[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F11572:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":13,"birthday":14,"deathday":15,"gender":16,"homepage":17,"id":18,"imdb_id":19,"known_for_department":20,"name":6,"place_of_birth":21,"popularity":22,"profile_path":23,"combined_credits":24,"images":660},false,[6,7,8,9,10,11,12],"Carl Theodor Dreyer","Carl T. Dreyer","Carl Th. Dreyer","Carl-Th. Dreyer","Carl Dreyer","칼 테오도르 드레이어","卡尔·西奥多·德莱叶","Escritor y director de cine danés: es junto con Ingmar Bergman uno de los grandes cineastas escandinavos. Trabajó primero como periodista y comenzó en el cine como escritor de intertítulos para películas mudas, en 1912, para la productora Nordisk Filmkompagni. El año siguiente pasó a ser supervisor de guiones y más tarde a dirigir El presidente (1919) y Páginas del libro de Satán (1920). A continuación, Dreyer inició una carrera errante, propiciada por la decadencia del cine danés, dirigiendo películas en Noruega, Alemania, Dinamarca, Francia, y Suecia. Influido por el trabajo de Victor Sjöström, Dreyer regresa a Dinamarca para realizar una obra clave: Honra a tu esposa (1925), donde establece una preocupación por la composición y el reposo en las acciones que se convertirían en rasgos propios de su estilo. Después vendrían una de sus obras maestras, La pasión de Juana de Arco (1928), que enfatizaba la composición descentrada y las propiedades visuales de la pintura plana, y Vampiro o La extraña aventura de David Grey (1930), que captaba la atención mediante el uso del espacio fuera del cuadro. El espacio y el tiempo cinematográficos fueron sistemáticamente investigados en la serie de obras dramáticas de cámara que Dreyer dirigiría en la última parte de su carrera, etapa iniciada con Dies Irae (1943), que alcanza su apogeo en Ordet (La Palabra, 1955). En este periodo Dreyer emplea elaborados travellings-panorámicas (que en Ordet son movimientos de grúa-panorámicas), junto con planos muy generales, como elementos básicos para señalar la duración y resaltar el plano como entidad espaciotemporal con sentido propio. En Gertrud (1964), Dreyer empleó los planos generales, la presentación frontal y la composición simétrica, así como la inclusión de espacios fuera del cuadro a través del uso del espejo buscando un efecto arcaizante. Ordet y Gertrud siguen siendo consideradas dos obras cumbre del cine mundial. 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En una de las paradas de su extraño viaje por la vida, encontró un personaje muy especial, centro de una historia trágica y obsesión de un peculiar cineasta: una oportunidad única, una actuación sublime, tan notable que nada volvería a ser igual para ella. Mientras ella se alejaba, la obra maestra era mutilada, quemada, olvidada, solo para ser encontrada muchos años después en el lugar más inesperado, cuando ella ya se había ido, hacía ya mucho tiempo…",0.6972,"\u002FoCErKEmy0PudTIvWecOfPlyjyH6.jpg","2015-12-10",9,1,"Himself (archive footage)","5531b68ec3a368222a001101",{"adult":4,"backdrop_path":27,"genre_ids":95,"id":96,"title":97,"original_language":32,"original_title":97,"overview":33,"popularity":98,"poster_path":27,"release_date":33,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":33,"credit_id":99,"order":91,"media_type":38},[],1059306,"Dr. Cooks Ankomst",0.9591,"6393403df04d0100d1d172d6",{"adult":4,"backdrop_path":27,"genre_ids":101,"id":102,"title":103,"original_language":32,"original_title":103,"overview":33,"popularity":104,"poster_path":27,"release_date":105,"softcore":4,"video":4,"vote_average":70,"vote_count":16,"character":33,"credit_id":106,"order":91,"media_type":38},[29],232967,"Dr. Cook, nordpolens