[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F127339:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":10,"known_for_department":11,"name":12,"place_of_birth":7,"popularity":13,"profile_path":14,"combined_credits":15,"images":543},false,[],"Edgardo Cozarinsky (Argentina, 1939) is a writer and filmmaker. In 2021, he received the Lifetime Achievement Recognition at the Mar del Plata Film Festival. He directed Nocturnos (2011) and Letter to a Father (2013).",null,0,127339,"nm0185473","Directing","Edgardo Cozarinsky",0.5274,"\u002FohvnmqBj5DyXvj4uD3veAqF0yDS.jpg",{"cast":16,"crew":160},[17,32,47,57,68,79,89,99,110,119,131,142,151],{"adult":4,"backdrop_path":7,"genre_ids":18,"id":20,"title":21,"original_language":22,"original_title":21,"overview":23,"popularity":24,"poster_path":25,"release_date":26,"softcore":4,"video":4,"vote_average":27,"vote_count":28,"character":23,"credit_id":29,"order":30,"media_type":31},[19],99,418164,"Viviré con tu recuerdo","es","",1.2667,"\u002Fyf30wRCC5dnKP8lcutebt7xe5Fc.jpg","2016-04-17",6,1,"62194531383df2001d861189",2,"movie",{"adult":4,"backdrop_path":33,"genre_ids":34,"id":36,"title":37,"original_language":22,"original_title":37,"overview":38,"popularity":39,"poster_path":40,"release_date":41,"softcore":4,"video":4,"vote_average":42,"vote_count":43,"character":44,"credit_id":45,"order":46,"media_type":31},"\u002F2CUZ5HgEQjjrWiclsmKbQ2AwlEz.jpg",[35],53,210054,"Algunas chicas","Con la excusa de una crisis matrimonial, la cirujana Celina se toma unos días en la casa de campo de una vieja amiga a la que no ve desde sus días de estudiante. Allí advierte que algo parece suceder con Paula, la hijastra de su amiga, que brilla por su ausencia. Dos chicas, la mística Nené y la cínica María, acosan a Celina no sólo con preguntas sobre Paula sino tratando de integrarla a su grupo disfuncional. En el limbo de ese pueblo infernal, sus fantasmas no harán sino resurgir y contagiarse con los de las demás.",0.9211,"\u002Fy35ypsvEs8Q86M9sHrJHRoWhYzh.jpg","2013-08-29",6.1,5,"Caronte","52fe4d74c3a368484e1ea20d",4,{"adult":4,"backdrop_path":7,"genre_ids":48,"id":49,"title":50,"original_language":22,"original_title":50,"overview":51,"popularity":52,"poster_path":53,"release_date":54,"softcore":4,"video":4,"vote_average":55,"vote_count":28,"character":23,"credit_id":56,"order":8,"media_type":31},[19],1196278,"Dueto","Navegando la triple frontera que separa a la ficción, el documental y el ensayo, en Dueto el escritor y cineasta Edgardo Cozarinsky y el actor Rafael Ferro exponen de un modo confesional el vínculo que los une desde hace años, no solo recordando, sino reelaborando un puñado de historias en común. Algunas tienen que ver con el origen de la relación, otras con sus extremos, de los más tensos a los más lúdicos. Sin embargo, todas convergen en un denominador común que los mantiene juntos a pesar de todo.",0.5574,"\u002FmWBuyfnXvKKaub9ee9dNmxl4KVo.jpg","2023-11-04",7,"6539db942811a100adb09787",{"adult":4,"backdrop_path":7,"genre_ids":58,"id":61,"title":62,"original_language":22,"original_title":62,"overview":63,"popularity":64,"poster_path":65,"release_date":66,"softcore":4,"video":4,"vote_average":27,"vote_count":28,"character":23,"credit_id":67,"order":8,"media_type":31},[59,60],18,27,1027296,"SINFON14","Un carruaje habitado por aristócratas escapa hacia algún lugar desconocido. Sexo y violencia: la muerte los acecha y ellos gozan. Sin nada que perder, mientras atraviesan caminos oscuros, en la noche de su reinado, estas figuras decadentes dan rienda suelta al