vote_count":10,"credit_id":88,"department":89,"job":90,"media_type":33},[22],353799,"Señales de ruta","Un filoso “Documental Subjetivo” sobre el trabajo y el pensamiento del anónimo poeta Juan Luis Martínez (1942-1993). Atmósferas sublimes del paisaje chileno se mezclan en las páginas de “La Nueva Novela” (1977) y “La Poesía Chilena” (1978), donde tocan fondo las visiones literarias y existenciales de dos personalidades claves en la historia política de Chile: Miguel Serrano y Volodia Teitelboim. “Señales de ruta” es una síntesis literaria puesta en película. Extraordinarias ilustraciones de la poesía de Martínez, citas al arte moderno y juegos ópticos.",0.9325,"\u002F5za3hsbbnFFkHfauBi8U63jHLUp.jpg","2000-06-15",7.5,"60d610de33ad8f0046213aeb","Crew","Thanks",{"adult":4,"backdrop_path":9,"genre_ids":92,"id":93,"title":94,"original_language":25,"original_title":94,"overview":26,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":98,"department":13,"job":56,"media_type":33},[48],1008244,"Angelito",1.9717,"\u002FcCZqPfFA2Rabq4Pm5khfQ8iNY6q.jpg","1965-08-03","62eb3f28223a8b006045728a",{"adult":4,"backdrop_path":9,"genre_ids":100,"id":101,"title":102,"original_language":25,"original_title":102,"overview":26,"popularity":103,"poster_path":9,"release_date":97,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":104,"department":105,"job":106,"media_type":33},[48],1008247,"El Analfabeto",0.5525,"62eb4102223a8b006045739d","Production","Producer",{"adult":4,"backdrop_path":9,"genre_ids":108,"id":110,"title":111,"original_language":25,"original_title":111,"overview":26,"popularity":112,"poster_path":9,"release_date":97,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":113,"department":114,"job":115,"media_type":33},[109,48],16,1008250,"Érase una vez",0.8259,"62eb4232091e6200604906f8","Directing","Director",{"adult":4,"backdrop_path":9,"genre_ids":117,"id":101,"title":102,"original_language":25,"original_title":102,"overview":26,"popularity":103,"poster_path":9,"release_date":97,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":118,"department":13,"job":56,"media_type":33},[48],"62eb40d01e6489005dc0f947",{"adult":4,"backdrop_path":9,"genre_ids":120,"id":110,"title":111,"original_language":25,"original_title":111,"overview":26,"popularity":112,"poster_path":9,"release_date":97,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":121,"department":13,"job":56,"media_type":33},[109,48],"62eb426cf1b571006135a1f8",{"adult":4,"backdrop_path":9,"genre_ids":123,"id":124,"title":125,"original_language":25,"original_title":125,"overview":26,"popularity":126,"poster_path":9,"release_date":127,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":128,"department":129,"job":130,"media_type":33},[22],894569,"Parkinsonismo y cirugía",0.8965,"1962-11-06","618559df3e09f30062e62352","Camera","Director of Photography",{"adult":4,"backdrop_path":9,"genre_ids":132,"id":133,"title":134,"original_language":25,"original_title":134,"overview":135,"popularity":136,"poster_path":9,"release_date":137,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":138,"department":114,"job":115,"media_type":33},[22],795588,"Por la vida","Documental que da cuenta de las actividades públicas y la composición humana del MOVIMIENTO CONTRA LA TORTURA SEBASTIÁN ACEVEDO. Integrado por sacerdotes y laicos, jóvenes y viejos, hombres y mujeres, amas de casa, estudiantes, profesionales, etc. El Movimiento actúa en las calles de Santiago exigiendo el cese de la tortura sistemática e institucionalizada que emplean las fuerzas represivas del régimen de Pinochet. Describe las