[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F128432:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":8,"gender":9,"homepage":10,"id":11,"imdb_id":12,"known_for_department":13,"name":14,"place_of_birth":15,"popularity":16,"profile_path":10,"combined_credits":17,"images":232},false,[],"Director y guionista italiano nacido en Salsomaggiore (Parma). Hermano mayor del cineasta Camillo Bazzoni y primo del prestigioso director de fotografía Vittorio Storaro. Comenzó su carrera como asistente de dirección de Mauro Bolognini, convirtiéndose más tarde en director de sus propias películas, y ganando la atención de la crítica por dos spaghetti-westerns, El Hombre, el Orgullo y la Venganza (1968) y Blu gang, Vissero per sempre felici e ammazzati (1973). También son resaltables, La mujer del lago (1965) y Huellas de pisadas en la luna (1975).","1929-06-25","2012-03-01",2,null,128432,"nm0063383","Directing","Luigi Bazzoni","Salsomaggiore, Italy",0.626,{"cast":18,"crew":19},[],[20,39,55,58,70,83,86,100,111,123,136,149,152,164,167,177,187,195,208,211,219],{"adult":4,"backdrop_path":21,"genre_ids":22,"id":26,"title":27,"original_language":28,"original_title":29,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"credit_id":36,"department":13,"job":37,"media_type":38},"\u002F4IS01Tag6iDtOqKlOUKCgCaEEuo.jpg",[23,24,25],9648,53,27,42676,"El día negro","it","Giornata nera per l'ariete","Un alcohólico periodista comienza a investigar una serie de crímenes que ocurren en la gran ciudad, todos ellos conectados con él, ya que la mayoría eran personas conocidas, pero sobre todo porque es el principal sospechoso para la policía.",5.4798,"\u002FgcqZ0WAlJB7mZoP2A5tSYKgbW2c.jpg","1971-08-17",6.6,79,"52fe4611c3a36847f80eaa5f","Director","movie",{"adult":4,"backdrop_path":40,"genre_ids":41,"id":43,"title":44,"original_language":28,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":51,"credit_id":52,"department":53,"job":54,"media_type":38},"\u002FaY5ScEWrBOpQmWiMfqoGtQKDpch.jpg",[24,23,42,25],18,82362,"Huellas de pisadas en la luna","Le orme","Alice Campos, una mujer portuguesa que trabaja como traductora en un centro de investigación astrofísica, vive atormentada por una escena de una película donde un astronauta es abandonado sin contemplaciones por un compañero en la superficie lunar. La impresión del celuloide corre paralela a una enigmática amnesia que sufre la mujer y le impide recordar su pasado inmediato: sus tres últimos días. Alice Campos decidirá entonces averiguar la razón.",3.7056,"\u002FnpQLsJSC26InDTeP6Ry5oeoCPhG.jpg","1975-02-01",6.254,71,"52fe484d9251416c9108776b","Writing","Writer",{"adult":4,"backdrop_path":40,"genre_ids":56,"id":43,"title":44,"original_language":28,"original_title":45,"overview":46,"popularity":47,"poster_path":48,"release_date":49,"softcore":4,"video":4,"vote_average":50,"vote_count":51,"credit_id":57,"department":13,"job":37,"media_type":38},[24,23,42,25],"52fe484d9251416c91087755",{"adult":4,"backdrop_path":59,"genre_ids":60,"id":62,"title":63,"original_language":28,"original_title":63,"overview":64,"popularity":65,"poster_path":66,"release_date":67,"softcore":4,"video":4,"vote_average":34,"vote_count":68,"credit_id":69,"department":13,"job":37,"media_type":38},"\u002FawVGLe2gj7dr3t3FfCmYgShzJ9z.jpg",[61],37,125105,"Blu