[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1334581:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":8,"id":10,"imdb_id":11,"known_for_department":12,"name":13,"place_of_birth":8,"popularity":14,"profile_path":8,"combined_credits":15,"images":174},false,[],"","1940-01-01",null,0,1334581,"nm0145734","Directing","Ferruccio Castronuovo",0.5066,{"cast":16,"crew":74},[17,34,47,60],{"adult":4,"backdrop_path":18,"genre_ids":19,"id":21,"title":22,"original_language":23,"original_title":22,"overview":24,"popularity":25,"poster_path":26,"release_date":27,"softcore":4,"video":4,"vote_average":28,"vote_count":29,"character":30,"credit_id":31,"order":32,"media_type":33},"\u002FsFgiwjr70n4L0SCBVv8I8NBZ5nA.jpg",[20],99,806495,"Fellinopolis","it","Ferruccio Castronuovo fue el único ojo autorizado, entre 1976 y 1986, para filmar al genial cineasta italiano Federico Fellini (1920-93) en su intimidad personal y creativa, para eternizar los engranajes de su gran circo, sus fantásticas mentiras y sus locas invenciones.",4.8968,"\u002FqA3WQU0sE5lCKsKS2O8hwmillOX.jpg","2021-06-10",6.2,18,"Self - Filmmaker","62e347b5b0040a005ad5eba5",4,"movie",{"adult":4,"backdrop_path":8,"genre_ids":35,"id":38,"title":39,"original_language":23,"original_title":39,"overview":6,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"character":6,"credit_id":45,"order":46,"media_type":33},[36,37],10770,35,354525,"Ferragosto O.K.",1.0536,"\u002FqOSPLixjO6HHLknTJD5vwSFpOxk.jpg","1986-08-14",3.9,7,"63a3587368b1ea007b76f037",12,{"adult":4,"backdrop_path":8,"genre_ids":48,"id":49,"title":50,"original_language":23,"original_title":51,"overview":52,"popularity":53,"poster_path":54,"release_date":55,"softcore":4,"video":4,"vote_average":56,"vote_count":57,"character":6,"credit_id":58,"order":59,"media_type":33},[37],524624,"Saca tus piernas del parabrisas","Togli le gambe dal parabrezza","Alberto, ingeniero cuarentón, recoge en su coche a una chica parisina que hace autostop. Aunque es de la edad de su hija, aspira en secreto a acostarse con ella...",0.977,"\u002F6OzABFTUWurfCmR1InUg4Rq6Udr.jpg","1969-10-03",10,1,"5ce681d20e0a26522aced3cb",9,{"adult":4,"backdrop_path":61,"genre_ids":62,"id":63,"title":64,"original_language":23,"original_title":64,"overview":65,"popularity":66,"poster_path":67,"release_date":68,"softcore":4,"video":4,"vote_average":69,"vote_count":70,"character":71,"credit_id":72,"order":73,"media_type":33},"\u002FcNlQHf6otxOYbTTfUQBaXykFqYt.jpg",[37],58526,"Splendor","Esplendor es el nombre de una vieja sala de cine dirigida por Jordan (Mastroianni), quien la heredó de su padre. El teatro está en decadencia y solo genera deudas y problemas, pero Jordan recibe ayuda en su búsqueda casi quijotesiana del proyeccionista Luigi (Troisi) y la cajera Chantale (Vlady). Sin embargo, Jordan finalmente se ve obligado a vender el Esplendor al empresario Lo Fazio (Piperno), que planea transformarlo en algún tipo de tienda de muebles. Cuando Jordan deja el teatro por última vez , recuerda los gloriosos días de Esplendor y películas en general.",1.8175,"\u002F83j7YRrgNQev6lexFX7hg8RmxRc.jpg","1989-02-16",6.593,59,"Cocomero","5ef4010dc3bffe00346b3beb",6,[75,87,98,112,122,134,141,151,164],{"adult":4,"backdrop_path":76,"genre_ids":77,"id":78,"title":79,"original_language":23,"original_title":79,"overview":80,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":57,"credit_id":85,"department":12,"job":86,"media_type":33},"\u002FclcQTAKnb5cm9OFWnaICL4a1uBV.jpg",[29],389316,"Un apprezzato professionista di sicuro avvenire","Un abogado arribista se casa con una mujer rica y se vuelve impotente. Con el fin de tener hijos, convence a un amigo cura de que engendre por él, pero el sacerdote le coge gusto al menester. El abogado lo mata...",0.9763,"\u002FhoNt0NLNPY384HICX79l3qYS91j.jpg","1972-04-25",8,"6273b9c306f98400a949a4e4","Co-Director",{"adult":4,"backdrop_path":8,"genre_ids":88,"id":90,"title":91,"original_language":23,"original_title":91,"overview":6,"popularity":92,"poster_path":93,"release_date":94,"softcore":4,"video":4,"vote_average":84,"vote_count":57,"credit_id":95,"department":96,"job":97,"media_type":33},[89,20],36,278747,"Apollon: una fabbrica occupata",1.123,"\u002Fi335PhzGBjuiPXofM980GrU74D6.jpg","1969-04-20","53ac503bc3a368633e000250","Camera","Director of