acciones callejeras -y su violenta represión- e interroga a los miembros del Movimiento sobre sus motivaciones, sus temores, sus métodos y sus experiencias personales en múltiples acciones. Se incluyen acciones desde 1984 a 1987 (frente a la Moneda, al Cuartel General de la CNI, a los Tribunales de Justicia y otros) y entrevistas a 10 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hijas.",1.0129,"\u002FtjcWfo5AJgU7TIyG5TFTpVhgS0t.jpg","1970-05-04",6.8,31,"553cda779251411435001385",{"adult":4,"backdrop_path":9,"genre_ids":168,"id":59,"title":60,"original_language":25,"original_title":60,"overview":26,"popularity":61,"poster_path":9,"release_date":62,"softcore":4,"video":4,"vote_average":63,"vote_count":64,"credit_id":169,"department":114,"job":115,"media_type":33},[22],"55efc0109251412e0700612c",{"adult":4,"backdrop_path":9,"genre_ids":171,"id":172,"title":173,"original_language":25,"original_title":173,"overview":26,"popularity":174,"poster_path":9,"release_date":175,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":176,"department":13,"job":56,"media_type":33},[22],358943,"Entre ponerle y no ponerle...",1.1771,"1971-06-17","55efc6e39251413e3201cb58",{"adult":4,"backdrop_path":9,"genre_ids":178,"id":179,"title":180,"original_language":25,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":185,"department":13,"job":56,"media_type":33},[22],363649,"Recado de Chile","Documental filmado de manera clandestina en Chile durante la dictadura militar, recoge testimonios y actividades que realiza la Agrupación de Familiares de Detenidos Desaparecidos.",0.7427,"\u002F5Gj2GZe5iYZVwR5LFxZlnYLK5zC.jpg","1979-10-24","561bf0519251415a67001dfa",{"adult":4,"backdrop_path":9,"genre_ids":187,"id":188,"title":189,"original_language":25,"original_title":189,"overview":26,"popularity":190,"poster_path":191,"release_date":192,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":193,"department":114,"job":115,"media_type":33},[22],1037120,"Neruda en el 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es?",1.3108,"\u002FfT1Gbufr54fQjIzJK8uj6Yp70Rg.jpg","1980-07-06","6605a4c6aafebd0187183839",{"adult":4,"backdrop_path":9,"genre_ids":237,"id":230,"title":231,"original_language":25,"original_title":231,"overview":26,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":238,"department":114,"job":115,"media_type":33},[],"6605a4b815dea00185285c52",{"adult":4,"backdrop_path":9,"genre_ids":240,"id":241,"title":242,"original_language":25,"original_title":242,"overview":243,"popularity":244,"poster_path":9,"release_date":245,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":246,"department":114,"job":115,"media_type":33},[],1268486,"Organilleros","El sonido del organillo conduce a un viaje nostálgico por las calles y el tiempo del Santiago antiguo. Organilleros de la familia Lizama cuentan su amor al oficio y muestran en detalle el fino trabajo de restauración para mantener funcionado organillos que llegaron hace más de un siglo.  Serie documental «Al Sur del Mundo»",1.1401,"1996-01-01","660c7b47d6dbba01636ff4fd",{"adult":4,"backdrop_path":248,"genre_ids":249,"id":251,"title":252,"original_language":25,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":258,"credit_id":259,"department":66,"job":67,"media_type":33},"\u002FijGipE4DDF5YX3P0vg8JU6CmKSt.jpg",[22,250],36,132144,"La batalla de Chile (Parte 1). La insurrección de la burguesía","Salvador Allende pone en marcha un programa de profundas transformaciones sociales y políticas. Desde el primer día la derecha organiza contra él una serie de huelgas salvajes mientras la Casa Blanca le