[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F1157582:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":6,"birthday":7,"deathday":7,"gender":8,"homepage":7,"id":9,"imdb_id":10,"known_for_department":11,"name":12,"place_of_birth":7,"popularity":13,"profile_path":14,"combined_credits":15,"images":224},false,[],"Andrés Di Tella (Argentina, 1958) is a filmmaker, writer and curator. He directed La televisión y yo, ¡Volveremos a las montañas! (2012, 27th Festival), 327 cuadernos (2015) and Private Fiction (2019), among others. 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Se trata de una figura enigmática, llena de paradojas. Fue un gaucho argentino que se convirtió en escritor inglés. Combatió en el ejército contra los “salvajes” pero también los defendió. Escribió obsesivamente sobre su tierra natal, pero nunca volvió. En las idas y vueltas del camino, se mezclan la especulación documental, la historia de Argentina, la memoria personal… y los sueños.",1.4213,"\u002F8g9MDFVJXSKp5BTnjo8gs0sWoat.jpg","2023-09-22",9,2,"64e72a5e594c9400ffe56c51",{"adult":4,"backdrop_path":7,"genre_ids":53,"id":54,"title":55,"original_language":23,"original_title":55,"overview":56,"popularity":57,"poster_path":58,"release_date":59,"softcore":4,"video":4,"vote_average":60,"vote_count":61,"credit_id":62,"department":11,"job":35,"media_type":31},[20],174936,"La televisión y yo (Apuntes para un film sobre la T.V.)","Un ensayo personal sobre la televisión y la memoria. 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Historia personal y colectiva a la vez, evoca los días tumultuosos de su juventud, desde su ingreso en la Universidad hasta su encierro en la Escuela de Mecánica de la Armada, y desde su vinculación con Juan, combatiente convencido, hasta el nacimiento de la hija de ambos, va enhebrando los restantes testimonios y las imágenes tomadas de noticieros y videotapes que reproducen rostros y episodios clave de aquellos años: el ajusticiamiento de Aramburu, los copamientos y los choques armados, la masacre de Ezeiza, el regreso de Perón al gobierno, la vuelta de los Montoneros a la clandestinidad, el tiempo de Isabel y López Rega y la usurpación del poder por la Junta Militar, con su secuela de crímenes, secuestros y desapariciones.",0.7965,"\u002Fn00n1ftMMJmIuZZJmrufEdjntpk.jpg","1998-11-26",6,5,"56e50348c3a3685a9e005e87",{"adult":4,"backdrop_path":7,"genre_ids":130,"id":131,"title":132,"original_language":23,"original_title":132,"overview":84,"popularity":133,"poster_path":7,"release_date":134,"softcore":4,"video":4,"vote_average":135,"vote_count":126,"credit_id":136,"department":11,"job":35,"media_type":31},[],408777,"Hachazos",1.2468,"2011-01-01",4.7,"579c72f5c3a368551c0059e3",{"adult":4,"backdrop_path":7,"genre_ids":138,"id":120,"title":121,"original_language":23,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":126,"vote_count":127,"credit_id":139,"department":39,"job":40,"media_type":31},[20],"59151a1792514159c1014bc5",{"adult":4,"backdrop_path":7,"genre_ids":141,"id":142,"title":143,"original_language":23,"original_title":143,"overview":144,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":148,"department":11,"job":35,"media_type":31},[20],494982,"Fotografías","Ensayo personal sobre la madre de Di Tella, basado en una caja de fotografías de su padre. Una investigación documental, un viaje al pasado y también un viaje real desde la Argentina hacia el sitio donde ella nació y que siempre quiso olvidar: la India. A medida que Di Tella intenta desvelar los misterios del destino de su madre, en una serie de encuentros con personajes sorprendentes, las vueltas inesperadas del camino revelan algo más: el descubrimiento de su propia identidad oculta.",0.9037,"\u002F4NDAGkyevQHFbecfOkvx4RPmc1D.jpg","2007-03-01","5a44d0250e0a2620e907fd79",{"adult":4,"backdrop_path":7,"genre_ids":150,"id":151,"title":152,"original_language":23,"original_title":152,"overview":153,"popularity":154,"poster_path":155,"release_date":156,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":157,"department":11,"job":35,"media_type":31},[],1304830,"Luz de verano","Estudio sobre una imagen de la juventud argentina, una tarde de verano de 1963, en una terraza de la Recoleta. Rostros luminosos, íconos del cine nacional de los años 60, develan una oscuridad contenida, que pronto estallará. Homenaje a La terraza de Leopoldo Torre Nilsson.",0.8138,"\u002FbzfCBcbTYzExTRDQ70doCuewtOF.jpg","2019-03-16","666d31136b3a942d28ec1b54",{"adult":4,"backdrop_path":7,"genre_ids":159,"id":160,"title":161,"original_language":23,"original_title":161,"overview":162,"popularity":163,"poster_path":164,"release_date":165,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":166,"department":11,"job":35,"media_type":31},[],532619,"El país del diablo","Una mañana de noviembre de 1879, apenas unos meses después de concluida la Conquista del Desierto el escritor Estanislao Zeballos recorría la Pampa con el objetivo de describir el territorio conquistado, hacer el primer mapa científico de la región y, de paso, profanar tumbas indígenas. Pero esa mañana dio con un descubrimiento insospechado: unas cajas de madera que guardaban el archivo del cacique Namuncurá. Zeballos había sido uno de los ideólogos