[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"tmdb:person\u002F11523:{\"language\":\"es-ES\",\"append_to_response\":\"combined_credits,images\"}":3},{"adult":4,"also_known_as":5,"biography":11,"birthday":12,"deathday":13,"gender":14,"homepage":15,"id":16,"imdb_id":17,"known_for_department":18,"name":19,"place_of_birth":20,"popularity":21,"profile_path":22,"combined_credits":23,"images":3904},false,[6,7,8,9,10],"Жорж Мельес","조르주 멜리에스","Marie Georges Jean Méliès","ジョルジュ・メリエス","マリー・ジョルジュ・ジャン・メリエス","Georges Méliès (December 8, 1861 - January 21, 1938), full name Marie-Georges-Jean Méliès, was a French illusionist and filmmaker famous for leading many technical and narrative developments in the earliest days of cinema. One of the first filmmakers to use multiple exposures, time-lapse photography, tracking shots, dissolves, and hand-painted color in his work, Méliès pioneered effects that would define cinematic special effects for decades to come.  A prolific innovator in the use of special effects, Méliès accidentally discovered the substitution stop trick in 1896, a method of creating seamless disappearing and\u002For appearing effects used throughout both films and television for decades to come.  Because of his ability to seemingly manipulate and transform reality through cinematography, Méliès is sometimes referred to as the first \"Cinemagician\".\n\nTwo of his best-known films are A Trip to the Moon (1902) and The Impossible Voyage (1904). Both stories involve strange, surreal voyages, somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. Méliès was also an early pioneer of horror cinema, which can be traced back to his Le Manoir du diable (1896).  \n\nIn early 1909 Méliès stopped making films to protest Thomas Edison's Motion Pictures Parents Company monopoly, and presided over the first meeting of the International Filmmakers Congress in Paris.  Further financial hardships created by his opposition to Edison and diminishing influence, Méliès disappeared from public life. By the mid-1920s he made a meager living as a candy and toy salesma in Paris, with the assistance of funds collected by other filmmakers.  Although he was recognized for his contributions in cinema, Méliès spent most of his later years in poverty before being accepted into La Maison du Retraite du Cinéma, the film industry's retirement home in Orly.  ","1861-12-08","1938-01-21",2,null,11523,"nm0617588","Directing","Georges Méliès","Paris, France",1.3602,"\u002Facx5saf22Qj6FV5WAsacRHlZAMn.jpg",{"cast":24,"crew":1568},[25,45,61,73,88,101,113,127,140,155,168,179,195,205,217,229,240,254,270,280,293,303,316,327,338,349,358,371,383,396,407,421,435,445,456,465,474,487,498,509,518,530,539,551,559,568,578,584,593,604,611,621,633,645,656,665,674,683,692,701,709,718,728,736,746,755,763,771,779,789,799,807,819,832,842,851,860,872,881,891,899,907,916,925,939,953,963,971,978,987,998,1007,1018,1026,1038,1047,1056,1065,1076,1090,1100,1109,1118,1126,1136,1147,1157,1167,1176,1186,1196,1207,1217,1225,1233,1242,1250,1258,1269,1278,1286,1294,1302,1312,1320,1329,1338,1348,1356,1365,1374,1382,1389,1395,1405,1415,1424,1434,1443,1454,1463,1472,1480,1486,1493,1501,1510,1521,1529,1537,1547,1557],{"adult":4,"backdrop_path":26,"genre_ids":27,"id":31,"title":32,"original_language":33,"original_title":34,"overview":35,"popularity":36,"poster_path":37,"release_date":38,"softcore":4,"video":4,"vote_average":39,"vote_count":40,"character":41,"credit_id":42,"order":43,"media_type":44},"\u002Fg67r1eiQD3ERSEQFCFkSn7TeGw5.jpg",[28,29,30],12,878,35,775,"El