asfixia económicamente. A pesar del boicot --en marzo de 1973-- los partidos que apoyan a Allende obtienen el 43,4 por ciento de los votos. La derecha comprende que los mecanismos legales ya no les sirven. De ahora en adelante su estrategia será la estrategia del golpe de estado. “La Batalla de Chile” es un fresco que muestra paso a paso estos hechos que conmovieron al mundo.",1.3542,"\u002FiZMeh5TxvLPQ2aYF4ZyvhvkJDPh.jpg","1975-03-18",7.6,62,"59b681c69251417d0f013aee",{"adult":4,"backdrop_path":9,"genre_ids":261,"id":262,"title":263,"original_language":25,"original_title":263,"overview":26,"popularity":264,"poster_path":265,"release_date":266,"softcore":4,"video":4,"vote_average":267,"vote_count":268,"credit_id":269,"department":114,"job":115,"media_type":33},[22],480666,"No es hora de llorar",1.2007,"\u002F6YudfOj0aHiFoJe1zr1BgDeP0Ro.jpg","1971-01-01",5,3,"59de16b992514124eb08a06c",{"adult":4,"backdrop_path":9,"genre_ids":271,"id":272,"title":273,"original_language":25,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"credit_id":278,"department":114,"job":115,"media_type":33},[22],484613,"Venceremos","El documental relata las dos caras de una nación pobre y subdesarrollada, la contradicción en las formas en que vive el pueblo y la burguesía y la violencia implícita en esa desigualdad. La música ocupa un papel importante en la narrativa. Las imágenes de la clase trabajadora están ambientadas con guitarras melancólicas y canciones en español, con letras que aluden a un pueblo que debe levantarse y acceder a una vida digna, mientras que las escenas de la burguesía, son acompañadas con música en otro idioma que alude al extranjerismo de esa forma de vida, o canciones pop alienantes.",1.7042,"\u002Fw5NoGQD4XknIpRiczJC1oDDmBJJ.jpg","1970-09-20","59f9f728c3a3686311000c47",{"adult":4,"backdrop_path":9,"genre_ids":280,"id":272,"title":273,"original_language":25,"original_title":273,"overview":274,"popularity":275,"poster_path":276,"release_date":277,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"credit_id":281,"department":13,"job":56,"media_type":33},[22],"59f9f7f7c3a3686299000d97",{"adult":4,"backdrop_path":9,"genre_ids":283,"id":285,"title":286,"original_language":25,"original_title":286,"overview":26,"popularity":287,"poster_path":288,"release_date":289,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":290,"department":13,"job":56,"media_type":33},[48,284],35,511013,"Perla: La Película",0.5747,"\u002FuXf3RZuuGCtRKuj1ucGStdbf0GC.jpg","2015-05-21","5aa5df94c3a36839e1000a4f",{"adult":4,"backdrop_path":9,"genre_ids":292,"id":294,"title":295,"original_language":25,"original_title":295,"overview":296,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":300,"vote_count":10,"credit_id":301,"department":302,"job":303,"media_type":33},[48,293],80,524614,"Tres miradas a la calle","Ambientada en el Santiago de los '50 y dividido en tres relatos. El primero llamado \"María\" es sobre una mujer joven que recibe la noticia de su embarazo. El muchacho con quien tiene relaciones se niega a reconocer el hecho, alegando falta de dinero y termina por golpearla. El segundo, \"Cosas de Arica\", es un débil relato ambientado en Arica que habla sobre el contrabando en el norte de Chile, con aires algo turísticos. Por último, \"Ojos de gato\", narra la historia de un cajero que es hechizado por una misteriosa “Dama de negro”, en una ambientación deudora del cine negro.",0.9665,"\u002F7ue5cmNGiEvr7kOlnFNUz2rnycB.jpg","1957-12-10",6.5,"5afc8c2592514121f4000332","Art","Art