[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F120229:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":8,"birthday":9,"deathday":10,"gender":11,"homepage":10,"id":12,"imdb_id":13,"known_for_department":14,"name":15,"place_of_birth":16,"popularity":17,"profile_path":18,"combined_credits":19,"images":753},false,[6,7],"Jafaras Panahi","ジャファール・パナヒ","Jafar Panahi (born in July 11, 1960) is a representative of Iranian “New Wave.” He is one of the leaders of contemporary Iranian cinema. Panahi’s work, from his first attempts to discuss social issues to his later and braver discussions of taboo topics in Iran are a creative reflection on the nature of cinema and human society, and are imbued with humanity. In 2010, the court in Iran sentenced Jafar Panahi to six years in prison.  In addition, according to the sentence, Panahi was banned from making films for 20 years, giving interviews to local and international media outlets, and leaving Iran. Three Faces was his fourth film (after This Is Not a Film, Closed Curtain, and Taxi) shot after his arrest. The director did not attend the premiere due to being banned from leaving Iran. Panahi is a student of Abbas Kiarostami, whose influence is especially clear in Three Faces, reminiscent of such acclaimed masterpieces as The Wind Will Carry Us and Taste of Cherry.","1960-07-11",null,2,120229,"nm0070159","Directing","Jafar Panahi","Mianeh, Iran",2.36,"\u002FviZZkkfcuWze68bvUiMZmYZe8Qg.jpg",{"cast":20,"crew":315},[21,36,48,61,74,87,97,109,118,132,142,151,162,171,183,196,210,220,230,239,248,257,273,289,303],{"adult":4,"backdrop_path":22,"genre_ids":23,"id":25,"title":26,"original_language":27,"original_title":26,"overview":28,"popularity":29,"poster_path":30,"release_date":31,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":34,"order":32,"media_type":35},"\u002FyROFsR9S5PBRnppg3c1ip6hIiyk.jpg",[24],99,1075809,"به کوچه خوشبخت","fa","",1.2347,"\u002FtxPRqeIrDTCRcyaxVaNpG3U84nP.jpg","2023-02-21",0,"Self","63ef8896ea84c70084b6d962","movie",{"adult":4,"backdrop_path":10,"genre_ids":37,"id":38,"title":39,"original_language":27,"original_title":39,"overview":28,"popularity":40,"poster_path":41,"release_date":42,"softcore":4,"video":4,"vote_average":43,"vote_count":44,"character":45,"credit_id":46,"order":47,"media_type":35},[24],38350,"L'Iran: une révolution cinématographique",1.2342,"\u002FdFQfJvZy2zKWvd67Msgc5Yzhiwi.jpg","2006-05-18",6,3,"Himself","52fe46af9251416c9105c4fd",4,{"adult":4,"backdrop_path":49,"genre_ids":50,"id":51,"title":52,"original_language":27,"original_title":53,"overview":54,"popularity":55,"poster_path":56,"release_date":57,"softcore":4,"video":4,"vote_average":58,"vote_count":59,"character":33,"credit_id":60,"order":32,"media_type":35},"\u002FuyvYZTJGPWlluDjI5aD72GaDqIx.jpg",[24],83552,"Esto no es una película","این فیلم نیست","Tras recurrir judicialmente una sentencia que lo condenaba a seis años de cárcel y veinte de inhabilitación, el director iraní Jafar Panahi tuvo que esperar meses hasta que se hizo pública la sentencia. Documental que reproduce un día en la vida de Panahi y Mojtaba Mirtahmasb (su antiguo ayudante de dirección) y ofrece una visión general de la situación actual del cine iraní. (FILMAFFINITY)",1.4164,"\u002Fqa4ScMlfNgz3fAFK9FYjJykCNZd.jpg","2011-09-27",6.9,113,"52fe48a99251416c9109432f",{"adult":4,"backdrop_path":62,"genre_ids":63,"id":65,"title":66,"original_language":27,"original_title":66,"overview":67,"popularity":68,"poster_path":69,"release_date":70,"softcore":4,"video":4,"vote_average":71,"vote_count":72,"character":45,"credit_id":73,"order":11,"media_type":35},"\u002Fhw01jSu6sicxYXfjjFRYQO2zYFX.jpg",[64],18,160171,"پرده","Un hombre esconde a su perro de las autoridades islámicas. Una chica llega a la casa de este huyendo precisamente de las autoridades. No salimos de la casa