[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F133090:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":9,"gender":10,"homepage":9,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":17,"combined_credits":18,"images":357},false,[6,7],"José Luis Guerin","Jose Luis Carroggio Guerin","José Luis Guerín (born 1960) is a Spanish filmmaker and educator, known for his meditative  and intellectually curious  work in both documentary and narrative filmmaking.\n\nDescribing Guerin in an introduction to a series of his films, the programmers of the Harvard Film Archive wrote: \"Guerín's films purposefully confound narrative and documentary traditions, discovering rich narrative threads woven into the tapestries of his real life subjects and unraveling mysteries without solutions that nevertheless leave the viewer deeply satisfied.\"\n\nDescription above from the Wikipedia article José Luis Guerín, licensed under CC-BY-SA, full list of contributors on Wikipedia.",null,2,133090,"nm0346360","Directing","José Luis Guerín","Barcelona, Catalonia, Spain",0.7499,"\u002FnD8F2IuQifh2Z6ziysIOMa4kSZt.jpg",{"cast":19,"crew":99},[20,36,47,55,68,77,85],{"adult":4,"backdrop_path":9,"genre_ids":21,"id":23,"title":24,"original_language":25,"original_title":24,"overview":26,"popularity":27,"poster_path":28,"release_date":29,"softcore":4,"video":4,"vote_average":30,"vote_count":31,"character":32,"credit_id":33,"order":34,"media_type":35},[22],99,85924,"Guest","en","El cineasta José Luis Guerin muestra las experiencias vividas durante un año como invitado de diversos festivales de cine, en los que presentó sus trabajos. 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La sucesión de cartas cruzadas implica, entre otras cosas, la activación de diversos tiempos: el de la filmación del primer envío que inicia un camino al azar, el de la espera, el de la respuesta que da pie a una nueva pieza que bebe de la anterior y solicita una nueva, y finalmente el tiempo de la exhibición.",0.9221,"\u002FkKEFGM6c1MuzOTTVHm6ClsY4YpO.jpg","2011-04-09",7,12,"Himself","5f60b492156cc70035dfaf18",{"adult":4,"backdrop_path":9,"genre_ids":69,"id":70,"title":71,"original_language":72,"original_title":71,"overview":41,"popularity":73,"poster_path":9,"release_date":74,"softcore":4,"video":4,"vote_average":75,"vote_count":30,"character":41,"credit_id":76,"order":34,"media_type":35},[],270327,"Souvenir","es",1.0987,"1986-05-17",4.7,"698fb8a40cea1d00d7587af1",{"adult":4,"backdrop_path":9,"genre_ids":78,"id":79,"title":80,"original_language":25,"original_title":80,"overview":41,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"character":32,"credit_id":84,"order":46,"media_type":35},[22],1634130,"Últimas correspondencias",1.1465,"\u002F4qQLQura0pCEKLeIXZxdlDMCfju.jpg","2016-01-01","699721912a4dcb5e10863948",{"adult":4,"backdrop_path":86,"genre_ids":87,"id":88,"origin_country":89,"original_language":91,"original_name":92,"overview":41,"popularity":93,"poster_path":94,"first_air_date":95,"softcore":4,"name":92,"vote_average":34,"vote_count":34,"character":32,"credit_id":96,"episode_count":10,"first_credit_air_date":97,"media_type":98},"\u002FcEsUadpSM43bWjPYJSaEHPXAdtl.jpg",[22],307345,[90],"ES","ca","La gran il·lusió, relat intermitent del cinema català",3.7783,"\u002Fn8EwS1935HDn171eVDO81iukHcQ.jpg","2019-01-07","693c825f9095057eb2998df0","2025-12-08","tv",[100,114,129,132,143,147,156,166,178,190,193,196,204,207,215,218,227,230,235,238,246,253,260,270,273,283,286,289,292,300,308,311,321,329,332,337,340,343,348,351,354],{"adult":4,"backdrop_path":101,"genre_ids":102,"id":104,"title":105,"original_language":72,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":112,"department":13,"job":113,"media_type":35},"\u002Fc0ldioM4ZnvZBAXHR7381DaJwfC.jpg",[103],18,32934,"Tren