Gang e vissero per sempre felici e ammazzati","",1.491,"\u002FvQdtHj60vHqGOFPcVrUV4uudHiE.jpg","1973-05-10",5,"52fe4abbc3a368484e164077",{"adult":4,"backdrop_path":71,"genre_ids":72,"id":73,"title":74,"original_language":28,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":81,"credit_id":82,"department":13,"job":37,"media_type":38},"\u002FvbLrAftVW1r9tB3doA1jTGZ4j0P.jpg",[42,61],126415,"El hombre, el orgullo y la venganza","L'uomo, l'orgoglio, la vendetta","Basada en la novela \"Carmen\" (1845) de Prosper Mérimée (posteriormente llevada a la ópera por Georges Bizet en 1875). Un soldado español que se enamora de una gitana termina desertando del ejército, y en una persecución en tierras fronterizas se une a un grupo de contrabandistas gitanos.",3.0095,"\u002FjxRdLNnRGQfD1g8HL45HZp0Eak0.jpg","1967-12-22",5.8,20,"52fe4adec3a368484e16b391",{"adult":4,"backdrop_path":71,"genre_ids":84,"id":73,"title":74,"original_language":28,"original_title":75,"overview":76,"popularity":77,"poster_path":78,"release_date":79,"softcore":4,"video":4,"vote_average":80,"vote_count":81,"credit_id":85,"department":53,"job":54,"media_type":38},[42,61],"52fe4adec3a368484e16b397",{"adult":4,"backdrop_path":87,"genre_ids":88,"id":89,"title":90,"original_language":28,"original_title":91,"overview":92,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":96,"vote_count":97,"credit_id":98,"department":13,"job":99,"media_type":38},"\u002F7L9qGEtj2L04LmOwiuoND0oWyUW.jpg",[42],159474,"La calle del vicio","La viaccia","La Viaccia es una finca que no pertenece a quienes la cultivan, sino al tío Fernando, un comerciante avaro y astuto que la recibió en herencia. El padre de Amérigo no puede recuperarla, y su hijo primogénito, poco aficionado al cultivo de la tierra, prefiere marcharse a la ciudad.",1.8268,"\u002Fx0kjfRJHgeKexlg4xrwB0uiwudw.jpg","1961-06-13",6.3,42,"6279583823d27800509195b6","First Assistant Director",{"adult":4,"backdrop_path":101,"genre_ids":102,"id":103,"title":104,"original_language":28,"original_title":104,"overview":64,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":80,"vote_count":108,"credit_id":109,"department":53,"job":110,"media_type":38},"\u002Fl1QUs78NFFCLQQewzi3yG2z6XHL.jpg",[42],198661,"Metello",1.2935,"\u002FpveguXTAPKRk1Davrl5Kq1pwm7k.jpg","1970-03-10",22,"52fe4d859251416c9111902d","Screenplay",{"adult":4,"backdrop_path":112,"genre_ids":113,"id":115,"title":116,"original_language":28,"original_title":116,"overview":64,"popularity":117,"poster_path":118,"release_date":119,"softcore":4,"video":4,"vote_average":120,"vote_count":121,"credit_id":122,"department":53,"job":110,"media_type":38},"\u002F6BblyX8PoGpkTP7JY7Ad0UMeIuG.jpg",[42,114],80,884798,"Raul - Diritto di uccidere",2.4595,"\u002FpqVvl3R9eXOvEBBagHBXR7kDaSK.jpg","2005-04-15",9,1,"6167fc12e004a6004252da92",{"adult":4,"backdrop_path":124,"genre_ids":125,"id":126,"title":127,"original_language":28,"original_title":128,"overview":129,"popularity":130,"poster_path":131,"release_date":132,"softcore":4,"video":4,"vote_average":133,"vote_count":134,"credit_id":135,"department":13,"job":99,"media_type":38},"\u002F203bXvNwwDajPvYEk9bax80o5RO.jpg",[42],76157,"El bello Antonio","Il bell'Antonio","Después