[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F129074:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":7,"birthday":8,"deathday":9,"gender":10,"homepage":11,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":11,"combined_credits":18,"images":615},false,[6],"Citto Maselli","Francesco Maselli (9 December 1930 – 21 March 2023), also known as Citto Maselli , was an Italian film director and screenwriter.  Born into a well educated family (his father was an art critic) originally from the Molise region, Maselli graduated from the Italian National Film School in 1949 and began his career as an assistant and assistant director for Luigi Chiarini , Michelangelo Antonioni , and Luchino Visconti. After directing several short documentary and fiction films, he gave his feature film debut with the World War II drama Abandoned (1955), which premiered at the Venice Film Festival. Following a series of minor films, Maselli had greater success with Silver Spoon Set (1960, also titled The Dolphins ) and Time of Indifference (1964), an adaptation of a novel by Alberto Moravia.\n\nIn the 1970s, Maselli turned to openly left-wing political films, notably Open Letter to a newspaper of the evening (1970) and The Suspect (1975), before shifting to more intimate films centered on female protagonists in the 1980s such as A Tale of Love (1986) and The Secret (1990).\n\nIn 2021, Maselli was honored with a retrospective at the Venice Film Festival, where many of his films had seen their premiere. Maselli died in Rome on 21 March 2023, at the age of 92.","1930-12-09","2023-03-21",2,null,129074,"nm0556255","Directing","Francesco Maselli","Rome, Italy",0.9688,{"cast":19,"crew":196},[20,37,51,61,69,79,91,100,114,124,132,146,156,170,179],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"character":28,"credit_id":34,"order":35,"media_type":36},"\u002FiXlTgqDjefJ6pWiaYloDdtTTuJ8.jpg",[23,24],18,35,119985,"Lettera aperta a un giornale della sera","it","",1.2739,"\u002F7zUv9Ecj0qGeJKMfCrnpjKo186R.jpg","1970-03-13",4,5,"63d566b020e6a500890c5dcf",9,"movie",{"adult":4,"backdrop_path":11,"genre_ids":38,"id":42,"title":43,"original_language":27,"original_title":43,"overview":28,"popularity":44,"poster_path":45,"release_date":46,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":49,"order":50,"media_type":36},[39,40,41],36,99,10770,1113699,"Alfonso Sansone - produttore per caso",1.0996,"\u002FpMxy2rbfSWSmnZxW1AQnZsrlMHL.jpg","2014-09-10",0,"Self","643b2b5e501cf205473869e1",1,{"adult":4,"backdrop_path":11,"genre_ids":52,"id":53,"title":54,"original_language":55,"original_title":54,"overview":28,"popularity":56,"poster_path":57,"release_date":58,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":59,"order":60,"media_type":36},[40],1032350,"Le Passeur immobile","fr",0.8596,"\u002FarnDhPX0aUerGPNeOojsSv07p6B.jpg","2021-12-14","650a50d3d6c30000cce0edb6",33,{"adult":4,"backdrop_path":11,"genre_ids":62,"id":63,"title":64,"original_language":27,"original_title":64,"overview":28,"popularity":65,"poster_path":66,"release_date":28,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":67,"order":68,"media_type":36},[40],1143202,"I Am Not God But I Am Michelangelo Antonioni",1.0916,"\u002Fsd5nK0JSWzooWyJG4aUHcxFaWC5.jpg","652e6560ea84c7014e06b5d6",8,{"adult":4,"backdrop_path":70,"genre_ids":71,"id":72,"title":73,"original_language":27,"original_title":73,"overview":28,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":77,"vote_count":50,"character":48,"credit_id":78,"order":10,"media_type":36},"\u002Fx6NbDqRswn8mzD4KVOTC82vNRVe.jpg",[40],1127495,"Gillo: Le donne, i cavalier, l'armi, gli amori",0.9441,"\u002FymzftyJlV5rkon1biSpArpeVh9g.jpg","2007-10-11",10,"65cc9849258823017da6f518",{"adult":4,"backdrop_path":80,"genre_ids":81,"id":82,"title":83,"original_language":27,"original_title":83,"overview":28,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":87,"vote_count":88,"character":48,"credit_id":89,"order":90,"media_type":36},"\u002F4EYRhu0UPTfKMVqFagWlJdY2Zsd.jpg",[40],336878,"L'addio a Enrico