opdager",2.2025,"1909-09-21","55e82e539251413e3a0020a9",{"adult":4,"backdrop_path":27,"genre_ids":108,"id":110,"title":111,"original_language":112,"original_title":111,"overview":33,"popularity":113,"poster_path":114,"release_date":115,"softcore":4,"video":4,"vote_average":57,"vote_count":70,"character":59,"credit_id":116,"order":36,"media_type":38},[109,29],10770,385921,"Cinéastes de notre temps : Carl Th. Dreyer","fr",1.3845,"\u002FA1x3kiTkCj6El1hA2nLsYm4v3l0.jpg","1965-04-08","570fb07ec3a36853700033b7",{"adult":4,"backdrop_path":27,"genre_ids":118,"id":119,"title":120,"original_language":74,"original_title":121,"overview":122,"popularity":123,"poster_path":124,"release_date":125,"softcore":4,"video":4,"vote_average":126,"vote_count":127,"character":33,"credit_id":128,"order":36,"media_type":38},[29,109],444848,"El cine de Dreyer","The Cinema of Carl Th. Dreyer","Documental sobre la figura y la obra del realizador danés Carl T. Dreyer",1.1996,"\u002FbFcroczwfGbpEJ5YTjS4kA0sS1B.jpg","1982-05-30",5.8,5,"58b9ab0fc3a368664d00cb40",{"adult":4,"backdrop_path":130,"genre_ids":131,"id":132,"title":133,"original_language":32,"original_title":133,"overview":33,"popularity":134,"poster_path":135,"release_date":136,"softcore":4,"video":4,"vote_average":137,"vote_count":138,"character":78,"credit_id":139,"order":90,"media_type":38},"\u002F8kzyCKFApFOMJPci2Kuu7yjhpaA.jpg",[29],66133,"Carl Th. Dreyer: Min metier",1.2387,"\u002FaTrrGTlWqGXOMec6FaieAvnaVY4.jpg","1995-12-28",6.1,27,"5ac6ca67c3a36834e201aea8",{"adult":4,"backdrop_path":141,"genre_ids":142,"id":143,"title":144,"original_language":74,"original_title":144,"overview":33,"popularity":145,"poster_path":146,"release_date":147,"softcore":4,"video":4,"vote_average":148,"vote_count":149,"character":59,"credit_id":150,"order":138,"media_type":38},"\u002Fl6pEbeeAD2spisee51dP2SN7VZP.jpg",[29],105583,"Diaries, Notes, and Sketches",1.9485,"\u002F3iyvGft8nwGJFX62H5RawllN6Gp.jpg","1968-03-01",7.3,32,"5e898c9bb84f940014cb6078",{"adult":4,"backdrop_path":152,"genre_ids":153,"id":154,"title":155,"original_language":32,"original_title":155,"overview":33,"popularity":156,"poster_path":157,"release_date":158,"softcore":4,"video":4,"vote_average":36,"vote_count":36,"character":47,"credit_id":159,"order":160,"media_type":38},"\u002FmryHXZKEgsrL3V2Yjal35EeCywV.jpg",[29],1373000,"Et livsværk – Carl Th. Dreyers Jesusfilm",0.8921,"\u002Fw4D2sL0DETLK2mLBgF1WB4Oqevz.jpg","1970-03-27","6712010a25c70b8b1d679dc3",3,[162,179,184,199,204,209,221,225,237,249,257,272,283,296,308,312,315,328,331,338,350,362,375,378,388,399,408,418,427,434,443,452,462,469,478,481,488,491,494,497,504,516,519,522,525,530,533,536,548,551,554,557,560,563,566,574,577,582,586,594,597,600,603,606,617,620,623,626,635,642,650,657],{"adult":4,"backdrop_path":163,"genre_ids":164,"id":167,"title":168,"original_language":169,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":177,"department":20,"job":178,"media_type":38},"\u002Frg3hBiQbDet8uNQkgfbpk7306p8.jpg",[138,165,166],14,9648,779,"La bruja vampiro","de","Vampyr - Der Traum des Allan Grey","Un errante obsesionado con lo sobrenatural llega hasta una posada en la que una adolescente débil y muy enferma se está transformando lentamente en un