de pasar varios años en Roma, Antonio (Marcello Mastroianni) regresa a Catania (Sicilia), su ciudad natal. Tiene un gran éxito con las mujeres porque es muy atractivo y de muy buena presencia. Sus padres han pensado que Bárbara (Claudia Cardinale) es la mujer ideal para él, y Antonio decide casarse con ella.",3.4063,"\u002F9DLaEq47WZYt7q3YhUrKdcQQHxW.jpg","1960-03-04",7.1,111,"656b0a7cfcadb400c8dcc404",{"adult":4,"backdrop_path":137,"genre_ids":138,"id":140,"title":141,"original_language":28,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":146,"vote_count":147,"credit_id":148,"department":13,"job":99,"media_type":38},"\u002FcYkkY7l77AuZgeOoOj5chgExYxi.jpg",[139],35,234250,"La contessa azzurra","Salvatore, director de la película muda La condesa Azul, tiene problemas con el productor. De repente, sustituyen a la protagonista por una chica desconocida, Teresa, que conocerá un gran triunfo. Con el estallido de la guerra, Salvatore partirá al frente y no volverá. Teresa se quedará sola con sus recuerdos...",1.0937,"\u002Fh9mETnYTbTStzosxyt2MLKl2cio.jpg","1960-09-16",6,3,"6339f8ad2b113d007ae7edfb",{"adult":4,"backdrop_path":137,"genre_ids":150,"id":140,"title":141,"original_language":28,"original_title":141,"overview":142,"popularity":143,"poster_path":144,"release_date":145,"softcore":4,"video":4,"vote_average":146,"vote_count":147,"credit_id":151,"department":53,"job":110,"media_type":38},[139],"6339f7d12b113d0082d9463a",{"adult":4,"backdrop_path":153,"genre_ids":154,"id":156,"title":157,"original_language":28,"original_title":157,"overview":158,"popularity":159,"poster_path":160,"release_date":161,"softcore":4,"video":4,"vote_average":34,"vote_count":162,"credit_id":163,"department":13,"job":99,"media_type":38},"\u002F82wMxlTaALYcwKGiKrXIQVBxH87.jpg",[42,155],10749,255401,"La giornata balorda","Guapo, barriobajero, romano, de 20 años, desempleado, y con un hijo de 20 días y con la abuela para cuidarlo, Davide pasa el día buscando trabajo, en el que será un día de locura. Inspirado en \"Racconti romani\" (1954) y en \"Nuovi racconti romani\" (1959) de Alberto Moravia.",1.752,"\u002FgmF6uhWcv6nEWcpYB4ELJrIqP83.jpg","1960-10-29",17,"63d10c17a410c8125be63141",{"adult":4,"backdrop_path":21,"genre_ids":165,"id":26,"title":27,"original_language":28,"original_title":29,"overview":30,"popularity":31,"poster_path":32,"release_date":33,"softcore":4,"video":4,"vote_average":34,"vote_count":35,"credit_id":166,"department":53,"job":54,"media_type":38},[23,24,25],"660563e0813cb601621905fb",{"adult":4,"backdrop_path":168,"genre_ids":169,"id":170,"title":171,"original_language":28,"original_title":171,"overview":64,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":146,"credit_id":176,"department":13,"job":99,"media_type":38},"\u002F8AjHm3qQ9Pdtj6IbKlwxoVD76gO.jpg",[139],295898,"La donna è una cosa meravigliosa",1.286,"\u002FwAi1C4u67htH1rAFMWMe8KwMQKV.jpg","1964-12-31",7.6,"640c7829e18e3f07e952082d",{"adult":4,"backdrop_path":10,"genre_ids":178,"id":179,"title":180,"original_language":28,"original_title":180,"overview":181,"popularity":182,"poster_path":183,"release_date":184,"softcore":4,"video":4,"vote_average":185,"vote_count":185,"credit_id":186,"department":13,"job":37,"media_type":38},[42],623695,"Di