libertinaje.",0.5099,"\u002Flhfb4efQPx7NnhPmxx80VB621xT.jpg","2022-11-10","632c7ccfecbde9007e15e897",{"adult":4,"backdrop_path":69,"genre_ids":70,"id":71,"title":72,"original_language":22,"original_title":72,"overview":73,"popularity":74,"poster_path":75,"release_date":76,"softcore":4,"video":4,"vote_average":55,"vote_count":30,"character":77,"credit_id":78,"order":30,"media_type":31},"\u002FgU1uUTP22dYhMWilbvBzLfaXR4q.jpg",[19],1035380,"Un hombre de cine","The political history of Argentine film censorship narrated through the professional career of Néstor Gaffet (1928-1982), lawyer, film distributor and producer, publicist, occasional screenwriter, critic and teacher. He led Leopoldo Torre Nilsson to triumph in international festivals to place him among the best directors in the world. It specialized in distributing avant-garde cinema, and at the same time fought against the film censorship of iron dictatorships and weak democracies. On two occasions his disputes with the censors reached the Supreme Court of Justice. A history until today hidden from the country and Argentine cinema.  La historia política de la censura cinematográfica argentina narrada a través de la trayectoria profesional de Néstor Gaffet (1928-1982), abogado, distribuidor y productor de cine, publicista, ocasional guionista, crítico y docente.",1.4281,"\u002FqgjG69mr6PjnRytswuiaVaEI3fQ.jpg","2022-10-20","Él mismo","63541efb417aaf007a89a799",{"adult":4,"backdrop_path":7,"genre_ids":80,"id":81,"title":82,"original_language":22,"original_title":82,"overview":83,"popularity":84,"poster_path":85,"release_date":86,"softcore":4,"video":4,"vote_average":87,"vote_count":55,"character":23,"credit_id":88,"order":27,"media_type":31},[59],258563,"Diálogo de exiliados","Poco después de la caída de Salvador Allende en Chile, un artista que simpatiza con la Junta Militar de Gobierno llega a París para cantar sobre lo que él considera la nueva realidad del país. Un grupo de exiliados chilenos se topa con él y deciden secuestrarlo de una manera bastante peculiar: llevándolo de farra. Pronto, sin embargo, resurgen sus vicios más pesados: la incapacidad de organizarse, el asambleísmo inoperante que los obliga a votar hasta para tomar las más nimias decisiones, las diferencias de clase entre los exiliados burgueses y los exiliados obreros y, en particular, la vacía retórica de un discurso político más preocupado por conseguir aplausos (y fondos de ayuda internacional) que de resolver su situación.",1.08,"\u002Fc3G0CopqRsntbzq5aimrU7XsV6u.jpg","1975-04-23",6.4,"65e122df2d531a0185c0edf2",{"adult":4,"backdrop_path":90,"genre_ids":91,"id":92,"title":93,"original_language":22,"original_title":93,"overview":94,"popularity":95,"poster_path":96,"release_date":97,"softcore":4,"video":4,"vote_average":43,"vote_count":30,"character":23,"credit_id":98,"order":8,"media_type":31},"\u002FiW5ECZE8jXYYpzvlinlSGcKJJel.jpg",[59],424653,"Cassandra","Las palabras, las fotos, los discursos ¿son medios suficientes para describir una realidad compleja, cruda e inabarcable? Estas preguntas sin respuesta persiguen a Cassandra durante su viaje por el Impenetrable chaqueño como cronista principiante de un medio de comunicación. La realidad desconocida de los pueblos originarios, sus lenguas bellas e incomprensibles y sus dilemas ante una economía que los expulsa, forman parte de un viaje en el que Cassandra encuentra un mundo habitable en su extranjería . Sus visiones empiezan a fundirse con la cosmovisión de los antiguos pobladores del lugar, hasta volverse ella misma parte del