vampiro.",4.042,"\u002FrzLsS8d1PJQhb0Ni9RjTaqyQ0ca.jpg","1932-05-06",7.249,621,"52fe4275c3a36847f802038b","Director",{"adult":4,"backdrop_path":163,"genre_ids":180,"id":167,"title":168,"original_language":169,"original_title":170,"overview":171,"popularity":172,"poster_path":173,"release_date":174,"softcore":4,"video":4,"vote_average":175,"vote_count":176,"credit_id":181,"department":182,"job":183,"media_type":38},[138,165,166],"52fe4275c3a36847f80203eb","Production","Producer",{"adult":4,"backdrop_path":185,"genre_ids":186,"id":189,"title":190,"original_language":112,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":197,"credit_id":198,"department":20,"job":178,"media_type":38},"\u002F5YyWhr5cgVeYYHbsWjyQ0OGKkmu.jpg",[187,188],18,36,780,"La pasión de Juana de Arco","La Passion de Jeanne d'Arc","Guerra de los Cien Años (siglos XIV y XV). En 1431, Juana de Arco, después de haber conducido a las tropas francesas a la victoria, es arrestada y acusada de brujería. Ella declara haber recibido de Dios la misión de salvar a Francia, pero es procesada y condenada a morir en la hoguera.",6.4424,"\u002FyhuXslS2FumUzpsd7qNxQEMDsnC.jpg","1928-04-21",7.967,1144,"52fe4275c3a36847f8020453",{"adult":4,"backdrop_path":185,"genre_ids":200,"id":189,"title":190,"original_language":112,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":197,"credit_id":201,"department":202,"job":203,"media_type":38},[187,188],"52fe4275c3a36847f8020459","Writing","Screenplay",{"adult":4,"backdrop_path":185,"genre_ids":205,"id":189,"title":190,"original_language":112,"original_title":191,"overview":192,"popularity":193,"poster_path":194,"release_date":195,"softcore":4,"video":4,"vote_average":196,"vote_count":197,"credit_id":206,"department":207,"job":208,"media_type":38},[187,188],"52fe4275c3a36847f8020465","Editing","Editor",{"adult":4,"backdrop_path":210,"genre_ids":211,"id":213,"title":214,"original_language":32,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":148,"vote_count":219,"credit_id":220,"department":20,"job":178,"media_type":38},"\u002F9g3D4uqDYeukbSGckW8khR4G93C.jpg",[187,212],10749,34181,"Gertrud","Gertrud es una mujer madura e idealista que busca el amor absoluto, con mayúsculas, pero sus experiencias sentimentales se ven siempre abocadas al fracaso. Decide separarse de su marido, un eminente político, porque él antepone el trabajo al amor. Se enamora de un joven músico que empieza a cosechar sus primeros éxitos, pero para él, que sólo piensa en sí mismo, Gertrud no es más que una aventura pasajera. Por otra parte, un antiguo novio poeta reaparece en su vida con la pretensión de que reanuden su antigua relación.",2.4304,"\u002FcmrIKdZWygU7VoSepx3mKBk1M3V.jpg","1964-12-19",180,"52fe45599251416c9102f4c5",{"adult":4,"backdrop_path":210,"genre_ids":222,"id":213,"title":214,"original_language":32,"original_title":214,"overview":215,"popularity":216,"poster_path":217,"release_date":218,"softcore":4,"video":4,"vote_average":148,"vote_count":219,"credit_id":223,"department":202,"job":224,"media_type":38},[187,212],"52fe45599251416c9102f4d1","Writer",{"adult":4,"backdrop_path":226,"genre_ids":227,"id":228,"title":229,"original_language":32,"original_title":230,"overview":231,"popularity":232,"poster_path":233,"release_date":234,"softcore":4,"video":4,"vote_average":137,"vote_count":235,"credit_id":236,"department":20,"job":178,"media_type":38},"\u002FtKAufilplhEQC0Ixr8wXoiCZl5t.jpg",[187,188,165,138],35075,"Las páginas del libro de Satán","Blade af Satans Bog","Satanás es un ángel caído que quiere agradar a Dios. Pero el Señor lo condena a vivir entre los hombres para tentarlos permanentemente; cada vez que provoque la condenación de un alma, la propia condena de Satán se alargará un milenio. En cambio si