y el exterior parece una amenaza. Un arranque contundente para una película crítica y tensa, en la que hay espacio para lo autorreferencial, para la aparición de un Jafar Panahi que, aunque recluso en su casa, sigue haciendo cine.",1.1879,"\u002F7GvlNdVGT6RWhQaffro6Bl3AkJy.jpg","2013-02-12",6.8,24,"52fe4c2ac3a36847f8221025",{"adult":4,"backdrop_path":75,"genre_ids":76,"id":78,"title":79,"original_language":80,"original_title":79,"overview":28,"popularity":81,"poster_path":82,"release_date":83,"softcore":4,"video":4,"vote_average":84,"vote_count":85,"character":28,"credit_id":86,"order":44,"media_type":35},"\u002Fw0CezlHlRZuWbcWNn703SnJaAwg.jpg",[64,77,24],9648,832189,"The Year of the Everlasting Storm","en",2.4514,"\u002FlD4075iUBk23cr82Vn3gbQkxYF9.jpg","2021-09-03",6.4,13,"62fc01a874d6c0009ec1be5d",{"adult":4,"backdrop_path":88,"genre_ids":89,"id":90,"title":91,"original_language":92,"original_title":91,"overview":28,"popularity":93,"poster_path":94,"release_date":95,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":96,"order":44,"media_type":35},"\u002Fchmx7zszIurdQxkfi9jpnLJIc1t.jpg",[24],1021731,"지석","ko",0.9669,"\u002FmVPdO3JTyL3ADcNwsQQ2y1MOmgV.jpg","2022-10-06","656f6b959463180100c6a515",{"adult":4,"backdrop_path":98,"genre_ids":99,"id":101,"title":102,"original_language":27,"original_title":103,"overview":104,"popularity":105,"poster_path":106,"release_date":95,"softcore":4,"video":4,"vote_average":58,"vote_count":107,"character":15,"credit_id":108,"order":32,"media_type":35},"\u002Fcg5LEgjffD3uhE7kOnvkvvpAfL2.jpg",[64,100],10749,974521,"Los osos no existen","خرس نیست","Dos historias de amor paralelas en las que los deseos de las parejas se ven frustrados por obstáculos ocultos e inevitables, la fuerza de la superstición y la mecánica del poder.",3.0812,"\u002FrDTri4KXN0AaZGvQIyd8FqSil9W.jpg",141,"6318aa920f0da5007def800d",{"adult":4,"backdrop_path":110,"genre_ids":111,"id":112,"title":113,"original_language":27,"original_title":113,"overview":28,"popularity":114,"poster_path":115,"release_date":116,"softcore":4,"video":4,"vote_average":47,"vote_count":11,"character":33,"credit_id":117,"order":32,"media_type":35},"\u002Fvfn587Y3UQccjmhtAaCQ10W5fi1.jpg",[24],1027897,"فيلم",1.2552,"\u002F1eK9Pz9ka7yi87DZfFsqq9TDO4X.jpg","2021-07-14","632ecaf0dd471600844340bf",{"adult":4,"backdrop_path":119,"genre_ids":120,"id":122,"title":123,"original_language":27,"original_title":124,"overview":125,"popularity":126,"poster_path":127,"release_date":128,"softcore":4,"video":4,"vote_average":129,"vote_count":130,"character":33,"credit_id":131,"order":32,"media_type":35},"\u002F677ohgE1vEEMSIHZILT19z4rf58.jpg",[121,64],35,320006,"Taxi Teherán","تاکسی","Un taxi recorre las vibrantes y coloridas calles de Teherán. Pasajeros muy diversos entran en el taxi y expresan abiertamente su opinión mientras son entrevistados por el conductor que no es otro que el director del film, Jafar Panahi. Su cámara, colocada en el salpicadero del vehículo, captura el espíritu de la sociedad iraní a través de este viaje.",3.0837,"\u002F8am20I3PAxni25QM7scE7tBegVn.jpg","2015-04-15",7,501,"54e075a8925141027c004b38",{"adult":4,"backdrop_path":133,"genre_ids":134,"id":135,"title":136,"original_language":27,"original_title":136,"overview":28,"popularity":137,"poster_path":138,"release_date":139,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":140,"order":141,"media_type":35},"\u002Fba5kzHO8wfB8JdItzNK1I8nDeh9.jpg",[],601603,"Behind the Scenes of 'Under the Olive Trees'",1.0793,"\u002FqyL6RlI3b7mGaN3HyxAW2uozCn9.jpg","1994-12-31","63c2e69b23be4600b2f2076b",1,{"adult":4,"backdrop_path":10,"genre_ids":143,"id":144,"title":145,"original_language":80,"original_title":145,"overview":28,"popularity":146,"poster_path":147,"release_date":148,"softcore":4,"video":4,"vote_average":149,"vote_count":11,"character":28,"credit_id":150,"order":44,"media_type":35},[24],377522,"سفری