Direction",{"adult":4,"backdrop_path":305,"genre_ids":306,"id":307,"title":308,"original_language":25,"original_title":308,"overview":26,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":312,"department":13,"job":313,"media_type":33},"\u002F9ySBg4d4c7Kvfjn7MmA8ZuaL4Pq.jpg",[22],1150403,"La Revuelta",2.4614,"\u002Fy4FXzPFNgQZQLyp86Us0xLO9nkH.jpg","2023-01-06","64ac620ae24b9300c6b00a77","Editorial Consultant",{"adult":4,"backdrop_path":248,"genre_ids":315,"id":251,"title":252,"original_language":25,"original_title":252,"overview":253,"popularity":254,"poster_path":255,"release_date":256,"softcore":4,"video":4,"vote_average":257,"vote_count":258,"credit_id":316,"department":13,"job":56,"media_type":33},[22,250],"5beeae880e0a26266f015a68",{"adult":4,"backdrop_path":318,"genre_ids":319,"id":320,"title":321,"original_language":25,"original_title":321,"overview":26,"popularity":322,"poster_path":323,"release_date":324,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":325,"department":13,"job":56,"media_type":33},"\u002Fxozq0gC2bTKHmA5iL8eRv90verk.jpg",[22],688387,"La Revolución de los Pingüinos",0.8994,"\u002F4PvJBAsGKMK5NBXhz8xA0UOAFx5.jpg","2008-06-04","66c27cb463dddf93b2d9fa77",{"adult":4,"backdrop_path":9,"genre_ids":327,"id":328,"title":329,"original_language":25,"original_title":329,"overview":330,"popularity":331,"poster_path":332,"release_date":333,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":334,"department":114,"job":115,"media_type":33},[22,250],561419,"De vida y de muerte, testimonios de la Operación Cóndor","El documental indaga en los “Archivos del Horror” de la dictadura del Gral. 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La segunda película de Kramarenco es un ejercicio que mezcla cine comercial con las ideas de avanzada del director. Tras la regular aceptación de su ópera prima Tres miradas a la calle, realiza esta película con la producción de Guido Vallejos (dibujante, creador de \"Barrabases\"). La película cuenta con la brillante iluminación de un fotógrafo clásico de los años cuarenta, Ricardo Younis, quizá el primero en crear una escuela y una línea entre los fotógrafos nacionales, y que contribuyó además a formar a grandes cineastas como Héctor Ríos y Andrés Martorell.",1.0252,"\u002FAiKy2vrQyb7yMjh5emRE5qtOEgb.jpg","1961-09-15","5daa02b1b2681f001490ce9d","Assistant Director",{"adult":4,"backdrop_path":9,"genre_ids":394,"id":395,"title":396,"original_language":25,"original_title":396,"overview":26,"popularity":397,"poster_path":9,"release_date":398,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"credit_id":399,"department":13,"job":56,"media_type":33},[48],696939,"Historias de lagartos",1.1977,"1989-07-09","5ea3e14f6d1bb2001da33656",{"adult":4,"backdrop_path":9,"genre_ids":401,"id":360,"title":361,"original_language":25,"original_title":361,"overview":362,"popularity":363,"poster_path":9,"release_date":364,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":402,"department":66,"job":67,"media_type":33},[22],"5ecb0440b3e6270022318df2",{"adult":4,"backdrop_path":404,"genre_ids":405,"id":406,"title":407,"original_language":25,"original_title":407,"overview":408,"popularity":409,"poster_path":410,"release_date":411,"softcore":4,"video":4,"vote_average":257,"vote_count":412,"credit_id":413,"department":13,"job":56,"media_type":33},"\u002F67t3dSgVDYyG8l2hqToe2BZJdAx.jpg",[22],132150,"La batalla de Chile: La lucha de un pueblo sin armas - Tercera parte: El poder popular","Al margen de los grandes acontecimientos que narran los filmes precedentes ocurren también otros fenómenos originales, a veces efímeros, incompletos, que recoge la tercera parte. Numerosos