llega a hallar a un alma capaz de resistir sus tretas, logrará un mérito a su favor",1.2867,"\u002FAwxMNSYIed9rP5qKFYjo9JFRejH.jpg","1920-11-15",46,"52fe45919251416c91036d97",{"adult":4,"backdrop_path":238,"genre_ids":239,"id":240,"title":241,"original_language":169,"original_title":242,"overview":33,"popularity":243,"poster_path":244,"release_date":245,"softcore":4,"video":4,"vote_average":246,"vote_count":247,"credit_id":248,"department":20,"job":178,"media_type":38},"\u002Fd7IkUoBRS9OMX02dMwKpVrBBz5l.jpg",[187],36125,"Los estigmatizados","Die Gezeichneten",1.9797,"\u002FbJ0KSfc6pocQsRxKzn3mwSxswJt.jpg","1922-02-07",6.6,24,"52fe45ce9251416c9103f087",{"adult":4,"backdrop_path":27,"genre_ids":250,"id":251,"title":252,"original_language":32,"original_title":252,"overview":33,"popularity":253,"poster_path":254,"release_date":255,"softcore":4,"video":4,"vote_average":90,"vote_count":91,"credit_id":256,"department":202,"job":224,"media_type":38},[],821352,"Lydia",1.2059,"\u002Flhdu2JXXda0W1xy7jBIe4Z5Yr2.jpg","1918-04-09","6080708301b1ca002a603e09",{"adult":4,"backdrop_path":258,"genre_ids":259,"id":261,"title":262,"original_language":263,"original_title":264,"overview":265,"popularity":266,"poster_path":267,"release_date":268,"softcore":4,"video":4,"vote_average":269,"vote_count":270,"credit_id":271,"department":20,"job":178,"media_type":38},"\u002FhixCaSWhy70MBqqDIm138PUbJ9.jpg",[260,187,188],35,62982,"La mujer del párroco","sv","Prästänkan","La historia está ambientada en una parroquia campestre en el siglo XVII, a la que llega un nuevo párroco para ocupar su puesto, que ha quedado vacante. El hombre se ha llevado a su prometida, pero las costumbres dictaminaban que el nuevo párroco debería casarse con la viuda del anterior. Sería además el cuarto marido de la dama en cuestión, siendo ésta muy mayor.",1.4149,"\u002Fu698h1wqz0UvqhiKEhCsIEiESqS.jpg","1920-10-04",7.2,49,"52fe4696c3a368484e098cab",{"adult":4,"backdrop_path":27,"genre_ids":273,"id":274,"title":275,"original_language":32,"original_title":276,"overview":277,"popularity":278,"poster_path":279,"release_date":280,"softcore":4,"video":4,"vote_average":57,"vote_count":281,"credit_id":282,"department":20,"job":178,"media_type":38},[187],46984,"Tomamos el ferry","De nåede færgen","Un hombre y una mujer llegan con su moto en un ferry a Assens, y tienen que coger otro ferry al otro lado de la isla, en Nyborg, a 70 kilómetros de distancia. Pero sólo disponen de 45 minutos.",1.426,"\u002Fr8QmSlw8G463VTO4Vfup6uVd48g.jpg","1948-05-12",43,"52fe4719c3a36847f81235bf",{"adult":4,"backdrop_path":284,"genre_ids":285,"id":286,"title":287,"original_language":32,"original_title":288,"overview":289,"popularity":290,"poster_path":291,"release_date":292,"softcore":4,"video":4,"vote_average":293,"vote_count":294,"credit_id":295,"department":20,"job":178,"media_type":38},"\u002F62pTb3zkfE2860lIqQFlxQ5tUEL.jpg",[187],48035,"La palabra","Ordet","Hacia 1930, en un pequeño pueblo de Jutlandia occidental, el viejo Morten Borgen dirige la granja de Borgensgaard. Tiene tres hijos: Mikkel, Johannes y Anders. El primero está casado con Inger y tiene dos hijas pequeñas, aunque en estos momentos Inger está embarazada y esperan el tercero. Johannnes es un antiguo estudiante de Teología que, por haberse imbuido de las ideas de Kierkegaard e identificarse con la figura de Jesucristo, es considerado por todos como un loco. El tercero, Anders, está enamorado de la hija del sastre, líder intransigente de un sector religioso rival. 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