به دیار مسافر",0.6689,"\u002Fhja56xJI6cwdgKDws6LaV2UOgPg.jpg","2004-03-18",5,"56983249c3a3687600000c91",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":156,"original_title":155,"overview":28,"popularity":157,"poster_path":158,"release_date":159,"softcore":4,"video":4,"vote_average":129,"vote_count":141,"character":160,"credit_id":161,"order":32,"media_type":35},"\u002Fu81lEbFkM8iLTRZEbmggcIiBwqD.jpg",[24],424973,"Où en êtes-vous Jafar Panahi?","fr",1.2885,"\u002FvuTnwwAzbEXIMfcRkBz4X7nlLIL.jpg","2026-04-29","himself","5820ed289251412071002381",{"adult":4,"backdrop_path":163,"genre_ids":164,"id":165,"title":166,"original_language":27,"original_title":166,"overview":28,"popularity":167,"poster_path":168,"release_date":169,"softcore":4,"video":4,"vote_average":71,"vote_count":43,"character":45,"credit_id":170,"order":141,"media_type":35},"\u002Fnp2ODR1xTxqqrcEf5gcPo4kI2ff.jpg",[24],416446,"76 Minutes and 15 seconds with Abbas Kiarostami",1.1401,"\u002FjO6h5pw08Sm4gD3U92Wq48PpTqS.jpg","2016-08-31","5917e300925141580d03d6bd",{"adult":4,"backdrop_path":172,"genre_ids":173,"id":174,"title":175,"original_language":27,"original_title":176,"overview":177,"popularity":178,"poster_path":179,"release_date":180,"softcore":4,"video":4,"vote_average":71,"vote_count":181,"character":15,"credit_id":182,"order":141,"media_type":35},"\u002Fp2qPNlGEa8TEcXg14vNvClBkHrD.jpg",[64],517731,"Tres caras","سه رخ","Una famosa actriz iraní recibe el video inquietante de una joven pidiendo su ayuda para escapar de su familia conservadora. Entonces pide a su amigo, el director de cine Jafar Panahi, que le ayude a entender si se trata de una manipulación. Juntos, emprenden camino hacia la aldea de la chica en las remotas montañas del Noroeste, donde las tradiciones ancestrales continúan rigiendo la vida local.",3.41,"\u002FymD6C0PJVhd13Z68POhyqhvphw5.jpg","2018-06-06",159,"5b18cc660e0a261fb00035e3",{"adult":4,"backdrop_path":184,"genre_ids":185,"id":186,"title":187,"original_language":188,"original_title":187,"overview":28,"popularity":189,"poster_path":190,"release_date":191,"softcore":4,"video":4,"vote_average":192,"vote_count":193,"character":33,"credit_id":194,"order":195,"media_type":35},"\u002FcXe0JTQPYxh9Ok9Y2d4KxU2FgG4.jpg",[24],134754,"Crítico","pt",1.7878,"\u002Fz1oavqX1H6TVjsz9nr8J9aAlL2F.jpg","2008-01-22",7.9,19,"5ccc197c0e0a262fc500ee3a",33,{"adult":4,"backdrop_path":197,"genre_ids":198,"id":199,"title":200,"original_language":27,"original_title":201,"overview":202,"popularity":203,"poster_path":204,"release_date":205,"softcore":4,"video":4,"vote_average":206,"vote_count":207,"character":208,"credit_id":209,"order":64,"media_type":35},"\u002F4BIIX7qiKYYJSm4cWTB2dHfCwZE.jpg",[64],47104,"A través de los olivos","زیر درختان زیتون","Un equipo de rodaje llega a un pueblo del norte de Irán, en la región de Koker, devastado por un temblor de tierra, para realizar una película. Hossein, un muchacho del lugar, es contratado como ayudante del equipo y, además, se le asigna la interpretación de un pequeño papel. Casualmente, también colabora en la película una muchacha del vecindario, de la que Hossein está locamente enamorado, pero los padres de ella lo rechazan porque carece de recursos económicos.",6.0665,"\u002FlmPX2vG1Y4DhoacR3KIPRiCICsB.jpg","1994-12-02",7.4,221,"Panahi (uncredited)","5f21d9055b2f4700354de304",{"adult":4,"backdrop_path":211,"genre_ids":212,"id":213,"title":214,"original_language":27,"original_title":214,"overview":28,"popularity":215,"poster_path":216,"release_date":217,"softcore":4,"video":4,"vote_average":84,"vote_count":218,"character":33,"credit_id":219,"order":32,"media_type":35},"\u002FAvfyW1Rzp6zAE39yXft7DJVAiSE.jpg",[24],742958,"Hidden",0.8989,"\u002Fwg58ZoIX1bO7MzINRrjS4k6JSDD.jpg","2020-09-21",27,"5f6003f68b959e0034b22828",{"adult":4,"backdrop_path":221,"genre_ids":222,"id":223,"title":224,"original_language":80,"original_title":224,"overview":28,"popularity":225,"poster_path":226,"release_date":227,"softcore":4,"video":4,"vote_average":228,"vote_count":11,"character":33,"credit_id":229,"order":141,"media_type":35},"\u002Fz2FXPOHxjAT2sF5HKzhRYKdewqm.jpg",[24],742249,"Nasrin",2.6658,"\u002FcswPWHCNI9PtXIIVL2VUqah265p.jpg","2020-10-01",10,"5fbf4d776bdec3003b24f0be",{"adult":4,"backdrop_path":10,"genre_ids":231,"id":233,"title":234,"original_language":80,"original_title":234,"overview":28,"popularity":235,"poster_path":10,"release_date":236,"softcore":4,"video":4,"vote_average":237,"vote_count":11,"character":33,"credit_id":238,"order":47,"media_type":35},[24,232],10770,423609,"Cinema Iran",0.8475,"2005-05-04",5.5,"60088e543520e8004c63db4f",{"adult":4,"backdrop_path":240,"genre_ids":241,"id":242,"title":243,"original_language":188,"original_title":243,"overview":28,"popularity":244,"poster_path":245,"release_date":246,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":247,"order":32,"media_type":35},"\u002F5w89d8Pg3sLNqnkqnUtG8nX7sgN.jpg",[24],1744612,"South of Tehran",1.0737,"\u002FbkwYvAXIiATuS0ySj4pqAqVhxlf.jpg","2026-09-29","6a74b7100545ef2da6c49220",{"adult":4,"backdrop_path":249,"genre_ids":250,"id":251,"title":252,"original_language":27,"original_title":252,"overview":28,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":32,"vote_count":32,"character":33,"credit_id":256,"order":11,"media_type":35},"\u002F4IWjXZQVmp26lTSJYGoMZkjZ4fb.jpg",[24],1759801,"در جاده با عباس کیارستمی",1.124,"\u002Fbx6Yh4skrap5X6nFHjUzpR7lTHw.jpg","2026-10-10","6a9692015e8c379cd3bd4db9",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":261,"origin_country":262,"original_language":156,"original_name":264,"overview":28,"popularity":265,"poster_path":266,"first_air_date":267,"softcore":4,"name":264,"vote_average":268,"vote_count":47,"character":269,"credit_id":270,"episode_count":141,"first_credit_air_date":271,"media_type":272},"\u002F6YibE5dR3GljpZSdOzYbMOMDG4B.jpg",[260],10767,79239,[263],"FR","C à vous",36.6806,"\u002FmWUZ9Gb3qCiOusMtn2AC9uWez5C.jpg","2009-09-07",6.1,"Self - Guest","68d98e46569cc1dd02b4171a","2025-09-23","tv",{"adult":4,"backdrop_path":274,"genre_ids":275,"id":277,"origin_country":278,"original_language":80,"original_name":280,"overview":281,"popularity":282,"poster_path":283,"first_air_date":284,"softcore":4,"name":280,"vote_average":285,"vote_count":286,"character":269,"credit_id":287,"episode_count":141,"first_credit_air_date":288,"media_type":272},"\u002FqLMfcvdCcCGD2BNLH8b6ZCBuO7D.jpg",[276,121],10763,2224,[279],"US","The Daily Show","Presentado por el humorista Jon Stewart, es el formato de sátira política más popular de la televisión norteamericana. Ha estado en antena en Comedy Central desde 1996 y ha ganado 18 Primetime Emmys. Se autodefine como un programa de noticias falso y enfoca su particular punto de vista en la actualidad, las noticias, los personajes políticos y de los medios de comunicación fundamentalmente con el objetivo de hacer reír. Generalmente el show comienza con un monólogo de Jon Stewart relacionado con los principales titulares de la actualidad. Después de este monólogo da paso a sus numerosos corresponsales y finalmente suele acabar con una entrevista a un personaje conocido.",331.8512,"\u002FixcfyK7it6FjRM36Te4OdblAq4X.jpg","1996-07-22",6.422,672,"69a66ec0d1d88e44a9862eaf","2026-03-02",{"adult":4,"backdrop_path":290,"genre_ids":291,"id":292,"origin_country":293,"original_language":80,"original_name":294,"overview":295,"popularity":296,"poster_path":297,"first_air_date":298,"softcore":4,"name":294,"vote_average":299,"vote_count":300,"character":33,"credit_id":301,"episode_count":141,"first_credit_air_date":302,"media_type":272},"\u002FAvydGD3Y03ad7QLxQ3tAZ3VVkng.jpg",[],27023,[279],"The