viaje a la Luna","fr","Le Voyage dans la Lune","El profesor Barbenfouillis y cinco de sus colegas de la Academia de Astronomía viajan a la Luna a bordo de un cohete propulsado por un cañón gigante. Una vez sobre la superficie lunar, los audaces exploradores afrontan los muchos peligros que ocultan las cuevas del misterioso satélite.",7.6928,"\u002Fl58KDN46lKx5RPzu1encomzSuJU.jpg","1902-06-15",7.871,2095,"Professeur Barbenfouillis \u002F La Lune","52fe4275c3a36847f8020189",0,"movie",{"adult":4,"backdrop_path":46,"genre_ids":47,"id":49,"title":50,"original_language":51,"original_title":52,"overview":53,"popularity":54,"poster_path":55,"release_date":56,"softcore":4,"video":4,"vote_average":57,"vote_count":58,"character":59,"credit_id":60,"order":43,"media_type":44},"\u002F3bAtSq11UPIM08RP2h5eoDSWiMJ.jpg",[28,30,48,29],14,2963,"Viaje a través de lo imposible","xx","Le Voyage à travers l'impossible","",2.4281,"\u002F8aoNxqdbd4EGJ66ooeaRwm3QxQF.jpg","1904-10-29",7.267,212,"Mabouloff","52fe4376c3a36847f80561c5",{"adult":4,"backdrop_path":62,"genre_ids":63,"id":64,"title":65,"original_language":33,"original_title":66,"overview":53,"popularity":67,"poster_path":68,"release_date":69,"softcore":4,"video":4,"vote_average":70,"vote_count":71,"character":53,"credit_id":72,"order":43,"media_type":44},"\u002F2FRRAPJkQLlZRyWmwD60LVKD4bL.jpg",[30,48],44335,"Magia culinaria","Sorcellerie culinaire",0.8763,"\u002F5VN3pAMCjtWSg65haut05qcpfvH.jpg","1904-05-06",5.5,26,"6161ee19cee4810043b25349",{"adult":4,"backdrop_path":15,"genre_ids":74,"id":76,"title":77,"original_language":78,"original_title":77,"overview":79,"popularity":80,"poster_path":81,"release_date":82,"softcore":4,"video":4,"vote_average":83,"vote_count":84,"character":85,"credit_id":86,"order":87,"media_type":44},[75],99,472213,"Cinematógrafo 1900","es","Homenaje a Segundo de Chomón. Semidocumental que incluye cortos y la intervención de actores que explican sus obras, como Inma de Santis, Jesús Gúzman o Ana Mariscal.",1.1596,"\u002F4uskBJFW7MhLpKJtI1zE9nPEuou.jpg","1979-11-25",6.3,3,"Self (archive footage)","617bb3903e2ec800635ea56a",10,{"adult":4,"backdrop_path":89,"genre_ids":90,"id":91,"title":92,"original_language":78,"original_title":92,"overview":93,"popularity":94,"poster_path":95,"release_date":96,"softcore":4,"video":4,"vote_average":97,"vote_count":98,"character":85,"credit_id":99,"order":100,"media_type":44},"\u002Fuwzk2uWTUB0J3B6MyW7J0HKiHEL.jpg",[75,30],370569,"El hombre que quiso ser Segundo","Vida y obra del pionero de cine español Segundo de Chomón y la peculiar relación que tuvo con su hermano gemelo, Primo de Chomón. Segundo de Chomón (Teruel 1871-París 1929) fue el cineasta español pionero del cine mudo y de la técnica de la animación cinematográfica. Fue un genio de los trucajes, dominó la utilización de maquetas, precursor del travelling, del cine a color y abuelo de la animación por ordenador. Por todo esto, se le compara con el otro gran pionero del cine universal, George Méliès, a quien durante toda su vida admiró e imitó al servicio de la Pathé francesa para, con el tiempo, superarle en el perfeccionamiento de algunos aspectos técnicos