enigma.",0.6075,"\u002FbHk6Pa03UqgaM2z4bOJNy7OOlSP.jpg","2013-06-20","581eae3e9251410a040145c9",{"adult":4,"backdrop_path":7,"genre_ids":100,"id":102,"title":103,"original_language":22,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":107,"softcore":4,"video":4,"vote_average":108,"vote_count":30,"character":23,"credit_id":109,"order":43,"media_type":31},[101],35,455973,"La civilización está haciendo masa y no deja oír","Las prostitutas de una casa de citas hartas de ser explotadas, deciden rebelarse en contra de sus proxenetas y hacen una huelga.",0.9426,"\u002FyHhXybz8YEm7pOGZZb8uoSyjz7P.jpg","1974-04-25",6.2,"590b6eaac3a3686a090017a1",{"adult":4,"backdrop_path":7,"genre_ids":111,"id":112,"title":113,"original_language":22,"original_title":113,"overview":23,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":117,"vote_count":28,"character":23,"credit_id":118,"order":27,"media_type":31},[101,60],553383,"La familia unida esperando la llegada de Hallewyn",1.046,"\u002FzyqWRvWT6iJRHPEaFzW5HYVz7Py.jpg","1971-01-01",8,"5d1e42cd55b0c01c356ea243",{"adult":4,"backdrop_path":120,"genre_ids":121,"id":122,"title":123,"original_language":22,"original_title":123,"overview":124,"popularity":125,"poster_path":126,"release_date":127,"softcore":4,"video":4,"vote_average":128,"vote_count":30,"character":23,"credit_id":129,"order":130,"media_type":31},"\u002Fxc7rsRkspYFhwZm4o4cYiKmY1eN.jpg",[19],634248,"Ficción privada","Un actor y una actriz leen, durante varios días y noches, la correspondencia entre Torcuato y Kamala, los padres del director de la película, él argentino, ella hindú. Las cartas atraviesan las décadas del 50 al 70, son de amor e idealismo, registran viajes por el mundo, hablan de socialismo y psicoanálisis, de dolor y sueños rotos. En el transcurso de las lecturas, se revela entre los actores una relación con semejanzas y diferencias. Mientras tanto, el director arma con su propia hija el rompecabezas de la memoria familiar, una historia privada del siglo veinte.",1.4797,"\u002F3h6DuHthBOCR873HVEZVMkpz0PU.jpg","2020-07-09",10,"5f0432068a0e9b003499b569",3,{"adult":4,"backdrop_path":132,"genre_ids":133,"id":134,"title":135,"original_language":22,"original_title":135,"overview":136,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":140,"vote_count":30,"character":23,"credit_id":141,"order":8,"media_type":31},"\u002FgJEa68qY6O74SSlQJTGAtQHuqBE.jpg",[59],735560,"Edición ilimitada","Un encuentro cinematográfico de cuatro escritores que también son actores, directores, docentes y dramaturgos. Esta multiplicidad de oficios en relación con la palabra es el punto en común de los cuatro episodios que componen el film. Cuatro historias, cuatro protagonistas: dos hombres, dos mujeres que reflexionan, de diferentes maneras, sobre la escritura, la lectura, el choque generacional y el proceso creativo.",0.6338,"\u002FbdfZkyvOSvYK6rQw667MEUVOUF7.jpg","2020-09-18",8.5,"5f413b27028f140034579b2e",{"adult":4,"backdrop_path":7,"genre_ids":143,"id":144,"title":145,"original_language":146,"original_title":145,"overview":23,"popularity":147,"poster_path":7,"release_date":148,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":149,"credit_id":150,"order":46,"media_type":31},[],756471,"Cinématon XVII","fr",0.8165,"1982-05-04","N°164","5f923b33ca83540038b75b43",{"adult":4,"backdrop_path":7,"genre_ids":152,"id":153,"title":154,"original_language":22,"original_title":154,"overview":23,"popularity":155,"poster_path":156,"release_date":157,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"character":158,"credit_id":159,"order":8,"media_type":31},[],1523268,"Sinfon14 