Oscars","El premio Óscar –también llamado «premio de la Academia» o en inglés: Academy Award– es un premio concedido por la Academia de las Artes y las Ciencias Cinematográficas (en inglés: AMPAS; Academy of Motion Picture Arts and Sciences) en reconocimiento a la excelencia de los profesionales en la industria cinematográfica, incluyendo directores, actores y escritores, y es ampliamente considerado el máximo honor en el cine. El Óscar es llamado oficialmente «Premio de la Academia al Mérito», y es el principal de los nueve premios que otorga dicha organización.",36.3986,"\u002FwyMHJMQp8WpmBg9CxefvbQnFhrm.jpg","1953-03-19",7.1,87,"69bb82546aeabc7310f264ca","2026-03-15",{"adult":4,"backdrop_path":304,"genre_ids":305,"id":307,"origin_country":308,"original_language":80,"original_name":309,"overview":28,"popularity":310,"poster_path":311,"first_air_date":312,"softcore":4,"name":309,"vote_average":58,"vote_count":129,"character":33,"credit_id":313,"episode_count":11,"first_credit_air_date":314,"media_type":272},"\u002Fc2wPZsH2LZT8Z3Dqo3yt7dl4g5d.jpg",[24,276,260,306],10768,31732,[279],"Democracy Now!",57.3245,"\u002FpwMvc40mOHyZ9IsFPTcW0Jdm57l.jpg","2001-01-01","6aa49eb47f75254db0749da1","2026-01-15",[316,329,334,347,360,373,387,390,393,396,407,411,423,426,429,432,435,450,453,458,462,465,468,471,474,482,485,494,499,502,505,508,511,514,517,520,524,535,538,541,544,556,559,562,565,572,579,586,594,602,605,608,611,614,617,620,623,626,629,632,641,644,654,657,660,670,673,683,687,691,704,707,710,714,718,723,726,729,734,737,740,743],{"adult":4,"backdrop_path":317,"genre_ids":318,"id":319,"title":320,"original_language":27,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":129,"vote_count":326,"credit_id":327,"department":14,"job":328,"media_type":35},"\u002F47NmEf7kEmsNK3T9hiquNYO8fU9.jpg",[121,64],13209,"Fuera de juego","آفساید","Una chica vestida de hombre es detenida antes de entrar en un estadio de fútbol. Encerrada con otras mujeres que intentaron colarse en el campo, deberán seguir el partido a través de los comentarios de un soldado que no tiene ni idea de fútbol. Después son entregadas a la brigada \"antivicio\". En Irán, son muchas las mujeres apasionadas por el fútbol, pero les está prohibido ir a los partidos. Comedia que, tomando como pretexto la pasión por el fútbol, reivindica los derechos de las mujeres iraníes.",3.0749,"\u002F7WbuF15e0WsTfgguBbLsnGMeHnZ.jpg","2006-05-26",142,"52fe454f9251416c75052209","Director",{"adult":4,"backdrop_path":317,"genre_ids":330,"id":319,"title":320,"original_language":27,"original_title":321,"overview":322,"popularity":323,"poster_path":324,"release_date":325,"softcore":4,"video":4,"vote_average":129,"vote_count":326,"credit_id":331,"department":332,"job":333,"media_type":35},[121,64],"52fe454f9251416c7505220f","Writing","Writer",{"adult":4,"backdrop_path":335,"genre_ids":336,"id":338,"title":339,"original_language":27,"original_title":340,"overview":341,"popularity":342,"poster_path":343,"release_date":344,"softcore":4,"video":4,"vote_average":129,"vote_count":345,"credit_id":346,"department":14,"job":328,"media_type":35},"\u002Fl3BaM4dtnhPljmiauzvyTAcshWL.jpg",[64,337],80,40427,"Sangre y oro","طلای سرخ","Cuando su amigo Ali le muestra el contenido de un bolso extraviado que contiene el recibo de la compra de un collar, a Hussein el precio le resulta inimaginable. Su sentimiento de inferioridad crece cuando él y su amigo son confundidos con ladronzuelos de poca monta y también cuando, por su aspecto, se les impide el acceso a una joyería. Hussein trabaja repartiendo pizzas por los barrios más ricos de la ciudad. Tiene así la oportunidad de observar, siquiera fugazmente, el tren de vida que se oculta en esas viviendas de lujo. 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