del cine de animación. La rescisión de su contrato le obligaría a regresar a España. Una etapa de fracasos precedió su marcha a Italia, donde lograría culminar su carrera junto a Pastrone en su mayor superproducción: Cabiria.",1.0687,"\u002FnPcAZpQaTCC2JPL6GHTvHvs2erH.jpg","2014-11-30",6,1,"617b540571f0950061ab76eb",11,{"adult":4,"backdrop_path":15,"genre_ids":102,"id":103,"title":104,"original_language":33,"original_title":105,"overview":106,"popularity":107,"poster_path":108,"release_date":109,"softcore":4,"video":4,"vote_average":97,"vote_count":110,"character":111,"credit_id":112,"order":43,"media_type":44},[48,30],44324,"El rey del maquillaje","Le Roi du maquillage","Transformaciones del rostro de un hombre ante la cámara.",0.8335,"\u002Fr3bnSsNeAtA2zPcnVoDGt9M5rI2.jpg","1904-02-05",47,"Man with whiskers","52fe4684c3a36847f8103463",{"adult":4,"backdrop_path":114,"genre_ids":115,"id":116,"title":117,"original_language":33,"original_title":118,"overview":119,"popularity":120,"poster_path":121,"release_date":122,"softcore":4,"video":4,"vote_average":123,"vote_count":124,"character":125,"credit_id":126,"order":43,"media_type":44},"\u002FesVk1JHMgLrwW30qPrIE5uQwi2Z.jpg",[48],44333,"Las cartas vivas","Les Cartes vivantes","Un prestidigitador da un espectáculo de cartas vivas.",1.3335,"\u002FqVoh7zc508Atp0f5Af3xPlLz2Zb.jpg","1905-01-06",6.4,59,"The Magician","52fe4684c3a36847f810350f",{"adult":4,"backdrop_path":128,"genre_ids":129,"id":131,"title":132,"original_language":33,"original_title":132,"overview":53,"popularity":133,"poster_path":134,"release_date":135,"softcore":4,"video":4,"vote_average":136,"vote_count":137,"character":138,"credit_id":139,"order":43,"media_type":44},"\u002FpDMzpZXzbNanStudVZq32tdZ4Ay.jpg",[48,130],27,16465,"Le Chaudron infernal",1.2244,"\u002F5FFID77Wf5vZi4d9lpSS2Xf7rNG.jpg","1903-08-01",6.323,110,"Devil","52fe46d69251416c7508537f",{"adult":4,"backdrop_path":141,"genre_ids":142,"id":144,"title":145,"original_language":33,"original_title":146,"overview":147,"popularity":148,"poster_path":149,"release_date":150,"softcore":4,"video":4,"vote_average":151,"vote_count":152,"character":153,"credit_id":154,"order":43,"media_type":44},"\u002FjhHkPUmlIihU4i27sO973IyHF7O.jpg",[30,48,143],10402,49280,"El hombre orquesta","L'homme orchestre","Georges Méliès interpreta a siete músicos que tocan simultáneamente sus instrumentos.",1.1485,"\u002FtZbhkqZK9xKKlNDzJ1xFmFgUI2C.jpg","1900-01-01",6.7,130,"All the members of the orchestra","52fe478dc3a36847f813bd6f",{"adult":4,"backdrop_path":156,"genre_ids":157,"id":158,"title":159,"original_language":33,"original_title":159,"overview":160,"popularity":161,"poster_path":162,"release_date":163,"softcore":4,"video":4,"vote_average":164,"vote_count":165,"character":166,"credit_id":167,"order":43,"media_type":44},"\u002FLTpnKOyK9D4mV5fjKCRkDz7KXB.jpg",[30,48],49296,"Un homme de têtes","Un hombre realiza una exhibición en la cual juega con sus múltiples cabezas.",2.6736,"\u002FzwvezRPuHfaWZozAoNiQiTeDxOU.jpg","1898-11-30",7.245,196,"Фокусник","52fe478ec3a36847f813bf83",{"adult":4,"backdrop_path":15,"genre_ids":169,"id":170,"title":171,"original_language":172,"original_title":171,"overview":53,"popularity":173,"poster_path":174,"release_date":175,"softcore":4,"video":4,"vote_average":176,"vote_count":14,"character":177,"credit_id":178,"order":43,"media_type":44},[30,130],934630,"Un