R3mix",1.1358,"\u002FhKZb1oCJ2BIX1k7RCRlPyu2rpAu.jpg","2025-08-24","Self \u002F Marquis de Sade","6a6bde4d93d747e7bb457fe8",[161,170,175,186,191,195,203,214,225,228,239,247,258,265,276,279,292,301,304,307,310,317,324,332,339,346,355,361,367,374,381,388,396,404,407,415,418,427,436,439,448,451,460,463,471,474,484,497,505,513,521,524,527,530,533,536,539],{"adult":4,"backdrop_path":7,"genre_ids":162,"id":163,"title":164,"original_language":22,"original_title":164,"overview":23,"popularity":165,"poster_path":166,"release_date":167,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":168,"department":11,"job":169,"media_type":31},[59],807071,"Nocturnos",1.0226,"\u002FuuI6YIlQoVs8LH6vbim0Y2kKepo.jpg","2011-04-01","6052cb6a77c01f00289b0d5c","Director",{"adult":4,"backdrop_path":7,"genre_ids":171,"id":163,"title":164,"original_language":22,"original_title":164,"overview":23,"popularity":165,"poster_path":166,"release_date":167,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":172,"department":173,"job":174,"media_type":31},[59],"6052cb7023168c00281ab190","Writing","Screenplay",{"adult":4,"backdrop_path":176,"genre_ids":177,"id":178,"title":179,"original_language":22,"original_title":179,"overview":23,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":185,"department":11,"job":169,"media_type":31},"\u002FukdxIXrRTFL79IlXAv8ZZDaJ4DP.jpg",[59],41924,"Ronda nocturna",1.936,"\u002F4y8ko0F2iMYcNrJBHY4UgW9SAr5.jpg","2005-05-15",5.7,19,"52fe45e2c3a36847f80e0089",{"adult":4,"backdrop_path":176,"genre_ids":187,"id":178,"title":179,"original_language":22,"original_title":179,"overview":23,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":188,"department":189,"job":190,"media_type":31},[59],"52fe45e2c3a36847f80e00a1","Production","Executive Producer",{"adult":4,"backdrop_path":176,"genre_ids":192,"id":178,"title":179,"original_language":22,"original_title":179,"overview":23,"popularity":180,"poster_path":181,"release_date":182,"softcore":4,"video":4,"vote_average":183,"vote_count":184,"credit_id":193,"department":173,"job":194,"media_type":31},[59],"52fe45e2c3a36847f80e008f","Writer",{"adult":4,"backdrop_path":7,"genre_ids":196,"id":197,"title":198,"original_language":146,"original_title":198,"overview":23,"popularity":199,"poster_path":7,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":30,"credit_id":202,"department":11,"job":169,"media_type":31},[59],66951,"Les apprentis sorciers",0.9499,"1977-09-28",7.5,"52fe4751c3a368484e0c0715",{"adult":4,"backdrop_path":7,"genre_ids":204,"id":205,"title":206,"original_language":22,"original_title":206,"overview":207,"popularity":208,"poster_path":209,"release_date":210,"softcore":4,"video":4,"vote_average":117,"vote_count":28,"credit_id":211,"department":212,"job":213,"media_type":31},[19],961208,"La quimera de los héroes","Un entrenador muy especial. Un grupo de aborígenes tobas. Una pelota de rugby. La selva. La tentación del pasado. Una travesía por la conciencia de un lider.",0.8447,"\u002FnmxgFIKKH9QkOTyLTSa4xsnxn0h.jpg","2003-01-01","62539e3daad9c200a06deb2e","Crew","Script",{"adult":4,"backdrop_path":215,"genre_ids":216,"id":219,"title":220,"original_language":146,"original_title":220,"overview":23,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":87,"vote_count":117,"credit_id":224,"department":11,"job":169,"media_type":31},"\u002F2ExsZAxzCcuHwqq3WZCQ6RYEIxM.jpg",[19,217,218],36,10752,153552,"La guerre d'un seul