Photography",{"adult":4,"backdrop_path":99,"genre_ids":100,"id":101,"title":102,"original_language":23,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":109,"credit_id":110,"department":12,"job":111,"media_type":33},"\u002Fuu4nKCjIzHGginPOFyWBmCxRCQ3.jpg",[37],49725,"Camas calientes","Letti selvaggi","Consta de ocho episodios independientes. Un falso árabe recibe con asombro una invitación de Sylvia Kristel para compartir su cama durante una calurosa tarde de verano. Dos ladrones de joyas (Monica Vitti y Michele Placido) no paran de pelearse con el fin de quedarse con un collar. Una senadora que se ha quedado viuda (Andrews) recibe la visita de un fotógrafo y acaba haciendo una sesión medio desnuda. Una dura mujer de negocios (Antonelli) manipula a un director de orquesta (José Sacristán) como si fuera un pelele dándole falsas esperanzas que nunca se cumplirán.",1.9484,"\u002Fq9twqsw2cdZGY1Jcvgoq1BwL87x.jpg","1979-03-16",4.4,14,"5835b4ab9251416d57017d5c","Assistant Director",{"adult":4,"backdrop_path":8,"genre_ids":113,"id":114,"title":115,"original_language":23,"original_title":115,"overview":6,"popularity":116,"poster_path":117,"release_date":118,"softcore":4,"video":4,"vote_average":119,"vote_count":44,"credit_id":120,"department":12,"job":121,"media_type":33},[37],468354,"Gratta e vinci",1.0179,"\u002FlZ7W7V7ZOw0TGEQXjsvDERCdacu.jpg","1996-08-16",3.7,"597b0067c3a368375a00cbaf","Director",{"adult":4,"backdrop_path":123,"genre_ids":124,"id":125,"title":126,"original_language":23,"original_title":126,"overview":127,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":131,"vote_count":56,"credit_id":132,"department":12,"job":133,"media_type":33},"\u002FdqyzqGRHKEG9Loh8in27sjK57g5.jpg",[37,29],293270,"Sistemo l'America e torno","Un contable italiano, de viaje de negocios por Estados Unidos, recibe el encargo de reclutar a un gran jugador para el equipo de baloncesto patrocinado por la empresa. El pobre hombre pasa por un calvario hasta que localiza al jugador, que es un activista negro miembro de los \"Panteras Negras\".",1.4547,"\u002F9BsjfMgs8DnJAaqIykpkOlOA8Ax.jpg","1974-09-16",5.4,"64a83c5af056d5011caadc57","Second Assistant Director",{"adult":4,"backdrop_path":8,"genre_ids":135,"id":136,"title":137,"original_language":23,"original_title":137,"overview":6,"popularity":138,"poster_path":8,"release_date":139,"softcore":4,"video":4,"vote_average":84,"vote_count":57,"credit_id":140,"department":12,"job":121,"media_type":33},[20],617272,"Appunti sul film di Federico Fellini «La città delle donne»",0.9915,"1982-04-01","5d3480ffcaab6d1640ad284c",{"adult":4,"backdrop_path":142,"genre_ids":143,"id":144,"title":145,"original_language":23,"original_title":145,"overview":6,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":149,"vote_count":84,"credit_id":150,"department":12,"job":111,"media_type":33},"\u002FrmiS7rrv5FA3DRmhrTYigL02MS5.jpg",[20],152906,"Mondo Balordo",1.1193,"\u002Fiie39V1XyR6gXk8CWPtJXtXa9Q8.jpg","1964-01-01",3.4,"5f2c94c1ac6c790037bcacb1",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":23,"original_title":155,"overview":156,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":160,"vote_count":161,"credit_id":162,"department":12,"job":163,"media_type":33},"\u002FfF7higUaFGlfesmrFxRcyKQkt9l.jpg",[89,29],49125,"Allonsanfàn","Italia, 1816. Los \"carbonarios\", un grupo revolucionario que sigue las teorías de Babeuf (1760-1797), intenta resistir los ataques del absolutismo. Cuando uno de ellos, el viejo Fulvio, de origen noble, enfermo y cansado y, además, perseguido por la policía, busca refugio en la casa familiar y se plantea empezar una nueva vida, alejada del compromiso político que ha arruinado sus ambiciones personales, sus correligionarios lo presionarán para que siga contribuyendo a la causa.",2.2385,"\u002Fx6TM8RwxlvpYr5loqkXPFDHmZ1Q.jpg","1974-09-06",6.9,44,"5fc7bc612f8d09003f10c93e","First Assistant Director",{"adult":4,"backdrop_path":8,"genre_ids":165,"id":166,"title":167,"original_language":23,"original_title":167,"overview":6,"popularity":168,"poster_path":169,"release_date":170,"softcore":4,"video":4,"vote_average":56,"vote_count":57,"credit_id":171,"department":172,"job":173,"media_type":33},[20,89],278746,"Festival dell’Unità 1972",1.8037,"\u002FeOfC1xLNLTKgXBQhc6SUqcEvjH1.jpg","1973-01-01","6a268bcc21d5436406c76e99","Crew","Cinematography",{"profiles":175},[]]