de la Conquista del Desierto. Su largo viaje por la Pampa, sin embargo, lo transformó. Fue el primer “huinca” (blanco) en interesarse por la cultura y la historia de los indios. Los mismos indios cuyo exterminio el escritor había propiciado antes de viajar. Tras los pasos de Zeballos, Andrés Di Tella va en busca de los rastros que quedaron de aquel exterminio, hoy olvidado.",0.727,"\u002F5I5hcCLqsT3r3tIilvVsiWhffRP.jpg","2007-11-25","5b350c660e0a263ff601f4bb",{"adult":4,"backdrop_path":7,"genre_ids":168,"id":169,"title":170,"original_language":23,"original_title":170,"overview":171,"popularity":172,"poster_path":7,"release_date":173,"softcore":4,"video":4,"vote_average":174,"vote_count":61,"credit_id":175,"department":75,"job":176,"media_type":31},[20],623200,"Prohibido","El tema central es la censura, examinada mediante testimonios y documentos de época. El film alude a la propaganda que el último régimen militar en Argentina hacía en avisos publicitarios,cánticos agradecidos y exhibiciones televisivas de sus jerarcas, que bien recuerdan el uso de los medios visuales y de audio en la Alemania nazi y en otras dictaduras.",2.0862,"1997-05-02",10,"5d5418f14b0c6350147a4b44","Script",{"adult":4,"backdrop_path":7,"genre_ids":178,"id":169,"title":170,"original_language":23,"original_title":170,"overview":171,"popularity":172,"poster_path":7,"release_date":173,"softcore":4,"video":4,"vote_average":174,"vote_count":61,"credit_id":179,"department":11,"job":35,"media_type":31},[20],"5d5418eb4b0c6350147a4b3e",{"adult":4,"backdrop_path":7,"genre_ids":181,"id":182,"title":183,"original_language":23,"original_title":183,"overview":184,"popularity":185,"poster_path":186,"release_date":187,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":188,"department":11,"job":35,"media_type":31},[20],636317,"Macedonio Fernández","Documental sobre Macedonio Fernández, uno de los grandes escritores argentinos de la primera mitad del siglo XX. Personaje peculiar, dedicado al arte de vanguardia, ha influido enormemente a los literatos (especialmente hispanoamericanos) de las generaciones actuales.",1.6617,"\u002FpxraazEf46DmOA3tpUfjfd4ILu5.jpg","1995-01-01","5d95d638ea42635fbd93ce1b",{"adult":4,"backdrop_path":190,"genre_ids":191,"id":192,"title":193,"original_language":23,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":174,"vote_count":50,"credit_id":198,"department":11,"job":35,"media_type":31},"\u002Fxc7rsRkspYFhwZm4o4cYiKmY1eN.jpg",[20],634248,"Ficción privada","Un actor y una actriz leen, durante varios días y noches, la correspondencia entre Torcuato y Kamala, los padres del director de la película, él argentino, ella hindú. Las cartas atraviesan las décadas del 50 al 70, son de amor e idealismo, registran viajes por el mundo, hablan de socialismo y psicoanálisis, de dolor y sueños rotos. En el transcurso de las lecturas, se revela entre los actores una relación con semejanzas y diferencias. Mientras tanto, el director arma con su propia hija el rompecabezas de la memoria familiar, una historia privada del siglo veinte.",1.4466,"\u002F3h6DuHthBOCR873HVEZVMkpz0PU.jpg","2020-07-09","5d90f0c3172d7f002757deb5",{"adult":4,"backdrop_path":190,"genre_ids":200,"id":192,"title":193,"original_language":23,"original_title":193,"overview":194,"popularity":195,"poster_path":196,"release_date":197,"softcore":4,"video":4,"vote_average":174,"vote_count":50,"credit_id":201,"department":39,"job":40,"media_type":31},[20],"5d90f0c9ec18790020d61412",{"adult":4,"backdrop_path":7,"genre_ids":203,"id":205,"title":206,"original_language":23,"original_title":206,"overview":207,"popularity":208,"poster_path":7,"release_date":209,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":210,"department":11,"job":35,"media_type":31},[20,204],10402,768154,"¡Volveremos a las montañas!","Durante diez años, desde diciembre de 1961 hasta noviembre de 1971, existió en Buenos Aires un lugar donde la música contemporánea de América Latina cambió para siempre. Compositores jóvenes de toda América venían becados a Buenos Aires para trabajar, durante dos años, en un laboratorio: el Centro Latinoamericano de Altos Estudios Musicales del Instituto Di Tella. Medio siglo después, vuelven a Buenos Aires, con algunas cuentas pendientes.",1.2405,"2012-01-01","5fbd15fef9475b003ec35804",{"adult":4,"backdrop_path":7,"genre_ids":212,"id":205,"title":206,"original_language":23,"original_title":206,"overview":207,"popularity":208,"poster_path":7,"release_date":209,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":213,"department":39,"job":40,"media_type":31},[20,204],"5fbd16058b959e003e47e27d",{"adult":4,"backdrop_path":215,"genre_ids":216,"id":217,"title":218,"original_language":219,"original_title":218,"overview":84,"popularity":220,"poster_path":221,"release_date":222,"softcore":4,"video":4,"vote_average":8,"vote_count":8,"credit_id":223,"department":11,"job":35,"media_type":31},"\u002Fa3CBMnGTk15ORHffET4YmbavPHy.jpg",[],1587489,"Reconstruyen crimen de la modelo","pt",1.0991,"\u002F9EMNjgWbH4ShKK3K04gYSvA4jFF.jpg","1990-01-01","6925f580c26d3846c726ba6b",{"profiles":225},[226],{"aspect_ratio":227,"height":228,"iso_3166_1":7,"iso_639_1":7,"file_path":14,"vote_average":8,"vote_count":8,"width":229},0.667,754,503]