homme",1.0179,"\u002FslGpH7O4mu0CBU7kYrrClZMqcpA.jpg","1982-11-17","52fe4b459251416c910d5383",{"adult":4,"backdrop_path":215,"genre_ids":226,"id":219,"title":220,"original_language":146,"original_title":220,"overview":23,"popularity":221,"poster_path":222,"release_date":223,"softcore":4,"video":4,"vote_average":87,"vote_count":117,"credit_id":227,"department":173,"job":194,"media_type":31},[19,217,218],"52fe4b469251416c910d5389",{"adult":4,"backdrop_path":229,"genre_ids":230,"id":231,"title":232,"original_language":146,"original_title":232,"overview":233,"popularity":234,"poster_path":235,"release_date":236,"softcore":4,"video":4,"vote_average":237,"vote_count":27,"credit_id":238,"department":11,"job":169,"media_type":31},"\u002F6TeEkOEjG6cjFCCV2D7QoY7eIbx.jpg",[19],132793,"Jean Cocteau: Autoportrait d'un inconnu","El literato, dramaturgo y cineasta argentino Edgardo Cozarinsky (1939), nieto de inmigrantes rusos, saca a relucir el genio polifacético de Jean Cocteau, haciendo un elaborado enfoque de su insólita figura, uno de los artistas más dotados de la primera mitad del s.XX. Efectúa un montaje, cercano al collage, en el que se incluyen clips de películas que rodó el mismo Cocteau, incorporando algunos momentos de entrevistas que este concedió, así como conversaciones que mantuvo con conocidos coetáneos de su época. Jean Cocteau relata su infancia, cómo fue introduciéndose por los senderos de la experimentación artística. Habla de sus reuniones con I. Stravinsky, E. Satie, S. Diaghilev, P. Picasso, o de su joven protegido Raymond Radiguet (1903-1923).",0.676,"\u002FougDduzRDzFRM5EzSu7fU0ELgGC.jpg","1984-11-15",6.8,"52fe4b9dc3a368484e1916bd",{"adult":4,"backdrop_path":7,"genre_ids":240,"id":241,"title":242,"original_language":146,"original_title":242,"overview":23,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":27,"vote_count":30,"credit_id":246,"department":11,"job":169,"media_type":31},[],850003,"Fantômes de Tanger",0.9778,"\u002F9LJx3MPBPWmhsHntYyP1LpIyvxt.jpg","1998-03-11","60ec8735a6c104002aeb1bbe",{"adult":4,"backdrop_path":248,"genre_ids":249,"id":250,"title":251,"original_language":22,"original_title":251,"overview":252,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":55,"vote_count":28,"credit_id":256,"department":212,"job":257,"media_type":31},"\u002FsJUTkivNWOZ1dOXOOZuMAcbzCmM.jpg",[59],399871,"Gulliver","Después de una fiesta, Agos y Ren se encuentran en un lugar extraño en el que recuerdan haber estado antes... Un mundo fallido repleto de dependencias y puertas que conducen al mismo pero diferente lugar.",0.7735,"\u002Fpjbw2aetXjjLpHplZxPkzG5s8Vc.jpg","2015-08-08","64f7cd7af29d6635621e73f3","Thanks",{"adult":4,"backdrop_path":7,"genre_ids":259,"id":260,"title":261,"original_language":146,"original_title":261,"overview":23,"popularity":262,"poster_path":7,"release_date":263,"softcore":4,"video":4,"vote_average":117,"vote_count":28,"credit_id":264,"department":11,"job":169,"media_type":31},[19],1176737,"Le cinéma des Cahiers",0.725,"2001-01-01","64ff24bfffc9de0ee1764ece",{"adult":4,"backdrop_path":266,"genre_ids":267,"id":268,"title":269,"original_language":146,"original_title":270,"overview":271,"popularity":272,"poster_path":273,"release_date":274,"softcore":4,"video":4,"vote_average":108,"vote_count":46,"credit_id":275,"department":11,"job":169,"media_type":31},"\u002FlnvN40wiKFfc6iBRqI7Fg1OkUWa.jpg",[59],286584,"Crepúsculo rojo","Dans le rouge du couchant","Michel, hijo de un francés nacido al otro lado del mundo, llega a París para rehacer su vida lejos de las crisis económicas de América del Sur. 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