Berlinguer",1.3464,"\u002FpjZ6N2y1yM41EJuJrp0Zc0LbDp3.jpg","1984-09-08",6.5,3,"65fcc8177f6c8d01496c1af1",28,{"adult":4,"backdrop_path":92,"genre_ids":93,"id":94,"title":95,"original_language":27,"original_title":95,"overview":28,"popularity":96,"poster_path":97,"release_date":98,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":28,"credit_id":99,"order":33,"media_type":36},"\u002FwIrJFSsz19qXP61jVl10XEdxpQd.jpg",[40],1339928,"Franco Cristaldi e il suo cinema Paradiso",1.3146,"\u002FvzdMQzNpT0DoDcqffxyDIe6juRV.jpg","2009-09-16","66ceee81040630093666e5ce",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":27,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":110,"vote_count":111,"character":6,"credit_id":112,"order":113,"media_type":36},"\u002FrjEoEfJDhDlYW0bMdeIntKFuSkS.jpg",[23],77334,"La terraza","La terrazza","En una terraza de Roma se reúne un grupo de personas. Algunos son amigos, otros conocidos y otros se acaban de conocer. Todos son intelectuales y pertenecen a la clase media. En una de esas reuniones se encuentran Enrico, un guionista en crisis, Amedeo, un productor, Luigi, editor y periodista, Sergio, un ejecutivo de TV, Galeazzo, que acaba de regresar de Venezuela, Bruno, productor de anuncios de TV, y Mario, un diputado del Partido Comunista. (FILMAFFINITY)",2.0433,"\u002F9VQpe6Olw355r0PmxmgBBs5BFSk.jpg","1980-02-08",7.2,165,"59a43a0d925141779f05b6da",15,{"adult":4,"backdrop_path":115,"genre_ids":116,"id":117,"title":118,"original_language":27,"original_title":118,"overview":28,"popularity":119,"poster_path":120,"release_date":121,"softcore":4,"video":4,"vote_average":87,"vote_count":10,"character":122,"credit_id":123,"order":35,"media_type":36},"\u002FerpxLE9HP2HlHCaYKnJ0z5YwN6x.jpg",[40],454504,"Indagine su un cittadino di nome Volonté",1.1156,"\u002Fm3qBjABqcBxQE0JkYdBMpquaaVy.jpg","2004-01-12","Self - Interviewee","5a8b49f00e0a2653b3083b93",{"adult":4,"backdrop_path":11,"genre_ids":125,"id":126,"title":127,"original_language":27,"original_title":127,"overview":28,"popularity":128,"poster_path":129,"release_date":130,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":131,"order":68,"media_type":36},[40],436040,"Cesare Zavattini",1.7322,"\u002Fjjhauq70hggjIEkCDI8k45mH4B4.jpg","2003-01-01","611bb9b54a0b19002e856e39",{"adult":4,"backdrop_path":133,"genre_ids":134,"id":135,"title":136,"original_language":27,"original_title":136,"overview":137,"popularity":138,"poster_path":139,"release_date":140,"softcore":4,"video":4,"vote_average":141,"vote_count":142,"character":143,"credit_id":144,"order":145,"media_type":36},"\u002FiFQzlUmO5QmMPcSHHDdfd522x33.jpg",[24,23],7857,"Amarcord","Historia de un hombre que un día se da cuenta de que apenas reconoce a las personas con las que ha vivido durante años, hasta el punto de que su propia esposa e hijos le parecen extraños y todo lo que lo rodea le resulta opaco e indiferente. Se lanza entonces a la búsqueda desesperada de algún punto de referencia para recuperar su identidad y no hundirse en el caos. Emprende así, a través de las ilimitadas regiones de la memoria, un viaje que lo conduce a la infancia, a la época en que era un niño que vivía en un pequeño pueblo costero; a la Italia de los años treinta, cuando el fascismo había alcanzado el punto culminante de su apogeo.",4.208,"\u002Fi2BL91OVOONviajAE0VlbMAyOm9.jpg","1973-12-18",7.866,1258,"Bongioanni (uncredited)","612b98426a3448002c109c06",50,{"adult":4,"backdrop_path":147,"genre_ids":148,"id":149,"title":150,"original_language":27,"original_title":150,"overview":28,"popularity":151,"poster_path":152,"release_date":153,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":154,"order":155,"media_type":36},"\u002FxxyVb2HsxoLtKiBFulYOGZ6I7KK.jpg",[40],714634,"Il segreto di Otello",1.3748,"\u002Fhe0ov7U4xqiOM7RyAYZsTH1L1Sp.jpg","2015-02-05","67d0040a434c98c8ec812233",7,{"adult":4,"backdrop_path":157,"genre_ids":158,"id":159,"title":160,"original_language":27,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":110,"vote_count":166,"character":167,"credit_id":168,"order":169,"media_type":36},"\u002Flg8qHPCrn3GUsxXHyMbZAprSDcq.jpg",[24,23],5622,"Y la nave