domenica","Segundo cortometraje de Luigi Bazzoni, luego de \"Un delitto\".",1.1252,"\u002FbnmVrAqHEkea0s6g0vHCHVdZ1sz.jpg","1963-05-01",0,"5d56cffe5800c40011cc850f",{"adult":4,"backdrop_path":10,"genre_ids":188,"id":189,"title":190,"original_language":28,"original_title":190,"overview":191,"popularity":192,"poster_path":10,"release_date":193,"softcore":4,"video":4,"vote_average":185,"vote_count":185,"credit_id":194,"department":13,"job":37,"media_type":38},[],623693,"Un delitto","La historia de un chico que pasa todos los días por la misma casa en su camino a la escuela. El viaje en bicicleta y la observación diaria de una ventana de esa casa le revela su verdadera personalidad.",0.8768,"1963-01-01","5d56ce7b4bc38b60d224c509",{"adult":4,"backdrop_path":196,"genre_ids":197,"id":198,"title":199,"original_language":28,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":205,"vote_count":206,"credit_id":207,"department":13,"job":37,"media_type":38},"\u002FmzNAJqEjFevV3qr746yEwljT2Sy.jpg",[23,24,25],104244,"La mujer del lago","La donna del lago","Bernard es un escritor que suele buscar la inspiración en el hotel del pueblo donde pasaba sus vacaciones infantiles. Pero en esta ocasión, vuelve con la intención de ver a una empleada del hotel (Tilde) con la que mantuvo una relación sentimental. Sabrá entonces que Tilde ha sido encontrada muerta en un lago y que, aunque la policía cree que se trata de un suicidio, parece más bien un asesinato. Bernard ejercerá de detective para averiguar qué está ocurriendo en ese hotel. Ayudado por un fotógrafo jorobado descubrirá que algunos de las personas cercanas a Tilde, el hijo del dueño del hotel, o el mismo dueño, pueden tener algo que ver con su muerte.",3.4414,"\u002FtWTsJNrbgNOyM14jQCIB4qtKhCn.jpg","1965-07-24",6.8,61,"5ea1404e9cc67b001e282fa9",{"adult":4,"backdrop_path":196,"genre_ids":209,"id":198,"title":199,"original_language":28,"original_title":200,"overview":201,"popularity":202,"poster_path":203,"release_date":204,"softcore":4,"video":4,"vote_average":205,"vote_count":206,"credit_id":210,"department":53,"job":110,"media_type":38},[23,24,25],"5ea140cde942be001f1ee89f",{"adult":4,"backdrop_path":10,"genre_ids":212,"id":213,"title":214,"original_language":28,"original_title":214,"overview":64,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":185,"vote_count":185,"credit_id":218,"department":13,"job":37,"media_type":38},[],1359263,"La moto",1.1496,"\u002F6LqAZiae7h69YcfswstulRLr3Tu.jpg","1962-01-01","66edac19576e2cca1afe12ef",{"adult":4,"backdrop_path":220,"genre_ids":221,"id":222,"title":223,"original_language":28,"original_title":224,"overview":225,"popularity":226,"poster_path":227,"release_date":228,"softcore":4,"video":4,"vote_average":229,"vote_count":230,"credit_id":231,"department":13,"job":99,"media_type":38},"\u002FjlSYQHlowxTW3xts4LT7VeIAGIA.jpg",[42,155],251669,"Senilidad","Senilità","Trieste, años 20. Angiolina, una joven proletaria muy bella y casquivana, vuelve loco a un joven (Franciosa). Pierde hasta tal punto la cabeza por ella que, en plena juventud, el descenso a los abismos de la desesperación lo convierte en un hombre senil.",2.7127,"\u002FfE6NqT38GAZgmgyGKCz2jqT34VC.jpg","1962-03-08",7.4,11,"67f513428cfccf7bafd96ce5",{"profiles":233},[]]