de sombras","En la madrugada del 8 de noviembre de 1930, el abogado parisino Fleury salía en busca de la luz adecuada para completar una filmación paisajística en torno al lago Le Thuit. Ese mismo día, el abogado fallece en extrañas circunstancias.",1.0869,"\u002F6Kk8aiS9WOmckykkkVDDa9r4rBx.jpg","1997-12-13",6.7,19,"52fe44f19251416c9102229d","Director",{"adult":4,"backdrop_path":115,"genre_ids":116,"id":118,"title":119,"original_language":72,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"credit_id":126,"department":127,"job":128,"media_type":35},"\u002F4poxKOjyFeSlgzb60h1Xkhsk5iD.jpg",[103,117],10749,29568,"En la ciudad de Sylvia","Un hombre vuelve a Estrasburgo para buscar a una mujer de la que se enamoró locamente cuatro años atrás y recuperar aquel mágico momento. Es verano. El joven extranjero callejea observando y dibujando gestos y expresiones captadas azarosamente en la calle sin dejar de buscar a esa mujer, cuyo recuerdo gravita sobre la ciudad. Esa búsqueda le conduce a otra mujer y ésta a otra... siempre bajo la invocación de la ausente.",1.6422,"\u002F7JHupVsWpQjzKp6ko3wiuX9fvvz.jpg","2007-09-14",6.8,56,"52fe45eac3a368484e076441","Writing","Writer",{"adult":4,"backdrop_path":115,"genre_ids":130,"id":118,"title":119,"original_language":72,"original_title":119,"overview":120,"popularity":121,"poster_path":122,"release_date":123,"softcore":4,"video":4,"vote_average":124,"vote_count":125,"credit_id":131,"department":13,"job":113,"media_type":35},[103,117],"52fe45eac3a368484e07643b",{"adult":4,"backdrop_path":9,"genre_ids":133,"id":134,"title":135,"original_language":25,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":141,"credit_id":142,"department":13,"job":113,"media_type":35},[22],100101,"Innisfree","Documental-homenaje a \"El hombre tranquilo\", de John Ford. Un particular tributo a la célebre obra fordiana en el que, alejado del documental tradicional, rastrea las pistas de una ficción cinematográfica ajena y ofrece el retrato de una sociedad que le fascina (FILMAFFINITY)",1.3043,"\u002FpytqkAuDSYBaIWBZZYOTRayHwBv.jpg","1990-05-10",6.2,5,"52fe49cbc3a36847f81a6b43",{"adult":4,"backdrop_path":101,"genre_ids":144,"id":104,"title":105,"original_language":72,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"credit_id":145,"department":127,"job":146,"media_type":35},[103],"6269a3d9f9253216228c3993","Screenplay",{"adult":4,"backdrop_path":148,"genre_ids":149,"id":150,"title":151,"original_language":25,"original_title":151,"overview":41,"popularity":152,"poster_path":9,"release_date":153,"softcore":4,"video":4,"vote_average":140,"vote_count":154,"credit_id":155,"department":13,"job":113,"media_type":35},"\u002FowBCPkM4h3RyaOR2TF5tIpwZL3j.jpg",[22],125194,"Recuerdos de una mañana",0.7075,"2011-01-01",4,"52fe4abec3a368484e1648a3",{"adult":4,"backdrop_path":9,"genre_ids":157,"id":158,"title":159,"original_language":25,"original_title":159,"overview":41,"popularity":160,"poster_path":161,"release_date":162,"softcore":4,"video":4,"vote_average":163,"vote_count":164,"credit_id":165,"department":13,"job":113,"media_type":35},[22],128028,"Zycie miejskie",0.9953,"\u002FmVqZjzHrcPjJEAzEwD9aXdDiEK4.jpg","1990-01-26",7.7,3,"52fe4b10c3a368484e175a79",{"adult":4,"backdrop_path":167,"genre_ids":168,"id":169,"title":170,"original_language":72,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":177,"department":13,"job":113,"media_type":35},"\u002F82pUFJ6FY0mC9tgMUxsmqUksEQ8.jpg",[22],148353,"En construcción","En