va","E la nave va","Primera Guerra Mundial (1914-1918). En julio de 1914, un barco de lujo zarpa desde Italia con los restos mortales de la famosa cantante de ópera Tetua. En el barco van sus amigos, famosos cantantes de ópera, y todo tipo de gente exótica. La vida a bordo es dulce, pero el tercer día surge un problema: hay que salvar a unos refugiados serbios, que han huido de la guerra y se encuentran perdidos en el mar.",3.1399,"\u002Fa1cKQbdj9hBm4DGOR05msFesBM4.jpg","1983-10-07",172,"Guardiano del Rinoceronte (uncredited)","68031c3fb113ff8723d9bf61",53,{"adult":4,"backdrop_path":171,"genre_ids":172,"id":173,"title":174,"original_language":27,"original_title":174,"overview":28,"popularity":175,"poster_path":176,"release_date":177,"softcore":4,"video":4,"vote_average":47,"vote_count":47,"character":48,"credit_id":178,"order":10,"media_type":36},"\u002FdM6ZDDoOF7OD1KxN12qoRayjv0S.jpg",[40],461839,"Uomini forti",1.4762,"\u002FigXOvEMkP36GItgr6qwNZncALpJ.jpg","2006-10-09","68bfdf1bad3fc053b49bc921",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":183,"title":184,"original_language":185,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":192,"character":193,"credit_id":194,"order":195,"media_type":36},"\u002Fv4d6PPfqHeUNSdcyBVQ2Xb8yBk0.jpg",[23,169,182],9648,192,"El nombre de la rosa","en","The Name of the Rose","Siglo XIV. Todo comienza una hermosa mañana de finales de noviembre de 1327, cuando un monje franciscano y antiguo inquisidor, acompañado de su novicio discípulo –quien relata la historia– acuden a una abadía benedictina situada en el norte de Italia para intentar resolver un crimen. Durante su estancia van desapareciendo misteriosamente más religiosos, a quienes después hallan muertos. Poco a poco, gracias a la información aportada por algunos monjes, Guillermo va esclareciendo los hechos. El móvil de los crímenes parecen ser unos antiguos tratados que se custodian en la biblioteca del complejo, de la cual se dice que es la mayor del mundo cristiano. ¿Quién es el asesino? ¿Qué motivó la muerte de sus víctimas? Nadie lo sabe…",22.6505,"\u002Fw7xf0xY21dwGBOx1s1Sc28BiSiP.jpg","1986-09-24",7.499,3431,"Swineherd","6ac3301f7c9a53bd69dcc4c2",45,[197,211,222,225,238,250,263,277,280,284,295,298,311,314,325,333,342,351,355,358,368,371,378,381,384,387,390,403,407,415,418,430,439,450,453,456,459,472,481,484,491,499,502,511,519,522,525,532,539,546,549,557,565,568,578,586,593,600,607],{"adult":4,"backdrop_path":198,"genre_ids":199,"id":201,"title":202,"original_language":27,"original_title":203,"overview":204,"popularity":205,"poster_path":206,"release_date":207,"softcore":4,"video":4,"vote_average":87,"vote_count":208,"credit_id":209,"department":14,"job":210,"media_type":36},"\u002FcLEYNI2wRPnAYV2tKIYCyHzeg23.jpg",[23,200],10749,31293,"Amor en la ciudad","L'amore in città","Seis episodios separados que exploran temas de amor, sexo y romance en la capital italiana. \"Paid Love\" ofrece un vistazo a la prostitución; \"Intento de suicidio\" presenta a posibles suicidas discutiendo su desesperación; \"Paradise for Three Hours\" representa una velada en un salón de baile provincial; \"Marriage Agency\" sigue a un reportero de investigación que se hace pasar por futuro esposo; \"Historia de Caterina\" cuenta la historia de una joven madre soltera obligada a abandonar a su hijo; y \"Italians Stare\" cataloga las técnicas de los hombres italianos para observar a las chicas.",2.2401,"\u002F5PJ6zz6ta7ks99gWmvmmvIKBH4I.jpg","1953-11-27",66,"52fe44719251416c91010da1","Director",{"adult":4,"backdrop_path":212,"genre_ids":213,"id":214,"title":215,"original_language":27,"original_title":215,"overview":28,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":88,"vote_count":10,"credit_id":219,"department":220,"job":221,"media_type":36},"\u002FjAFvatuBHPW6BT1HEAhLsU8PRl0.jpg",[23],42883,"Le ombre