sectores de la población y en particular las capas populares que apoyan a Allende organizan y ponen en marcha una serie de acciones colectivas: almacenes comunitarios, cordones industriales, comités campesinos, etc., con la intención de neutralizar el caos y superar la crisis. Estas instituciones, en su mayoría espontáneas, representan un “estado” adentro del Estado.",3.6191,"\u002F9ILZtNQWe4j6RO4hhA6ZeSUY0dK.jpg","1979-03-15",42,"5ec83cdeae2811001f3e3380",{"adult":4,"backdrop_path":9,"genre_ids":415,"id":340,"title":341,"original_language":25,"original_title":341,"overview":342,"popularity":343,"poster_path":9,"release_date":344,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":416,"department":13,"job":56,"media_type":33},[22],"5eca0ed66c8492001f2bc97e",{"adult":4,"backdrop_path":9,"genre_ids":418,"id":419,"title":420,"original_language":25,"original_title":420,"overview":26,"popularity":421,"poster_path":9,"release_date":422,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":423,"department":13,"job":56,"media_type":33},[48],728976,"Ana",0.6129,"1965-01-01","5f238798caaca200337778e6",{"adult":4,"backdrop_path":404,"genre_ids":425,"id":406,"title":407,"original_language":25,"original_title":407,"overview":408,"popularity":409,"poster_path":410,"release_date":411,"softcore":4,"video":4,"vote_average":257,"vote_count":412,"credit_id":426,"department":66,"job":427,"media_type":33},[22],"60147d23e72fe8003fefc663","Other",{"adult":4,"backdrop_path":9,"genre_ids":429,"id":430,"title":431,"original_language":25,"original_title":431,"overview":26,"popularity":432,"poster_path":433,"release_date":434,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":435,"department":89,"job":90,"media_type":33},[22],576851,"Buscando Isla de Pascua, la película perdida",0.7567,"\u002Fwkt84WvbtPvnhptoX8X3RsdtEIm.jpg","2014-01-21","60330da57f6c8d003d12ce4e",{"adult":4,"backdrop_path":437,"genre_ids":438,"id":439,"title":440,"original_language":25,"original_title":440,"overview":441,"popularity":442,"poster_path":443,"release_date":444,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":445,"department":13,"job":56,"media_type":33},"\u002FsaiCVxTK55AfC2yVjc581isVwG.jpg",[22],1446994,"Valdivia 1960, El Gran Terremoto","El 22 de mayo de 1960, se produjo el terremoto más violento que haya ocurrido en territorio poblado en este siglo. Luego un maremoto barrió con la costa sureña entre Chiloé y Puerto Saavedra. Los sobrevivientes dividen su existencia en antes y después del terrible evento.",0.9907,"\u002FhXPlX7gJc1V3goRdJkvnE1FrFil.jpg","1992-03-06","67d179557761a3a68f60cd61",{"adult":4,"backdrop_path":9,"genre_ids":447,"id":448,"title":449,"original_language":25,"original_title":449,"overview":26,"popularity":450,"poster_path":451,"release_date":452,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"credit_id":453,"department":114,"job":115,"media_type":33},[22],1566591,"Che, Hoy y Siempre",1.8363,"\u002FyhFWsB5CrU6CIH1i0QqmHEvxk2Y.jpg","1983-01-01","68f839fdfd0abd808780544d",{"adult":4,"backdrop_path":9,"genre_ids":455,"id":448,"title":449,"original_language":25,"original_title":449,"overview":26,"popularity":450,"poster_path":451,"release_date":452,"softcore":4,"video":4,"vote_average":41,"vote_count":42,"credit_id":456,"department":66,"job":67,"media_type":33},[22],"68f83b37fa57a24031dbc291",{"adult":4,"backdrop_path":458,"genre_ids":459,"id":460,"title":461,"original_language":25,"original_title":461,"overview":26,"popularity":462,"poster_path":463,"release_date":464,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":465,"department":114,"job":115,"media_type":33},"\u002FepxfUjHWStaiJMtniOPyOKR7Mug.jpg",[22],1600183,"Constructor