bon lit","en",0.7147,"\u002FzMBVYJ0Ecl9DqA3P4haHaIBmfuo.jpg","1899-01-01",4.2,"The Sleeping Man (uncredited)","61fc80dcb6abc400c1ea0e7c",{"adult":4,"backdrop_path":180,"genre_ids":181,"id":184,"title":185,"original_language":33,"original_title":186,"overview":187,"popularity":188,"poster_path":189,"release_date":190,"softcore":4,"video":4,"vote_average":191,"vote_count":192,"character":193,"credit_id":194,"order":98,"media_type":44},"\u002FsPxiLbINuBO8NwUCFEtZSKqEb8j.jpg",[182,183],18,36,106030,"Juana de Arco","Jeanne d'Arc","La versión de Georges Méliès sobre el proceso de Juana de Arco.",1.1083,"\u002F23lc3zzNLOh4fJgBIAR5XTgJy4J.jpg","1900-08-06",6.9,68,"Père de Jeanne","52fe4a5dc3a36847f81c9d35",{"adult":4,"backdrop_path":15,"genre_ids":196,"id":197,"title":198,"original_language":33,"original_title":198,"overview":53,"popularity":199,"poster_path":15,"release_date":200,"softcore":4,"video":4,"vote_average":201,"vote_count":202,"character":203,"credit_id":204,"order":43,"media_type":44},[30,48],415825,"Faust et Marguerite",0.7308,"1897-01-01",3.9,9,"Méphistophélès","64a5cb9ada10f000e225dea4",{"adult":4,"backdrop_path":206,"genre_ids":207,"id":208,"title":209,"original_language":33,"original_title":209,"overview":53,"popularity":210,"poster_path":211,"release_date":212,"softcore":4,"video":4,"vote_average":213,"vote_count":214,"character":215,"credit_id":216,"order":43,"media_type":44},"\u002Fp0Bo2tAF1qjZbW0IP0gplKElcpB.jpg",[30,130],104462,"Une nuit terrible",1.177,"\u002FdQ0MBXIhHQyblhkvEnth5Q579DE.jpg","1896-01-01",5.2,93,"L'homme qui essaie de dormir","52fe4a35c3a36847f81c0f2f",{"adult":4,"backdrop_path":218,"genre_ids":219,"id":221,"title":222,"original_language":33,"original_title":222,"overview":223,"popularity":224,"poster_path":225,"release_date":212,"softcore":4,"video":4,"vote_average":226,"vote_count":227,"character":166,"credit_id":228,"order":43,"media_type":44},"\u002FkCzAauH6UFSif1DHQxCV0ewhYSO.jpg",[220],9648,104466,"Escamotage d'une dame chez Robert-Houdin","Un hombre elegantemente vestido hace sentarse en una silla a una mujer, con la intención de hacerla desaparecer. Primera película con efectos especiales de George Mèliés.",1.4615,"\u002FnHmi0GROkLCo08aGlTTcPit1MUs.jpg",6.2,134,"52fe4a35c3a36847f81c0fc7",{"adult":4,"backdrop_path":230,"genre_ids":231,"id":232,"title":233,"original_language":33,"original_title":233,"overview":53,"popularity":234,"poster_path":235,"release_date":200,"softcore":4,"video":4,"vote_average":236,"vote_count":237,"character":238,"credit_id":239,"order":43,"media_type":44},"\u002F68NLPQKCgL5kzEaUwPHZbnYREUh.jpg",[130],104471,"Le château hanté",1.2447,"\u002F6nHr8cXcmaGMEfxzg6rcDsKTobU.jpg",5.7,79,"Mephisto","52fe4a35c3a36847f81c1005",{"adult":4,"backdrop_path":241,"genre_ids":242,"id":243,"title":244,"original_language":33,"original_title":245,"overview":246,"popularity":247,"poster_path":248,"release_date":249,"softcore":4,"video":4,"vote_average":250,"vote_count":251,"character":252,"credit_id":253,"order":43,"media_type":44},"\u002F29RNZAwTjOHWG49OAeJZp3Mr7Fp.jpg",[48,130,30],104700,"Sueños de un astrónomo","La lune à un mètre","Un astrónomo comienza a sufrir alucinaciones que tienen como protagonista a una luna que se cuela en su habitación dándole más de un dolor de