rosse",0.695,"\u002F2bupT5t10S3gkuLjzvCRC8SU2KQ.jpg","2009-09-04","52fe4620c3a36847f80ee399","Writing","Story",{"adult":4,"backdrop_path":212,"genre_ids":223,"id":214,"title":215,"original_language":27,"original_title":215,"overview":28,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":88,"vote_count":10,"credit_id":224,"department":14,"job":210,"media_type":36},[23],"52fe4620c3a36847f80ee367",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":27,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":87,"vote_count":235,"credit_id":236,"department":220,"job":237,"media_type":36},"\u002Ff04ZvLvWxmmWOQO9toPn9Hu5H2y.jpg",[23],93863,"La señora sin camelias","La signora senza camelie","Una vendedora, convertida en estrella de cine, se deja deslumbrar por un mundo lleno de promesas y emociones. Sin embargo, cansada de participar en películas de pésima calidad, reclama un papel en el que pueda consagrarse como actriz.",1.8214,"\u002FzTcxaxybdVr98WwoXktypVVXlyf.jpg","1953-02-27",68,"52fe49429251416c750c24af","Screenplay",{"adult":4,"backdrop_path":239,"genre_ids":240,"id":242,"title":243,"original_language":27,"original_title":243,"overview":28,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":247,"vote_count":248,"credit_id":249,"department":14,"job":210,"media_type":36},"\u002F7ebG4nzO9Jc2F1h9yofjas1ica1.jpg",[241],80,105693,"Il sospetto",0.9592,"\u002FzHXnlouaCqb2It87Y3mXG5G6qqQ.jpg","1975-02-21",6.6,14,"52fe4a53c3a36847f81c7945",{"adult":4,"backdrop_path":251,"genre_ids":252,"id":253,"title":254,"original_language":27,"original_title":255,"overview":256,"popularity":257,"poster_path":258,"release_date":259,"softcore":4,"video":4,"vote_average":260,"vote_count":261,"credit_id":262,"department":14,"job":210,"media_type":36},"\u002FAoyyRnM9SR5bgErU54z8BzBW9Sw.jpg",[23],124177,"Los indiferentes","Gli indifferenti","Adaptación de la novela homónima del escritor italiano Alberto Moravia. Carla y Michele son dos hermanos que pertenecen a una familia arruinada de la burguesía romana, pero son incapaces de afrontar la situación. Carla se deja seducir por Merumeci, un hombre rico que es el amante de su madre.",2.655,"\u002FbIxpWQoOVJ9SsHuyPS14xGQqOHO.jpg","1964-09-24",6.278,27,"52fe4aa6c3a368484e15fa3f",{"adult":4,"backdrop_path":264,"genre_ids":265,"id":267,"title":268,"original_language":27,"original_title":269,"overview":270,"popularity":271,"poster_path":272,"release_date":273,"softcore":4,"video":4,"vote_average":274,"vote_count":275,"credit_id":276,"department":14,"job":210,"media_type":36},"\u002FpZMQNToAQh7EspvQnvKiEql2en2.jpg",[266,24,241,200],12,110823,"Guapa, ardiente y peligrosa","Ruba al prossimo tuo","Esmeralda, descendiente de una familia de policías, va a Nueva York para localizar a un oficial del policía, amigo de su padre. Después de encontrarlo le confiesa que ha estado robando joyas a una familia muy rica y que desea devolverlas antes que las echen en falta.",2.0146,"\u002F47yR6QTF0GuOYkeKkzSDMCEVlsr.jpg","1968-09-27",4.5,6,"52fe4ae6c3a36847f81e78ef",{"adult":4,"backdrop_path":21,"genre_ids":278,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":279,"department":14,"job":210,"media_type":36},[23,24],"52fe4c11c3a36847f82200bf",{"adult":4,"backdrop_path":21,"genre_ids":281,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":33,"credit_id":282,"department":220,"job":283,"media_type":36},[23,24],"52fe4c11c3a36847f82200c5","Writer",{"adult":4,"backdrop_path":285,"genre_ids":286,"id":287,"title":288,"original_language":27,"original_title":289,"overview":290,"popularity":291,"poster_path":292,"release_date":293,"softcore":4,"video":4,"vote_average":155,"vote_count":155,"credit_id":294,"department":220,"job":237,"media_type":36},"\u002FzLbo6CbxuGMk574iubdBH0J0gIK.jpg",[23,200],171593,"Código privado","Codice privato","Es la historia de una mujer (Ornella Muti) que de repente es abandonada por su amante y mentor, el famoso escritor italiano Emilio Flora (nominado para un Premio Nobel). Durante los últimos tres años, este hombre, considerablemente mayor que ella, ha dedicado la mayor parte de su tiempo a educarla en el arte, la literatura y la ciencia, y el amor. Ahora que se ha ido, la mujer debe tratar de entender el por qué. Ella es la única que tiene lugar en la pequeña casa que compartían. 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