Cada Día, Compañero",1.482,"\u002FoB71Oyy3dNBYntFBYp29xRFobdf.jpg","1982-01-01","69439d742e5d063dd8d57625",{"adult":4,"backdrop_path":458,"genre_ids":467,"id":460,"title":461,"original_language":25,"original_title":461,"overview":26,"popularity":462,"poster_path":463,"release_date":464,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":468,"department":66,"job":376,"media_type":33},[22],"69439d7f3e4ef126f4d57636",{"adult":4,"backdrop_path":470,"genre_ids":471,"id":472,"title":473,"original_language":25,"original_title":473,"overview":474,"popularity":475,"poster_path":476,"release_date":477,"softcore":4,"video":4,"vote_average":478,"vote_count":10,"credit_id":479,"department":66,"job":376,"media_type":33},"\u002FtgfdaMYAHPlj4UraAneFN9UhMSy.jpg",[22],1752899,"La batalla de Chile: La lucha de un pueblo sin armas - Segunda parte: El golpe de estado","En los meses previos al golpe militar en Chile, los partidarios del presidente socialista Salvador Allende intentaron crear un \"Estado dentro del Estado\" a través de acciones políticas y caritativas, para contrarrestar las fuerzas antirreformistas del país, apoyadas entre otros por el Gobierno de Nixon en Estados Unidos.",4.4175,"\u002FqPNXHWlHHseQuHHeWZzWhkMFP20.jpg","1976-03-13",9.2,"6a919ebeac2a4fe2b737fd80",{"adult":4,"backdrop_path":470,"genre_ids":481,"id":472,"title":473,"original_language":25,"original_title":473,"overview":474,"popularity":475,"poster_path":476,"release_date":477,"softcore":4,"video":4,"vote_average":478,"vote_count":10,"credit_id":482,"department":13,"job":56,"media_type":33},[22],"6a919f67eb7a0e4daa7714e0",{"adult":4,"backdrop_path":9,"genre_ids":484,"id":485,"title":486,"original_language":25,"original_title":486,"overview":487,"popularity":488,"poster_path":489,"release_date":490,"softcore":4,"video":4,"vote_average":30,"vote_count":30,"credit_id":491,"department":13,"job":56,"media_type":33},[],1653684,"La Estación del Regreso","El inquietante viaje que emprende una mujer por el desértico norte chileno, en la búsqueda de su marido relegado por la dictadura militar a una apartada localidad. Durante el trayecto reconstruye en su memoria todos los momentos por los que atraviesa a partir de la \"desaparición\". En el reencuentro con diferentes personajes adquiere conciencia de su independencia y de su fortaleza. Al término de su recorrido descubre que su compañero ya no se encuentra allí, pero el regreso no quebranta su espíritu (cinechile)",1.9061,"\u002F44wHzHRuxebWfV5fCFkOvMG7Mxd.jpg","1987-10-08","6aabeb6e35eea1b76532686b",{"adult":4,"backdrop_path":493,"genre_ids":494,"id":497,"origin_country":498,"original_language":25,"original_name":500,"overview":501,"popularity":502,"poster_path":503,"first_air_date":504,"softcore":4,"name":500,"vote_average":30,"vote_count":30,"credit_id":505,"department":13,"episode_count":42,"first_credit_air_date":506,"job":56,"media_type":507},"\u002FwidvhIWEEpwAqALjS71jMzlzEJW.jpg",[495,496,48],10765,9648,105332,[499],"CL","¿Y... si fuera cierto?","Programa de recreaciones dramáticas e impactantes testimonios que narran lo que aún nadie puede explicar. Conducido por el escritor y estudioso de fenómenos paranormales, Gustavo Frías y producido por Silvio Caiozzi.",2.0971,"\u002FvOGRa5qy5p9bsF6LuYqaTwKIQw5.jpg","1996-09-14","614fb705904f6d00440d6164","1996-10-12","tv",{"profiles":509},[510],{"aspect_ratio":511,"height":512,"iso_3166_1":9,"iso_639_1":9,"file_path":17,"vote_average":30,"vote_count":30,"width":513},0.667,1518,1013]