cabeza.",1.5809,"\u002F2luuSOMNuJvPltvv0Hm1JQSeDEq.jpg","1900-10-07",6.962,247,"Астроном","52fe4a3ac3a36847f81c2303",{"adult":4,"backdrop_path":255,"genre_ids":256,"id":259,"title":260,"original_language":33,"original_title":261,"overview":262,"popularity":263,"poster_path":264,"release_date":265,"softcore":4,"video":4,"vote_average":266,"vote_count":267,"character":268,"credit_id":269,"order":43,"media_type":44},"\u002FvOGAu6Iz1yb66uSNGq8zQf9FyLs.jpg",[182,257,48,258],10751,10749,114108,"Cenicienta","Cendrillon","Adaptación de \"Cenicienta\", el clásico cuento de hadas. Uno de los primeros argumentos estructurados en la historia del cine.",2.8463,"\u002F3BSsP6HQrFQUHS6pAZ49cdEkJdF.jpg","1899-10-01",6.191,131,"le gnome de la pendule \u002F le suisse à l'entrée de l'église","52fe4b45c3a36847f81fb5d5",{"adult":4,"backdrop_path":15,"genre_ids":271,"id":272,"title":273,"original_language":33,"original_title":274,"overview":275,"popularity":276,"poster_path":15,"release_date":277,"softcore":4,"video":4,"vote_average":236,"vote_count":100,"character":278,"credit_id":279,"order":43,"media_type":44},[48],144450,"El faquir de Singapur","Le Fakir de Singapour","Un mago hace un par de trucos con un huevo grande.",0.8082,"1908-06-25","The Fakir","52fe4b359251416c750fbaad",{"adult":4,"backdrop_path":281,"genre_ids":282,"id":283,"title":284,"original_language":33,"original_title":285,"overview":286,"popularity":287,"poster_path":288,"release_date":289,"softcore":4,"video":4,"vote_average":226,"vote_count":290,"character":291,"credit_id":292,"order":43,"media_type":44},"\u002FwcGTwdmZEDt3JrIwC0P6Vf1WrSw.jpg",[28,30,29],114146,"A la conquista del polo","À la conquête du pôle","Un aerobús rematado en cabeza gallinácea conduce a los expedicionarios liderados por el profesor Maboul (Georges Méliés) rumbo al Polo Norte, donde se toparán con un gigante de hielo, para, al rato, escupirlo a requerimiento de sus compañeros. Los viajeros regresarán triunfalmente a su destino tras un paseo por los hielos perpetuos.",1.1761,"\u002F7gkHJWusoxXPPugufKJvPEOn58I.jpg","1912-05-03",53,"Le professeur Mabouloff","52fe4b46c3a36847f81fb755",{"adult":4,"backdrop_path":15,"genre_ids":294,"id":295,"title":296,"original_language":33,"original_title":296,"overview":53,"popularity":297,"poster_path":298,"release_date":299,"softcore":4,"video":4,"vote_average":300,"vote_count":301,"character":53,"credit_id":302,"order":43,"media_type":44},[48,182,183],144665,"Le Juif errant",0.8334,"\u002FijjszxlHCCeyIl4i8GzTm0BzED4.jpg","1904-11-25",5,20,"52fe4b3d9251416c750fcac9",{"adult":4,"backdrop_path":304,"genre_ids":305,"id":306,"title":307,"original_language":33,"original_title":307,"overview":308,"popularity":309,"poster_path":310,"release_date":311,"softcore":4,"video":4,"vote_average":312,"vote_count":313,"character":314,"credit_id":315,"order":43,"media_type":44},"\u002FxgaoLRTLYOwnPtLsbQjgBypCBGN.jpg",[48,130],133063,"Le manoir du diable","Considerada la primera película de terror de la historia del cine. 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Se encuentra numerada como la n° 1495–1501 en sus catálogos.​En \"El inquilino diabólico\" un hombre alquila un apartamento sin muebles y de su bolsa hace salir todo el mobiliario. En un instante él y su familia se encontrarán cómodamente instalados. Todo funciona a la perfección hasta el día de pago. 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