un emblemático barrio popular de Barcelona, amenazado por un plan de reforma, se emprende la construcción de un bloque de viviendas. Queríamos conocer la intimidad de una construcción, así que nos metimos ahí, cuando ese espacio era todavía un solar donde los chavales jugaban a fútbol. Sobre este terreno buscamos la forma de convivir, conocer y rodar -así, por este orden- que nos permitiera abordar tanto el anecdotario de la propia obra como el que ésta generaba a su alrededor; en esa cotidianidad quebrada por el estruendo de los derribos, entre sus vecinos, en el barrio (de hecho la imagen del barrio se concretó en la del puñado de rostros que a nuestros ojos lo representaban). En este proceso, pronto advertimos que la mutación del paisaje urbano implicaba también una mutación en el paisaje humano, y que en este movimiento se podrían reconocer ciertos ecos del mundo. Sobre estos cimientos construimos una película.",1.6393,"\u002FwY3wZp5JbLGWZT0XP7WO86awOOA.jpg","2001-10-19",6.4,23,"52fe4bc99251416c7510ded7",{"adult":4,"backdrop_path":179,"genre_ids":180,"id":181,"title":182,"original_language":72,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":188,"credit_id":189,"department":127,"job":128,"media_type":35},"\u002Fs3DJO8d6it0tLhXR07eH36lKhhS.jpg",[103],149149,"Los motivos de Berta","Berta es una adolescente de un pequeño pueblo. Lleva una vida solitaria en ese entorno rural, jugando con insectos, ranas y todo aquello que la rodeja, y que excita su imaginación infantil. La llegada de un enigmático personaje al lugar provocará una serie de hechos que la influenciarán decididamente, y precipitarán su evolución personal hacia la madurez.",1.4887,"\u002F3i1HEYJQHeyjmDsB5YrB7NdHiIX.jpg","1984-09-01",6.3,11,"52fe4be19251416c75110deb",{"adult":4,"backdrop_path":179,"genre_ids":191,"id":181,"title":182,"original_language":72,"original_title":182,"overview":183,"popularity":184,"poster_path":185,"release_date":186,"softcore":4,"video":4,"vote_average":187,"vote_count":188,"credit_id":192,"department":13,"job":113,"media_type":35},[103],"52fe4be19251416c75110de5",{"adult":4,"backdrop_path":56,"genre_ids":194,"id":58,"title":59,"original_language":25,"original_title":59,"overview":60,"popularity":61,"poster_path":62,"release_date":63,"softcore":4,"video":4,"vote_average":64,"vote_count":65,"credit_id":195,"department":13,"job":113,"media_type":35},[],"52fe4c59c3a36847f8229ba9",{"adult":4,"backdrop_path":9,"genre_ids":197,"id":198,"title":199,"original_language":25,"original_title":199,"overview":41,"popularity":200,"poster_path":201,"release_date":202,"softcore":4,"video":4,"vote_average":34,"vote_count":34,"credit_id":203,"department":13,"job":113,"media_type":35},[103],855911,"Eulalia-Marta",1.3938,"\u002F2nu02zuQ8oN2Bni6vHVkNtpCtDK.jpg","1990-01-17","6103e72e8ee49c007f5b3ee6",{"adult":4,"backdrop_path":9,"genre_ids":205,"id":70,"title":71,"original_language":72,"original_title":71,"overview":41,"popularity":73,"poster_path":9,"release_date":74,"softcore":4,"video":4,"vote_average":75,"vote_count":30,"credit_id":206,"department":13,"job":113,"media_type":35},[],"5377a7dbc3a3685525001ec8",{"adult":4,"backdrop_path":9,"genre_ids":208,"id":209,"title":210,"original_language":72,"original_title":210,"overview":211,"popularity":212,"poster_path":9,"release_date":213,"softcore":4,"video":4,"vote_average":141,"vote_count":154,"credit_id":214,"department":127,"job":128,"media_type":35},[22],263012,"Dos cartas a Ana","\"Dos cartas a Ana\" es el mediometraje que ocupa el lugar central en la videoinstalación \"La Dama de Corinto\". 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